Commentary on the Song of Songs 5.1–5.9

Greek text: PG 81.English: Claude (claude-opus-5-5), public domain (CC0).

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Chapter 5

5.1PG 81

α΄. Καταδήτω ἀδε.1.Σι,ιδυῦς μου εἰς κῆπον αὖτοῦ, καὶ φαγέτω καρπὸν ἀκροδρύων αὑτοῦ. Τῶν διαθαλλομένων ἐστὶν ὁ βοῤῥᾶς παρὰ τῇ θείᾳ Γραφῇ " διὸ καὶ ὁ Θεὸς διὰ Ἱερεμίου φησὶ τοῦ προφήτου, ὅτι « ᾿Απὸ βοῤῥᾷ ἐχχαυθήσεται κακά. » Καὶ πάλιν, « Καὶ τὰ ἀπὸ βοῤῥᾶ ἐχδιώξω ἀφ᾽ ὑμῶν. ν Καὶ ἀλλαχοῦ - ε Ἰδοὺ κακὰ ἀπὸ βοῤῥᾶ ἔρχεται, καὶ συντριδὴ μεγάλη.» Παρακελεύεται τοίνυν τῷ βοῤῥᾷ ἐξεγερθῆναι καὶ ὑποχωρῆσαι, ἵνα ὁ νότος διαπνεύσῃ, καὶ διαῤτῶν καρπῶν αὐτῆς ὁ ἀδελφιδοῦς ἀπολαύσῃ. Ὁ δὲ νότος εὔδηλον, ὅτι ἀπὸ μεσημθρίας πνεῖ, νότος προσαγορευόμενος διὰ τὸ ὑγρὸς εἶναι, καὶ νοτίδος πληροῦν ἐν τῷ πνεῖν τὰ σώματα " πλέον δὲ καὶ ἀπὸ τῆς μεσημδρίας εἰσρεζ τὸ φῶς " διὸ καὶ τὸν Κύριον ἀπὸ μεσημόρίας ἥξειν ὁ ᾿Αδδαχοὺμ προλέγει" « Ὁ Θεὸς γὰρ, φησὶν, ἀπὸ θαιμὰν ἥξει " τοῦτο δὲ καὶ τῇ Ἑδραίων καὶ τῇ Σύρων ἑρμηνεύεται φωνῇ.» Παραχελεύετα! τοίνυν ἀποστῆναι μὲν τὸ ἐναντίον Πνεῦμα, τὴν δὲ θείαν πνεῦσαι χάριν, ἵνα πεπανθέντας τοὺς τῶν ἀρωμάτων αὐτῆς καρποὺς ὃ γἱνομένου, ἣ πρὸ τῆς ὥρας ἐχπέπτοντος. «Εἰσῆλθον εἰς τὸν κῆπόν μου, ἀδελφή μου, νύμφη. » --- « Ἐτρύγῆσα 7" σμύρναν μου μετὰ ἀρωμάτων μου, ἔφαγον ἄρτον μου", μετὰ μέλιτός μου, ἔπιον οἶνόν μου μετὰ γάλακτός μου. Φάγετε, πλησίον, μου καὶ πίετε, καὶ εἰς τὸν ἐμὸν κἥπον, τὸν ὑπὸ σοῦ μοὶ προσενεχθέντα, καὶ ἐτρύγησα πρώτην τὴν σμύρναν μου, τουτέστιν ἂν ἐγὼ ἐν σοὶ κατεφύτευσα " πρῶτος γὰρ ἐγὼ τὸν ὑπὲρ σοῦ θάνατον χατεδεξάμην, εἶθ᾽ οὕτως σὺ συναποθανεῖν μοι καὶ συνταφῆναι ἐπεθύμησας. Συνετάφης γάρ μοι διὰ τοῦ βαπτίσματος εἰς τὸν θάνατον, καὶ ἐνέχρωσᾶς σου τὰ μέλη τὰ ἐπὶ τῆς γῆς. Ἐτρύγησα τοιγαροῦν τὴν σμύρναν μου μετὰ ἀρωμάτων μου " καὶ τὴν ἄλλην γὰρ, φησὶν, ἀρετὴν, ἣν παρ᾽ ἐμοῦ ἐδιδάχθης, ἐχαρπωσάμην καὶ ἔλαθον " ἔφαγον δὲ καὶ ἄρτον μου μετὰ μέλιτός μου, τὴν στερεὰν καὶ γλυκεῖαν τροφὴν, τὴν παρὰ τοῖς τελείοις εὑρισκομένην. « "Ἔπιον οἶνόν μου. » Καὶ καλῶς τὴν ἀντωνυμίαν προστέθειχεν. Αὐτὸς γάρ ἐστιν ἡ ἀληθινὴ ἄμ πελος, ἀφ᾽ ἧς ὁ οἶνος οὗτος ἐγεωργήθη. ε« Ἕπιον οἶνόν μου μετὰ γάλακτός μου.» Οὐκ ἀποσείεται γὰρ οὐδὲ τοὺς νηπίους, καὶ οἱονεὶ ὑπομαζίους, καὶ γαλακτοτρογουμένους, ἀλλὰ καὶ τὸν σύμμετρον παρ᾽ ἐχείνων δέχεται καρπὸν, καὶ ἀγαθὸς ὧν καὶ τοὺς φίλους εἰς τὴν εὐωχίαν καλεῖ, καί φησι" εΦάγετε, οἱ πλησίον βου, καὶ πίετε, καὶ μεθύσθητε, ἀδελφιδοῦ μου. » Πλησιάζουσι δὲ αὐτῷ οἱ τετελειωμένοι, καὶ τὴν πρὸς αὐτὸν αὐτοῦ αὐχοῦσι συγγένειαν, οἱ τὴν εἰκόνα φυλάττοντες ἀδιάφθορον. Καὶ οὐ μόνον αὑτοῖς πιεῖν, “ἀλλὰ καὶ μεθυσθῆναι παρακελεύεται " ἔστι γὰρ μέθη ᾿σωφροσύνην, ἀλλ᾽ οὐ παραφροσύνην ἐργαζομένη " οὐ (παραλύουσα τὰ μέλη, ἀλλὰ ῥωννύουσα. «Τὸ γὰρ ποιπήριον αὐτοῦ μεθύσκον ὡσεὶ κράτιστον. » ᾿Αλλαχοῦ δ᾽ δὲ πάλιν ὁ μακάριος Δαδίδ" ε Μεθυσθήσονται, φησὶν, ἀπὸ πιότητος οἴκου σου, καὶ τὸν χειμάῤῥουν "' τῆς ῥηθέντων, φησὶν ἡ νύμφη τρυφῆς σου ποτιεῖς αὐτούς 55.» Τῶν ἄνωθεν οὕτως

a΄. Katadētō ade.1.Si,idyys mou eis kēpon autou, kai phagetō karpon akrodryōn hautou. Tōn diathallomenōn estin ho borrhas para tę̄ theią Graphę̄ " dio kai ho Theos dia Hieremiou phēsi tou prophētou, hoti « ᾿Apo borrhą echchauthēsetai kaka. » Kai palin, « Kai ta apo borrha echdiōxō aph᾽ hymōn. n Kai allachou - e Idou kaka apo borrha erchetai, kai syntridē megalē.» Parakeleuetai toinyn tǭ borrhą exegerthēnai kai hypochōrēsai, hina ho notos diapneusę̄, kai diartōn karpōn autēs ho adelphidous apolausę̄. Ho de notos eudēlon, hoti apo mesēmthrias pnei, notos prosagoreuomenos dia to hygros einai, kai notidos plēroun en tǭ pnein ta sōmata " pleon de kai apo tēs mesēmdrias eisrez to phōs " dio kai ton Kyrion apo mesēmorias hēxein ho ᾿Addachoum prolegei" « Ho Theos gar, phēsin, apo thaiman hēxei " touto de kai tę̄ Hedraiōn kai tę̄ Syrōn hermēneuetai phōnę̄.» Paracheleueta! toinyn apostēnai men to enantion Pneuma, tēn de theian pneusai charin, hina pepanthentas tous tōn arōmatōn autēs karpous ho ginomenou, hē pro tēs hōras echpeptontos. «Eisēlthon eis ton kēpon mou, adelphē mou, nymphē. » --- « Etrygēsa 7" smyrnan mou meta arōmatōn mou, ephagon arton mou", meta melitos mou, epion oinon mou meta galaktos mou. Phagete, plēsion, mou kai piete, kai eis ton emon kēpon, ton hypo sou moi prosenechthenta, kai etrygēsa prōtēn tēn smyrnan mou, toutestin an egō en soi katephyteusa " prōtos gar egō ton hyper sou thanaton chatedexamēn, eith᾽ houtōs sy synapothanein moi kai syntaphēnai epethymēsas. Synetaphēs gar moi dia tou baptismatos eis ton thanaton, kai enechrōsas sou ta melē ta epi tēs gēs. Etrygēsa toigaroun tēn smyrnan mou meta arōmatōn mou " kai tēn allēn gar, phēsin, aretēn, hēn par᾽ emou edidachthēs, echarpōsamēn kai elathon " ephagon de kai arton mou meta melitos mou, tēn sterean kai glykeian trophēn, tēn para tois teleiois heuriskomenēn. « "Epion oinon mou. » Kai kalōs tēn antōnymian prostetheichen. Autos gar estin hē alēthinē am pelos, aph᾽ hēs ho oinos houtos egeōrgēthē. e« Hepion oinon mou meta galaktos mou.» Ouk aposeietai gar oude tous nēpious, kai hoionei hypomazious, kai galaktotrogoumenous, alla kai ton symmetron par᾽ echeinōn dechetai karpon, kai agathos hōn kai tous philous eis tēn euōchian kalei, kai phēsi" ePhagete, hoi plēsion bou, kai piete, kai methysthēte, adelphidou mou. » Plēsiazousi de autǭ hoi teteleiōmenoi, kai tēn pros auton autou auchousi syngeneian, hoi tēn eikona phylattontes adiaphthoron. Kai ou monon hautois piein, “alla kai methysthēnai parakeleuetai " esti gar methē ᾿sōphrosynēn, all᾽ ou paraphrosynēn ergazomenē " ou (paralyousa ta melē, alla rhōnnyousa. «To gar poipērion autou methyskon hōsei kratiston. » ᾿Allachou d᾽ de palin ho makarios Dadid" e Methysthēsontai, phēsin, apo piotētos oikou sou, kai ton cheimarrhoun "' tēs rhēthentōn, phēsin hē nymphē tryphēs sou potieis autous 55.» Tōn anōthen houtōs

1. "Let my kinsman come down into his garden and eat the fruit of his fruit trees." The north wind is among the things spoken against in the divine Scripture; that is why God says through Jeremiah the prophet that "from the north evils will be kindled." And again: "And the one from the north I will drive out from you." And elsewhere: "Behold, evils come from the north, and great destruction." So she bids the north wind arouse itself and withdraw, so that the south wind may blow through and the kinsman may enjoy [the] fruits of her [garden]. The south wind (notos), plainly, blows from the south, and is called notos because it is moist and fills bodies with moisture as it blows; moreover, light streams in more from the south; that is why Habakkuk foretells that the Lord will come from the south: "For God," he says, "will come from Thaiman"; and this is how the word is interpreted in the Hebrew and in the Syriac tongue. So she bids the opposing spirit depart and the divine grace blow, so that [her kinsman may enjoy] the fruits of her spices once they are ripened, … not falling before their time.

"I have entered into my garden, my sister, bride. I have gathered my myrrh with my spices, I have eaten my bread with my honey, I have drunk my wine with my milk. Eat, companions, and drink, [and be drunk, kinsmen]." … into my garden, which you brought to me, and I gathered first my myrrh, that is, what I planted in you; for I first accepted death for your sake, and then you desired to die with me and to be buried with me. For you were buried with me through baptism into death, and you put to death your members that are on the earth. I gathered, then, my myrrh with my spices; for the rest of the virtue too, he says, which you were taught by me, I have reaped and received. And I have eaten my bread with my honey: the solid and sweet food that is found among the perfect. "I have drunk my wine." He has rightly added the pronoun; for he himself is the true vine from which this wine was cultivated. "I have drunk my wine with my milk." For he does not shake off even the infants, those still at the breast, as it were, and fed on milk, but receives from them too the fruit proportionate to them; and, being good, he also calls his friends to the feast, and says: "Eat, companions, and drink, and be drunk, kinsmen." Those who have been made perfect draw near to him and boast of their kinship with him, those who keep the image uncorrupted. And he bids them not only drink but also be drunk; for there is a drunkenness that produces soundness of mind, not derangement, that does not loosen the limbs but strengthens them. "For your cup that makes drunk, how excellent it is." And elsewhere again the blessed David says: "They will be drunk with the fatness of your house, and you will give them drink from the torrent of your delight." When the words from above had been spoken thus, the bride says:

Textual problem in this passage: see the notes.

Song 4:16–5:1 (quotation, high confidence) · Jer 1:14 (quotation, high confidence) · Joel 2:20 (quotation, high confidence) · Jer 4:6 (quotation, medium confidence) · Hab 3:3 (quotation, high confidence) · Rom 6:4 (allusion, high confidence) · Col 3:5 (allusion, high confidence) · John 15:1 (allusion, high confidence) · Heb 5:12–14 (allusion, medium confidence) · Ps 23:5 (22:5 LXX) (quotation, high confidence) · Ps 36:8 (35:9 LXX) (quotation, high confidence)

Notes and citation

Summary: The bride bids the north wind (the hostile spirit) depart and the south wind (divine grace) blow; the bridegroom gathers the myrrh of her death with him in baptism and invites the perfect to a sober drunkenness.

