Commentary on the Song of Songs 6.1–6.12
Greek text: PG 81.English: Claude (claude-opus-5-5), public domain (CC0).
Chapter 6
6.1PG 81
α΄. ᾿Αδειλριδοῦς μου κατέθδη εἰς κῆπον αὐτοῦ, εἰς φιάλας " τοῦ ἀρώματος, ποιμαίνειν ἐν κήποις, καὶ συλλέγειν κρίνα. Ζητητέον δὲ, τί δήποτε καὶ ἕνα λέγει κῆπον, καὶ πολλούς " « Κατέδη γὰρ εἰς κῆπον αὑτοῦ, ποιμαίνειν ἐν χἥποις. » Καὶ γὰρ μία ἐστὶν Ἐκκλησία, κατὰ τὸν μακάριον Παῦλον " « Ἦρ- ᾿ μοσάμην γὰρ ὑμᾶς, φησὶν, ἑνὶ ἀνδρὶ, παρθένον ἀγνὴν παραστῆσαι τῷ Χριστῷ. » Καὶ πάλιν" « Οἱ ἄνδρες, ἀγαπᾶτε τὰς γυναῖκας ἑαυτῶν "5, καθὼς καὶ ὁ Χριστὸ; ἡγάπησε τὴν Ἐκχκχλησίαν. » ᾿Αλλὰ καὶ πολλὰς δὲ αὐτὰς πάλιν ὁ μακάριος Παῦλος καλεῖ" οὐ κατὰ τὴν πνευματικὴν, ἀλλὰ κατὰ τὴν τοπικὴν διαίρεσιν τοῦτο ποιῶν" ε Παῦλος γὰρ, φησὶν, ὁ ἀπόστολος, οὐκ π᾿ ἀνθρώπων, οὐδὲ δι’ ἀνθρώπων, ταῖς Ἐχλησίαις τῆς Γαλατίας. » Καὶ Κορινθίοις δὲ γράφων φησίν " « Καὶ γυναῖκες ὑμῶν ἐν ταῖς Ἐκκλησίαις σιγάτωσαν. » Διὰ τοῦτο ἡ νύμφη φησίν"» ᾿Αδελφιδοῦς μου χατέδη εἰς κῆπον αὐτοῦ, εἰς φιάλας τοῦ ἀρώματος, ποιμαίνειν ἐν χήποις, καὶ συλλέγειν κρίνα"» πάσας γὰρ ποιμαίνει τὰς Ἐκκλησίας, καὶ καίρει ταῖς φιάλαις τοῦ ἀρώματος, τοῖς τὴν εὐοσμίαν αὑτοῦ κεκτημένοις, καὶ τοὺς τῆς νύμφης τὸ κάλλος μιμησαμένους καὶ κρίνα γενομένους συλλέγει, καὶ τῇ νύμφῃ συνάπτει. Τούτοις ἐπιφέρει ἡ νύμφη"
a΄. ᾿Adeilridous mou katethdē eis kēpon autou, eis phialas " tou arōmatos, poimainein en kēpois, kai syllegein krina. Zētēteon de, ti dēpote kai hena legei kēpon, kai pollous " « Katedē gar eis kēpon hautou, poimainein en chēpois. » Kai gar mia estin Ekklēsia, kata ton makarion Paulon " « Ēr- ᾿ mosamēn gar hymas, phēsin, heni andri, parthenon agnēn parastēsai tǭ Christǭ. » Kai palin" « Hoi andres, agapate tas gynaikas heautōn "5, kathōs kai ho Christo? hēgapēse tēn Ekchkchlēsian. » ᾿Alla kai pollas de autas palin ho makarios Paulos kalei" ou kata tēn pneumatikēn, alla kata tēn topikēn diairesin touto poiōn" e Paulos gar, phēsin, ho apostolos, ouk p᾿ anthrōpōn, oude di’ anthrōpōn, tais Echlēsiais tēs Galatias. » Kai Korinthiois de graphōn phēsin " « Kai gynaikes hymōn en tais Ekklēsiais sigatōsan. » Dia touto hē nymphē phēsin"» ᾿Adelphidous mou chatedē eis kēpon autou, eis phialas tou arōmatos, poimainein en chēpois, kai syllegein krina"» pasas gar poimainei tas Ekklēsias, kai kairei tais phialais tou arōmatos, tois tēn euosmian hautou kektēmenois, kai tous tēs nymphēs to kallos mimēsamenous kai krina genomenous syllegei, kai tę̄ nymphę̄ synaptei. Toutois epipherei hē nymphē"
1. "My kinsman has gone down into his garden, to the bowls of spice, to shepherd in the gardens and to gather lilies." We must ask why she speaks both of one garden and of many: "For he has gone down into his garden, to shepherd in the gardens." For the church is one, according to the blessed Paul: "For I betrothed you to one husband, to present you as a pure virgin to Christ." And again: "Husbands, love your wives, as Christ also loved the church." But the blessed Paul also calls them many, doing so not according to the spiritual but according to the local division: "For Paul, an apostle, not from men nor through men, to the churches of Galatia." And writing to the Corinthians he says: "Let your women keep silent in the churches." That is why the bride says: "My kinsman has gone down into his garden, to the bowls of spice, to shepherd in the gardens and to gather lilies"; for he shepherds all the churches, and rejoices in the bowls of spice, those who have acquired his fragrance, and gathers those who have imitated the bride's beauty and become lilies, and joins them to the bride. To these words the bride adds:
Song 6:2 (quotation, high confidence) · 2 Cor 11:2 (quotation, high confidence) · Eph 5:25 (quotation, high confidence) · Gal 1:1–2 (quotation, high confidence) · 1 Cor 14:34 (quotation, high confidence)
Notes and citation
Summary: The one garden and the many gardens are the one church and the many local churches, all shepherded by Christ.
- Lemma: Song 6:2 (numbered 6:1 in Theodoret's text, which places 6:1 with chapter 5).
- Quoted or alluded to: 2 Cor 11:2; Eph 5:25; Gal 1:1–2; 1 Cor 14:34.
Notes on the original text
- Digital text corrected (Latin column debris, marginal numbers and Migne's footnotes): κατὰ ἱπ βίου οἱ Ομ τὴν → κατὰ τὴν; διαίρεσιν Β τοῦτο → διαίρεσιν τοῦτο.
Cite (SBL): Theodoret, Comm. Cant. 6.1 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-1). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-1
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.
6.2PG 81
β΄. Ἐγὼ τῷ "" ἀδειλριδῷ μου, καὶ ὁ ἀδειριξοῦς μου ἐμοί" ὁ ποιμαίνων ἐν τοῖς χρίγοις. Αὐτοῦ γὰρ ἐξήρτημαι, καὶ αὐτῷ ἐμαυτὴν ἀνέθηχα. Καὶ γὰρ αὐ- ν τός με πάσης προτετίμηχε τῆς οἰκουμένης, καὶ ἑαυτῷ συνῆψε, καὶ γεγηραχυζαν ἀνενεώσατο, καὶ πεἰάσατο, καὶ εὐωδίας ἐπλήρωσε " διὰ τοῦτο λέγω᾽ « Ἐγὼ τῷ ἀδελφιδῷ μον, καὶ ὁ ἀδελφιδοῦς μου ἐμοί" ὁ" ποιμαίνων ἐν τοῖς κρίνοις, » ἢ ε ὁ ποιμαίνων τὰ ἄνθη, » κατὰ τὸν Σύμμαχον " καὶ γὰρ τοὺς γενομένους κρίνα ποιμαίνει, καὶ ἐν κρίνοις τοὺς ἀξίους ποιμαίνει " οὐδὲν δὲ τῶν θείων Γραφῶν εὐωδέστερὸν δι, ᾿Ακούσας ὁ νυμφίος τῶν λόγων τῆς νύμφης, καὶ ἐλεήσας αὐτὴν ποθοῦσαν αὐτὸν, καὶ νύκτωρ καὶ μεθ' ἡμέραν φανταζομένην καὶ περὶ αὐτοῦ διαλεγομένην, καὶ τὸ κάλλος αὑτοῦ διεξιοῦσαν, ἐπιφαίνεται αὑτῇ, λέγων " Υ. Καλὴ εἶ, ἡ πλησίον μου, ὡς εὐδοκία "", ὡραία ὡς ἹΙερουσαλήμ " θάμδος, ὡς τεταγμένη "5. Καὶ ποιεῖ αὐτῇ ὄνομα τὸ δι᾽ αὐτὴν γενόμενον πρᾶγμα. « Ἐπειδὴ γὰρ ηὐδόκησε Κύριος τὴν γῆν αὑτοῦ, καὶ ἀπέστρεψε τὴν αἰχμαλωσίαν Ἰαχὼδ, καὶ ἁφῆκε τὰς ἀνομέας τῷ λαῷ αὐτοῦ, καὶ ἐχάλυψς πάσας τὰς ἀμχρτίας αὐτοῦ, εἰκότως αὑτὴν εὐδοκίαν προσαγορεύει " καὶ ὥσπερ αὕτη αὐτὸν ἐπιθυμίαν ἄνω ὠνόμασεν, ἀπὸ τοῦ οἰκείου πάθους τὴν προσηγορίαν θεμένη " ἐπιθυμοῦσα γὰρ αὐτοῦ διηνεκῶς, ἐπιθυμίαν καλεῖ ’ οὕτως καὶ αὐτὸς εὐδοκήσας, καὶ θελήτας μνηστεύσασθαι αὐτὴν καὶ ἑαυτῷ συνᾶψαι, εὐδοκίαν ὀνομάζει. Οὕτως γὰρ, φησὶν, εἴ καλὴ, ὡς εὐδοχηθεῖσα παρ᾽ ἐμοῦ καὶ ἀγαπηθεῖσα ᾿ οὐ μόνον δὲ καλὴ εἶ, ἀλλὰ καὶ ὡραία, καὶ οὐκ ἁπλῶς ὡραία, ἀλλ᾽ ὡς Ἱερουσαλήμ " οὐκ αὕτη ἡ κάτω, ἀλλ᾽ ἡ ἄνω, περὶ ἧς ὁ μακάριος λέγει Παῦλος" « Ἢ δὲ ἄνω Ἱερουσαλὴμ ἐλευθέρα ἐστίν - ἥτις ἐστὶ μήτηρ πάντων ἡμῶν.» Ἐκείνῃ ἔοικας, ὦ πλησίον μου “ τὴν γὰρ ἀγοὐράνια, καὶ ἐν σαρκὶ περιπατοῦσα οὐ κατὰ σάρκα στρατεύῃ, καὶ κατὰ σκοπὸν διώκεις ἐπὶ τὸ βραδεῖον τῆ; ἄνω κλήσεως, καὶ τὰ ἄνω ζητεῖς, οὗ ἐγώ εἰμι ἐν δεξιᾷ τοῦ Θεοῦ καθήμενος. Διὰ τοῦτο ε ὡραία εἰ, ὡς Ἱερουσαλὴμ,» καὶ οὐκ ἀπλῶς ὡραία, ἀλλὰ θάμξος ἐμποιοῦσα τοῖς ὁρῶσί σε" ἐχπλήττονται γὰρ οἱ τὴν τάξιν σου θεώμενοι" οὐδὲν γὰρ παρὰ σοὶ ἄτακτον, οὐδὲν ἀόριστον, οὐδὲ ἀδιάκριτον, ἀλλὰ πάντα τεταγμένα καὶ χεχριμένα. καὶ οἶδας ἀχριδῶς τὴν τῶν πραγμάτων ἀκολουθίαν, πάντων προτιμᾷν τὸν νυμφίον δεδίδαξαι, καὶ μετ᾽ ἐκεῖνον τοὺς ἐκείνῳ πλησιάζοντας. Τούτοις προστίθησιν"
b΄. Egō tǭ "" adeilridǭ mou, kai ho adeirixous mou emoi" ho poimainōn en tois chrigois. Autou gar exērtēmai, kai autǭ emautēn anethēcha. Kai gar au- n tos me pasēs protetimēche tēs oikoumenēs, kai heautǭ synēpse, kai gegērachyzan aneneōsato, kai peiasato, kai euōdias eplērōse " dia touto legō᾽ « Egō tǭ adelphidǭ mon, kai ho adelphidous mou emoi" ho" poimainōn en tois krinois, » ē e ho poimainōn ta anthē, » kata ton Symmachon " kai gar tous genomenous krina poimainei, kai en krinois tous axious poimainei " ouden de tōn theiōn Graphōn euōdesteron di, ᾿Akousas ho nymphios tōn logōn tēs nymphēs, kai eleēsas autēn pothousan auton, kai nyktōr kai meth' hēmeran phantazomenēn kai peri autou dialegomenēn, kai to kallos hautou diexiousan, epiphainetai hautę̄, legōn " Y. Kalē ei, hē plēsion mou, hōs eudokia "", hōraia hōs HiIerousalēm " thamdos, hōs tetagmenē "5. Kai poiei autę̄ onoma to di᾽ autēn genomenon pragma. « Epeidē gar ēudokēse Kyrios tēn gēn hautou, kai apestrepse tēn aichmalōsian Iachōd, kai haphēke tas anomeas tǭ laǭ autou, kai echalypss pasas tas amchrtias autou, eikotōs hautēn eudokian prosagoreuei " kai hōsper hautē auton epithymian anō ōnomasen, apo tou oikeiou pathous tēn prosēgorian themenē " epithymousa gar autou diēnekōs, epithymian kalei ’ houtōs kai autos eudokēsas, kai thelētas mnēsteusasthai autēn kai heautǭ synapsai, eudokian onomazei. Houtōs gar, phēsin, ei kalē, hōs eudochētheisa par᾽ emou kai agapētheisa ᾿ ou monon de kalē ei, alla kai hōraia, kai ouk haplōs hōraia, all᾽ hōs Hierousalēm " ouk hautē hē katō, all᾽ hē anō, peri hēs ho makarios legei Paulos" « Ē de anō Hierousalēm eleuthera estin - hētis esti mētēr pantōn hēmōn.» Ekeinę̄ eoikas, ō plēsion mou “ tēn gar agourania, kai en sarki peripatousa ou kata sarka strateuę̄, kai kata skopon diōkeis epi to bradeion tē? anō klēseōs, kai ta anō zēteis, hou egō eimi en dexią tou Theou kathēmenos. Dia touto e hōraia ei, hōs Hierousalēm,» kai ouk aplōs hōraia, alla thamxos empoiousa tois horōsi se" echplēttontai gar hoi tēn taxin sou theōmenoi" ouden gar para soi atakton, ouden aoriston, oude adiakriton, alla panta tetagmena kai chechrimena. kai oidas achridōs tēn tōn pragmatōn akolouthian, pantōn protimąn ton nymphion dedidaxai, kai met᾽ ekeinon tous ekeinǭ plēsiazontas. Toutois prostithēsin"
2. "I am my kinsman's, and my kinsman is mine, he who shepherds among the lilies." For I hang upon him, and I have dedicated myself to him. For he has honoured me above the whole inhabited world, and joined me to himself, and renewed me when I had grown old, and … and filled me with fragrance. That is why I say: "I am my kinsman's, and my kinsman is mine, he who shepherds among the lilies," or "he who shepherds the flowers," according to Symmachus; for he both shepherds those who have become lilies and shepherds the worthy among lilies; and nothing is more fragrant than the divine Scriptures.