  • Lemmas: Song 4:16b–5:1 (numbered 5:1 in Theodoret's text). The words "and be drunk, kinsmen" of 5:1 are lost in the first citation of the lemma. Lines are lost in the scan where marked …. "Sober drunkenness" is a traditional image.
  • Quoted or alluded to: Jer 1:14; Joel 2:20; Jer 4:6 (or 6:1); Hab 3:3; Rom 6:4; Col 3:5; John 15:1; Heb 5:12–14; Ps 23:5 (LXX 22:5); Ps 36:8 (LXX 35:9).

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): 73 ἐκπίπτοντος. [ἡ οοιΐ. Ξοαυήίιν Ἔχ (πο νυ] απ). 77 → ; Καταδήτω 95 → Καταδήτω ; βοῤῥᾷ 75 ἐχχαυθήσεται → βοῤῥᾷ ἐχχαυθήσεται; πληροῦν 15 ἐν → πληροῦν ἐν; ἐχπέπτοντος 15, «Εἰσῆλθον ἰῃμ Πΐ ρον αὐ 91} δ ἰω- Ἰνος οοἸϊδοίυμ οδῖ, 108. « δὶ εἰς → ἐχπέπτοντος. «Εἰσῆλθον εἰς; ἐδι- Ὁ δάχθης → ἐδιδάχθης; ἔφαγον δὲ 1 καὶ → ἔφαγον δὲ καὶ; οὗτος 175 ἐγεωργήθη → οὗτος ἐγεωργήθη; “1 καί, Αθεδί ἃ οο. “4 μου. 5 ἄρτον μου. ροῦν. → ; δέ, οἶνόν μου μετὰ → οἶνόν μου μετὰ; αὐτοῦ 15 αὐχοῦσι → αὐτοῦ αὐχοῦσι; νύμφη οἱ δοἷοτρυφῆς → νύμφη τρυφῆς.

Topics: Baptism

Cite (SBL): Theodoret, Comm. Cant. 5.1 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/5-1). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

5.2PG 81

β΄. ᾿Εγὼ καθεύδω, καὶ ἡ καρδία μου ἀγρυπνεῖ. Κἂν γὰρ ὑπὸ τῆς φύσεως ἀναγχασθῷ μύσαι τοὺς ὀφθαλμοὺς, καὶ τὸν ὕπνον δέξασθαι, κατὰ διάνοιαν ἐγρήγορα, καὶ τὸν τῆς ῥᾳθυμίας ὕπνον σὺ χαταδέχομαι, τοῦ νυμφίου τὴν παρουσίαν προσμένουσα. Διὸ καὶ αἰσθάνομαι τῶν ἐχείνου κρουμάτων. « Φωνὴ γὰρ, φησὶν, ἀδελφιδοῦ μου κρούει ἐπὶ θύραν. ν Παραθήσωμεν, εἰ δοκεῖ, τούτοις τὰ ἐν τοῖς θείοις Εὐαγγελίοις ὑπὸ τοῦ καλοῦ ποιμένος εἰρημένα " «ε Τὰ πρόδατα γὰρ, φησὶ, τὰ ἐμὰ τῆς φωνῆς μου ἀκούει. ν Καὶ πάλιν " ε᾿Αλλοτρίῳ δὲ οὐ μὴ ἀχολουθήσωσιν, ὅτι οὐκ οἴδασι τῶν ἀλλοτρίων τὴν φωνήν. ν Μακάριος τοίνυν ὁ ποιμαινόμενος, καὶ τοῦ ποιμένος τὴν φωνὴν ἐπιγινώσκων. Μακάριος ὁ νυμφοστολούμενος, καὶ διακρίνειν ἐπιστάμενος φωνὴν μοιχοῦ καὶ νυμφίου μακάριος ὁ λέγων « Οὐ δ" δώσω ὕπνον τοῖς ὀφθαλμοῖς ν μου, καὶ τοῖς βλεφάροις μου νυσταγμὸν, » ἀλλ᾽ ἐγρηγορὼς καὶ τὸν νυμφίον ἀναμένων κατὰ τὴν αὐτοῦ τοῦ Κυρίου παραίνεσιν" « ΓρηγορΞῖτε γὰρ, φησὶν, ὅτι οὐκ οἴδατε ποίᾳ ὥρᾳ ὁ Κύριος ὑμῶν ἔρχεται. » Ταύ- «ἣν δὲ καὶ ὁ μακάριος Παῦλος προσφέρει τὴν συμθουλὴν, λέγων " «Γρηγορεῖτε, στήχετε ἐν τῇ πίστει, ἀνδρίζεσθε, κραταιοῦσθε, πάντα ὑμῶν ἐν ἀγάπῃ γινέσθω.» Ἐγρηγορυῖζα τοίνυν ἡ νύμφῃ, καίτοι χαθεύδε: τὸν σωματικὸν ὕπνον, ἐν ἀπολαύσει γίνεται τῆς φωνῆς τοῦ νυμφίου, καὶ τῶν κρουμάτων τῆς θύρας ἀκούει " τίνες δὲ αἱ θύραι τῆς ψυχῆς, ἀλλ᾽ ἢ τοῦ σώματος αἱ αἰσθήσεις, δι’ ὧν ἡ νύμφη τὸν ἀνοιγῆναι αὐτῷ τὴν θύραν παρακαλοῦντα; γάρ μοι, φησὶν, ἀδελφὴ μου, ἡ πλησίον μου, περιστερά μου, τελεία μου, ὅτι ἡ κεφαλή μου ἐπλήσθη “δρόσου, καὶ οἱ βόστρυχοί μου ψεκάδων νυκτός. » Σημαίνει δὲ δικ μὲν τῆς νυκτὸς τὴν ἐν νυκτὶ γενομένην αὐτῷ ὑπὸ τῶν Ἰουδαίων ἐπανάστασιν " διὰ δὲ τῆς δρόσου, καὶ τῶν ψεχάδων, τὸν τριήμερον θάνατον, ὃν οἱ βόστρυχοι τῆς κεφαλῆς, καὶ οὐκ αὐτὸς ὑπεδέξατο. Ἐπειδὴ τοίνυν, φηόδὶ, τὸν ὑπὲρ σοῦ θάνατὸν χατεδεξάμην, καὶ διὰ σὲ ταῦτα ὑπέμεινα, ἄνοιξόν μοι, καὶ ὑπόδεξαί με " ἀγαπῶ γάρ σου τὴν πνευματικὴν εὐμορφίαν, καὶ τὴν ἐν ἀρετῇ τελειότητα. Διὸ καὶ ἀδελφὴν μου καλῶ, καὶ πλησίον μου, καὶ περιστεράν μου, καὶ τελείαν μου. Τελείαν μὲν, ὡς τὴν ὑπ᾽ ἐμοῦ νομοθετηθεῖσαν τελειότητα τελοῦσαν " ἐγὼ γὰρ ἔφην " « Γίγεσθε τέλειοι, καθὼς ὁ Πατὴρ ὑμῶν ὁ οὐράνιος τέλειός ἐστι. » Καὶ πάλιν «ε Εἰ θέλεις τέλειος γενέσθαι, πώλησόν δου τὰ ὑπάρχοντα, καὶ δὸς πτωχοῖς, καὶ ἕξεις θησαυῤὸν ἐν οὐρανοῖς - καὶ λαθὼν τὸν σταυρόν σου, ἀχολούθεε μοι. » Περιστερὰν δέ μου καλῶ, ὡς πνευματικὴν γενομένην, καὶ τὸν παλαιὸν ἄνθρωπον ἀπεχδυσαμένην σὺν τοῖς παθήμασι καὶ ταῖς ἐπιθυμίαις, καὶ πνευματικῶς ὁρᾷν δυναμένην. Πλησίον δέ μου, ὡς κατ᾽ ἴχνος μου βαίνουσαν, καὶ ἐγγίζειν μοι ἐπιθυμοῦσαν " ἐγὼ γὰρ ἔφην Ἐγγίσατέ μοι, καὶ ἐγγιῶ ὑμῖν" ν» καλῶ δὲ καὶ ἀδελφὴν μου " οὐ διὰ τὸ συγγενὲς μόνον τῆς φύσεως, ἧς ἀνέλαθον, ἀλλὰ καὶ διὰ τὴν τῆς εὐσεδείας οἰκειότητα "5. Τῶν ἄνωθεν οὖν ῥημάτων ἢ νύμφη ἀκχούουσα, ἀποχρίνεται λέγουσα" γ΄. Ἐξεδυσάμην τὸν χιτῶνά μου, πῶς ἐνδύσομαι αὐτόν"; Ἐνιψάμην τοὺς πόδας μου, πῶς μοζυνῶ αὑτούς; Διδασκόμεθα ἐντεῦθεν, ὅσην τίκτει βλάδην, καὶ ὅσον ἐπιφέρει πόνον τοῖς χρωμένοις ὁ ὄκνος " ἀναδολαῖς γὰρ ἡ νύμφη χρησαμένη, χοὶ εὖθὺς ἀνοῖξα: τῷ νυμφίῳ τὴν θύραν οὐ βουληθεῖσα, ἀναγκάζεται μετὰ βραχὺ, οὐ μόνον μέχρι τῆς θύρας βαδίζειν, ἀλλὰ καὶ εἰς τὴν πόλιν τρέχειν, καὶ εἰς τὰς ἀγὸρὰς περινοστεῖν, καὶ περιπεσεῖν φύλαξί τισι, παρ᾽ ὧν καὶ τὰ τραύματα λαμθάνει, καὶ μόλις εὑρίσκει τὸν ποθούμενον νυμφίον. Εἰ δὲ εὐθὺς ὑπήκουσε τῷ χαλέσαντι, τούτων ἂν ἀπάντων ἀπηλλάγη τῶν πόνων " νῦν δέ φησιν" ε Ἐξεδυσάμην τὸν χιτῶνά μου, πῶς ἐνδύσομαι αὐτόν; Ἐνιψάμην τοὺς πόδας μου, πῶς μολυνῷ αὐτούς; » Καὶ μὴν οὐ τοῦτο αὐτῇ ὁ νομφίος παρὰκελεύεται " οὔτε γὰρ βούλεται αὐτὴν ἀπεχδυσαμένην τὸν παλαιὸν ἄνθρωπον πάλιν αὑτὸν ἐνδύσασθαι, οὔτε θέλει νιψαμένην αὐτὴν τοὺς πόδας, καὶ τῶν ἁγίων αὐτοῦ χειρῶν ἀπολαύσασαν, πάλιν τούτους μολῦναι - ἀλλ᾽ ἀνοῖξαι αὐτῷ ἀπόνως καὶ ἀμολύντως, ἢ τῆς ἀκοῆς, ἢ τοῦ ὀφθαλμοῦ τὴν θύραν " ἵνα ἣ διὰ νώσεως, ἣ δι᾽ ἀκροάσεως εἰσελθὼν ὁ νυμφίος ταῖς λετο ἐκείναις ταῖς προφάσεσι χρησαμένη, ἑτέρως αὐτὴν ὁ νυμφίος διεγείρει, οὐκ ἔτι χρούων ἔξωθεν μόνον, ἀλλὰ καὶ τὴν χεῖρα διά τινος ὀπῆς εἰσάγων " χεῖρα δὲ νοοῦμεν τὴν αἴσθησιν τῆς ἁφῆς, καὶ τὴν θείαν αὐτοῦ ἐνέργειαν, ἧς αὐτὴν ἐν αἰσθήσει πε-" δ΄. Αδεϊφιδοῦς μου χεῖρα αὐτοῦ ἀπέστειλε διὰ τῆς ὀπῆς " καὶ ἡ κοιλία μου" ἐθροήθη ἐπ᾽ αὐτοῦ "". ᾿Αγέστην ἐγὼ ἀνοῖξαι τῷ ἀδειϊφιδῷ μου" χεῖρές μου ἔσταξαν σμύρναν, δάκχευνλοί "5 μου σμύρνα" πλήρη " ἐπὶ χεῖρας τοῦ Ἥνοιξα ἐγὼ τῷ ἀδειϊφιδῷ μου" ἀδειλριδοῦς μον Ἑζήτησα αὑτὸν, καὶ οὐκ εὗρον αὐτόν" ἐκάλεσα αὐτὸν, καὶ οὐκ ὑπήκουσέ μου. Εὕροσών μὲ οἱ με, ἐτραυμάτισάν με" ἦραν τὸ θέριστρόγ μου" ἀπ' ἐμοῦ οἱ φύλακες τῶν τειχέων. Ἐπειδὴ οὐκ ἐῤουλήθη εὐθὺς ἀνοῖξαι χρούσαντι, ἅπτεται μὲν αὐ- πυρά τῆς διά τινος τῶν αἰσθητηρίων, ὅπερ ὀπὴν προσηγόρευσεν, εἰσαγαγὼν τὴν χεῖρα, τουτέστι τὴν ἐνέρ- δὲ αὐτῆς καὶ πυρσεύει τὸν ἔρωτα᾽' ς αὐτόν" » ὅπερ ὁ Θεοδοτίων « ἐθερμάνθη» εἴρηκεν᾽ ἡ δὲ ἀνίσταται μεθυσθεῖσα τῷ πόθῳ, καὶ τρέχει πρὸς τὴν θύραν, καί φησιν" «Ὅτι χεῖρές μου, τὸ ναν, καὶ οἱ δάκτυλοΐ μου σμύρναν πλήρη» τὴν γὰρ τελείαν περίχειμαι νέκρωσιν, μέχρις αὐτῶν τῶν ἀκροτάτων μορίων. ᾿Ανοίξασα δὲ τὴν θύραν, ὁρῶ τὸν ἀδελφιδοῦν μου παρατρέχοντά με, καὶ εἰσελθεῖν οὐ βουλόμενον. Ἐγὼ δὲ ἐξηρτημένη τοῦ φίλτρου, καὶ κρεμαμένη τῶν ἱερῶν αὐτοῦ λόγων, τῆς ζητήσεως εἰχόμην, καὶ βοῶσα διετέλουν, καὶ διηνεκῶς καλοῦσα᾽ ὁ δὲ οὐκὶ " ὑπήκουσεν, οὐδὲ ἀποκρίσεώς με ἠξίου" περινοστοῦσα δὲ, καὶ τὸν ποθούμενον ἐπιζητοῦσα, τοῖς τὴν πόλιν οἰκοῦσι καὶ φυλάττουσιν᾽ οἱ δὲ οὐ μόνον με ἠκίσαντο, ἣ ἐμαστίγωσαν, ἀλλὰ καὶ τραύματα περιέθηκαν, καὶ τὸ θέριστρόν μον ε" ἀφεῆοντο. Φύλακας ὃξ τειχῶν ὑπὸ τῆς νύμφης ἡγοῦμα: καλεῖσθαι καὶ φύλακας πόλεως, καὶ ἄρχοντας, καὶ τυράννους, πάλαι τῇ τοῦ Θεοῦ πατάξαντάς τε καὶ τραυματίσαντας, καὶ τῷ θανάτῳ παραδεδωκότας, καὶ τὰ; ψυχὰς τας, καὶ τὸ σῶμα ἀπὸ τῶν ψυχῶν οἷόν τι θέριστρον Καὶ γὰρ ἐκεῖνοι τὸν νυμφίον ποθοῦντες, καὶ πάντοτε τοῦτον κηρύττοντες ἐν ταῖς ἀγροῖς, καὶ ἐσχατιαῖς, ταῦτα πάντα ὑπέμειναν. Διδασκόμεθα τοίνυν ἐκ τῶν εἰρημένων, πάντα ὄκνον ἀποθέσθαι, καὶ τῷ νυμφίῳ κρούοντι παραυτίκα ἀνοίγειν, ἵνα μὴ ἀπελθόντος πάντοσε ἀναγχασθῶμεν, καὶ ζητεῖν τὸν ποθούμενον ".

b΄. ᾿Egō katheudō, kai hē kardia mou agrypnei. Kan gar hypo tēs physeōs ananchasthǭ mysai tous ophthalmous, kai ton hypnon dexasthai, kata dianoian egrēgora, kai ton tēs rhąthymias hypnon sy chatadechomai, tou nymphiou tēn parousian prosmenousa. Dio kai aisthanomai tōn echeinou kroumatōn. « Phōnē gar, phēsin, adelphidou mou krouei epi thyran. n Parathēsōmen, ei dokei, toutois ta en tois theiois Euangeliois hypo tou kalou poimenos eirēmena " «e Ta prodata gar, phēsi, ta ema tēs phōnēs mou akouei. n Kai palin " e᾿Allotriǭ de ou mē acholouthēsōsin, hoti ouk oidasi tōn allotriōn tēn phōnēn. n Makarios toinyn ho poimainomenos, kai tou poimenos tēn phōnēn epiginōskōn. Makarios ho nymphostoloumenos, kai diakrinein epistamenos phōnēn moichou kai nymphiou makarios ho legōn « Ou d" dōsō hypnon tois ophthalmois n mou, kai tois blepharois mou nystagmon, » all᾽ egrēgorōs kai ton nymphion anamenōn kata tēn autou tou Kyriou parainesin" « GrēgorXite gar, phēsin, hoti ouk oidate poią hōrą ho Kyrios hymōn erchetai. » Tau- «hēn de kai ho makarios Paulos prospherei tēn symthoulēn, legōn " «Grēgoreite, stēchete en tę̄ pistei, andrizesthe, krataiousthe, panta hymōn en agapę̄ ginesthō.» Egrēgoruiza toinyn hē nymphę̄, kaitoi chatheude: ton sōmatikon hypnon, en apolausei ginetai tēs phōnēs tou nymphiou, kai tōn kroumatōn tēs thyras akouei " tines de hai thyrai tēs psychēs, all᾽ ē tou sōmatos hai aisthēseis, di’ hōn hē nymphē ton anoigēnai autǭ tēn thyran parakalounta? gar moi, phēsin, adelphē mou, hē plēsion mou, peristera mou, teleia mou, hoti hē kephalē mou eplēsthē “drosou, kai hoi bostrychoi mou psekadōn nyktos. » Sēmainei de dik men tēs nyktos tēn en nykti genomenēn autǭ hypo tōn Ioudaiōn epanastasin " dia de tēs drosou, kai tōn psechadōn, ton triēmeron thanaton, hon hoi bostrychoi tēs kephalēs, kai ouk autos hypedexato. Epeidē toinyn, phēodi, ton hyper sou thanaton chatedexamēn, kai dia se tauta hypemeina, anoixon moi, kai hypodexai me " agapō gar sou tēn pneumatikēn eumorphian, kai tēn en aretę̄ teleiotēta. Dio kai adelphēn mou kalō, kai plēsion mou, kai peristeran mou, kai teleian mou. Teleian men, hōs tēn hyp᾽ emou nomothetētheisan teleiotēta telousan " egō gar ephēn " « Gigesthe teleioi, kathōs ho Patēr hymōn ho ouranios teleios esti. » Kai palin «e Ei theleis teleios genesthai, pōlēson dou ta hyparchonta, kai dos ptōchois, kai hexeis thēsauron en ouranois - kai lathōn ton stauron sou, acholouthee moi. » Peristeran de mou kalō, hōs pneumatikēn genomenēn, kai ton palaion anthrōpon apechdysamenēn syn tois pathēmasi kai tais epithymiais, kai pneumatikōs horąn dynamenēn. Plēsion de mou, hōs kat᾽ ichnos mou bainousan, kai engizein moi epithymousan " egō gar ephēn Engisate moi, kai engiō hymin" n» kalō de kai adelphēn mou " ou dia to syngenes monon tēs physeōs, hēs anelathon, alla kai dia tēn tēs eusedeias oikeiotēta "5. Tōn anōthen oun rhēmatōn ē nymphē akchouousa, apochrinetai legousa" g΄. Exedysamēn ton chitōna mou, pōs endysomai auton"? Enipsamēn tous podas mou, pōs mozynō hautous? Didaskometha enteuthen, hosēn tiktei bladēn, kai hoson epipherei ponon tois chrōmenois ho oknos " anadolais gar hē nymphē chrēsamenē, choi euthys anoixa: tǭ nymphiǭ tēn thyran ou boulētheisa, anankazetai meta brachy, ou monon mechri tēs thyras badizein, alla kai eis tēn polin trechein, kai eis tas agoras perinostein, kai peripesein phylaxi tisi, par᾽ hōn kai ta traumata lamthanei, kai molis heuriskei ton pothoumenon nymphion. Ei de euthys hypēkouse tǭ chalesanti, toutōn an apantōn apēllagē tōn ponōn " nyn de phēsin" e Exedysamēn ton chitōna mou, pōs endysomai auton? Enipsamēn tous podas mou, pōs molynǭ autous? » Kai mēn ou touto autę̄ ho nomphios parakeleuetai " oute gar bouletai autēn apechdysamenēn ton palaion anthrōpon palin hauton endysasthai, oute thelei nipsamenēn autēn tous podas, kai tōn hagiōn autou cheirōn apolausasan, palin toutous molynai - all᾽ anoixai autǭ aponōs kai amolyntōs, ē tēs akoēs, ē tou ophthalmou tēn thyran " hina hē dia nōseōs, hē di᾽ akroaseōs eiselthōn ho nymphios tais leto ekeinais tais prophasesi chrēsamenē, heterōs autēn ho nymphios diegeirei, ouk eti chrouōn exōthen monon, alla kai tēn cheira dia tinos opēs eisagōn " cheira de nooumen tēn aisthēsin tēs haphēs, kai tēn theian autou energeian, hēs autēn en aisthēsei pe-" d΄. Adeïphidous mou cheira autou apesteile dia tēs opēs " kai hē koilia mou" ethroēthē ep᾽ autou "". ᾿Agestēn egō anoixai tǭ adeiïphidǭ mou" cheires mou estaxan smyrnan, dakcheunloi "5 mou smyrna" plērē " epi cheiras tou Hēnoixa egō tǭ adeiïphidǭ mou" adeilridous mon Hezētēsa hauton, kai ouk heuron auton" ekalesa auton, kai ouk hypēkouse mou. Heurosōn me hoi me, etraumatisan me" ēran to theristrog mou" ap' emou hoi phylakes tōn teicheōn. Epeidē ouk eroulēthē euthys anoixai chrousanti, haptetai men au- pyra tēs dia tinos tōn aisthētēriōn, hoper opēn prosēgoreusen, eisagagōn tēn cheira, toutesti tēn ener- de autēs kai pyrseuei ton erōta᾽' s auton" » hoper ho Theodotiōn « ethermanthē» eirēken᾽ hē de anistatai methystheisa tǭ pothǭ, kai trechei pros tēn thyran, kai phēsin" «Hoti cheires mou, to nan, kai hoi daktyloï mou smyrnan plērē» tēn gar teleian pericheimai nekrōsin, mechris autōn tōn akrotatōn moriōn. ᾿Anoixasa de tēn thyran, horō ton adelphidoun mou paratrechonta me, kai eiselthein ou boulomenon. Egō de exērtēmenē tou philtrou, kai kremamenē tōn hierōn autou logōn, tēs zētēseōs eichomēn, kai boōsa dieteloun, kai diēnekōs kalousa᾽ ho de ouki " hypēkousen, oude apokriseōs me ēxiou" perinostousa de, kai ton pothoumenon epizētousa, tois tēn polin oikousi kai phylattousin᾽ hoi de ou monon me ēkisanto, hē emastigōsan, alla kai traumata periethēkan, kai to theristron mon e" apheēonto. Phylakas hox teichōn hypo tēs nymphēs hēgouma: kaleisthai kai phylakas poleōs, kai archontas, kai tyrannous, palai tę̄ tou Theou pataxantas te kai traumatisantas, kai tǭ thanatǭ paradedōkotas, kai ta? psychas tas, kai to sōma apo tōn psychōn hoion ti theristron Kai gar ekeinoi ton nymphion pothountes, kai pantote touton kēryttontes en tais agrois, kai eschatiais, tauta panta hypemeinan. Didaskometha toinyn ek tōn eirēmenōn, panta oknon apothesthai, kai tǭ nymphiǭ krouonti parautika anoigein, hina mē apelthontos pantose ananchasthōmen, kai zētein ton pothoumenon ".

2. "I sleep, but my heart is awake." For even if I am compelled by nature to close my eyes and take sleep, in mind I am awake, and I do not accept the sleep of sloth, as I await the coming of the bridegroom. That is why I perceive his knocking too: "For the voice of my kinsman," she says, "knocks at the door." Let us set beside these words, if you please, what was said by the good shepherd in the divine Gospels: "For my sheep," he says, "hear my voice." And again: "A stranger they will not follow, because they do not know the voice of strangers." Blessed, then, is the one who is shepherded and recognizes the voice of the shepherd. Blessed is the one who is being adorned as a bride and knows how to tell the voice of an adulterer from the voice of a bridegroom. Blessed is the one who says, "I will not give sleep to my eyes, nor slumber to my eyelids," but is wakeful and awaits the bridegroom according to the Lord's own exhortation: "Watch, for you do not know at what hour your Lord is coming." This counsel the blessed Paul too offers, saying: "Watch, stand firm in the faith, be courageous, be strong; let all that you do be done in love." The bride, then, being awake, although she sleeps the sleep of the body, enjoys the voice of the bridegroom and hears the knocking at the door. And what are the doors of the soul but the senses of the body, through which the bride [hears] the one who asks that the door be opened to him? "[Open] to me," he says, "my sister, my companion, my dove, my perfect one, for my head is filled with dew, and my locks with the drops of the night." By the night he signifies the uprising of the Jews against him, which took place at night; and by the dew and the drops the three-day … death, which the locks of the head, and not he himself, … received. Since, then, he says, I accepted death for your sake and endured these things because of you, open to me and receive me; for I love your spiritual comeliness and your perfection in virtue. That is why I call you my sister, and my companion, and my dove, and my perfect one. Perfect, as fulfilling the perfection laid down by me; for I said: "Be perfect, as your heavenly Father is perfect." And again: "If you wish to be perfect, sell your possessions and give to the poor, and you will have treasure in heaven; and take up your cross and follow me." I call you my dove, as having become spiritual, having put off the old man with its passions and desires, and able to see spiritually. My companion, as walking in my footsteps and desiring to come near me; for I said: "Draw near to me, and I will draw near to you." And I call you my sister, not only because of the kinship of the nature that I assumed, but also because of the closeness of godliness.