Having heard the bride's words, and pitying her as she longed for him, imagined him night and day, talked about him and recounted his beauty, the bridegroom appears to her, saying: 3. "You are beautiful, my companion, as good pleasure, lovely as Jerusalem, an amazement, as [armies] set in array." And he makes her name the thing that came about for her sake. "For since the Lord took pleasure in his land, and turned back the captivity of Jacob, and forgave the iniquities of his people, and covered all their sins," he fittingly calls her good pleasure. And as she named him "desire" above, taking the name from her own feeling (for, desiring him continually, she calls him desire), so he too, having taken pleasure in her and wished to betroth her and join her to himself, names her good pleasure. For you are beautiful, he says, as one in whom I have taken pleasure and whom I have loved; and you are not only beautiful but also lovely, and not simply lovely, but lovely as Jerusalem, not this one below but the one above, of which the blessed Paul says: "But the Jerusalem above is free; she is the mother of us all." You are like her, my companion; for … heavenly things, and walking in the flesh you do not wage war according to the flesh, and you press on toward the goal for the prize of the upward call, and seek the things above, where I am seated at the right hand of God. That is why "you are lovely as Jerusalem," and not simply lovely, but causing amazement in those who see you; for those who behold your order are astonished. For nothing in you is disorderly, nothing undefined or undiscerning, but all is ordered and judged. And you know exactly the order of things: you have been taught to prefer the bridegroom above all, and after him those who are near him. To these words he adds:
Textual problem in this passage: see the notes.
Song 6:3–4 (quotation, high confidence) · Song 5:16 (allusion, high confidence) · Ps 85:1–2 (84:2-Ps LXX) (quotation, high confidence) · Gal 4:26 (quotation, high confidence) · 2 Cor 10:3 (allusion, high confidence) · Phil 3:14 (allusion, high confidence) · Col 3:1 (allusion, high confidence)
Notes and citation
Summary: The bride belongs wholly to the bridegroom; he calls her "good pleasure" because he took pleasure in her, lovely as the heavenly Jerusalem and amazing in her good order.
- Lemmas: Song 6:3–4 (numbered 6:2–3 in Theodoret's text). Lines are lost in the scan where marked ….
- Quoted or alluded to: Song 5:16; Ps 85:1–2 (LXX 84:2–3); Gal 4:26; 2 Cor 10:3; Phil 3:14; Col 3:1.
Notes on the original text
- Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): ὀροῦυϊ Κ] (ογ. κιν, 54. → ; ίθης δι δἰ} βροηβᾷιη Δ) πρὸ ἼΒΡΘΟΟ88 δἰ Πρ] → ; 56} δίει! ΗΙ γοβο → ; [η τον, 56} 82, κιιρογίον ||, 46 → ; {πη}, ἢ} τὐροποηύπῃ, → ; πάθη) Βροηϑυπι 605 ΠΟΓ → ; δι᾽ αὐτὴν δ᾽ γενόμενον → δι᾽ αὐτὴν γενόμενον; κι, 9. σ᾽ δεῖς ἡ.» Εἰ δὐ ἴῃ «ἀ υἱ ρᾳβδοδί ἰπ Ποῦ 8, οἱ οὐ ρα ἅγο- [τὰεἶϊ. Αά μας Βροηϑᾶ 51} εἷϊ : ἢν τ}, δ δίψα οορυϊαν! : ὁχ βοΐ οοηίεεϊαπι τοι αἷοἱ πὲοἱ 608 πιὶ- 406 ἃς γαῖ, οἱ δὸ αἰ : θοοἱ τρὶς Ἰπί φιίτδι65. ρἰεδὶ δύ, οἱ → ; δυᾶ οἱ ουἰ556ῖ, οἱ ν → ; οἷο Γ, → ; γῆ, μη πῶς → ; φιᾶ πὶ τ. Υἱ - → ; οἱ δου → ; ἰσϑἰ πη ἢ δα: (υἷα α τὰς → τὰς; αὐτοῦ δὅ τ. εἰκότως → αὐτοῦ, εἰκότως; σάρκα Β στρατεύῃ → σάρκα στρατεύῃ; οὐδὲν δ6 ἀόριστον → οὐδὲν ἀόριστον.
Cite (SBL): Theodoret, Comm. Cant. 6.2 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-2). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-2
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.
6.4PG 81
δ΄ ᾿Απόστρεψον ὀρθαλμούς σου ἀπεναντίον ὅτι αὐτοὶ ἀνεπτέρωσάν μὲ "". Ὃ δὲ λέγει τοιοῦτόν ἐστι" τὸ κάλλος τῶν ὀφθαλμῶν σου, καὶ ἡ θεωρία τοῦ ὀπτιχοῦ σου, καὶ τὸ ὀξυδερχὲς τῆς διανοίας σον, εἴλκυσάν με εἰς ἔρωτά σου" ἀλλὰ μὴ πέρα τοῦ μετρίου εἰς ἐμὲ ἀτενίσῃς, ἵνα μὴ βλάδην ἐντεῦθεν ἐλκύσης᾽ ἀνέφιχτος γάρ εἶμι, καὶ ἀκατάληπτος, καὶ πᾶσαν ὑπερδαίνων κατάληψιν, οὐκ ἀνθρωπίνην μόγὴν, ἀλλὰ καὶ ἀγγελικήν κἂν βουληθῇς ὑπερθῆναι τοὺς ὅρους, καὶ περιεργάσᾳσθαι τὰ τῆς σῆς δυνάμεως ἐπέκεινα, οὐ μόνον οὐδὲν εὑρήσεις, ἀλλὰ καὶ ἀμαυρώσεις τὸ ὄμμα, καὶ ἀμθλύτερον τοῦτο ποιήσεις. Τοιαύτη γὰρ τοῦ φωτὸς ἡ φύσις “ ὥσπερ γὰρ φωτίζει τὸ ὄμμα, οὕτως τούτου τὴν ἀπληστίαν κολάζει τῇ βλάδῃ" « ᾿Απόσρεψον τοίνυν τοὺς ὀφθαλμούς: σου ἀπεναντίον μου" » χαλεπώτερά σου μὴ ἐρεύνα, καὶ ἰσχυρότερά σου μὴ ζήτει" ἃ προσετάχθη σοι, ταῦτα διανοοῦ. Τούτοις δ᾽ πάλιν ἐπιφέρε: τοὺς προτέρους ἐπαίνους, καὶ λέγει"
d΄ ᾿Apostrepson orthalmous sou apenantion hoti autoi anepterōsan me "". Ho de legei toiouton esti" to kallos tōn ophthalmōn sou, kai hē theōria tou optichou sou, kai to oxyderches tēs dianoias son, eilkysan me eis erōta sou" alla mē pera tou metriou eis eme atenisę̄s, hina mē bladēn enteuthen elkysēs᾽ anephichtos gar eimi, kai akatalēptos, kai pasan hyperdainōn katalēpsin, ouk anthrōpinēn mogēn, alla kai angelikēn kan boulēthę̄s hyperthēnai tous horous, kai periergasąsthai ta tēs sēs dynameōs epekeina, ou monon ouden heurēseis, alla kai amaurōseis to omma, kai amthlyteron touto poiēseis. Toiautē gar tou phōtos hē physis “ hōsper gar phōtizei to omma, houtōs toutou tēn aplēstian kolazei tę̄ bladę̄" « ᾿Aposrepson toinyn tous ophthalmous: sou apenantion mou" » chalepōtera sou mē ereuna, kai ischyrotera sou mē zētei" ha prosetachthē soi, tauta dianoou. Toutois d᾽ palin epiphere: tous proterous epainous, kai legei"
4. "Turn your eyes away from before me, for they have given me wings." What he says is this: The beauty of your eyes, and the contemplation of your power of sight, and the keenness of your mind have drawn me to love of you; but do not gaze at me beyond measure, lest you draw harm from it. For I am unattainable and incomprehensible, surpassing all comprehension, not only human but angelic as well; and if you wish to overstep the limits and busy yourself with what lies beyond your power, not only will you find nothing, but you will also darken your eye and make it duller. For such is the nature of light: as it illuminates the eye, so it punishes its greed with harm. "Turn away, then, your eyes from before me": do not search into things too hard for you, and do not seek things too strong for you; think on what has been commanded you. To these words he again adds the earlier praises, and says:
Song 6:5 (quotation, high confidence)
Notes and citation
Summary: The bridegroom tells the bride not to gaze beyond measure at him, who is incomprehensible even to angels, lest her sight be harmed.
- Lemma: Song 6:5a (numbered 6:4 in Theodoret's text). The closing advice paraphrases Sir 3:21–22.
Notes on the original text
- Digital text corrected (Latin column debris, marginal numbers and Migne's footnotes): τοιοῦτόν γι, οἱ ἀοι- ( ἐστι → τοιοῦτόν ἐστι; ἵ6 ὴ ἦπ σοπιθιμρΔη 40, οἱ μι θη γὰ δ}οἱ βὶ ἰεὶ οἱ (κὶ εἰσί τιν, 36. “οὔ ὀπτιχοῦ → τοῦ ὀπτιχοῦ.
Extrabiblical texts: Sir 3:21-22 (Sirach [in RC, EO, ETH canons]; quotation)
Cite (SBL): Theodoret, Comm. Cant. 6.4 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-4). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-4
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.
6.5PG 81
ε', ς΄. Τρίχωμά σου, ὡς ἀγέλαι τῶν αἰγῶν, αἵ ἂννεἐφάγησαν ἀπὸ τοῦ Γαλαάδ". ᾽οδόντες σου, ὡς ἀγέλαι τῶν κεκαρμένων “᾽ αἱ ἀνέθησαν ἀπὸ τοῦ οὐκ ἔστιν ἐν αὐταῖς. Ὡς σπαρτίον κόκκινον χείλη σου, καὶ ἡ 1αλιά σου ὡραία 5". ς΄. Ὡς.1ἐ- Α πυρὸν ῥοᾶς μῆ.ά " σου, ἐκτὸς τῆς σιωπήσεώς σου. Ταῦτα ἑρμηνεύσαντες ἄνω, περιττὸν ἡγούμεθα δὶς ἑρμηνεύειν" δυνατὸν γὰρ, κἂν ἐπιλάθηταί τις τῆς ἑρμηνείας, εἰς ἐκεῖνα ἀναδραμόντα “"" τὴν σαφήνειαν εὑρεῖν. Οὐκ ἁπλῶς δὲ δ, οὐδὲ ὡς ἔτυχε δὶς τὰς αὐτὰς εὐφημίας τῇ νύμφῃ προσήνεγκεν, ἀλλὰ ἀναμιμνήὄχων αὐτὴν τοῦ οἰκείου χάλλου:, καὶ παραινῶν σῶον τοῦτο φυλάξαι, καὶ μηδένα δέξασθαι μῶμον " Ἰδοὺ γὰρ, φησὶν, οζαν σε ἀνθ᾽ οἵας ἠργασάμην “΄, καὶ ὁποίαν "οὶ ὥραν ἐχαριΞάμην, καὶ ἡλίκον σοὶ κάλλος ἐδωρησάμην " τοῦτό μο! εἰς τέλος ἀδλαδὲς λεὶ γάρ σοι συγγενόμενος, ἐῤευνῶ σου τὰ μέλῃ, καὶ πολυπραγμονῶ μή τις αὐτοῖς ἐπεγένετο βλάδη ". Αέγει καὶ ταῦτα πρὸς ἐκείνας ὁ νυμφίος, ἐπιμεῖναι τῷ κάλλει τὴν νύμφην προτρέπων. ζ, η΄. Εξήχοντάεϊσιβασίλισσαι, καὶ ὀγδοήκοντα παϊλακαὶ, καὶ νεάνιδες, ὧν οὐκ ἔστιν ἀριθμός “1. Μία ἐστὶ περιστερά μου, τε.ϊεία μου, μία ἐστὶ τῇ μητρὶ αὐτῆς, ἐκιεχτὴ ἐστι τῇ τεχούσῃ αὐτήν" εἴδοσαν αὐτὴν θυγατέρες καὶ μακαριοῦσιν αὐτὴν βασίλισσαι, καί γε παι1λακαὶ, καὶ ἐϊνγέσουσιν" αὐτήν. Πολλὰ τάγματα καὶ διάφορα τῶν εὐσεθῶν ἐδιδάχθη μεν εἶναι " καὶ τοῦτο διδάσκων ὁ Κύριος ἔλεγε " « Πολλαὶ μοναὶ παρὰ τῷ Πατρί μου.» Καὶ ἐν τῇ διανομῇ δὲ τῶν ταλάντων" « Οὐ πάντες ἀνὰ πέντε ἔλαδον τάλαντα, ἀλλ᾽ ὁ μὲν πέντε, ὁ δὲ δύο, ὁ δὲ ἕν, τὰ κατὰ δύναμιν ἕκαστος, » Καὶ ἐν τῇ παραδολῇ δὲ τοῦ σπόρου φησί" ε Τὰ δὲ ἕπεσεν ἐπὶ τὴν καλὴν γῆν, καὶ ἐποίησε καρπὸν ἀνὰ τριάκοντα, ν καὶ ἐξήκοντα, καὶ ἔκατόν"» καὶ πᾶσαν καλὴν ὀνομάζει γῆν, οὗ μόνον τὴν τὰ ἑκατὸν ποιήσασαν, ἀλλὰ καὶ τὴν τὰ ἑξήκοντα, καὶ τὴν τὰ τριάκοντα " Ἔστι μὲν γὰρ ὃ τριάκοντα ἀριθμὸς τῶν ἐπαινουμένων " τρεῖς γὰρ ἔχει δεκάδας τῇ τριάδι ἡνωμένας " ὁ δὲ ἑξήκοντα διπλῆν ἔχει τὴν εὐλογίαν" διπλασιαζόμενος γὰρ ὁ τριάκοντα γεννᾷ τὸν ἑξήκοντα " ὁ δὲ ἑκατόν ἔστι τελειότατος, καὶ τῆς μὲν εὐωνύμου χειρὸς ἀπηλλαγμένος, ἀρχὴν δὲ ἔχων τῆς δεξιᾶς, καὶ ἐν δέκα διχάσι συμπληρούμενος " τετράγωνον δὲ τοῦτον οἱ περὶ ταῦτα καλοῦσι δεινοί. ᾿Αλλ᾽ ὅμως εἰ καὶ τέλειος ὁ ἑκατὸν, ἀλλὰ καὶ ὁ ἐξήκοντα καὶ ὁ τριάκοντα τῶν ἐπαινουμένων " πάντας γὰρ καλὴν γῆν ὠνόμασεν ὁ Κύριος, Νοήσωμεν τοίνυν, νύμφην μὲν εἶναι τὰς ἐν πάσῃ φιλοσοφίᾳ καὶ ἀρετῇ τετελειωμένας ψυχὰς, τὰς “5 διὰ μόνην τὴν περὶ τὸν νυμφίον ἀγάπην τῶν πόνων τῆς ἀρετῆς ἀνεχομένας, καὶ πάντα ποιεῖν καὶ πάσχειν αἰρουμένας. Ὁποῖος ἦν ὁ μακάριος Παῦλος λέγων " «Πέπεισμαι γὰρ, ὅτι οὔτε θάνατος, οὔτε ζωὴ, οὔτε ἄγγελοι, οὔτε ᾿Αρκαὶ, οὔτε Δυνάμεις, οὔτε ἐνεστῶτα, οὔτε μέλλοντα,οὔτε ὕψωμα, οὔτε βάθος, οὔτε τις κτίσις ἑτέρα δυνήσεται ἡμᾶς χωρίσαι ἀπὸ τῆς ἀγάπης τοῦ Θεοῦ τῆς ἐν Χριστῷ Ἰησοῦ τῷ Κυρίῳ ἡμῶν. ν» Διδάσκει γὰρ ἡμᾶς διὰ τούτων, ὅτι οὐ διὰ τὴν βασιλείαν τῶν οὐρανῶν ποθεξ τὸν Χριστὸν, ἀλλ᾽ ὅτι αἱρεῖται τῆς βασιλείας ἐκπεσεῖν, καὶ εἰς γέενναν ἐμπεσεῖν μετὰ τοῦ τὸν Χριστὸν ἀγαπᾷν, ἢ βασιλεύειν τῆς ἀγάπης ἐκείνης ἐστερημένος " αἱ τοίνυν τοιαῦται ψυκαὶ τῆς νύμφης πληροῦσι: τὸ σύνταγμα, αἱ μόνῳ τῷ πόθῳ τοῦ νυμφίου κατεχόμεναν" εἰσὶ δέ τινες οἷον μισθωτοὶ, τῇ ἐπιθυμίᾳ τῶν μελλόντων ἀγαθῶν τοὺς ὑπὲρ ἀρετῆς ἱδρῶτας φέρειν ἀνεχόμενοι " τούτους ἐπὶ τοῦ παρόντος ἡγοῦμαι βασιλίδας ὀνομάζεσθαι, ὡς τῆς βασιλείας ἐπιθυμοῦντας, καὶ δι᾽ ἐχείνην φέρειν αἱρουμένους τῇς εὑσεύδείας τοὺς πόνους. Εἰσὶ“ ὃὲ ἕτεροι οὐδέπω τῆς ἐλευθερίας ἠξιωμένοι, ἔτι δὲ δουλεύειν ἐθέλοντες, καὶ φόδι τῆς γεέννης τοὺς θείους νόμους πληροῦντες “τούτους ὑποκαὶ τοῖς τοιούτοις ὁ νυμφίος πᾶσι πάντα γινόμενος. Εἰσὶ δὲ καὶ ἄλλο: ῥᾳθυμίᾳ συζῶντες, καὶ μὲτε τῷ φίλτρῳ τοῦ νυμφίου κατεχόμενοι, μῆτε τῷ πόθῳ τῆς βασιλείας ἑλκόμενοι, μήτε τῷ τόξῳ τῆς γεέννης νυττόμενοι, ἀμελέστερον τὰ καθ᾽ ἑαυτοὺς οἰκονομοῦντες" καὶ τὴν μὲν πίστιν ἀκίνητον ἔχοντες, καὶ τὰ τῆς εὑσεθείας δόγματα σῶα διαφυλάττοντες, καὶ πᾶσαν αἱρετικὴν καὶ ἀλλόφυλον διδασκαλίαν ἀποστρεφόμενοι, ἀμελέστερον δὲ βιοῦντες, καὶ ποτὲ μὲν σφῶν αὖτῶν ἐπιμελούμενοι, ποτὲ δὲ πάλιν εἰς ῥᾳθυμίαν χυλινξδούμενοι, καὶ ποτὲ μὲν ἁμαρτάνοντες, ποτὲ δὲ φίος ἐνταῦθα νεάνιδας προτχαγορεύξ'..