Hearing the words from above, the bride answers, saying: 3. "I have taken off my tunic; how shall I put it on? I have washed my feet; how shall I soil them?" We are taught from this how much harm sloth brings forth and how much toil it brings upon those who give in to it. For the bride, having made delays and having been unwilling to open the door to the bridegroom at once, is compelled a little later not only to walk as far as the door but also to run into the city, to go about the markets, and to fall in with certain watchmen, from whom she even receives wounds; and she barely finds the bridegroom she longs for. Had she obeyed the one who called her at once, she would have been spared all these toils. But now she says: "I have taken off my tunic; how shall I put it on? I have washed my feet; how shall I soil them?" And yet the bridegroom does not bid her do this. He does not want her, having put off the old man, to put him on again, nor does he wish her, having washed her feet and enjoyed his holy hands, to soil them again, but to open to him, without toil and without soiling, the door either of hearing or of the eye, so that the bridegroom may enter either through understanding or through listening … having used those pretexts, the bridegroom rouses her in another way, no longer only knocking from outside but also putting his hand in through an opening. By the hand we understand the sense of touch and his divine activity, by which … her to perception.

4. "My kinsman put his hand through the opening, and my belly was stirred for him. 5. I rose to open to my kinsman; my hands dripped myrrh, my fingers full myrrh, upon the handles of the bolt. 6. I opened to my kinsman; my kinsman had passed on. … I sought him, and did not find him; I called him, and he did not hearken to me. 7. The watchmen [who go about in the city] found me, they struck me, they wounded me; the guards of the walls took my veil from me." Since she was not willing to open at once to the one who knocked, he touches her through one of the organs of sense, which she has called an opening, putting in his hand, that is, his activity … and he kindles her love. "[My belly was stirred for] him": which Theodotion rendered "was warmed." And she rises, drunk with longing, runs to the door, and says: "For my hands [dripped myrrh], and my fingers full myrrh"; for I am clothed with the perfect deadening, even to the very extremities of my members. But opening the door, I see my kinsman passing me by and not wishing to come in. But I, bound by love and hanging upon his sacred words, kept up the search, and went on crying out and calling him continually; but he did not hearken, nor did he count me worthy of an answer. And going about and seeking the one I longed for, … those who live in the city and guard it; and they not only mistreated me or scourged me, but also inflicted wounds on me, and [took away] my veil. By the guards of the walls, I think, the bride means the guards of the city too, the rulers and tyrants who of old struck and wounded [the saints] of God and handed them over to death, and … the souls, and [took] the body from the souls like a veil. For those [saints], longing for the bridegroom and always proclaiming him in the … fields and remote places, endured all these things. We are taught, then, from what has been said, to put away all sloth and to open at once to the bridegroom when he knocks, so that we may not, after he has gone away, be compelled [to go] everywhere and seek the one we long for.

Textual problem in this passage: see the notes.

Song 5:2–7 (quotation, high confidence) · John 10:27 (quotation, high confidence) · John 10:5 (quotation, high confidence) · Ps 132:4 (131:4 LXX) (quotation, high confidence) · Matt 24:42 (quotation, high confidence) · 1 Cor 16:13–14 (quotation, high confidence) · Matt 5:48 (quotation, high confidence) · Matt 19:21 (quotation, high confidence) · Col 3:9 (allusion, high confidence) · Jas 4:8 (quotation, high confidence) · John 13:5 (allusion, low confidence)

Notes and citation

Summary: The bride's heart stays awake for the bridegroom who knocks; her delay in opening teaches the harm of sloth, and the watchmen who wound her stand for the rulers and tyrants who persecuted the saints.

  • Lemmas: Song 5:2–7 (5:6b "my soul went out at his word" is lost in the scan). Lines are lost in the scan where marked …. The night of 5:2 is read as the Jews' nighttime uprising against Christ, and the dew as his death; translated as written. Theodotion is the second-century Greek translator of the Old Testament.
  • Quoted or alluded to: John 10:27, 5; Ps 132:4 (LXX 131:4); Matt 24:42; 1 Cor 16:13–14; Matt 5:48; Matt 19:21; Col 3:9; Jas 4:8; John 13:5.

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): Υεκπβ. 2. Εσο ἀθτηιΐος → ; ἱπαυΐί, ΘΟΓΟΥ προ, ργορίπαυα → ; 1, Ρ. 1506. δ οηά, αὐτήν, 9 οηἀ. → ; 4} 6 Ὁ Ρίηφυαία τ], οἱ ἀρργορίμᾳυδθο → ; διυγνεχὶ μὲ ἀρότίτεηι ποροιὲ → ; 8. 89 καθώς. οο(. αὐάϊι → ; "53 διά. ἐριὶ ἀπό. 60, "" οο4., → ; οἰχειότ. ἴῃ ὁο]. 91! → ; ἰηῇλιμιηαί. [Δ οί ραϊεῖὶ 11 εκ [15 νετυΐβ γειαν" θερμαίνε: → ; γοη5, ἱπεῖθο ἴῃ οἰνι(αι8. ἰπσοίαβ οἱ σβίοιοβ, → ; ροΓΟπόβογαπί οἱ γόγρθογαγαηὶ, 56 περιπίπτω → ; 6 ἰγγῶπποβ Δρμε αὶ, 4υἱ θεὶ δροπβδπι Ἐο! οϑίδιη → ; ἰαιΐθιι οἱ δᾳτὶβ, δὶ εἰτφότας. → ; πόλεσ', καὶ τιαηῖϊ. ἔχ [8 Ἔγξο, ἡ: ἀϊοῖα → ; ἀγρυπνεῖ. α → ἀγρυπνεῖ. ; εἰ σον ᾿ Κἂν → Κἂν; αὐτοῦ ὅδ τοῦ Κυρίου → αὐτοῦ τοῦ Κυρίου; χαθεύδε: δ τὸν → χαθεύδε: τὸν; πη θη ν᾽ !σ, οἱ ᾿σηδυΐβ αὖΐ Νοη δ! τη 581 δι᾽: πὶ τα ἰΐ, → ; πῆρα, σ᾽ θη θᾶ ἃ 101. ὅ. τούς. ἴπ οὐ], δι τὸν χειμ. Υἱ. ρμ. δῦ, τι, δ. 5 αὖ- 43 Εὶ σοί. φρρ!. 5" οὐ. ϑέργα, εἰ, τ, → ; χὰἀν τῷ καθεύδειν. "7 οοι}. τοῦ νυμφίου, 5᾽ παραν. Τῃ σοί. δρι γί ταϑίοπν ρα οἰ γα ἀμ οπὶ (δαὶ, οἱ ἰπ υἱγίυ!α Α → ; πὶ βίου! εἰ οἱ ἀδ οἱ απ θὰ πὶ εἱ νὸοἱ οὐ ρί αἰ αι θυ, εἰ ϑρί εἰ → ; νου ἷβ δ΄, διά 8 ὑπεδέξατο → ὑπεδέξατο; καθὼς 3 ὁ → καθὼς ὁ; καὶ Β ταῖς → καὶ ταῖς; στα πὶ : « ἔχιΐ, παι, πη }008 οἱ ει. ἤθη Υ. → γ΄. ; τὰς Ο ἀγὸρὰς → τὰς ἀγὸρὰς; πιο : ἡϊαπῖιδ ἡ δα καἰ ἰὦδ'-ζ, → δ΄. ; δ᾽ ὅλο. ν, → ; καίΐ. θος. ἴῃ οοιἱ. "" καί. Αὐαϑὶ ἃ ἐοὐ. → ; αὐτῷ. ες. Ιο({10 οε( αὐτόν. δ → ; κῶς: -- αὐτὸϑύς. 3, ἡ - αὑτοῦ. ἢ εὺτ. → ; μου Α σμύρνα → μου σμύρνα; τρέχει πρὸς Β τὴν → τρέχει πρὸς τὴν; ὁρῶ τὸν τγεοιιβαμίοπι. ἀδελφιδοῦν → ὁρῶ τὸν ἀδελφιδοῦν; οὐ εδεγὶς βουλόμενον → οὐ βουλόμενον; ζητήσεως Αἱ εἰχόμην → ζητήσεως εἰχόμην; αὶ περινοστοῦσα → περινοστοῦσα; τη ποῃ πιο → ; τλἰ ὲ φυϊάοηι ν᾿ δίυν, τηϑρίδιγαίι8 οἱ ὈγΪ παρ 8 → ; τεϑ γογθογίδυβ οἱ ρας πατάξαντάς → πατάξαντάς; ὄκνον π6, οἱ ἀποθέσθαι → ὄκνον ἀποθέσθαι.

Topics: Persecution

Cite (SBL): Theodoret, Comm. Cant. 5.2 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/5-2). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

5.8PG 81

η΄. Ὥρκισα ὑμᾶς, θυγατέρες ᾿Ιερουσαλὴμ, ἐν Ὁ ἐὰν εὕρητε τὸν ἀδελφιδοῦν μου, ἀπαγγείλατε αὑτῷ", ὅτι τετρωμένη ἁγώπης ἐγώ. Ἐπιφαίνεται γὰρ πολλάκις καὶ τοῖς ἀτελέσιν ἕτι καὶ νηπίοις ὁ νυμφίος, συγχαταδαίνων τῇ ἀσθενείᾳ, καὶ προτρέπων εἰς τελειότητα “ « Οὐ χρείαν γὰρ ἔχουσιν οἱ ἰσχύοντες ἰατροῦ, ἀλλ᾽ οἱ κακῶς ἔχοντες - » Ὁρχίζειτοιγαροῦν τὰς νεάνιδας, εἰ εὕροιεν τὸν» ἀδελφιδοῦν αὐτῆς, ἀπαγγεῖλαι ὅσον ἔχει περὶ αὐτὸν ἔρωτα, καὶ ὅτι τῷ ἐκλεκτῷ βέλει τῇς ἀγάπης τέτρωται. σιν αἱ νεάνιδες τὸ τοῦ ἀδελφιδοῦ ὄνομα " ἔτι γὰρ ἀτελεῖς εἰσι, καὶ τῶν μυστηρίων τὸ βάθος ἀγνοοῦσιν. Διό φασι"

ē΄. Hōrkisa hymas, thygateres ᾿Ierousalēm, en Ho ean heurēte ton adelphidoun mou, apangeilate hautǭ", hoti tetrōmenē hagōpēs egō. Epiphainetai gar pollakis kai tois atelesin heti kai nēpiois ho nymphios, synchatadainōn tę̄ astheneią, kai protrepōn eis teleiotēta “ « Ou chreian gar echousin hoi ischyontes iatrou, all᾽ hoi kakōs echontes - » Horchizeitoigaroun tas neanidas, ei heuroien ton» adelphidoun autēs, apangeilai hoson echei peri auton erōta, kai hoti tǭ eklektǭ belei tę̄s agapēs tetrōtai. sin hai neanides to tou adelphidou onoma " eti gar ateleis eisi, kai tōn mystēriōn to bathos agnoousin. Dio phasi"

8. "I have adjured you, daughters of Jerusalem, by … if you find my kinsman, tell him that I am wounded with love." For the bridegroom often appears even to those who are still imperfect and infants, condescending to their weakness and urging them on to perfection: "For those who are strong have no need of a physician, but those who are sick." So she adjures the maidens, if they find her kinsman, to tell him how great a love she has for him, and that she has been wounded by the chosen arrow of love. [But] the maidens … the name of the kinsman; for they are still imperfect and do not know the depth of the mysteries. That is why they say:

Textual problem in this passage: see the notes.

Song 5:8 (quotation, high confidence) · Matt 9:12 (quotation, high confidence) · Isa 49:2 (allusion, medium confidence)

Notes and citation

Summary: The bride asks the maidens to tell the bridegroom that she is wounded with love; they, still imperfect, do not know who he is.

  • Lemma: Song 5:8 (part of the Septuagint wording, "by the powers and by the strengths of the field," is lost in the scan). Lines are lost where marked …. The "chosen arrow" recalls Isa 49:2.
  • Quoted or alluded to: Matt 9:12; Isa 49:2.

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): 118 Ὑγγεκε. 8. Αἀγκτγαυὶ νος, βίϊα → ; ρεγίβοιίοποπι δκ]ιογίαι8. « Νοψυβ → ; δηπὶπι οροπὲ 4 → ; Αὐοϊεβεθηία 48 ἰφίιυγ ᾿αγολατάηο → ; 66 κἷοἱ γνίοπϊιαΐπες ἀφμαγμη. οπο {{{λπι8 → ; δηΐπι, ἀϊεῖ!, Ἰυκ 118 → ; προτρέ- εἰ ται], εἰ δὰ → προτρέ; Ὁρχίζειε Βαθεηι ἢ. » → Ὁρχίζει; οὐἃ τοιγαροῦν → τοιγαροῦν; ποῖ : ν → ; οἴομαι μία α ατο-ἀϊδιἡ ἀΐ.δε ὁδί νϑῦϑ, Ὡΐ Ενδηροι γι πὶ 11 ὁ υογθὰ « ται → ; νοῦ, αὐ αὐτῆς → αὐτῆς.