“ καὶ ἐπειδῇ πλείους οἱ τοιοῦτοι τῶν τε βασιλίδων, καὶ παλλαχίδων, φησί" «ε Καὶ νεάνιδες, ὧν οὐκ ἔστιν ἀριθμὸς, κυ οὗ μόνον διὰ τὴ πλῆθος ἀριθμεῖσθαι αὑτοὺς οὐκ ἔστι, φησὶν, ἀλλὰ χὰ διὰ τὸ ἀναξίους εἶναι ἀριθμοῦ. Τῶν γὰρ ἀξίων καὶ αἱ τρίχες ἡριθμημέναι εἰσὶ παρὰ τῷ Πατρί ἀλλ᾽ ὅμως καὶ ταύταις ὁ νυμφίο: ἔστιν ὅτε συγγίνεται, τῆς ῥᾳθυμία; αὐτὰς ἀφέλχειν βουλόμενος, καὶ ποδηγῶν ἐπὶ τὰ τέλεια, καὶ πανταχόθεν αὐταῖς τὴν σωτηρίαν πραγματενόμενος. Ζητήσωμεν δὲ τί δήποτε βασιλίδας ἐξέχοντα, παλλακὰς δὲ ὀγδοήκοντα ἔφη. Ὃ ἑξήκοντα ἀριθμὸς ἕξ ἔχει δεκάδας, καὶ ἡ μὲν δεκὰς σημαίνει τὴν τελειότητα, ἡ δὲ ἑξὰς τὸν τῆς κοσμοποιῖας ἀριθμὸν περιέχει - ἐν γὰρ ἐξ ἡμέραις ὁ τῶν ὅλων Θεὺς τὴν κτίσιν ἐδημιούργησεν ἅπασαν. Ἰὰς τοίνυν ἐν τούτῳ τῷ κόσμῳ τετελειωμένας ἐν ἀρετῇ ψυχὰς, καὶ τῇς βασιλείας ἐπιθυμοῦσας, ἐξήκοντα βασιλίδας "5 ὠνόμασεν" ἡ γὰρ νύμφη ὑπὲρ τὸν κόσμον τοῦτον πολιτεύεται, καὶ ἔξω τούτου τυγχάνε!, καὶ ὑπὲρ τοῦτον ἔπταται, καὶ ὅλη τοῦ νυμφίου γίνεται, καὶ διηνεκῶς ἐκεῖνον φαντάξεται" αὗται δὲ ἐν τῷ κόσμῳ τούτῳ πολιτευόμεναι, τὸ τέλειον τῇ: ἀρετῆς ὡς ἕνι μάλιστα μετίασι, τῆς βασιλείας τυχεῖν ἐφιέμεναι " αἱ δὲ φόδῳ τῆς χρίσεως ἐχπληρηῦσαι τοὺς τ τῆς χρίσεως καιρὸν ὀγδότιν Γραφῇ. Ὁ γὰρ μακάριος Δαβὶδ, τὰ περὶ τῆς χρίσεως ἐν Ῥαλμοῖς διηγούμενος, ἐπέγραψε μὲν αὐτὸν, « Ὑπὲρ τῆς ὀγδόης,» φησὶ δὲ ἀρχόμενος "ε Κύριξ, μὴ τῷ θυμῷ σου ἐλέγξης- με, μηδὲ τῇ ὀργῇ σοῦ παιδεύσῃς με.» Καὶ μετ᾽ ὀλίγα " ε Ὅτι οὐκ ἔστιν ἐν τῷ θανάτῳ ὁ μνημονεύων σου, ἐν ὃξ τῷ ἄδῃ τἰς ἐξομολογήσεταί σο!;» διδάσκων ὡς ἐν τῷ τῆς χρίσεως χατρῷ οὐδεμία χώρα μετανοίας τοῖς ἡμαρτηκόσι καὶ μὴ μετεγνωχόσι δοθήτεται. ᾿Επειδὴ τοίνυν ταῦτα δεδοικότες, τοῖς θείοις ἐχολούθη σαν νόμοις, καὶ οὔτε τῷ πόθῳ τῆς βασιλείας, οὗτε τῷ ἔρωτι τοῦ νυμφίου, εἰκότως ὀγδοήκοντα εἶ- "αι λέγονται " ὁ μὲν γὰρ ὀκτὼ ἀριθμὸς τὴν ὀγδόην σημαΐγξι, ἡ δὲ δεκὰς τὴν τελειότητα " ἀλλὰ τούτων κρείττονα λέγει τὴν νύμφην, καὶ τῶν ἑξήκοντα, καὶ τῶν ὀγδοήκοντα " « Μία γάρ ἔττι περιστερά μου, τελεία μου,» πάλιν αὐτὴν 1" πνευματικὴν ὀνομάζων, καὶ μίαν. Ὑπὲρ γὰρ τὰς τἰ κλύσαι καὶ τὰς ὀγδοΐχοντα͵ μία ἐπτὶ τῇ μητρὶ αὐτῆς " μητέρα δὲ ἔχει « Ἐκλεκτὴ δέ ἐστι τῇ τεχούσῃ αὐτήν. ν Κἀκεῖναι μὲν γὰρ ἐξ αὐτῆς ἐτέχθησαν " ταύτην ὃξ ἐκ πασῶν προτετίμηχε, καὶ ἐκλεκτὴν ἔχει θυγατέρα διὸ « εἴὅοταν αὐτὴν θυγατέρες, καὶ μακαριοῦσιν αὐτὴν.» πουτέστ! νεάνιδες, οὐ μόνον δὲ ἐκεῖναι, ἀλλὰ καὶ βασίλισσαι καὶ παλλακαὶ αἰνέσουσιν αὐτήν. Ὑπερἀναδέδηχε γὰρ αὐτὰς, ὡς οὔτε διὰ μισθὸν, οὔτε διὰ φόδον κολάσεως, ἀλλὰ διὰ τὸν τοῦ νυμφίου πόθον τὴν ἄκραν μετιοῦσα φιλοσοφίαν. Γένοιτο δὲ ἡμᾶς ὑπὸ τῆς θείας βοηθουμένους χάριτος φθάσαι εἰς τὴν τῆς νύμφης τελειότητα Εἰ δὲ ἀτονήσαιμεν, τῶν γοῦν βασιλίδων γενέσθαι " εἰ δὲ καὶ τούτων διαμάρτοιμεν, μὴ πόῤῥω γενέσθαι τῶν παλλαχίδων " εἰ δὲ καὶ τούτων ἀνάξιοι φανείημεν, ταῖς γε νεάνισιν ἐγχαταδιαφυλάξαι, καὶ μὴ παντελῶς στερηθῆναι τῆς τοῦ νυμφίου κοινωνίας, ἀλλ᾽ ἀπολαῦσαι αὐτοῦ πἧς ὡραιότητος χάριτι αὐτοῦ " ὅτι αὐτῷ ἡ δόξα εἰς τοὺς αἱἰῶνας τῶν αἰώνων. ᾿Α μήν. ἡ θεία προσαγορτύτι Πιστεύοντες τῷ εἰρηκότι" «ε Αἰτεῖτε καὶ δοθήσεται ὑμῖν, ζητεῖτε καὶ εὑρήσετε, κρούετε καὶ αἱ" πᾶς γὰρ ὃ αἰτῶν λαμβάνει, καὶ ὁ ζητῶν εὑρίσχει, καὶ τῷ κρούοντι ἀνοιγήσεται". » αἰτήσομεν οἱ πὶ ἐπὶ τοῦ παρόντος τῶν ὑπολοίπων ῥημάτων τοῦ Λσματος τῶν ἀσμάτων τὴν σαφήνειαν, καὶ βϑοήσομεν λέγοντες᾽ ε ᾿Αποκάλυψον τοὺς ὀφθαλμοὺς ἐμῶν, κσὶ χατανοΐσομεν τὰ θαυμάσιά δου ἐκ τοῦ νόμου σου "1 αὐτὸς γὰρ δίδωσι ῥῦ,μα τοῖς εὐαγγελιζομένοις δυνάμε: πολλῇ. Αὐτὸς εἶπε " « Πλάτυνον τὸ στόμα σου, καὶ πληρώσω αὐτό. » Μεταδίδωσι δὲ καὶ τοῖς οὐκ ἀξίοις πολλάκις τῆς χάριτος διὰ τὴν τῶν πολλῶν ὠφέλειαν. Θαῤῥοῦμεν τοίνυν ὡς καὶ ἡμῖν ἐπὶ τοῦ παρόντος δώσει τοῦ τῆς λέξεως βάθους τὴν ἀποκάλυψιν, οὐ διὰ τὴν ἡμετέραν ἀξίαν, ἀλλὰ διὰ τὴν τῶν ἐντευξομένων, ἢ ἀκουσομένων τῆς ἑρμηνείας ὠφέ-
e', s΄. Trichōma sou, hōs agelai tōn aigōn, hai anneephagēsan apo tou Galaad". ᾽odontes sou, hōs agelai tōn kekarmenōn “᾽ hai anethēsan apo tou ouk estin en autais. Hōs spartion kokkinon cheilē sou, kai hē 1alia sou hōraia 5". s΄. Hōs.1e- A pyron rhoas mē.a " sou, ektos tēs siōpēseōs sou. Tauta hermēneusantes anō, peritton hēgoumetha dis hermēneuein" dynaton gar, kan epilathētai tis tēs hermēneias, eis ekeina anadramonta “"" tēn saphēneian heurein. Ouk haplōs de d, oude hōs etyche dis tas autas euphēmias tę̄ nymphę̄ prosēnenken, alla anamimnēochōn autēn tou oikeiou challou:, kai parainōn sōon touto phylaxai, kai mēdena dexasthai mōmon " Idou gar, phēsin, ozan se anth᾽ hoias ērgasamēn “΄, kai hopoian "oi hōran echariXamēn, kai hēlikon soi kallos edōrēsamēn " touto mo! eis telos adlades lei gar soi syngenomenos, ereunō sou ta melę̄, kai polypragmonō mē tis autois epegeneto bladē ". Aegei kai tauta pros ekeinas ho nymphios, epimeinai tǭ kallei tēn nymphēn protrepōn. z, ē΄. Exēchontaeïsibasilissai, kai ogdoēkonta païlakai, kai neanides, hōn ouk estin arithmos “1. Mia esti peristera mou, te.ïeia mou, mia esti tę̄ mētri autēs, ekiechtē esti tę̄ techousę̄ autēn" eidosan autēn thygateres kai makariousin autēn basilissai, kai ge pai1lakai, kai eïngesousin" autēn. Polla tagmata kai diaphora tōn eusethōn edidachthē men einai " kai touto didaskōn ho Kyrios elege " « Pollai monai para tǭ Patri mou.» Kai en tę̄ dianomę̄ de tōn talantōn" « Ou pantes ana pente eladon talanta, all᾽ ho men pente, ho de dyo, ho de hen, ta kata dynamin hekastos, » Kai en tę̄ paradolę̄ de tou sporou phēsi" e Ta de hepesen epi tēn kalēn gēn, kai epoiēse karpon ana triakonta, n kai exēkonta, kai ekaton"» kai pasan kalēn onomazei gēn, hou monon tēn ta hekaton poiēsasan, alla kai tēn ta hexēkonta, kai tēn ta triakonta " Esti men gar ho triakonta arithmos tōn epainoumenōn " treis gar echei dekadas tę̄ triadi hēnōmenas " ho de hexēkonta diplēn echei tēn eulogian" diplasiazomenos gar ho triakonta genną ton hexēkonta " ho de hekaton esti teleiotatos, kai tēs men euōnymou cheiros apēllagmenos, archēn de echōn tēs dexias, kai en deka dichasi symplēroumenos " tetragōnon de touton hoi peri tauta kalousi deinoi. ᾿All᾽ homōs ei kai teleios ho hekaton, alla kai ho exēkonta kai ho triakonta tōn epainoumenōn " pantas gar kalēn gēn ōnomasen ho Kyrios, Noēsōmen toinyn, nymphēn men einai tas en pasę̄ philosophią kai aretę̄ teteleiōmenas psychas, tas “5 dia monēn tēn peri ton nymphion agapēn tōn ponōn tēs aretēs anechomenas, kai panta poiein kai paschein airoumenas. Hopoios ēn ho makarios Paulos legōn " «Pepeismai gar, hoti oute thanatos, oute zōē, oute angeloi, oute ᾿Arkai, oute Dynameis, oute enestōta, oute mellonta,oute hypsōma, oute bathos, oute tis ktisis hetera dynēsetai hēmas chōrisai apo tēs agapēs tou Theou tēs en Christǭ Iēsou tǭ Kyriǭ hēmōn. n» Didaskei gar hēmas dia toutōn, hoti ou dia tēn basileian tōn ouranōn pothex ton Christon, all᾽ hoti haireitai tēs basileias ekpesein, kai eis geennan empesein meta tou ton Christon agapąn, ē basileuein tēs agapēs ekeinēs esterēmenos " hai toinyn toiautai psykai tēs nymphēs plērousi: to syntagma, hai monǭ tǭ pothǭ tou nymphiou katechomenan" eisi de tines hoion misthōtoi, tę̄ epithymią tōn mellontōn agathōn tous hyper aretēs hidrōtas pherein anechomenoi " toutous epi tou parontos hēgoumai basilidas onomazesthai, hōs tēs basileias epithymountas, kai di᾽ echeinēn pherein hairoumenous tę̄s heuseudeias tous ponous. Eisi“ hoe heteroi oudepō tēs eleutherias ēxiōmenoi, eti de douleuein ethelontes, kai phodi tēs geennēs tous theious nomous plērountes “toutous hypokai tois toioutois ho nymphios pasi panta ginomenos. Eisi de kai allo: rhąthymią syzōntes, kai mete tǭ philtrǭ tou nymphiou katechomenoi, mēte tǭ pothǭ tēs basileias helkomenoi, mēte tǭ toxǭ tēs geennēs nyttomenoi, amelesteron ta kath᾽ heautous oikonomountes" kai tēn men pistin akinēton echontes, kai ta tēs heusetheias dogmata sōa diaphylattontes, kai pasan hairetikēn kai allophylon didaskalian apostrephomenoi, amelesteron de biountes, kai pote men sphōn autōn epimeloumenoi, pote de palin eis rhąthymian chylinxdoumenoi, kai pote men hamartanontes, pote de phios entautha neanidas protchagoreux'..