Cite (SBL): Theodoret, Comm. Cant. 5.8 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/5-8). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

5.9PG 81

θ'. Τί ἀδελφιδοῦς σου ἀπὸ ἀδελφιδοῦ ", ἡ καλὴ ἐν γυναιξί; Τί ἀδελφιδοῦς σου ἀπὸ ἀδειϊφιδοῦ. ὅτι οὕτως ὥρκισας ἡμᾶς; Πολλάκις γὰρ, φησὶν, ἠκούσαμεν λεγούσης 7" « ᾿Αδελφιδοῦς μον, τοῦ ἀδελφιδοῦ μου,» καὶ ἀγνοοῦμεν τῶν ὑπὸ σοῦ λεγομένων τὴν δύναμιν. Ἐπειδὴ τοίνυν ὄρκος ἐστὶν ἐν μέσῳ, οὐ δυνάμεθα σιγῇ παραπέμψασθαι τὰ ὑπὸ σοῦ προσταχθέντα᾽ δίδαξον ἡμᾶς τοίνυν, ὦ καλὴ ἐν γυναιξί" πασῶν γὰρ εὐπρεπεστέρα τυγχάνεις, καὶ νεανίδων, καὶ παλλαχίδων, τί σοι βούλεται τοῦτο τὸ ὄνομα; Διαπαντὸς γὰρ τοῦτο προσφέρεις ", λέγουσα νῦν μὲν « τοῦ ἀδελφιδοῦ μου" » νῦν δὲ, ε ὁ ἀδελφιδοῦς μου" » εἰ γὰρ μάθοιμεν παρὰ σοῦ τίς οὗτος, καὶ οἷα σημεῖα περίκειται, θεραπεύσομέν σε καὶ πληρώσομέν σου τὸ πρόσταγμα " διδάσκει τοίνυν τὰς μαθητευομένας ὑπ᾽ αὐτῆς ἣ νύμφη τὰ τοῦ νυμφίου σημεῖα. καί φησιν αὐταῖς" “ογισμένος ἀπὸ μυριάδων". Κεφαλὴ αὑτοῦ μέλαγες ὡς κόραξ" Οἱ ὀφρθαλμοὶ αὑτῷ ὡσεὶ πεγαι ἐν γάλακτι, καθήμεναι ἐπὶ πληρώματα ὑδάτων". Σιαγόγες αὑτοῦ, ὡς φιάλαι δ τοῦ χείλη αὑτοῦ κρίνα στάζοντα σμύρναν πιήρη. Χεῖρες αὖτεθεμειιωμένοι ἐπὶ βάσεις χρυσᾶς " εἶδος αὑτοῦ αὐτοῦ γλυκασμὲς "", καὶ ὅλος ἐπιθυμία" οὗτος ἀδειϊφιδοῦς μου, καὶ οὗτος πλησίον μου, θυγατέρες Ἱερουσαλήμ. Ἑρωτὴσάσας τὰς νεάνιδας διδάσκει ἣ νύμφη τοῦ ἀδελφιδοῦ τὰ σημεῖα, καί φησιν" « ᾿Αδελφιδοῦς μου λευκὸς καὶ πυῤῥός. » Πρῶτον μὲν τίθησι τὸ ελευχὸς, »δεύτερον δὲ τὸ «πυῤῥός"ν» Θεὸς γὰρ ἀεὶ ἦν, ἐγένετο δὲ καὶ ἄνθρωπος, οὐκ ἀφεὶς ὅ ἦν, οὐδὲ τραπεὶς εἰς ἄνθρωπον, ἀλλ᾽ ἀνθρωπείαν ἐνδυσάμενος φύσιν. Λευκὸς τοίνυν ἐστὶν, ὡς Θεός" τί γὰρ φωτὸς λαμπρότερον; φῶς δέ ἐστιν ἀληθινὸν, κατὰ τὴν τῶν Εὐαγγελίων φωνήν" ε Ἦν γὰρ, φησὶ, ἂν τοῖς ἱματίοις - δηλοῖ δὲ τὸν τριήμερον θάνατον. Καὶ προσεκτέον ἀκριθῶς, ὡς οὐ λέγει κατεῤῥάνθην ἐγὼ, ἀλλὰ χατεῤῥάνθη τῷ κχατανιχήματι αὑτῶν τὰ α ἱμάτιά μου, τουτέστι τὸ σῶμά μου ἀπαθὴς γὰρ ἡ θεία φύτις, τὸ ὃὲ σῶμα τὸ πάθος ἐδέξατο" σύροντος μὲν αὐτὸ τοῦ ἑνωθέντος Θεοῦ Λόγου, πάθος δὲ ἐκεῖθεν οὐκ ἑλκύσαντος, ἐπειδὴ φύσει τὸ Θεῖον πάθου; ὑπέρτερον. Διὰ τοῦτό φῆσιν ἡ νύμφη᾽ « ᾿Αδελφιδοῦς μου λευκὸς καὶ ποῤῥὸς, ἐκλελεγμένος ἀπὸ μυριάδων. » ᾿Απάσης γὰρ φύσεως κρείττων ἡ ἀπαρχῆ" « ᾿Αμαρτίαν γὰρ οὐκ ἐποίησεν, οὐδὲ εὑρέϑη δύλος ἐν τῷ στόματι αὐτοῦ» δὼ θυτία ἄμωμος ὑπὲρ παντὸς προσηνέχθη τοῦ γένους " τούτου χάριν καὶ διὰ Ἡσαῖου τοῦ προφήτου ὁ τῶν ὅλων προαγορξύει θεὸς λέγων" « Ἰδοὺ ὁ παῖς μον, ὃν μτν, ὁ ἔκλεκτός μου, ὃν ηὐδόκησεν ἡ ψυχὴ μου" θύσω τὸ Πνεῦμά μου ἐπ᾽ αὐτὸν χρίσιν τοῖς ἔθνεσιν ἐξοίσει. » Εἰκότως τοίνυν ἡ νύμφη φησίν᾽ « ᾿Αδελφιδοῦς μου λευκὸς καὶ πυῤῥὸς, ἐκλελεγμένος ἀπὸ μυριάδων. ν» Ἔπρεπε γὰρ τῷ τὰς ἁμαρτίας ἡμῶν ἀνειληφότι, αἵτινες ἦσαν πυῤῥαὶ ὡς φοινικοῦν, καὶ ὡς κόκκινον, πυῤῥῷ γενέσθα! καὶ προσαγορευϑῆναι" « ᾿Αλλὰ καὶ κεφαλὴ αὐτοῦ, φητὶ, ὀφάτζ " ν κατὰ μὲν τὸν Σύμμαχον,« ὡςλίθος τίμιος "» κατὰ δὲ τὴν πέμπτην ἔκδοσιν, « ἐπίτημος χρυτῷ. » Κεφαλὴν δὲ αὐτοῦ τροπικῶς καλεὶ τὸ Θεῖον, τὸ λευκὸν φῶ; τὸ ἀληθινὸν, ὅ φωτίζει πάντα ἄνθρωπον ἄνω προσαγορενθέν. Διὸ χρυσῷ καὶ λίθῳ αὐτὴν χάζει, ταῖς παρὰ ἀνθρώποις τιμιωτάταις ὕλαις " οὗ γὰρ εὗρεν ἕτερον ὄνομα εὐπρεπέστερον ᾿". ἐ Βόστρυχοι αὐτοῦ ἐλάτα!, μέλανες ὡς κόραξ. » Τὰς ἐκ τῆς κεφᾶ λῆς ἐκείνου " προχεομένας χάριτας ἡγοῦμαι βοστρύχους ὀνομάζεσθαι μέλανας μὲν κατ᾽ ἄλλο, ἐλάτὰς δὲ καθ᾽ ἕτερον ὀνομαζομένους ᾽δ. Αἱ γὰρ ἐλάται, καρπός εἰσι φοινίκων ἀρσένων, τοῖς θέλεσιν ἐχείνων καρπούς. Ἐπειδὴ τοίνυν τῶν ποικίλων αὖτοῦ χαρισμάτων ἀπολαύοντες οἱ πεπιστευκότες αὐτῷ καρποφοροῦσιν αὐτῷ τὴν εὐσέδειαν, ἐλάταις εἰκότως ρξύει, διὰ τοῦ βαθέος χρώματος καὶ σκοτεινοῦ, τὸ ἐλάται, μέλανες ὡς κόραξ᾽ » τὸν δὲ κόρακα ἐνταῦθα περιείληφε τῆς χρόας ἕνεκα μόνης" « Οἱ ὀφθαλμοὶ αὐτοῦ, φησὶν, ὡσεὶ περιστεραὶ ἐπὶ πληρώματα ὑδάτων᾿ πάλιν ἐνταῦθα διὰ τῶν ὀφθαλμῶν τὸ ὀπτιχὸν αὐτοῦ θαυμάζει. Διὸ ὡς περιστερὰς αὐτοὺς εἶναι λέγει ἐπὶ πληρώματα 8" ὑδάτων " καὶ ἀναμιμνήσκει ἡμᾶς τῆς ἐν τῷ Ἰορδάνῃ κατελθούσης ἐπ᾽ αὐτὸν περιστερᾶς. Καὶ μηδένα ξενιζέτω τὸ ε« ὡς περιστεραὶ, » ἀλλὰ μὴ « περιστερὰ » ῥηθῆναι εὑρίσκομεν γὰρ οὐ μόνον « πνεῦμα, ν ἀλλὰ καὶ ε πνεύματα » παρὰ τῇ θείᾳ Γραφῇ προσαγορευόμενα" οὐκ ἐπειδὴ πολλὰ Πνεύματα ἅγια, ἕν γάρ ἐστι Πνεῦμα ἅγιον, ὁ Παράκλητος - ἀλλὰ τὰ τούτου χαρίσματα πνεύματα οἶδε καλεῖν ὁ μακάριος Παῦλος" « Καὶ πνεύματα γὰρ, φησὶ, προφητῶν προφήταις ὑποτάσσεται. » Ἐπειδὴ τοίνυν πάντα εἶχεν ὁ Δεσπότης Χριστὸς τοῦ Πνεύματος τὰ χαρίσματα, κατὰ τὸ ἀνθρώπειον, διό φησιν ἡ νύμφη «ε Οἱ ὀφθαλμοὶ αὐτοῦ ὡσεὶ περι-᾿ στεραὶ ἐπὶ πληρώματα ὑδάτων. » Διηνεκῶς γὰρ εἰς τὴν τοῦ βαπτίσματος βλέπουσι χορηγίαν οἱ ὀφθαλμοὶ αὐτοῦ, τοὺς σωζομένους ἀναμένοντες, καὶ πάντων τὴν σωτηρίαν ποθοῦντες" ἀλλὰ καὶ « λελουμέναι ἐν γάλακτι, φησὶν, αἱ περιστεραὶ, καὶ χαθήμεναι ἐπὶ πληρώματα ὑδάτων. » Τοὺς μὲν γὰρ γαλαχτοτροφοῦσι, ταύτης τῆς τροφῆς δεομένους " τοὺς δὲ γεουργοῦσι καὶ ἀνανεοῦσιν, ὑπὸ τῆς ἁμαρτίας πακαὶ ταῦτα ἁγιάζουσαι. Καὶ εἰκότως ἔφη « πληρώματα ὑδάτων δ" » τοὺς γὰρ ἀτελῇ τὴν πίστιν κεκτημένους, καὶ μετὰ εἰλικρινοῦς πίστεως μὴ προσιόντας οὐκ ὑποδέχετα: " ὁποῖος ἣν ὁ Σίμων, ὃς ἐδαπτίσθη μὲν, ἀνάξιος δὲ ὥφθη τῆς χάριτος, μὴ γενόμενος ᾿᾽ πεπληρωμένος, ἀλλ᾽ ἐλλείπων, καὶ τὸ τέλειον οὐκ ἔχων τῆς πέστεως, σαι μυρεψικὰ, καὶ χείλη αὐτοῦ κρίνα στάζοντα ναν πλήρη. » Σιαγόνας δὲ πάλιν καὶ χείλη τὴν διδασκαλίαν καλεῖ᾽ ὄργανα γὰρ τοῦ λόγου καὶ χείλη, καὶ σιαγόνες " τούτων γὰρ κινουμένων ἢ ἕναρθρος ἀποτελεῖται φωνή " φιάλας δὲ ἀρώματος ταύτας προσαγορεύει, διὰ τὸ τῆς διδασκαλίας εὐῶδες " λέγει δὲ αὐτὰς καὶ φύειν μυρεψιχά" ἐκεῖθεν γὰρ τὰς τῆς δὲισχαλίας ἀφορμὰς λαμθάνοντες οἱ τῆς Ἐκκλησίας ὕίατος, καὶ τὸ μύρον τῆς ὠφελείας κατασκευάζουσι. Κρίνοις δὲ, φησὶν, ἔοικεν αὑτοῦ τὰ χείλη " λάμπουσι γὰρ οἱ θεῖοι λόγοι, οὐδὲν ἀνθρώπινον ἔχοντες " οὔτε γχρνήθεις, οὔτε ὑφαίνει ᾽5 τὰ κρίνα, κατὰ τὴν τοῦ Κυρίου διδασκαλίαν, ἀλλ᾽ ὁ Πατὴρ ὁ ἐν τοῖς οὐρανοῖς ἀμφιένννσιν αὐτά. Ἐπειδὴ τοίνυν πάσης ἀνθρωπίνης συφίας οἱ θεῖοι λόγοι γεγύμνωνται, μόνον δὲ τὸ θεῖον ᾿ἔχηυσι κάλλος, εἰκότως φησί" « Χείλη αὑτοῦ κρίνα στάζοντα σμύρναν πλήρη, » τουτέστι τὴν ἐν τῷ παρόντι βίῳ νέκρωσιν ἐχπαιδεύοντα. Τοιαῦτα γὰρ τὰ τοῦ Κυρίου διδάγματα" ε« Ὁ μὴ καταλιμπάνων πατέρα, καὶ μητέρα, καὶ γυναῖκα, καὶ ἀγροὺς, καὶ ἀμπελῶνας ἕνεκεν ἐμοῦ, οὐκ ἔστι μου ἄξιος " » καί" « Ὃς οὐ λαμθάνει τὸν σταυρὸν αὑτοῦ, καὶ ἀκολουθεῖ ὀπίσω μου, οὐκ ἔστι μον ἄξιος" ν» καί " « Εἰ θέλεις τέλειος γενέσθαι, πώλησόν σου τὰ ὑπάρχοντα, καὶ δὸς πτωχοῖς, καὶ λαδὼν τὸν σταυρόν σου ἀκολούθει μοι" » διὰ τοῦτο στάζει χείλη αὐτοῦ σμύρναν πλήρη. ε Χεῖρες δὲ αὐτοῦ τορενυταὶ, πεπληρωμέναι Θαρσεῖς. » Χεῖρας δὲ τὴν πρακτικὴν ἀρετὴν ὀνομάζει, ἣν μετὰ πάσης ἁρμονίας μετελήλυθεν, οἷον διατορεύων καὶ ἀπευθύνων πρᾶξιν ἐκάστην. Διὸ καὶ τῷ Ἰωάννῃ ἔλεγεν «Ἄφες ἄρτι " οὕτω γὰρ πρέπον ἡμῖν ἐστι πληρῶσαι πᾶσαν δικαιοσύνην.» Χρυτᾶς δὲ πάλιν καλεῖ, ὡς τιμίους καὶ σπανίους. Τὸ δὲ Θαρσεῖς διὰ τὸ δόκιμον ἔλαδε τοῦ χρυσίου ἐχεῖθεν γὰρ λέγει ἡ θεία Γραφὴ τὸ ἀχίδδηλον καὶ ἄπ- καὶ δόχεμον χρυσίον κομίζεσθαι. « Κοιλία αὐτοῦ πυξίον ἐλεφάντινον ἐπὶ λίθου σαπφείρου. » Ὃ γὰρ βυθὸς αὐτοῦ τῶν μυστηρίων, καὶ τὸ ταμιεῖον τῆς γνώσεως, ἔνθα εἰσὶ πάντες οἱ θησαυροὶ τῆς σοφίας καὶ τῆς γνώσεως ἀπόκρυφοι, πυξίον εἰσὶν ἐλεφάντινον τοῖς τῆς, ἀποκαλύψεως ἀξίοις. Καὶ τῇ μὲν φύσει ἐστὶν ἀκατάληπτα " διὸ « ἐπὶ λίθου σαπφείρου" » ὃ" παραδηλοῖ τὸ βαθὺ καὶ κεκρυμμένον τῶν θείων. Ἀλλ᾽ ὅμως τοῦτο τὸ βαθὺ, καὶ κεκρυμμένον, καὶ ἄδηλον, πυξίον ἐλεφάντινον γίνεται τοῖς ἀξίοις " διὸ καὶ ὁ μακάριος Παῦλος βοᾷ" ε “Ἃ ὀφθαλμὸς οὐκ εἶδε, καὶ οὗς οὐκ ἤκουσε, καὶ ἐπὶ καρδίαν ἀνθρώπου οὐκ ἀνέθη, ἃ ἡτοίμασεν ὁ Θεὸς τοῖς ἀγαπῶσιν αὐτόν" ἡμῖν δὲ ὁ Θεὸς ἀπεκάλυψε διὰ τοῦ Πνεύματος αὖτοῦ!» καὶ πάλιν" ε Τὸ μυστήριον αὐτοῦ τὸ ἀποκεκρυμμένον ἀπὸ τῶν αἰώνων, καὶ ἀπὸ τῶν γενεῶν, ὃ ἑτέραις γενεαῖς οὐκ ἐγνωρίσθη, ὡς νῦν ἀπεκαλύθη τοῖς ἁγίοις ἀποστόλοις αὐτοῦ καὶ προφήταις. » διὸ τὴν κοιλίαν αὐτοῦ φησὶ πυξίον εἶναι ἐλεφάντινιν ἐπὶ λίθου σαπφείρου" καὶ τοὺς μὲν βοστρύχους δῆλους ὄντας μέλανας ἔφη " τοῖς γὰρ μηδέπω τῆς θείας ἀποκαλύψεως τετυχηχόσι, καὶ τὰ δοκοῦντα εἶνα: δῆλα ἄδηλα, καὶ τὰ αἰσθητὰ ἀκατάληπτα " τοῖς δὲ τῶν θείων μυστηρίων ἐντὸς γεγενημένοις, καὶ τὰ ἄδηλα γίνεται φανερά. Διὸ καὶ ὁ μαχάριης φησι" ε Τὰ ἄδηλα καὶ τὰ κρύφια τῆς σοφίας σου ἐδήλωσάς μοι. » Τοῦτο τοίνυν καὶ ἡ νύμφη λέγει" « Ἡ κοιλία αὐτοῦ πυξίον ἐλεφάντινον ἐπὶ λίθου σαπλιωμένοι ἐπὶ βάσεις χρυσᾶς" » τὸ ἑδραῖον αὑτοῦ, καὶ σταθηρὸν, καὶ μόνιμον, καὶ διαρκὲς, διὰ τῶν μαρμαρίνων στύλων ἐδήλωσε" καὶ τὰς βάσεις δὲ αὑτῶν χρυσᾶς ὠνόμασε, τὸ τίμιον τῶν πράξεων διὰ τούτων παραδηλῶν, «Εἶδος αὐτοῦ ὡς λίδανος, ὡς κέδροι "". » Πάλιν ἐνταῦθα τὸ διπλοῦν ἑρμηνεύει τῶν φύσεων" λίθανον "" μὲν τὴν θείαν προσαγορεύει, ἐπειδὴ λίθανος κατὰ τὸν νόμον Θεῷ προσεφέρετο. Κέδρον δὲ καλεῖ τὴν ἀνθρωπείαν, ὡς σηπεδόνα τῇς ἁμαρτίας οὐ δεξαμένην' ἄσηπτος γὰρ ἐν ξύλοις ἣ θείων λογίων γλυκύτερον; Διὸ καὶ ὁ μέγας Δαδίδ- « Ὡς γλυκέα τῷ λάρυγγί μου τὰ λόγιό σου, ὑπὲρ μέλι καὶ κηρίον τῷ στόματί μου" » χα!" ε Τὰ κρίματά σου ἀληθινὰ, δεδιχαιωμένα ἐπὶ τὸ αὐτὸ, ἐπιθυμητὰ ὑπὲρ χρυσίον καὶ λίθον τίμιον πολὺν, καὶ γλυκύτερα ὑπὲρ μέλι κηρίον. » Διὸ καὶ οἱ ὑπηρέται" τῶν ἀρχιερέων, οἱ ἐπ᾿ αὐτὸν ἀποσταλέντες, καὶ χαταχηληθέντες, καὶ ἑαλωχότες τῷ πόθῳ τῆς τῶν )όγων γλυκύτητος, φασὶ τοῖς ἀποστείλασιν" ε« Οὐδέποτε οὗ τως ἐλάλησεν ἄνθρωπος, ὡς οὗτος ὁ ἄνθρωπος " ν καὶ ἄλλοι ἐθόων᾽" ε« Μακαρία ἡ κοιλία ἡ βαστάσασά σε, καὶ μαστοὶ οὺς ἐθήλασας. » ---- Φάρυγξ τοίνυν αὐτοῦ γλυχασμός" ν» ἀλλὰ καὶ, « ὅλος ἐστὶν ἐπιθυμία" » ἀπορήσας γὰρ λοιπὸν ἄλλων ἐπαίνων ἑνὶ αὐτὸν ὁνήματι ὀνομάζει. Τί δήποτε γὰρ, φησὶ, κατὰ μέρος, αὖτοῦ διηγοῦμαι τὸ κάλλος; ὅλος γάρ ἐστιν ἐπιθυμία, ἕλκων ἅπαντας εἰ; ἔρωτα, βιαζόμενος εἰς ἀγάπην, ἐπιθυμίαν ἐμθάλλων, οὐ τοῖς "" ὁρῶσι μόνον, ἀλλὰ καὶ τοῖς ἀκούουσι" ταῦτα εἰρηχυΐζα, φησὶ ταῖς νεάν:σιν᾽ « Οὗτος ν᾽ ἀδελφιδοῦς μου, καὶ οὗτο; πλησίον μου, θυγατέρες Ἱερουσαλήμ.» Ἐπειδὴ ἠἢγνοεῖτε, καὶ ἡἠρωτᾶτε, Τί ὁ ἀδελφιδοῦς σου ἀπὸ ἀδελφιδοῦ; ἰδοὺ λέγω ὑμῖν, ὅτι « Τοιοῦτός ἐστιν ὁ ἀδελφιδοῦς μον, καὶ τοιοῦτός ἐστιν ὁ πλησίον μου" φροντίσατε τοίγυν τοῦ ὄρκον, καὶ μὴ ἀμελήσητε, ἀλλὰ ζητήσατε αὐτὸν καὶ ἀπαγγείλατέ μου τὸν πόθον "4. Μαθοῦσαι τοίνυν ἐκεῖναι τοῦ νυμφίου τὰ σημεῖα, πάλιν ἔπερωτῶσι καὶ πυνθάνονται, ποῦ πορεύεται, καὶ ποῦ ἐξιζ΄. Ποῦ ἀπῆλθεν ὃ ἀδελφιδοῦς σου, ἡ κα.λὴ ἐν γυναιξί; ποῦ ἀπέδλεψεν ὁ ἀδεϊριδοῦς σου, καὶ ζητήσομεν αὐτὸν μετὰ σοῦ. Εἰ γὰρ μάθοιμεν τὸν «ἧς ἀποδημίας τόπον, οὐκ ἀμελήσομεν, ἀλλὰ κοινωσοι τοῦ πόνου, καὶ ζητήσομεν Πάλιν τοίνυν αὐταῖς ἀποχρίνεται, λέγουσα "

th'. Ti adelphidous sou apo adelphidou ", hē kalē en gynaixi? Ti adelphidous sou apo adeiïphidou. hoti houtōs hōrkisas hēmas? Pollakis gar, phēsin, ēkousamen legousēs 7" « ᾿Adelphidous mon, tou adelphidou mou,» kai agnooumen tōn hypo sou legomenōn tēn dynamin. Epeidē toinyn orkos estin en mesǭ, ou dynametha sigę̄ parapempsasthai ta hypo sou prostachthenta᾽ didaxon hēmas toinyn, ō kalē en gynaixi" pasōn gar euprepestera tynchaneis, kai neanidōn, kai pallachidōn, ti soi bouletai touto to onoma? Diapantos gar touto prosphereis ", legousa nyn men « tou adelphidou mou" » nyn de, e ho adelphidous mou" » ei gar mathoimen para sou tis houtos, kai hoia sēmeia perikeitai, therapeusomen se kai plērōsomen sou to prostagma " didaskei toinyn tas mathēteuomenas hyp᾽ autēs hē nymphē ta tou nymphiou sēmeia. kai phēsin autais" “ogismenos apo myriadōn". Kephalē hautou melages hōs korax" Hoi ophrthalmoi hautǭ hōsei pegai en galakti, kathēmenai epi plērōmata hydatōn". Siagoges hautou, hōs phialai d tou cheilē hautou krina stazonta smyrnan piērē. Cheires autethemeiiōmenoi epi baseis chrysas " eidos hautou autou glykasmes "", kai holos epithymia" houtos adeiïphidous mou, kai houtos plēsion mou, thygateres Hierousalēm. Herōtēsasas tas neanidas didaskei hē nymphē tou adelphidou ta sēmeia, kai phēsin" « ᾿Adelphidous mou leukos kai pyrrhos. » Prōton men tithēsi to eleuchos, »deuteron de to «pyrrhos"n» Theos gar aei ēn, egeneto de kai anthrōpos, ouk apheis ho ēn, oude trapeis eis anthrōpon, all᾽ anthrōpeian endysamenos physin. Leukos toinyn estin, hōs Theos" ti gar phōtos lamproteron? phōs de estin alēthinon, kata tēn tōn Euangeliōn phōnēn" e Ēn gar, phēsi, an tois himatiois - dēloi de ton triēmeron thanaton. Kai prosekteon akrithōs, hōs ou legei katerrhanthēn egō, alla chaterrhanthē tǭ kchatanichēmati hautōn ta a himatia mou, toutesti to sōma mou apathēs gar hē theia phytis, to hoe sōma to pathos edexato" syrontos men auto tou henōthentos Theou Logou, pathos de ekeithen ouk helkysantos, epeidē physei to Theion pathou? hyperteron. Dia touto phēsin hē nymphē᾽ « ᾿Adelphidous mou leukos kai porrhos, eklelegmenos apo myriadōn. » ᾿Apasēs gar physeōs kreittōn hē aparchē" « ᾿Amartian gar ouk epoiēsen, oude heureϑē dylos en tǭ stomati autou» dō thytia amōmos hyper pantos prosēnechthē tou genous " toutou charin kai dia Hēsaiou tou prophētou ho tōn holōn proagorxyei theos legōn" « Idou ho pais mon, hon mtn, ho eklektos mou, hon ēudokēsen hē psychē mou" thysō to Pneuma mou ep᾽ auton chrisin tois ethnesin exoisei. » Eikotōs toinyn hē nymphē phēsin᾽ « ᾿Adelphidous mou leukos kai pyrrhos, eklelegmenos apo myriadōn. n» Eprepe gar tǭ tas hamartias hēmōn aneilēphoti, haitines ēsan pyrrhai hōs phoinikoun, kai hōs kokkinon, pyrrhǭ genestha! kai prosagoreuϑēnai" « ᾿Alla kai kephalē autou, phēti, ophatz " n kata men ton Symmachon,« hōslithos timios "» kata de tēn pemptēn ekdosin, « epitēmos chrytǭ. » Kephalēn de autou tropikōs kalei to Theion, to leukon phō? to alēthinon, ho phōtizei panta anthrōpon anō prosagorenthen. Dio chrysǭ kai lithǭ autēn chazei, tais para anthrōpois timiōtatais hylais " hou gar heuren heteron onoma euprepesteron ᾿". e Bostrychoi autou elata!, melanes hōs korax. » Tas ek tēs kepha lēs ekeinou " procheomenas charitas hēgoumai bostrychous onomazesthai melanas men kat᾽ allo, elatas de kath᾽ heteron onomazomenous ᾽d. Hai gar elatai, karpos eisi phoinikōn arsenōn, tois thelesin echeinōn karpous. Epeidē toinyn tōn poikilōn autou charismatōn apolauontes hoi pepisteukotes autǭ karpophorousin autǭ tēn eusedeian, elatais eikotōs rxyei, dia tou batheos chrōmatos kai skoteinou, to elatai, melanes hōs korax᾽ » ton de koraka entautha perieilēphe tēs chroas heneka monēs" « Hoi ophthalmoi autou, phēsin, hōsei peristerai epi plērōmata hydatōn᾿ palin entautha dia tōn ophthalmōn to optichon autou thaumazei. Dio hōs peristeras autous einai legei epi plērōmata 8" hydatōn " kai anamimnēskei hēmas tēs en tǭ Iordanę̄ katelthousēs ep᾽ auton peristeras. Kai mēdena xenizetō to e« hōs peristerai, » alla mē « peristera » rhēthēnai heuriskomen gar ou monon « pneuma, n alla kai e pneumata » para tę̄ theią Graphę̄ prosagoreuomena" ouk epeidē polla Pneumata hagia, hen gar esti Pneuma hagion, ho Paraklētos - alla ta toutou charismata pneumata oide kalein ho makarios Paulos" « Kai pneumata gar, phēsi, prophētōn prophētais hypotassetai. » Epeidē toinyn panta eichen ho Despotēs Christos tou Pneumatos ta charismata, kata to anthrōpeion, dio phēsin hē nymphē «e Hoi ophthalmoi autou hōsei peri-᾿ sterai epi plērōmata hydatōn. » Diēnekōs gar eis tēn tou baptismatos blepousi chorēgian hoi ophthalmoi autou, tous sōzomenous anamenontes, kai pantōn tēn sōtērian pothountes" alla kai « leloumenai en galakti, phēsin, hai peristerai, kai chathēmenai epi plērōmata hydatōn. » Tous men gar galachtotrophousi, tautēs tēs trophēs deomenous " tous de geourgousi kai ananeousin, hypo tēs hamartias pakai tauta hagiazousai. Kai eikotōs ephē « plērōmata hydatōn d" » tous gar atelę̄ tēn pistin kektēmenous, kai meta eilikrinous pisteōs mē prosiontas ouk hypodecheta: " hopoios hēn ho Simōn, hos edaptisthē men, anaxios de hōphthē tēs charitos, mē genomenos ᾿᾽ peplērōmenos, all᾽ elleipōn, kai to teleion ouk echōn tēs pesteōs, sai myrepsika, kai cheilē autou krina stazonta nan plērē. » Siagonas de palin kai cheilē tēn didaskalian kalei᾽ organa gar tou logou kai cheilē, kai siagones " toutōn gar kinoumenōn ē henarthros apoteleitai phōnē " phialas de arōmatos tautas prosagoreuei, dia to tēs didaskalias euōdes " legei de autas kai phyein myrepsicha" ekeithen gar tas tēs deischalias aphormas lamthanontes hoi tēs Ekklēsias huiatos, kai to myron tēs ōpheleias kataskeuazousi. Krinois de, phēsin, eoiken hautou ta cheilē " lampousi gar hoi theioi logoi, ouden anthrōpinon echontes " oute nchrnētheis, oute hyphainei ᾽5 ta krina, kata tēn tou Kyriou didaskalian, all᾽ ho Patēr ho en tois ouranois amphiennnsin auta. Epeidē toinyn pasēs anthrōpinēs syphias hoi theioi logoi gegymnōntai, monon de to theion ᾿echēusi kallos, eikotōs phēsi" « Cheilē hautou krina stazonta smyrnan plērē, » toutesti tēn en tǭ paronti biǭ nekrōsin echpaideuonta. Toiauta gar ta tou Kyriou didagmata" e« Ho mē katalimpanōn patera, kai mētera, kai gynaika, kai agrous, kai ampelōnas heneken emou, ouk esti mou axios " » kai" « Hos ou lamthanei ton stauron hautou, kai akolouthei opisō mou, ouk esti mon axios" n» kai " « Ei theleis teleios genesthai, pōlēson sou ta hyparchonta, kai dos ptōchois, kai ladōn ton stauron sou akolouthei moi" » dia touto stazei cheilē autou smyrnan plērē. e Cheires de autou torenytai, peplērōmenai Tharseis. » Cheiras de tēn praktikēn aretēn onomazei, hēn meta pasēs harmonias metelēlythen, hoion diatoreuōn kai apeuthynōn praxin ekastēn. Dio kai tǭ Iōannę̄ elegen «Aphes arti " houtō gar prepon hēmin esti plērōsai pasan dikaiosynēn.» Chrytas de palin kalei, hōs timious kai spanious. To de Tharseis dia to dokimon elade tou chrysiou echeithen gar legei hē theia Graphē to achiddēlon kai ap- kai dochemon chrysion komizesthai. « Koilia autou pyxion elephantinon epi lithou sappheirou. » Ho gar bythos autou tōn mystēriōn, kai to tamieion tēs gnōseōs, entha eisi pantes hoi thēsauroi tēs sophias kai tēs gnōseōs apokryphoi, pyxion eisin elephantinon tois tēs, apokalypseōs axiois. Kai tę̄ men physei estin akatalēpta " dio « epi lithou sappheirou" » ho" paradēloi to bathy kai kekrymmenon tōn theiōn. All᾽ homōs touto to bathy, kai kekrymmenon, kai adēlon, pyxion elephantinon ginetai tois axiois " dio kai ho makarios Paulos boą" e “Ha ophthalmos ouk eide, kai hous ouk ēkouse, kai epi kardian anthrōpou ouk anethē, ha hētoimasen ho Theos tois agapōsin auton" hēmin de ho Theos apekalypse dia tou Pneumatos autou!» kai palin" e To mystērion autou to apokekrymmenon apo tōn aiōnōn, kai apo tōn geneōn, ho heterais geneais ouk egnōristhē, hōs nyn apekalythē tois hagiois apostolois autou kai prophētais. » dio tēn koilian autou phēsi pyxion einai elephantinin epi lithou sappheirou" kai tous men bostrychous dēlous ontas melanas ephē " tois gar mēdepō tēs theias apokalypseōs tetychēchosi, kai ta dokounta eina: dēla adēla, kai ta aisthēta akatalēpta " tois de tōn theiōn mystēriōn entos gegenēmenois, kai ta adēla ginetai phanera. Dio kai ho machariēs phēsi" e Ta adēla kai ta kryphia tēs sophias sou edēlōsas moi. » Touto toinyn kai hē nymphē legei" « Hē koilia autou pyxion elephantinon epi lithou sapliōmenoi epi baseis chrysas" » to hedraion hautou, kai stathēron, kai monimon, kai diarkes, dia tōn marmarinōn stylōn edēlōse" kai tas baseis de hautōn chrysas ōnomase, to timion tōn praxeōn dia toutōn paradēlōn, «Eidos autou hōs lidanos, hōs kedroi "". » Palin entautha to diploun hermēneuei tōn physeōn" lithanon "" men tēn theian prosagoreuei, epeidē lithanos kata ton nomon Theǭ prosephereto. Kedron de kalei tēn anthrōpeian, hōs sēpedona tę̄s hamartias ou dexamenēn' asēptos gar en xylois hē theiōn logiōn glykyteron? Dio kai ho megas Dadid- « Hōs glykea tǭ laryngi mou ta logio sou, hyper meli kai kērion tǭ stomati mou" » cha!" e Ta krimata sou alēthina, dedichaiōmena epi to auto, epithymēta hyper chrysion kai lithon timion polyn, kai glykytera hyper meli kērion. » Dio kai hoi hypēretai" tōn archiereōn, hoi ep᾿ auton apostalentes, kai chatachēlēthentes, kai healōchotes tǭ pothǭ tēs tōn )ogōn glykytētos, phasi tois aposteilasin" e« Oudepote hou tōs elalēsen anthrōpos, hōs houtos ho anthrōpos " n kai alloi ethoōn᾽" e« Makaria hē koilia hē bastasasa se, kai mastoi ous ethēlasas. » ---- Pharynx toinyn autou glychasmos" n» alla kai, « holos estin epithymia" » aporēsas gar loipon allōn epainōn heni auton honēmati onomazei. Ti dēpote gar, phēsi, kata meros, autou diēgoumai to kallos? holos gar estin epithymia, helkōn hapantas ei? erōta, biazomenos eis agapēn, epithymian emthallōn, ou tois "" horōsi monon, alla kai tois akouousi" tauta eirēchyïza, phēsi tais nean:sin᾽ « Houtos n᾽ adelphidous mou, kai houto? plēsion mou, thygateres Hierousalēm.» Epeidē ēēgnoeite, kai hēērōtate, Ti ho adelphidous sou apo adelphidou? idou legō hymin, hoti « Toioutos estin ho adelphidous mon, kai toioutos estin ho plēsion mou" phrontisate toigyn tou orkon, kai mē amelēsēte, alla zētēsate auton kai apangeilate mou ton pothon "4. Mathousai toinyn ekeinai tou nymphiou ta sēmeia, palin eperōtōsi kai pynthanontai, pou poreuetai, kai pou exiz΄. Pou apēlthen ho adelphidous sou, hē ka.lē en gynaixi? pou apedlepsen ho adeïridous sou, kai zētēsomen auton meta sou. Ei gar mathoimen ton «hēs apodēmias topon, ouk amelēsomen, alla koinōsoi tou ponou, kai zētēsomen Palin toinyn autais apochrinetai, legousa "