“ kai epeidę̄ pleious hoi toioutoi tōn te basilidōn, kai pallachidōn, phēsi" «e Kai neanides, hōn ouk estin arithmos, ky hou monon dia tē plēthos arithmeisthai hautous ouk esti, phēsin, alla cha dia to anaxious einai arithmou. Tōn gar axiōn kai hai triches hērithmēmenai eisi para tǭ Patri all᾽ homōs kai tautais ho nymphio: estin hote synginetai, tēs rhąthymia? autas aphelchein boulomenos, kai podēgōn epi ta teleia, kai pantachothen autais tēn sōtērian pragmatenomenos. Zētēsōmen de ti dēpote basilidas exechonta, pallakas de ogdoēkonta ephē. Ho hexēkonta arithmos hex echei dekadas, kai hē men dekas sēmainei tēn teleiotēta, hē de hexas ton tēs kosmopoiias arithmon periechei - en gar ex hēmerais ho tōn holōn Theus tēn ktisin edēmiourgēsen hapasan. Ias toinyn en toutǭ tǭ kosmǭ teteleiōmenas en aretę̄ psychas, kai tę̄s basileias epithymousas, exēkonta basilidas "5 ōnomasen" hē gar nymphē hyper ton kosmon touton politeuetai, kai exō toutou tynchane!, kai hyper touton eptatai, kai holē tou nymphiou ginetai, kai diēnekōs ekeinon phantaxetai" hautai de en tǭ kosmǭ toutǭ politeuomenai, to teleion tę̄: aretēs hōs heni malista metiasi, tēs basileias tychein ephiemenai " hai de phodǭ tēs chriseōs echplērēusai tous t tēs chriseōs kairon ogdotin Graphę̄. Ho gar makarios Dabid, ta peri tēs chriseōs en Rhalmois diēgoumenos, epegrapse men auton, « Hyper tēs ogdoēs,» phēsi de archomenos "e Kyrix, mē tǭ thymǭ sou elenxēs- me, mēde tę̄ orgę̄ sou paideusę̄s me.» Kai met᾽ oliga " e Hoti ouk estin en tǭ thanatǭ ho mnēmoneuōn sou, en hox tǭ adę̄ tis exomologēsetai so!?» didaskōn hōs en tǭ tēs chriseōs chatrǭ oudemia chōra metanoias tois hēmartēkosi kai mē metegnōchosi dothētetai. ᾿Epeidē toinyn tauta dedoikotes, tois theiois echolouthē san nomois, kai oute tǭ pothǭ tēs basileias, houte tǭ erōti tou nymphiou, eikotōs ogdoēkonta ei- "ai legontai " ho men gar oktō arithmos tēn ogdoēn sēmaïnxi, hē de dekas tēn teleiotēta " alla toutōn kreittona legei tēn nymphēn, kai tōn hexēkonta, kai tōn ogdoēkonta " « Mia gar etti peristera mou, teleia mou,» palin autēn 1" pneumatikēn onomazōn, kai mian. Hyper gar tas ti klysai kai tas ogdoïchonta͵ mia epti tę̄ mētri autēs " mētera de echei « Eklektē de esti tę̄ techousę̄ autēn. n Kakeinai men gar ex autēs etechthēsan " tautēn hox ek pasōn protetimēche, kai eklektēn echei thygatera dio « eiootan autēn thygateres, kai makariousin autēn.» poutest! neanides, ou monon de ekeinai, alla kai basilissai kai pallakai ainesousin autēn. Hyperanadedēche gar autas, hōs oute dia misthon, oute dia phodon kolaseōs, alla dia ton tou nymphiou pothon tēn akran metiousa philosophian. Genoito de hēmas hypo tēs theias boēthoumenous charitos phthasai eis tēn tēs nymphēs teleiotēta Ei de atonēsaimen, tōn goun basilidōn genesthai " ei de kai toutōn diamartoimen, mē porrhō genesthai tōn pallachidōn " ei de kai toutōn anaxioi phaneiēmen, tais ge neanisin enchatadiaphylaxai, kai mē pantelōs sterēthēnai tēs tou nymphiou koinōnias, all᾽ apolausai autou pēs hōraiotētos chariti autou " hoti autǭ hē doxa eis tous haiiōnas tōn aiōnōn. ᾿A mēn. hē theia prosagortyti Pisteuontes tǭ eirēkoti" «e Aiteite kai dothēsetai hymin, zēteite kai heurēsete, krouete kai hai" pas gar ho aitōn lambanei, kai ho zētōn heurischei, kai tǭ krouonti anoigēsetai". » aitēsomen hoi pi epi tou parontos tōn hypoloipōn rhēmatōn tou Lsmatos tōn asmatōn tēn saphēneian, kai bϑoēsomen legontes᾽ e ᾿Apokalypson tous ophthalmous emōn, ksi chatanoïsomen ta thaumasia dou ek tou nomou sou "1 autos gar didōsi rhy,ma tois euangelizomenois dyname: pollę̄. Autos eipe " « Platynon to stoma sou, kai plērōsō auto. » Metadidōsi de kai tois ouk axiois pollakis tēs charitos dia tēn tōn pollōn ōpheleian. Tharrhoumen toinyn hōs kai hēmin epi tou parontos dōsei tou tēs lexeōs bathous tēn apokalypsin, ou dia tēn hēmeteran axian, alla dia tēn tōn enteuxomenōn, ē akousomenōn tēs hermēneias ōphe-
5–7. "Your hair is like flocks of goats that have appeared from Gilead. Your teeth are like flocks of shorn ewes that have come up from the washing, all of which bear twins, and there is none barren among them. Like a scarlet thread are your lips, and your speech is lovely. Like the rind of a pomegranate is your cheek, apart from your silence." Since we have interpreted these words above, we think it superfluous to interpret them twice; for even if someone forgets the interpretation, he can run back to that place and find the explanation. But it was not idly or at random that he offered the bride the same praises twice; he was reminding her of her own beauty and urging her to keep it intact and to admit no blemish. For see, he says, what I have made you in place of what you were, what loveliness I have graciously given you, how great a beauty I have bestowed on you: keep it unharmed for me to the end; for whenever I am with you I examine your members and inquire carefully whether any harm has come upon them. The bridegroom says these things to them too, urging the bride to remain in her beauty.
8–9. "There are sixty queens, and eighty concubines, and maidens without number. One is my dove, my perfect one; she is the only one of her mother, the chosen one of her who bore her. Daughters saw her and will call her blessed; queens too, and concubines, and they will praise her." We have been taught that there are many different orders of the pious; and teaching this the Lord said: "There are many dwellings with my Father." And in the distribution of the talents: not all received five talents each, but one five, another two, another one, each according to his ability. And in the parable of the sower he says: "But some fell on the good ground and bore fruit, thirtyfold, and sixtyfold, and a hundredfold"; and he calls all of it good ground, not only that which produced a hundred but also that which produced sixty and that which produced thirty. For thirty is a number of the praiseworthy, since it has three decades united in the triad; sixty has a double blessing, for thirty doubled produces sixty; and a hundred is most perfect, being freed from the left hand and having the beginning of the right, and completed in ten decades; those skilled in these matters call it a square. Yet even though a hundred is perfect, sixty and thirty too are among the praiseworthy; for the Lord called them all good ground.
Let us understand, then, that the bride is the souls made perfect in all philosophy and virtue, which endure the labours of virtue solely out of love for the bridegroom and choose to do and to suffer everything. Such was the blessed Paul, who says: "For I am persuaded that neither death nor life, nor angels nor principalities nor powers, nor things present nor things to come, nor height nor depth, nor any other creature will be able to separate us from the love of God which is in Christ Jesus our Lord." For he teaches us by these words that he longs for Christ not for the sake of the kingdom of heaven, but that he would choose to fall from the kingdom and fall into Gehenna while loving Christ rather than reign deprived of that love. Such souls, then, those held by longing for the bridegroom alone, fill up the company of the bride. But there are some who, like hirelings, endure to bear the sweat of virtue out of desire for the good things to come; these, I think, are here named queens, as desiring the kingdom and choosing to bear the labours of godliness for its sake. There are others who have not yet been counted worthy of freedom, but are still willing to be slaves, and fulfil the divine laws out of fear of Gehenna; these … and the bridegroom is present with such people too, becoming all things to all. And there are still others who live in sloth, neither held by love for the bridegroom, nor drawn by longing for the kingdom, nor pricked by the dart of Gehenna, managing their own affairs rather carelessly; they hold the faith unmoved, and keep the doctrines of godliness intact, and turn away from all heretical and foreign teaching, but they live rather carelessly, at times taking care of themselves, at times again wallowing in sloth, at times sinning, at times … [the bride]groom here calls maidens. And since such people are more numerous than both the queens and the concubines, he says: "And maidens without number"; not only because they cannot be counted for their multitude, he says, but also because they are unworthy of being counted. For even the hairs of the worthy are numbered by the Father. Nevertheless, the bridegroom is with these too at times, wishing to draw them away from sloth, guiding them toward what is perfect, and contriving their salvation from every side.
Let us ask why he said sixty queens and eighty concubines. The number sixty has six decades; the decade signifies perfection, and six contains the number of the making of the world, for in six days the God of all made the whole creation. So the souls that are perfected in virtue in this world and desire the kingdom he has named sixty queens. For the bride lives above this world, is outside it, flies above it, belongs wholly to the bridegroom, and pictures him continually; but these, living in this world, pursue the perfection of virtue as far as possible, aiming to obtain the kingdom. And those who fulfil the [divine laws] out of fear of the judgment … the divine Scripture calls the time of the judgment the eighth. For the blessed David, recounting in the Psalms the things concerning the judgment, entitled the psalm "For the eighth," and says at the beginning: "Lord, do not rebuke me in your anger, nor discipline me in your wrath." And a little after: "For in death there is no one who remembers you; and in Hades who will confess you?" teaching that at the time of the judgment no room for repentance will be given to those who have sinned and not repented. Since, then, they followed the divine laws for fear of these things, and neither out of longing for the kingdom nor out of love for the bridegroom, they are fittingly said to be eighty; for the number eight signifies the eighth day, and ten perfection.
But he says the bride is better than these, than both the sixty and the eighty: "For one is my dove, my perfect one," again calling her spiritual, and one. For above the sixty and the eighty, she is the only one of her mother; and she has as mother … "And she is the chosen one of her who bore her." For those too were born of her; but she has preferred this one above them all and holds her as a chosen daughter. That is why "daughters saw her and will call her blessed," that is, the maidens; and not only they, but queens and concubines too will praise her. For she has surpassed them, since she pursues the highest philosophy neither for reward nor for fear of punishment, but out of longing for the bridegroom. May it be granted to us, helped by divine grace, to attain to the perfection of the bride; or, if we lack the strength, at least to be among the queens; and if we fail of these too, not to be far from the concubines; and if we prove unworthy even of these, at least to be kept among the maidens and not to be wholly deprived of communion with the bridegroom, but to enjoy his loveliness by his grace; for to him be the glory to the ages of ages. Amen.
… Believing him who said: "Ask, and it will be given to you; seek, and you will find; knock, and it will be opened to you; for everyone who asks receives, and the one who seeks finds, and to the one who knocks it will be opened," we shall ask … for the present the clarity of the remaining words of the Song of Songs, and we shall cry out, saying: "Unveil my eyes, and I will perceive the wonders of your law." For he himself gives a word to those who proclaim the good news with great power. He himself said: "Open wide your mouth, and I will fill it." And he often grants a share of grace even to the unworthy, for the benefit of the many. We are confident, then, that he will grant us too, for the present, the revelation of the depth of the text, not because of our worth but because of the benefit of those who will read or hear the interpretation.
Textual problem in this passage: see the notes.
Song 6:5–9 (quotation, high confidence) · John 14:2 (quotation, high confidence) · Matt 25:15 (quotation, high confidence) · Matt 13:8 (quotation, high confidence) · Rom 8:38–39 (quotation, high confidence) · Luke 15:19 (allusion, low confidence) · 1 Cor 9:22 (allusion, high confidence) · Matt 10:30 (allusion, high confidence) · Gen 2:2 (allusion, medium confidence) · Ps 6:1 (quotation, high confidence) · Ps 6:5 (6:6 LXX) (quotation, high confidence) · Matt 7:7–8 (quotation, high confidence) · Ps 119:18 (118:18 LXX) (quotation, high confidence) · Ps 68:11 (67:12 LXX) (quotation, high confidence) · Ps 81:10 (80:11 LXX) (quotation, high confidence)
Notes and citation
Summary: The repeated praises remind the bride to keep her beauty; the queens, concubines and maidens are those who serve God for the kingdom, from fear of judgment, or carelessly, while the bride loves the bridegroom for his own sake; a new book of the commentary begins with a prayer.
- Lemmas: Song 6:5b–9 (numbered 6:5–8 in Theodoret's text). Lines are lost in the scan where marked …. The doxology after 6:9 ends one of Theodoret's books on the Song; the next begins with a prayer and breaks off before 6:10. The remark about a hundred being "freed from the left hand" refers to ancient finger-counting, in which units and tens were shown on the left hand and hundreds on the right. "For the eighth" is the title of Psalm 6.
- Quoted or alluded to: John 14:2; Matt 25:15; Matt 13:8; Rom 8:38–39; Luke 15:19; 1 Cor 9:22; Matt 10:30; Gen 1:31–2:2; Ps 6 title and 6:1, 5; Matt 7:7–8; Ps 119:18 (LXX 118:18); Ps 68:11 (LXX 67:12); Ps 81:10 (LXX 80:11).
Notes on the original text
- Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): χα], 8 ἀυᾶεἰδὶ δὰ πᾶἐέ ϑρι} Ραίγοπι πιδειμ 5.» → ; (υτ. Ρ]}} 080] → ; μοιι!ὸ ἰπβ! μη, παηπδ Γαΐαγα, → ; φᾶγδιΘ ἃ Οἰναυ 16. [)εῖ, → ; 5 ᾿ στ σι} → ; Βοη). γι, 53, 59. τὸ} Οὐγ. τχ, 33. 5" ΜάΠΠ)ν χ. 44 εἰσί. (οὐ. εἰ. 79 δέ, ΑΒθοϑι → ; οὐ! αν θ8. πο, ρογίου 8 πηοᾶ,» δ, Αἱδ} 6} δά Ἰρδίπιβ ρυ !ο τί! 15 ἡμᾶς. (οἀ. → ; θοπίδς. 11 φαΐ ἀϊκὶι → ; ἰθξα (υὰ χα.» τὐσπὶ, → ; ρογίογ 5 σρυπβ 9 1 → ; 46 πιεἰ 50 δὶ δἀνοινίατγα → ; Βοδίυ8 Ραυ} 15, ἐΠΟΓΓῸΡΑ1}}}}6 → ; 81 6586 ἀτοιπὶ οἰδεῖληι, → ; 80. 6 πὶ) 4] ογίμδε ἐμ 16 Ὁ ἢ] η} οἱ 516}145 πὰ ογϑηΐ, δϑὰ δἰΐδηι → ; Εἰ ἴῃ ἀἰδιτ ναι θη 6 δι: τη 4. » απὶ {01}, 868 οὶ με,, → ; ἃ εἰ η}δ. 6 ἶ πὶ → ; σας αἰ 40, π6- Α ἐν Χριστῷ → ἐν Χριστῷ; φυς ἐδ ἴῃ ΟἸ,γῖϑιο 7680 ἤθη απ υπὶ. αὶ αἰν → ; ἀν, δῖα πος} }ἐθηιογ, οὐ ἴδ θη οἵ {6 πΆ μη πη οἱ ἃς ας οἱ Ἰθην 4υΐα ᾿γ ἀπα εἰ τἀ σοι ρ! οι τ, οι δι 8. δυΐσν ἰμα σαὶ ρουίδειοπὶ 65 φίλ ἴῃ δ ηὶ τσ διὰ τούτων → διὰ τούτων; ποτὲ δὲ 19 πάλιν → ποτὲ δὲ πάλιν; χὰ Τ' διὰ → χὰ διὰ; Ζητήσωμεν 5 δὲ → Ζητήσωμεν δὲ; τετελεῖω- Ὦ μένας → τετελειωμένας; ἡ οὐ. 1 ὡ τὰρ τῆς → τῆς; ἡμᾶς 15 ὑπὸ → ἡμᾶς ὑπὸ; γενέσθαι 16 τῶν → γενέσθαι τῶν; Α ἴαι ἢ)6, πο π6 ἴῃ ἰγὰ (ἃ ὁογγι ρίαν της ὅν» Εἰ καρ Εἰ ἱ α Ὁ» ἀϊν᾽ 5 μία. « ὕπα' οΐαν, ἐπα, → ; καὶ ὑμᾶς. 16 εἰ--- γενέσθαι. 65. ἰη Πιστεύοντες → Πιστεύοντες; δοθήσεται Ὁ ΕἸ οπὶ Δα → δοθήσεται ; : « Ρει6 οἱ ἀλὑμῖν → ὑμῖν; οὐρίοὐ «"] ἦπ ρίῶ- Α → εὑρί; αἰτήσομεν ἃ ἀδ → αἰτήσομεν ; δὲ πη οἴ ῦὸ Πα τ. ν Ουϊποιίλην δα πη Ἰη δι → ; ρυ ΠΟ εἰ ἀπο αὐ θυ" Ἰυμἀαιοπαπι, αυὰ οὐἰλπὶ γα δι εἶθ τ υἱ Εἰ → ; δἰ απ σδι : βἷς ἴῃ Ἰὰς νἱ 18 υπὶ ἅυδῶ, νὰ παι → ; Ἰος ᾿η- “6 πὲ Ἰ → ; αἱ γεν οἴ ἃς Υ 411}. υἱἱ, Ἴ, 8. τ Ῥϑαὶ. ὄχνῃ, 18. ἐπὶ → ἐπὶ.
Topics: Eschatology, Prayer
Cite (SBL): Theodoret, Comm. Cant. 6.5 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-5). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-5
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.
6.9PG 81
θ΄. Τίς αὕτη ἡ ἐκκύπτουσα ὡσεὶ ὄρθρος, Ἐν μὲν οὖν τοῖς πρὸ τούτου ῥητοῖς ὁ νυμφίο; τῇς νύμφης τὸ κάλλος τῷ λόγῳ διέγραψε, καὶ χωρὶς μὲν ἔκαστον εὐφήμησε μέλης, κοινὴν δὲ πάλιν τὴν εὐφημίαν προσήνεγκε, καὶ ὡς ἐγχωμίου κατὰ τέχνην συγγρατφον μένου, καὶ τὴν σύγκρισιν ἐποιήσατο, παρεξετάσας τὴν νύμφην, καὶ ταῖς νεάνισι, καὶ ταῖς παλλαχίσι, καὶ ταῖς βασιλίσι, καὶ πολλῷ τῷ μέτρῳ κρείττονα. Τοσαύτην γὰρ αὐτὴν ἔφη τὴν εὐμορφίαν ἔχειν, ὡς καὶ ὑπ᾽ αὐτῶν ἐχείνων τῶν παρεξετασϑεισῶν μὴ ζηλοτυπεῖσθαι ὁμολογοῦσαι γὰρ τὴν ἧτταν, μακαρίαν αὑτὴν καὶ τρισμαχαρίαν ἀποχαλοῦσιν " ἐνταῦθα δὲ οἱ τοῦ νυμφίου διάκονοι, διδαχθέντες παρ᾽ αὐτοῦ τῆς νύμφῆς τὴν εὐμορφίαν, τὴν εὐκοσμίαν, τὴν εὐπρέπειαν, καὶ ἀχριδέστερον αὐτὴν καταμαθεῖν προτραπέντες, ὑπὸ τῆς πολλὴς εὐθυμίας (ἐχέχρυπτο γὰρ αὐτῆς ἔτι τὸ ψυχικὸν κάλλος ἐν τῷ χαλύπτρῳ τοῦ σώματος), βοῶσι" « Τίς αὕτη ἡ ἐκχύπτουσα ὡσεὶ ὄρθρος; » Ἐκ μέρους γὰρ αὐτῆς τέως ὡρᾶτο τὸ φῶς, τῷ φθαρτῷ τούτῳ συγχαλυπτόμενον σώματι" καὶ καθάπερ ὁ ὄρθρος νυκτός ἐστι καὶ ἡμέρας μεθόριον, καὶ τῆς μὲν τὴν ἀρχὴν, τῆς δὲ τὸ τέλος κηρύττει, καὶ στιμαΐνει τῆς ἡμέρας τὴν παρουσίαν, οὕτως κατὰ τὸν παρόντα βίον αἱ ἐν εὐσεδείᾳ καὶ πάσῃ σοφίᾳ τετελειωμένα! ψυκαὶ, ἃ; Ἐκκλησίαν καὶ νύμφην ἣ θεία προσαγορεύει Γραφὴ, βραχείας τινὰς λαμπηδόνας ἐκ «ἧς οἰκείας ἀφιᾶτιν ἀρετῆς. « Ὅταν δὲ,» κατὰ τὸν μακάριον Παῦλον, ε« τὸ φθαρτὸν τοῦτο ἐνδύσηται ἀφθαρσίοσν, καὶ τὸ θνητὸν τοῦτο ἐνδύσηται ἀθανασίαν,ν ἅπαν αὑτῶν γυμνοῦται τὸ φῶς. Καὶ τοῦτο προορῶντες οἱ τοῦ νυμφίου διάκονοι, οὐ μόνον αὐτὴν ἀπειχάζουσιν ὄρθρῳ, ἀλλὰ καὶ καλὴν λέγουσιν ὡς σελῆνην ἐχλεχτὴῆν, καὶ ὡς ἥλιον θάμδος ἐμποιοῦντα ποῖς ἐνατενίζειν αὐτῷ τολμῶσι " προστεθείχασι δὲ ἐκλεκτὴν, οὐ μόνον τὸ διάφορον τὸ πρὸς τοὺς ἀστέρας σημαίνοντες, ἀλλὰ καὶ αὐτῆς τῆς σελήνης παραδτλοῦντες τὸ τέλειον " ἀντὶ τοῦ, ὡς σελήνη πεπληρωμένη πλησιφαὴς, οὐ μηνοειδὴς, οὐ διχότομος, οὐδὲ ἀμφίκυρτος, ἀλλὰ τελεία παυσέληνος, οὐδὲν ἀτελὲς ἔχουσα, πάντα τὸν κύκλον πεφωτισμένον δεικνύουσα. Οῦτον τυΐνυν. φησὶν, ε ἐστὶ καλὴ, ὡς ἐκλεκτὴ σελήντ. » Φασὶ δὲ τὴν σελήνην οἱ περὶ ταῦτα δεινοὶ ὑπὸ τῶν ἡλιακῶν ἀκτίνων ὑποδεχομένην τὸ φῶς, βραχὺ μὲν λαμθδάνειν φῶς δ", ὅταν βραχὺ μόριον αὐτῆς βλέπῃ τὸν ἥλιον" ὅταν δὲ χατάντιχρυς γενομένη ἕλον θεωρῇ τὸν ἥλιον, οἷόν τι κάτοπτρον ὅλον αὖτοῦ "5 τὸν δίσκον ἐχματτομένη, ὅλη φωτίζεται, καὶ οὐδὲν τοῦ σώματος μέρος ἀφώτιστον χαταλείΐπει. Οὕτω τοίνυν καὶ ἡ τοῦ Χριστοῦ Ἐκκλησία, τῶν ἐν ἀρετῇ τετελειωμένων ψυχῶν τὸ σύστημα, « ἀνακεκαλυμμένῳ προσώπῳ τὴν δόξαν Κυρίου χατοπτριζομένη,» κατὰ τὸν μακάριον Παῦλον, ε τὴν αὐτὴν εἰκόνα μεταμορφοῦται ἀπὸ δόξης εἰς δόξαν, καθάπερ ἀπὸ Κυρίου Πνεύματος " » καὶ γίνεται ὅλτ, φωτοειδὴς, ὡς ἐοικέναι σελήνῃ, καὶ σελήνῃ ἐκλεκτῇ, τουτέστι πετὰγρωμένῃ. Οὐ μόνον δὲ σελήνῃ ἔοικεν, ἀλλὰ καὶ ἡλίῳ, καὶ ἡλίῳ θάμδος ἐμποιοῦντι τοῖς ὁρῶσιν. Οὐκ ἁπλῶς δὲ ταύτην ἡγοῦμαι κεῖσθαι τὴν λέξιν. Οὐδὲν γὰρ ὡς ἔτυχεν ὑπὸ τοῦ θείου λέγεται Πνεύματος. ᾿Αλλ᾽ ἐπειδὴ νὺξ ὁ βίος, κατὰ τὸν μακάριον Παῦλον " ε Ἢ νὺξ γὰρ, φησὶ, προέκοψεν, ἡ δὲ ἡμέρα ἤγγικεν, » ἀναγκαίως ὡς ἐν νυκτὶ οἷόν τις σελήνη ἐστὶν ἡ Ἐκκλησία, τοὺς ὁδοιπόρους φωτίζουσα, καὶ τὴν εὐθεῖαν ὁδὸν ἀποδειχνύουσα. “Ἔστι δὲ καὶ ὡς ἔρθρος - ἐπειδὴ οἷόν τις ὄρθρος ἐστὶν ὁ μετὰ τὴν Κυριακὴν παρουσίαν χρόνος, τὴν μέλλουσαν σημαίνων κατάστασιν οἷόν τινο; ἡμέρας παρουσίαν: « Ὡς ὄρθρον γὰρ, φησὶν, ἕτοιμον εὑρήσομεν αὑτόν.» Ὅταν ὃὲ ἡ ἡμέρα Κυρίου ἡ μεγάλη καὶ ἐπιφανὴς ἀφίκηται, κατὰ τὴν τοῦ προφήτου φωνὴν, περὶ ἧς ὁ μακάριος λέγει Παῦλος, ὅτι ε Ἡ ἡμέρα ἤγγιχξ,» τότε οὐκ ἕτι ὡς σελήνη λάμψει "7, ἀλλ᾽ ὡς ἥλιο; θάμθος ἐμποιοῦσα οὐ μόνον τοῖς ἀπίστοις ἀνθρώποις, ἀλλὰ καὶ «“ὶς νεάνισι, καὶ ταῖς παλλαχίσι, καὶ ταῖς βασιλίσι, καὶ αὐταῖς ταῖς ἀσωμάτοις δυνάμεσι. Καὶ μάρτυς αὐτὸς ὁ Κύριος λέγων" ε Τότε ἐκλάμψουσιν οἱ δίκαῖος ὡς ὁ ἥλιος. » Καὶ ὁ μακάριος δὲ Παῦλός φησιν" «Γ!