9. "What is your kinsman more than a kinsman, O beautiful among women? What is your kinsman more than a kinsman, that you have so adjured us?" For we have often heard you, they say, saying "my kinsman," "of my kinsman," and we do not know the force of what you say. Since, then, there is an oath in the midst, we cannot pass over in silence what you have commanded. Teach us, then, O beautiful among women (for you are more comely than all, both maidens and concubines), what this name means to you. For you bring it up continually, saying now "of my kinsman," now "my kinsman." If we learn from you who he is and what marks he bears, we will serve you and fulfil your command. So the bride teaches those whom she is instructing the marks of the bridegroom, and says to them: 10. "[My kinsman is white and ruddy,] chosen out of ten thousands. 11. His head [is fine gold, kephaz; his locks are palm spathes,] black as a raven. 12. His eyes are like doves by full pools of waters, [washed in milk,] sitting by full pools of waters. 13. His cheeks are like bowls [of spice, putting forth perfumes]; his lips are lilies dripping full myrrh. 14. His hands [are turned on the lathe, golden, full of Tharsis; his belly is an ivory tablet upon a sapphire stone. 15. His legs are marble pillars,] founded upon golden bases; his appearance [is as Lebanon, choice as cedars]. 16. His throat is sweetness, and he is all desire. This is my kinsman, and this is my companion, daughters of Jerusalem."

When the maidens have asked, the bride teaches the marks of the kinsman, and says: "My kinsman is white and ruddy." First she sets "white," second "ruddy"; for he was always God, and he also became man, not letting go of what he was, nor changed into a man, but putting on human nature. He is white, then, as God; for what is brighter than light? And he is the true light, according to the word of the Gospels: "For it was," it says, … in the garments; and it indicates the three-day death. And we must observe carefully that he does not say "I was sprinkled," but "my garments were sprinkled with their juice," that is, my body. For the divine nature is impassible, but the body received the suffering, the God the Word who was united with it sustaining it, yet drawing no suffering from it, since by nature the divine is above suffering. That is why the bride says: "My kinsman is white and ruddy, chosen out of ten thousands." For the firstfruits is better than all nature: "For he committed no sin, nor was deceit found in his mouth"; that is why he was offered as a blameless sacrifice for the whole race. For this reason the God of all also foretells through Isaiah the prophet, saying: "Behold my servant, whom I have chosen, my chosen one, in whom my soul is well pleased; I will put my Spirit upon him, and he will bring forth judgment to the nations." Fittingly, then, the bride says: "My kinsman is white and ruddy, chosen out of ten thousands." For it was fitting that he who had taken up our sins, which were red as crimson and as scarlet, should become ruddy and be called so.

"And his head," she says, "is fine gold, kephaz"; according to Symmachus, "like precious stone," according to the fifth edition, "marked with gold." By his head she figuratively means the divinity, the white …, the true light that enlightens every man … named above. That is why she likens it to gold and stone, the most precious materials among men; for she found no other, more fitting name. "His locks are palm spathes, black as a raven." I think the graces poured out from that head are named locks, called black in one respect and palm spathes in another. For the spathes are the fruit of male palms, … to the females their fruit. Since, then, those who have believed in him, enjoying his various gifts, bear him the fruit of godliness, she fittingly [likens them] to palm spathes, and by the deep and dark colour … "palm spathes, black as a raven"; the raven she has included here for its colour alone.