Αλλη δόξα ἡλίου, καὶ ἄλλη δόξα σελήνης, καὶ ἄλλη δόξα ἀστέρων - ἀστὴρ γὰρ ἀστέρος διαφέρει ἐν δόξῃ.» Ἐχκύπτει τοίνυν ἡ τοῦ Χριστοῦ νύμφη ὡσεὶ ὄρθρος" ἐκ μέρους γὰρ αὑτῆς ἐπὶ τοῦ παρόντος τὸ δ" κάλλος γινώσκεται. ε Καὶ καλή ἐστιν ὡς σελήνη ἐκλεκτὴ, ν τοῦ Κυριακοῦ πεπληρωμένη φωτὸς, καὶ ταῖς ἀκτῖσιν αὑτῆς τὴν οἰκουμένην φωτίζουσα “ δ'ὸ καὶ ὁ Κύριος ἐν τοῖς ἱεροῖς Εὐαγγελίοις ἔλεγε τοῖς ἁγίοις αὐτοῦ μαθηταῖς " «ε Ὑμεῖς ἐστε τὸ φῶς τοῦ κόσμου - ν καὶ δεικνὺς ὁποῖον φῶς, ἐπάγει λέγων" « Οὕτως λαμφάτω τὸ φῶς ὑμῶν ἔμπροσθεν τῶν ἀνθρώπων, ἵνα γνόντες τὰ χαλὰ ἔργα ὑμῶν δοξάσωσι τὸν Πατέρα ὑμῶν τὸν ἐν τοῖς οὐρανοῖς.» Οὐ μόνον δέ ἐστιν ἡ νύμφη σχλτιρὺν καὶ ἀντίτυπον τὸ ὃὲ ἐδώδιμον, οἷον ἐν θαλάμῳ τινὶ ἀποκείμενον, καὶ κεκρυμμένον, καὶ νὼς οὐκ ἐκφερόμενον. Τὸ οὗτος δὲ καὶ ὁ παρὼν βίος, ἔχων ὀδύνας πικρὰς χκοὶ λύπας, ἔχων πόνους καὶ ἱδρῶτας, ἀλλ᾽ οὐκ ἀγόνους, οὐδὲ ἀχάρπους, μένον δὲ τὸν χκαρπὸὺν ἔχοντας. Διὸ καὶ ὁ μακάριος Παῦλός φησίν, ὅτι « Ἢ ζωὴ ἡμῶν κέκρυπται σὺν ἡ ζωὴ ἡμῶν, τότε καὶ ἡμεῖς ξησόμεθα ἐν αὐτῷ. »--τὸν ἀνθρώπινον βίον. Καὶ τί χατέδης, ὦ νύμφη; τὰ παρόντα προσηγόρευσεν᾽ οὐ γὰρ ἀένναος ὁ χειμάῤῥους, ἀλλ᾽ ἐν χειμῶνι μὲν φερόμενος, ἐν δὲ καὶ ξηρχινόμενος. Τοιαῦτα ὃὲ τὰ τοῦ βίου τερπνά" ἐπὶ μὲν γὰρ τοῦ παρόντος, οἷόν τις χειμάῤῥους, καὶ δόξα φέρεται, καὶ πλοῦτος, καὶ βασιλεία, καὶ τρυφὴ, καὶ τ᾿ ἄλλα τοῦ βίου δὲ μέλλοντος βίου φανέντος, φθίνει καὶ λήγει, καὶ παύεται, δίκην χειμάῤῥου. ε Κατέδην τοίνυν, φησὶν, εἰ; τὸν τῇς χαρύας κῆπον, τοῦ ἰδεῖν ἐν τοῖς τοῦ χειϑάῤῥου γεννήματι, καὶ καταμαθεῖν βουλομένη εἰ ἔνηησαν αὲ ῥοαί.» Ἔχει γὰρ ὁ βίος τινὰς μὲν ἀνθρώτοὺς τροπικῶς: ἀμπέλους ὀνομαζομένους, τινὰς δὲ ῥοὰς κατὰ τὰ διάφορα τῆς ἀρετῆς κατορθώματα. υἱ μὲν γὰρ τὴν ἀγάπην φύουσι, καὶ τὴν ὁμόνοιαν ἀγαπῶσι, συνημμένοι κατὰ τὸ φρόνημα, καθάπερ «ἧς ῥοᾶς οἱ χόχχοι" οἱ δὲ καὶ οἶνον γεωργοῦσι, τῶν ληνῶν ἄξιον τῶν πατρικῶν, τῇ θεωρίᾳ προσέχειν σιν" καὶ Ὑὰρ καὶ ὁ μακάριος Παῦλος ἐγένετο τοῖς ἀπθενέσιν ὡς ἀσθενὴς, ἵνα τοὺς ἀτθενεῖς καὶ τοῖς ἀνόμοις ὡς ἄνομος, μὴ ὧν ἄνομος Θεῷ, ἀλλ᾽ ἔννομο; Χριστῷ, ἵνα κερδήσῃ ἀνόμους. « ἐθην τοίνυν, φησὶν, εἰς τὸν τῆς χαρύας κῆπον,» φροντίδα ποιουμένη τῶν τοῦ χειμάῤῥου γεννημάτων, καὶ τῶν τῆς ἀμπέλου καὶ ῥοᾶς καρπῶν. Οὐκ ἀφέζομαί σου, οὐδὲ ἐκεῖ - ἀλλ᾽ « Ὁρέξω σοι τοὺς μαστούς μου, ν τουτέστι, τοὺς τῆς διδασκαλίας μου κρουνούς. Οἰχειοῦσαι γὰρ τὰ εἰς ἐκείνους γινόμενα, καὶ λέγεις" « Ἐφόσον ἐποιήσατε ἑνὶ τῶν μικρῶν πούτων τῶν ἐλαχίστων. ἐμοὶ ἐποιήσατε. » Τούτοις ἐπιφέρει" « Οὐκ ἔγνω ἡ Ψυχῆ μου, ἔθετό με ἄρματα ᾿λμιναδάδ. » Σαφέστερον τοῦτο ὁ Σύμμαχος ἡρμήνευσεν, εἰρηκώς " ε Ἡ ψυχή μου ἐπόρησέ με ἀπὸ ἁρμάτων " λαοῦ ' ἡγουμένου. » Ταῦτα γὰρ, φησὶ, ποιοῦσα ἐν ἀπορίᾳ γίνομαι ", καὶ ἐκστάσει, ὅτι ἐγὼ μὲν αὐτοῖς ἐπραγματευσάμην σωτηρίαν " αὐτοὶ δὲ ἐπέθεντό μοι, τῷ στρατηγοῦντι διαδόλῳ πειθόμενοι, καὶ οἱονεὶ ἅρματα ἐκείνου γινόμενοι, καὶ ὑπ᾽ ἐχείνου ἡἠνιυχούμενοι “ τὸ γὰρ ᾿Αμιναδὰδ λαοῦ ἡγουμένου, ἣ λαοῦ ἄρχοντος ἑρμηνεύεται. Καὶ τοῦτο ἔστιν ἀχριθῶς νοεῖν ἢ, ἔχ τε τοῦ ᾿Ακύλα καὶ τοῦ Συμμάχου, καὶ τῆς πέμπτη ἐχδόσεω; " λέγει τοίνυν ἡ νύμφη, τοῦτἐστιν ὁ τῶν ἐ" ἀρετῇ τετελειωμένων χορὸς, ὅτι Ἡμεῖς μὲν πᾶταν ποιούμεθα τῶν ἀπίστων φροντίδα, παντινὲς δὲ αὐτῶν, οἱονεὶ ἄρματα γενόμενοι τοῦ ἄρχον τὸς τοῦ αἰῶνος τούτου, τοῦ νῦν ἐνεργοῦντος ἐν τοῖς υἱοῖς τῆς ἀπειθείας, κατὰ τὸν μακάριον Παῦλον, ἐπέθεντό μοι, κακὰ ἀντὶ ἀγαθῶν ἀποδιδόντες. Καὶ τοῦτο ἔστι σαφῶς εὑρεῖν, καὶ ἐν ταῖς Πράξεοιν τῶν ἀποστόλων, καὶ ἐν ταῖς τοῦ μακαρίου Παύλου Ἐπιστολαῖς ἡ, Κηρύττοντες γὰρ τῆς εὐσεδείας τὸν λόγον, τοὺς μὲν ἔπειθον πιστεύειν, ὑπὸ δὲ τῶν ἀπίστων μυρίων θανάτῶν ὑπέμενον εἴδη " καὶ μάρτυς ὁ μακάριος Παῦλος λέγων: ε« Ἐν κόποις περισσοτέρως, ἐν πληγαῖς ὑπερθαλλόντως, ἐν φυλακαῖς περισσοτέρως, ἐν θανάτοις πολλάκις, πεντάκις τεσσαράχοντα παρὰ μίαν ἔλαθον, γυχθήμερον ἐν τῷ βυθῷ πεποίηκα “ ὁδοιπορίαις πολκινδύνοις ποταιλῶν, κινδύνοι: λῃστῶν, : ἰπ κινδύνοις ἐκ γένους, κινδύνοις ἐξ ἐθνῶν, κινδύνοις ἐν πόλει, κινδύνοις ἐν ἐρημίᾳ, κινδύνοις ἐν θαλάσσῃ, κινδύνοις ἐν ψευδαδέλφοις, ν καὶ τὰ ἑξῆς ". Τούτων ὑπὸ τῆς νύμφης ῥηθέντων, οἱ τοῦ νυμφίου διάκονον ἀποκρίνονται, καί φασιν αὐτῇ"
th΄. Tis hautē hē ekkyptousa hōsei orthros, En men oun tois pro toutou rhētois ho nymphio? tę̄s nymphēs to kallos tǭ logǭ diegrapse, kai chōris men ekaston euphēmēse melēs, koinēn de palin tēn euphēmian prosēnenke, kai hōs enchōmiou kata technēn syngratphon menou, kai tēn synkrisin epoiēsato, parexetasas tēn nymphēn, kai tais neanisi, kai tais pallachisi, kai tais basilisi, kai pollǭ tǭ metrǭ kreittona. Tosautēn gar autēn ephē tēn eumorphian echein, hōs kai hyp᾽ autōn echeinōn tōn parexetasϑeisōn mē zēlotypeisthai homologousai gar tēn hēttan, makarian hautēn kai trismacharian apochalousin " entautha de hoi tou nymphiou diakonoi, didachthentes par᾽ autou tēs nymphēs tēn eumorphian, tēn eukosmian, tēn euprepeian, kai achridesteron autēn katamathein protrapentes, hypo tēs pollēs euthymias (echechrypto gar autēs eti to psychikon kallos en tǭ chalyptrǭ tou sōmatos), boōsi" « Tis hautē hē ekchyptousa hōsei orthros? » Ek merous gar autēs teōs hōrato to phōs, tǭ phthartǭ toutǭ synchalyptomenon sōmati" kai kathaper ho orthros nyktos esti kai hēmeras methorion, kai tēs men tēn archēn, tēs de to telos kēryttei, kai stimaïnei tēs hēmeras tēn parousian, houtōs kata ton paronta bion hai en eusedeią kai pasę̄ sophią teteleiōmena! psykai, ha? Ekklēsian kai nymphēn hē theia prosagoreuei Graphē, bracheias tinas lampēdonas ek «hēs oikeias aphiatin aretēs. « Hotan de,» kata ton makarion Paulon, e« to phtharton touto endysētai aphtharsiosn, kai to thnēton touto endysētai athanasian,n hapan hautōn gymnoutai to phōs. Kai touto proorōntes hoi tou nymphiou diakonoi, ou monon autēn apeichazousin orthrǭ, alla kai kalēn legousin hōs selēnēn echlechtēēn, kai hōs hēlion thamdos empoiounta pois enatenizein autǭ tolmōsi " prostetheichasi de eklektēn, ou monon to diaphoron to pros tous asteras sēmainontes, alla kai autēs tēs selēnēs paradtlountes to teleion " anti tou, hōs selēnē peplērōmenē plēsiphaēs, ou mēnoeidēs, ou dichotomos, oude amphikyrtos, alla teleia pauselēnos, ouden ateles echousa, panta ton kyklon pephōtismenon deiknyousa. Outon tyïnyn. phēsin, e esti kalē, hōs eklektē selēnt. » Phasi de tēn selēnēn hoi peri tauta deinoi hypo tōn hēliakōn aktinōn hypodechomenēn to phōs, brachy men lamthdanein phōs d", hotan brachy morion autēs blepę̄ ton hēlion" hotan de chatantichrys genomenē helon theōrę̄ ton hēlion, hoion ti katoptron holon autou "5 ton diskon echmattomenē, holē phōtizetai, kai ouden tou sōmatos meros aphōtiston chataleiïpei. Houtō toinyn kai hē tou Christou Ekklēsia, tōn en aretę̄ teteleiōmenōn psychōn to systēma, « anakekalymmenǭ prosōpǭ tēn doxan Kyriou chatoptrizomenē,» kata ton makarion Paulon, e tēn autēn eikona metamorphoutai apo doxēs eis doxan, kathaper apo Kyriou Pneumatos " » kai ginetai holt, phōtoeidēs, hōs eoikenai selēnę̄, kai selēnę̄ eklektę̄, toutesti petagrōmenę̄. Ou monon de selēnę̄ eoiken, alla kai hēliǭ, kai hēliǭ thamdos empoiounti tois horōsin. Ouk haplōs de tautēn hēgoumai keisthai tēn lexin. Ouden gar hōs etychen hypo tou theiou legetai Pneumatos. ᾿All᾽ epeidē nyx ho bios, kata ton makarion Paulon " e Ē nyx gar, phēsi, proekopsen, hē de hēmera ēngiken, » anankaiōs hōs en nykti hoion tis selēnē estin hē Ekklēsia, tous hodoiporous phōtizousa, kai tēn eutheian hodon apodeichnyousa. “Esti de kai hōs erthros - epeidē hoion tis orthros estin ho meta tēn Kyriakēn parousian chronos, tēn mellousan sēmainōn katastasin hoion tino? hēmeras parousian: « Hōs orthron gar, phēsin, hetoimon heurēsomen hauton.» Hotan hoe hē hēmera Kyriou hē megalē kai epiphanēs aphikētai, kata tēn tou prophētou phōnēn, peri hēs ho makarios legei Paulos, hoti e Hē hēmera ēngichx,» tote ouk heti hōs selēnē lampsei "7, all᾽ hōs hēlio? thamthos empoiousa ou monon tois apistois anthrōpois, alla kai «“is neanisi, kai tais pallachisi, kai tais basilisi, kai autais tais asōmatois dynamesi. Kai martys autos ho Kyrios legōn" e Tote eklampsousin hoi dikaios hōs ho hēlios. » Kai ho makarios de Paulos phēsin" «G!Allē doxa hēliou, kai allē doxa selēnēs, kai allē doxa asterōn - astēr gar asteros diapherei en doxę̄.» Echkyptei toinyn hē tou Christou nymphē hōsei orthros" ek merous gar hautēs epi tou parontos to d" kallos ginōsketai. e Kai kalē estin hōs selēnē eklektē, n tou Kyriakou peplērōmenē phōtos, kai tais aktisin hautēs tēn oikoumenēn phōtizousa “ d'o kai ho Kyrios en tois hierois Euangeliois elege tois hagiois autou mathētais " «e Hymeis este to phōs tou kosmou - n kai deiknys hopoion phōs, epagei legōn" « Houtōs lamphatō to phōs hymōn emprosthen tōn anthrōpōn, hina gnontes ta chala erga hymōn doxasōsi ton Patera hymōn ton en tois ouranois.» Ou monon de estin hē nymphē schltiryn kai antitypon to hoe edōdimon, hoion en thalamǭ tini apokeimenon, kai kekrymmenon, kai nōs ouk ekpheromenon. To houtos de kai ho parōn bios, echōn odynas pikras chkoi lypas, echōn ponous kai hidrōtas, all᾽ ouk agonous, oude acharpous, menon de ton chkarpoun echontas. Dio kai ho makarios Paulos phēsin, hoti « Ē zōē hēmōn kekryptai syn hē zōē hēmōn, tote kai hēmeis xēsometha en autǭ. »--ton anthrōpinon bion. Kai ti chatedēs, ō nymphē? ta paronta prosēgoreusen᾽ ou gar aennaos ho cheimarrhous, all᾽ en cheimōni men pheromenos, en de kai xērchinomenos. Toiauta hoe ta tou biou terpna" epi men gar tou parontos, hoion tis cheimarrhous, kai doxa pheretai, kai ploutos, kai basileia, kai tryphē, kai t᾿ alla tou biou de mellontos biou phanentos, phthinei kai lēgei, kai pauetai, dikēn cheimarrhou. e Katedēn toinyn, phēsin, ei? ton tę̄s charyas kēpon, tou idein en tois tou cheiϑarrhou gennēmati, kai katamathein boulomenē ei enēēsan ae rhoai.» Echei gar ho bios tinas men anthrōtous tropikōs: ampelous onomazomenous, tinas de rhoas kata ta diaphora tēs aretēs katorthōmata. hui men gar tēn agapēn phyousi, kai tēn homonoian agapōsi, synēmmenoi kata to phronēma, kathaper «hēs rhoas hoi chochchoi" hoi de kai oinon geōrgousi, tōn lēnōn axion tōn patrikōn, tę̄ theōrią prosechein sin" kai Hyar kai ho makarios Paulos egeneto tois apthenesin hōs asthenēs, hina tous attheneis kai tois anomois hōs anomos, mē hōn anomos Theǭ, all᾽ ennomo? Christǭ, hina kerdēsę̄ anomous. « ethēn toinyn, phēsin, eis ton tēs charyas kēpon,» phrontida poioumenē tōn tou cheimarrhou gennēmatōn, kai tōn tēs ampelou kai rhoas karpōn. Ouk aphezomai sou, oude ekei - all᾽ « Horexō soi tous mastous mou, n toutesti, tous tēs didaskalias mou krounous. Oicheiousai gar ta eis ekeinous ginomena, kai legeis" « Ephoson epoiēsate heni tōn mikrōn poutōn tōn