"His eyes," she says, "are like doves by full pools of waters." Again here, by the eyes, she admires his power of sight. That is why she says that they are like doves by full pools of waters, and reminds us of the dove that came down upon him at the Jordan. And let no one be surprised that "like doves" is said, and not "dove"; for we find in the divine Scripture not only "spirit" but also "spirits" named, not because there are many Holy Spirits, for there is one Holy Spirit, the Paraclete; but the blessed Paul is accustomed to call his gifts spirits: "For the spirits of prophets," he says, "are subject to prophets." Since, then, Christ the Master had, according to his humanity, all the gifts of the Spirit, therefore the bride says: "His eyes are like doves by full pools of waters." For his eyes look continually to the supply of baptism, awaiting those who are being saved and longing for the salvation of all. But also "washed in milk," she says, are the doves, "and sitting by full pools of waters." For some they nourish with milk, those who need this food; and others they make new and renew, [those made old] by sin, … sanctifying these too. And fittingly she said "full pools of waters"; for it does not receive those who possess an imperfect faith and do not come with sincere faith. Such was Simon, who was baptized but was found unworthy of the grace, not having become full but lacking, and not having the perfection of faith.

["His cheeks are like bowls of spice, putting forth] perfumes; his lips are lilies dripping full myrrh." Again by cheeks and lips she means teaching; for lips and cheeks are instruments of speech, since by their movement articulate sound is produced. She calls them bowls of spice because of the fragrance of the teaching; and she says that they put forth perfumes; for the [teachers] of the church take from there the starting points of their teaching and prepare the ointment of benefit. And his lips, she says, are like lilies; for the divine words shine, having nothing human: the lilies neither toil nor spin, according to the Lord's teaching, but the Father who is in heaven clothes them. Since, then, the divine words are bare of all human wisdom and have only the divine beauty, she fittingly says: "His lips are lilies dripping full myrrh," that is, teaching the deadening of self in the present life. For such are the Lord's teachings: "Whoever does not leave father and mother and wife and fields and vineyards for my sake is not worthy of me"; and: "Whoever does not take up his cross and follow after me is not worthy of me"; and: "If you wish to be perfect, sell your possessions and give to the poor, and take up your cross and follow me." That is why his lips drip full myrrh.

"His hands are turned on the lathe, full of Tharsis." By the hands she names his practical virtue, which he pursued with all harmony, as though turning and straightening each action. That is why he said to John: "Let it be so now; for thus it is fitting for us to fulfil all righteousness." She calls them golden, again, as precious and rare. And Tharsis she took because of the excellence of the gold there; for the divine Scripture says that unalloyed, … and tested gold is brought from there. "His belly is an ivory tablet upon a sapphire stone." For the depth of his mysteries and the storehouse of knowledge, where all the treasures of wisdom and knowledge are hidden, are an ivory tablet to those worthy of revelation. By nature they are incomprehensible; that is why it says "upon a sapphire stone," which indicates the depth and hiddenness of divine things. Nevertheless, this deep and hidden and obscure thing becomes an ivory tablet to the worthy; that is why the blessed Paul cries: "What eye has not seen and ear has not heard, and has not entered the heart of man, what God has prepared for those who love him, God has revealed to us through his Spirit"; and again: "his mystery hidden from the ages and from the generations, which was not made known to other generations as it has now been revealed to his holy apostles and prophets." That is why she says that his belly is an ivory tablet upon a sapphire stone; and the locks, which are plain to see, she called black; for to those who have not yet obtained the divine revelation even the things that seem plain are obscure, and the things of sense incomprehensible; but to those who have come within the divine mysteries even obscure things become plain. That is why the blessed [David] says: "The obscure and hidden things of your wisdom you have made plain to me." This, then, the bride too says: "His belly is an ivory tablet upon a sapphire [stone. His legs are marble pillars,] founded upon golden bases." By the marble pillars she has shown his steadiness, firmness, permanence and endurance; and she named their bases golden, indicating by them the preciousness of his deeds.

"His appearance is as frankincense, as cedars." Again here she interprets the twofold reality of the natures: frankincense she calls the divine, since frankincense was offered to God under the law; and cedar she calls the human, as having received no rot of sin; for among woods the cedar does not rot. … [what is sweeter than the] divine oracles? That is why the great David says: "How sweet your oracles are to my throat, more than honey and the honeycomb to my mouth"; and: "Your judgments are true, justified altogether, more to be desired than gold and much precious stone, and sweeter than honey and the honeycomb." That is why the officers of the high priests, who were sent against him and were charmed and captured by longing for the sweetness of his words, say to those who sent them: "Never has a man spoken like this man"; and others cried out: "Blessed is the womb that bore you, and the breasts that you sucked." "His throat," then, "is sweetness"; and also, "he is all desire"; for, at a loss now for other praises, she names him with a single word. Why, she says, do I describe his beauty part by part? For he is all desire, drawing all to love, compelling them to affection, casting desire not only into those who see him but also into those who hear him. Having said this, she says to the maidens: "This is my kinsman, and this is my companion, daughters of Jerusalem." Since you did not know, and asked, "What is your kinsman more than a kinsman?", behold, I tell you that such is my kinsman, and such is my companion. Take thought, then, for the oath, and do not neglect it, but seek him and tell him of my longing.

Having learned, then, the marks of the bridegroom, they ask again and inquire where he goes and where … [6:1] "Where has your kinsman gone, O beautiful among women? Where has your kinsman turned, and we will seek him with you." For if we learn the place of his journey, we will not neglect it, but [will share] the toil with you, and we will seek him. Again, then, she answers them, saying:

Textual problem in this passage: see the notes.

Song 5:9–6:1 (quotation, high confidence) · John 1:9 (quotation, high confidence) · Isa 63:2–3 (allusion, high confidence) · 1 Pet 2:22 (quotation, high confidence) · Isa 42:1 (quotation, high confidence) · Isa 1:18 (allusion, high confidence) · Matt 3:16 (allusion, high confidence) · 1 Cor 14:32 (quotation, high confidence) · Acts 8:13–24 (allusion, high confidence) · Matt 6:28–29 (allusion, high confidence) · Matt 10:37–38 (quotation, high confidence) · Matt 19:29 (allusion, medium confidence) · Matt 19:21 (quotation, high confidence) · Matt 3:15 (quotation, high confidence) · 1 Kgs 10:22 (allusion, low confidence) · Col 2:3 (allusion, high confidence) · 1 Cor 2:9–10 (quotation, high confidence) · Eph 3:5 (quotation, high confidence) · Col 1:26 (allusion, medium confidence) · Ps 51:6 (50:8 LXX) (quotation, high confidence) · Exod 30:34 (allusion, medium confidence) · Ps 119:103 (118:103 LXX) (quotation, high confidence) · Ps 19:9–10 (18:10-Ps LXX) (quotation, high confidence) · John 7:46 (quotation, high confidence) · Luke 11:27 (quotation, high confidence)

Notes and citation

Summary: The bride describes the bridegroom's marks: white as God and ruddy through his passion, his head the divinity, his eyes doves watching over baptism, his lips the divine words teaching self-denial, his hands his deeds, his belly the hidden mysteries, his appearance frankincense and cedar for his two natures; the maidens then ask where he has gone.

  • Lemmas: Song 5:9–16 and 6:1 (several clauses of 5:10–15 are lost in the scan's citation of the lemma and are supplied in brackets from the comment). Lines are lost in the scan where marked …. "Kephaz" transliterates the Hebrew word for fine gold; the "fifth edition" is the anonymous Greek version (Quinta) of Origen's Hexapla. ἐλάται (here "palm spathes") are the flower-sheaths of the date palm.
  • Christological statements (two natures; the divine nature impassible, the body suffering) and the reading of Simon Magus as baptized without full faith are translated as written.
  • Quoted or alluded to: John 1:9; Isa 63:2–3; 1 Pet 2:22; Isa 42:1 (cf. Matt 12:18); Isa 1:18; Matt 3:16; 1 Cor 14:32; Acts 8:13–24; Matt 6:28–29; Matt 10:37–38; Matt 19:29; Matt 19:21; Matt 3:15; 1 Kgs 10:22; Col 2:3; 1 Cor 2:9–10; Eph 3:5; Ps 51:6 (LXX 50:8); Exod 30:34; Ps 119:103 (LXX 118:103); Ps 19:9–10 (LXX 18:10–11); John 7:46; Luke 11:27.

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris and OCR misreading; Latin column debris, marginal numbers and Migne's footnotes; OCR misreading): 808 ἴῃ πα} 5᾽ → ; θσυπῖ : Τα] ν» 4 → ; είν") ἴα οοπίγαχῖς πη Υ406 → ; 32 ρο(]. στρατηγόν. 052 Τθρο αν 550 → ; ροῦῖι8 ρος σαπάστγοιῃ ἱπάϊεανί!. Αὐτὸ ἰφίίυγ → ; ἀπευαι] [6ἀπ 68 → ; 35 βϑλέπουτι χυρηγ. οι. ἀποθλέπουτι → ; Π1{λ{|8.. 65 0 οπιηΐ ᾿ιυπιδη8 → ; 5[ νἱβ δὲ 685 Υἱγίι{65 νοσϑῖ, → ; ἐΝαι8. πὶ, 15... «1 (ον νν, 9, 10. ΡΈρ!ιδϑ. "1, → ; 55, 118. ρογθρίουδ ν] ἰθπίιγ → ; 160, (6116 ἂς ἴανο → ; 5, θη 66 ἢ φοιηυ5, 56 ἰῃ 60 φυσι ἀδβ᾽ → ; κιιρνα, ῃ. 114, ν. 9, 53 → ; ρΓᾶιην χκα!. 48 → ; (4. ὁ. 5. πόθον. [π (οὐ. ιῷ νήσομέν → ; οὐκ ἀφεὶς ὅ Ὁ ἦν → οὐκ ἀφεὶς ὅ ἦν; αὐτὸ ν5 τοῦ → αὐτὸ τοῦ; αὐτὸν 31 χρίσιν → αὐτὸν χρίσιν; ἀχοι, 2. ἡ φῶ; → φῶ;; ἃ «ἱ ταῖν ἀς → ; αν δκ οὺ;, οἵ → ; οδὶ, Υ → ; δἰ, αὐ 1} ἰπἀ6 ρα τη ]]}πεο ἰῃεἴ ροῦ Γῷ νἱ 3 βίᾳ. [τ αὐτό. αὐτῷ, Ἰη → ; συνόντος μὲν τόμου, θ 05. ἰπ δι → ; εἰ Α ἄνω → ἄνω; ἤθη ἐδ ϑρίἡ. ν ὐπὶ α)05 ἴσαι φοἰ απ θᾶ5 Βα πὶ οἱ 88βαροῦ Νά αυΐ χάζει → χάζει; τὸ Β ἐλάται → τὸ ἐλάται; χορηγίαν 33 οἱ → χορηγίαν οἱ; βοὰ ἱπάϊρῃυβ νἱβιι οδὲ ἢ καὶ → καὶ; ὑπογα αν δέχετα: → ὑποδέχετα:; λέγει δὲ ἐοι!. ὀνομαζομένας. δ᾽ ορι]!, περιστεραί. 33 «οἱ. πληρώματος. → λέγει δὲ ; δωρεάν. ὁ" καὶ --- ὑδατον. 65. ἴῃ οὐ. 5. γενόμενος, Δυοδί ἃ οὐ, τ} → ; τὰς τῆς Α 411 δὲισχαλίας → τὰς τῆς δὲισχαλίας; ἐχεῖτὰ ἐμ εἶπα με → ἐχεῖ; δι ρ ση ἃ εἰ ὀϊζηι5 Ὁ; » οἱ : ε Οἱ Σ: ν οἷ : ε → ; συ ἰπ ΔοΙ]0Π6 σοι δἰδι θη : (085 οἰ θεν → θεν; ( ὅϊιᾶ5 δι πὶ εὖϑον 31» → ; Πνεύματος 8 αὖτοῦ → Πνεύματος αὖτοῦ; διὸ Ὁ τὴν → διὸ τὴν; δ. γῆ δι ἢ 1118, αι γανθὶα- Ια πάϊ «Οὐ οσπυ5, ἴῃ, πο τανοίανι! ρον ϑρί να Βυ 0ν δ :» οἵ Γυγϑις : ε Νγ- (το πὶ εὐ, διὰ τοῦτο. 85 δ. οοὐ. χχί. 3 πνεύματος. ο04. πατρός. δ 5.) βῇονία, δύῃ οὐ → ; οἰΐδι Δ δῆλα, ἐ ττὴν ἄδηλα → δῆλα ἄδηλα; τοῖς : ς ἃἢ → τοῖς ; ἃ; ν» οἱ : ε« δυή, εἶδ ἰυ νοι πὶ μια], οἱ 60]εἰ Τὰ» Ετ ἐδο, » πιο οἱ ε ἰοῖιι9 δϑὶ ἀθϑϊ ἀν η. ν» Ποβ! τοῖ, απο ἡ ΓΡῸ οποία σομρ οοι αν, ἴῃ δἰ [ἰοἱ δὲ τῶν → δὲ τῶν; Β ἐπειδὴ λίθανος → ἐπειδὴ λίθανος; σου δ ἀληθινὰ → σου ἀληθινὰ; σε, Ὁ καὶ μαστοὶ → σε, καὶ μαστοὶ; ζητήσατε Ὁ αὐτὸν → ζητήσατε αὐτὸν; Μαθοῦσαι μᾶὲ αἰ φαγί → Μαθοῦσαι ; ὁ τοίνυν ἐκεῖναι → τοίνυν ἐκεῖναι; κοινω- Δ ὡς - κέδροι. Υ᾽ὰρ → κοινω; λίβανον. ἐθα. → ; σου. «οὐ Κυρίου. δ τοῖς, ἐο γάρ. ν᾽ οὗτος. σοι. → ; ὄν Βάλιν → Πάλιν.

Topics: Christology, Baptism

Cite (SBL): Theodoret, Comm. Cant. 5.9 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/5-9). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.