elachistōn. emoi epoiēsate. » Toutois epipherei" « Ouk egnō hē Psychē mou, etheto me armata ᾿lminadad. » Saphesteron touto ho Symmachos hērmēneusen, eirēkōs " e Hē psychē mou eporēse me apo harmatōn " laou ' hēgoumenou. » Tauta gar, phēsi, poiousa en aporią ginomai ", kai ekstasei, hoti egō men autois epragmateusamēn sōtērian " autoi de epethento moi, tǭ stratēgounti diadolǭ peithomenoi, kai hoionei harmata ekeinou ginomenoi, kai hyp᾽ echeinou hēēniychoumenoi “ to gar ᾿Aminadad laou hēgoumenou, hē laou archontos hermēneuetai. Kai touto estin achrithōs noein ē, ech te tou ᾿Akyla kai tou Symmachou, kai tēs pemptē echdoseō? " legei toinyn hē nymphē, toutestin ho tōn e" aretę̄ teteleiōmenōn choros, hoti Hēmeis men patan poioumetha tōn apistōn phrontida, pantines de autōn, hoionei armata genomenoi tou archon tos tou aiōnos toutou, tou nyn energountos en tois huiois tēs apeitheias, kata ton makarion Paulon, epethento moi, kaka anti agathōn apodidontes. Kai touto esti saphōs heurein, kai en tais Praxeoin tōn apostolōn, kai en tais tou makariou Paulou Epistolais hē, Kēryttontes gar tēs eusedeias ton logon, tous men epeithon pisteuein, hypo de tōn apistōn myriōn thanatōn hypemenon eidē " kai martys ho makarios Paulos legōn: e« En kopois perissoterōs, en plēgais hyperthallontōs, en phylakais perissoterōs, en thanatois pollakis, pentakis tessarachonta para mian elathon, gychthēmeron en tǭ bythǭ pepoiēka “ hodoiporiais polkindynois potailōn, kindynoi: lę̄stōn, : ip kindynois ek genous, kindynois ex ethnōn, kindynois en polei, kindynois en erēmią, kindynois en thalassę̄, kindynois en pseudadelphois, n kai ta hexēs ". Toutōn hypo tēs nymphēs rhēthentōn, hoi tou nymphiou diakonon apokrinontai, kai phasin autę̄"
10. "Who is this who looks out like the dawn, [beautiful as the moon, chosen as the sun, an amazement as armies set in array]?" In the preceding passages the bridegroom described the bride's beauty in words, praising each member separately, and then offering a common praise; and, as when an encomium is composed according to the rules of the art, he made the comparison too, setting the bride beside the maidens, the concubines and the queens, and [showing her] better by a great measure. He said that she had such comeliness that she is not envied even by those compared with her; for, admitting their defeat, they call her blessed and thrice blessed. Here the bridegroom's ministers, having been taught by him the bride's comeliness, her good order and her seemliness, and having been urged to learn about her more exactly, cry out in their great joy (for her beauty of soul was still hidden in the veil of the body): "Who is this who looks out like the dawn?" For her light was so far seen only in part, veiled together with this corruptible body. And as the dawn is the boundary between night and day, and proclaims the end of the one and the beginning of the other, and signifies the coming of the day, so in the present life the souls made perfect in godliness and in all wisdom, which the divine Scripture calls church and bride, send out certain brief flashes from their own virtue. "But when," according to the blessed Paul, "this corruptible puts on incorruption, and this mortal puts on immortality," all their light is laid bare. Foreseeing this, the bridegroom's ministers not only liken her to the dawn but also say that she is beautiful as the chosen moon, and as the sun, which causes amazement to those who dare to gaze at it. They have added "chosen," not only signifying her difference from the stars, but also indicating the perfection of the moon itself; that is, like a moon that is full and bright all over, not crescent, not half, nor gibbous, but a perfect full moon, having nothing incomplete and showing its whole circle illumined. Thus, then, "she is beautiful as the chosen moon." Those skilled in these matters say that the moon receives its light from the sun's rays, and takes only a little light when a small part of it faces the sun; but when, standing directly opposite, it beholds the whole sun, it receives the impression of its whole disc like a mirror, is wholly illumined, and leaves no part of its body unlit. So too the church of Christ, the assembly of souls perfected in virtue, "beholding the glory of the Lord with unveiled face," according to the blessed Paul, "is transformed into the same image from glory to glory, as from the Lord the Spirit"; and it becomes wholly luminous, so as to resemble the moon, and the chosen moon, that is, the full moon. And it resembles not only the moon but also the sun, and the sun that causes amazement to those who see it.
I do not think this expression is set down idly; for nothing is said at random by the divine Spirit. But since life is night, according to the blessed Paul ("For the night is far gone, and the day is at hand"), the church is necessarily like a moon in the night, illuminating the travellers and showing them the straight way. And she is also like the dawn, since the time after the Lord's coming is like a dawn, signifying the future state as the coming of a day: "For as the dawn," he says, "we shall find him ready." But when the great and manifest day of the Lord arrives, according to the word of the prophet, of which the blessed Paul says that "the day is at hand," then she will no longer shine as the moon but as the sun, causing amazement not only to unbelieving men but also to the maidens, the concubines, the queens, and the bodiless powers themselves. And the Lord himself is witness, saying: "Then the righteous will shine like the sun." And the blessed Paul says: "There is one glory of the sun, another glory of the moon, and another glory of the stars; for star differs from star in glory." So the bride of Christ looks out like the dawn, for her beauty is known in part at present; "and she is beautiful as the chosen moon," filled with the Lord's light and illuminating the world with her rays. That is why the Lord in the holy Gospels said to his holy disciples: "You are the light of the world"; and showing what kind of light, he adds: "So let your light shine before men, that, knowing your good works, they may glorify your Father in heaven." Not only is the bride …
[11. "I went down into the garden of nuts …"] … hard and resistant, but the edible part stored as it were in a chamber, hidden and not brought out … So too is the present life, having bitter pains and griefs, having labours and sweat, yet not barren nor fruitless, but having its fruit [hidden]. That is why the blessed Paul says: "Your life is hidden with [Christ in God. When Christ appears,] our life, then we too shall live in him." … human life. And why did you go down, O bride? … she has called the present things [the torrent]; for the torrent is not ever-flowing, but runs in winter and in [summer] dries up. Such are the pleasures of life: in the present, like a torrent, glory flows, and wealth, and royal power, and luxury, and the other things of life; but when the life to come appears, they wane, and cease, and stop, like a torrent. "So I went down," she says, "into the garden of nuts, to see the produce of the torrent," and wishing to learn "whether the pomegranates had blossomed." For life has some people who are figuratively called vines, and some pomegranates, according to the different achievements of virtue. Some bring forth love and cherish concord, united in mind like the seeds of the pomegranate; others cultivate wine worthy of the fathers' winepresses, attending to contemplation … For the blessed Paul too became to the weak as weak, that he might [win] the weak, and to those without law as without law, not being without law toward God but under the law of Christ, that he might win those without law. "I went down, then," she says, "into the garden of nuts," taking care for the produce of the torrent and for the fruits of the vine and the pomegranate. I do not spare myself for you, even there, but "I will give you my breasts," that is, the streams of my teaching. For you make your own what is done to them, and say: "Inasmuch as you did it to one of the least of these, you did it to me."
To these words she adds: 12. "My soul did not know; it set me as the chariots of Aminadab." Symmachus interpreted this more clearly, saying: "My soul put me at a loss because of the chariots of the leading people." For in doing these things, she says, I am at a loss and in astonishment, because I procured salvation for them, but they attacked me, obeying the devil who commands them, becoming as it were his chariots and driven by him; for Aminadab is interpreted "of a leading people" or "of a ruling people." And this can be understood exactly from Aquila and Symmachus and the fifth edition. The bride, then, that is, the choir of those made perfect in virtue, says: We take every care for the unbelievers, but some of them, becoming as it were chariots of the ruler of this age, who is now at work in the sons of disobedience, according to the blessed Paul, have attacked me, returning evil for good. And this can clearly be found both in the Acts of the Apostles and in the letters of the blessed Paul. For in preaching the word of godliness they persuaded some to believe, but from the unbelievers they endured countless forms of death; and the blessed Paul is witness, saying: "In labours more abundantly, in stripes beyond measure, in prisons more abundantly, in deaths often; five times I received forty stripes less one; a night and a day I have spent in the deep; in journeys often, … in dangers of rivers, in dangers of robbers, in dangers from my own race, in dangers from the nations, in dangers in the city, in dangers in the wilderness, in dangers at sea, in dangers among false brothers," and what follows. When the bride has said these things, the bridegroom's ministers answer and say to her:
Textual problem in this passage: see the notes.
Song 6:10–12 (quotation, high confidence) · 1 Cor 15:53–54 (quotation, high confidence) · 2 Cor 3:18 (quotation, high confidence) · Rom 13:12 (quotation, high confidence) · Hos 6:3 (quotation, high confidence) · Joel 2:31 (3:4 LXX) (allusion, high confidence) · Matt 13:43 (quotation, high confidence) · 1 Cor 15:41 (quotation, high confidence) · Matt 5:14 (quotation, high confidence) · Matt 5:16 (quotation, high confidence) · Col 3:3–4 (quotation, high confidence) · 1 Cor 9:21–22 (allusion, high confidence) · Matt 25:40 (quotation, high confidence) · Eph 2:2 (allusion, high confidence) · 2 Cor 11:23–26 (quotation, high confidence)
Notes and citation
Summary: The bride looks out like the dawn now and will shine like the moon and finally the sun at the Lord's day; she goes down to the garden of this passing life to care for the fruitful, and is astonished that those she sought to save, driven by the devil like chariots, attacked her.
- Lemmas: Song 6:10–12 (much of 6:10 and the whole of 6:11 are lost in the scan's citation of the lemma; the comment on the garden of nuts begins mid-sentence). Lines are lost in the scan where marked …. Aminadab is interpreted "of a leading (or ruling) people"; Symmachus and Aquila are second-century Greek translators, and the "fifth edition" the Quinta of Origen's Hexapla.
- Quoted or alluded to: 1 Cor 15:53–54; 2 Cor 3:18; Rom 13:12; Hos 6:3; Joel 2:31; Matt 13:43; 1 Cor 15:41; Matt 5:14, 16; Col 3:3–4; 1 Cor 9:21–22; Matt 25:40; Eph 2:2; 2 Cor 11:23–26.
Notes on the original text
- Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): 51. 4“ (υὰ, → ; 5. δ) θη} 04} 81 ηἰ τνθεαἱ αἷἱ οι! ϑρίτιια ΡΟ: 9» → ; Ρίοπῳ; π66 βοΐ 88 → ; πουίο {δὶ οϑίο Ὀυπιΐπὶ αἰ νθηίαπ) 6δῖ δα θϑδοιίιπ), → ; Βῖου! Δι γΓου8πὶ 6 → ; ροτγαπι ἰπο [68 ποι 50] 1 1 → ; Νἕὺ 80τς ε 4. ὁ 1ο6] η, 581, Ἃ!οικη. καὶ, 13. 5 → ; (σά. ὑποδειχνύουσχ, "“ (οὐ. λάμπει. 5' τό, ἐοηιίποί τοσοηίτιπι, ααΐ 5116 ἸΆθογο → ; ἀπόοϊογαην οἱ τποἱοϑεϊαγαπν Δοθυ δ γοίεγία δἰ1, 8- → ; φίγο8., 861 αὶ αὐδεοηδίίανι → ; ποβίγα, ἔπη6 οἱ "08 ὙἱγΟΙΠ 5 ἢη ἶρ50 → ; φἱοτγία, [1 Ορ65, ἔπι" Γ6- → ; οἷαο, δίφυς 411} [λα] 866. υἱῷ ἤονβ → ; ἄνθν" τοῦ ἀπαυυπίαγ, αὐ ἀυΐοαι Δρρᾶγιογὶ υἱα Γαΐυγα, → ; ἤγιν5 ἰδηαυδιν ἴπ Πγιν15, → ; φυϊαθπὶ: 564 ε θ200 εἰ] → ; ο)}οἷο υδλίιι5. 681 Ραϊ 5, «ἴῃ ἰδροῦῖθυ8, → ; χινοἱ 6 ἴῃ ργϑίμμαδο πιαγὶβ [οἷ → ; {ποτὶ "05 5886, → ; ]ἰαϊς, Ῥογίου 8. → ; ὡσεὶ ὄρθρος, και ἰὴ ὡς ναι, → ὡσεὶ ὄρθρος, ; κρείττονα 75. → κρείττονα.; ὑπὸ 0 τῆς → ὑπὸ τῆς; αὐτῆς δ' τέως → αὐτῆς τέως; οὐδὲ 91}, χχχ, τὶ. 8} ον. κν, → οὐδὲ ; αὑτοῦ. ἀμφίκυρτος → ἀμφίκυρτος; ὡς 5 ἐοικέναι → ὡς ἐοικέναι; καὶ δ'΄ ἡλίῳ → καὶ ἡλίῳ; λέξιν 55, → λέξιν.; ἀποδειχνύουσα 35. → ἀποδειχνύουσα.; δοξάσωσι δ᾽ τὸν → δοξάσωσι τὸν; ν’ Τγϑιιαι δυίθν οὶ ἴῃ το → ; εἰ ἢϊ (οἵα βρίαπάϊ δ, υἵ ἢ δἰ η}}}}1 58 νἱ δαί, → ; νἱ οἴῃ Γ ἰπὁδί, υἱ 'π → ; Γαἷ γ αἱ φῶ ἀἰϊοὶ ργαβοηζίδη!, δ ση ἰδ.; ε → ; ΐπι,. δρ- 866} υἱ δοὶ βία → ; πα, οἱ αἰϊα εϑί υἱ γϑ 118. δ }5 τοι. οι αυΐ ἴῃ οο 8. 681 ἡ. » → ; δι. χα» δ' → ; πο ροίαϑι σχλτιρὺν → σχλτιρὺν; ἐν θαπῃ λάμῳ → ἐν θαλάμῳ; οἱ βυάογος, πο ἄπει ἔχων → ἔχων; καὶ ἵπι168, δὰϊ ἰμ τυ → καὶ ; Ρὰι- μένον → μένον; δοὶ εαὰ Παῦλός → Παῦλός; σὺν νὰ → σὺν ; Κι »πτε 11 ἡ ζωὴ → ἡ ζωὴ; ἴπ ρΓαλβθημὶ νι ἰατὰ → ; βα.θσι), ἰαπὶ ἀεἰ → βα; ν « (ο]. εἱ, ὅ, 4. παύεται → παύεται; Α σογγυπιρεπίαν, οἱ ἀδοίπδηὶ, εἰ εἰ; τὸν → εἰ; τὸν; » Β φροντίδα → » φροντίδα; πολἴῃ οἱ υἱ Δι ἰΠἸΔ ἀνοτίογοπὶ, Δη παν [π ᾿ᾶς αἴ δι παῖ οἵ Ῥδι 8 ἢ ραι ᾿η → πολ; υἱ Ἰ ϑίπο οἱ ἃ 16, π ἰδὲ → ; το γὰ πλεᾶ, » πα υἷ!, ἄθη) δὲ ἴν ἐπι 6} ὸ τὸ → ; πη εἴδη 5, ατα- Ὁ γοεῖγ, (οι. μαθεῖν. " καὶ --- ἐπιστολαῖς, Πυδ. πὶ ςοὰ, ῦ δ, → ; ἰῃ εἰν → ; ᾿ι δο υἀΐπ6, μου οἶα ἔς πιδεὶ, ρὸτίου β ἴῃ 518 {γϑιγίθυβ, » εἴ φῃς βϑηυυηίγ 9. ἢα οἱ δε ΐιῃ ἴπ ἢ}}}}} δι ϊ πη} 08 υἱ ἴῃ 86 γί, Ἔσο αἰ βιπ) δι πιὶ ἴα ἰη → κιν; ἐξ 5 ἐθνῶν → ἐξ ἐθνῶν.
Topics: Eschatology, Persecution
Cite (SBL): Theodoret, Comm. Cant. 6.9 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-9). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-9
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.
6.12PG 81
ιβ΄. ᾿Επίστρεφε, ἐπίσερεφε, ἡ Σουϊαμίτις - ἐπί: στρεφε ", ἐπίστρεφε" καὶ ὀψόμεθα ἐν σοί. Σαφές στερὸν αὐτὰ ὁ ᾿Ακύλας ἡρμήνευσεν" ε« Ἐπίστρεξε τὰρ, φησὶν, ἐπίστρεφε εἰρηνεύουσα. » "Ὥσπερ Σολομῶντα τὸν εἰρηνικὸν ἡμῶν Κύριον ὀνομάζει τὸ σύγγραμμα, οὕτω καὶ τὴν νύμφην αὐτοῦ εἰρηνεύουσαν, ὡς τῆς παρ᾽ αὑτοῦ τυχοῦσαν εἰρήνης, καὶ τοῦ προτέρου ἀπαλλαγεῖσαν πολέμου. 'θρῶντες τοίνυν αὐτὴν οἱ τοῦ νυμφίου διάκονοι ὑπὸ τῶν ἁρμάτων ῥύνοντες, φασίν" ε Ἑπίστρεφέ εἰρηνεύουσα, ἐπίστρεφε, ἐπίστρεφε, καὶ ὀψόμεθα ἐν σοί" » ἀντὶ τοῦ, μὴ φοθιθῇς τοὺς διώκοντας, ἀλλ᾽ ἔχου τῆς διδασκαλίας" ποόφερε τῆς διδασκαλίας " τὸ κήρυγμα“ μὴ καλουμένη. Ἐὰν γὰρ ἐπιμείνῃς κηρύττουσα, ὀψόμεθά σου τὴν βασιλείαν. Τούτοις ἔοικε τὰ ὑπὸ τοῦ Κυρίηυ πρὸς τὸν μακάριον Παῦλον ῥηθέντα " καμὼν γὰρ κὰκεῖνος, καὶ τοὺς πολλοὺς πειρασμοὺς δυσχεράνας, φησίν" « Ἐδόθη μοι σχόλοψ τῇ σαρκὶ, ἄγγελος Σατὰν, ἵνα με χκολαφίζῃ, ἵνα μὴ ὑπεραέρωμαι " καὶ ὑπὲρ τούτου τρὶς τὸν Κύριον παρεκάλεσα, ἵνα ἀποστῇ ἀπ᾽ ἐμοῦ.» ᾿Αποχρίνεται τοίνυν αὐτῷ λέγων « ᾿Αρχεῖ σοι ἡ χάρις μου ἡ γὰρ δύναμίς μου ἐν ἀσθενείᾳ τελειοῦται. » Καὶ τοῦτο ἐνταῦθά φασιν οἱ τοῦ νυμφίον διάκονοι " ε« Ἐπίστρεφε, ἐπίστρεφε, ἡ Σουλαμέτις, ἐπίστρεφε, ἐπίστρεφε, καὶ ὀψόμεθα ἐν "ὁ σοί. ν Πρὸφ οὺς ὁ νυμφίος φησίν "
ib΄. ᾿Epistrephe, episerephe, hē Souïamitis - epi: strephe ", epistrephe" kai opsometha en soi. Saphes steron auta ho ᾿Akylas hērmēneusen" e« Epistrexe tar, phēsin, epistrephe eirēneuousa. » "Hōsper Solomōnta ton eirēnikon hēmōn Kyrion onomazei to syngramma, houtō kai tēn nymphēn autou eirēneuousan, hōs tēs par᾽ hautou tychousan eirēnēs, kai tou proterou apallageisan polemou. 'thrōntes toinyn autēn hoi tou nymphiou diakonoi hypo tōn harmatōn rhynontes, phasin" e Hepistrephe eirēneuousa, epistrephe, epistrephe, kai opsometha en soi" » anti tou, mē phothithę̄s tous diōkontas, all᾽ echou tēs didaskalias" poophere tēs didaskalias " to kērygma“ mē kaloumenē. Ean gar epimeinę̄s kēryttousa, opsometha sou tēn basileian. Toutois eoike ta hypo tou Kyriēu pros ton makarion Paulon rhēthenta " kamōn gar kakeinos, kai tous pollous peirasmous dyscheranas, phēsin" « Edothē moi scholops tę̄ sarki, angelos Satan, hina me chkolaphizę̄, hina mē hyperaerōmai " kai hyper toutou tris ton Kyrion parekalesa, hina apostę̄ ap᾽ emou.» ᾿Apochrinetai toinyn autǭ legōn « ᾿Archei soi hē charis mou hē gar dynamis mou en astheneią teleioutai. » Kai touto entautha phasin hoi tou nymphion diakonoi " e« Epistrephe, epistrephe, hē Soulametis, epistrephe, epistrephe, kai opsometha en "ho soi. n Proph ous ho nymphios phēsin "
13. "Return, return, O Shulammite; return, return, and we will look upon you." Aquila interpreted this more clearly: "Return," he says, "return, you who are at peace." As the writing names our peaceable Lord Solomon, so it names his bride "she who is at peace," as having obtained peace from him and been freed from her former war. The bridegroom's ministers, then, seeing her [fleeing] from the chariots, say: "Return, you who are at peace; return, return, and we will look upon you"; that is: Do not fear your persecutors, but hold fast to the teaching; bring forward the preaching of the teaching even when you are not called. For if you persevere in preaching, we shall see your kingdom. Like this are the words spoken by the Lord to the blessed Paul. For he too, weary and distressed by his many trials, says: "A thorn was given me in the flesh, an angel of Satan, to buffet me, so that I might not be too elated; concerning this I three times besought the Lord that it might depart from me." He answers him, saying: "My grace is sufficient for you, for my power is made perfect in weakness." And this is what the bridegroom's ministers say here too: "Return, return, O Shulammite; return, return, and we will look upon you." To them the bridegroom says:
Song 6:13 (7:1 LXX) (quotation, high confidence) · 2 Cor 12:7–9 (quotation, high confidence)
Notes and citation
Summary: The Shulammite is "she who is at peace"; the bridegroom's ministers urge the persecuted bride to return and keep preaching, as the Lord strengthened Paul in his weakness.
- Lemma: Song 6:13 (7:1 in the Septuagint). Aquila's rendering takes the name as "she who is at peace," matching Solomon as "the peaceable." "Even when you are not called" renders μὴ καλουμένη as printed; it may be a misreading of κωλυομένη ("even when hindered") (uncertain).
- Quoted or alluded to: 2 Cor 12:7–9.
Notes on the original text
- Digital text corrected (Latin column debris, marginal numbers and Migne's footnotes): εἰρήνης, καὶ τοῦ Β προτέρου → εἰρήνης, καὶ τοῦ προτέρου.
Topics: Persecution
Cite (SBL): Theodoret, Comm. Cant. 6.12 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-12). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/theodoret-interpretatio-canticum/6-12
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.