Commentary on the Song of Songs 7.1–7.11

Greek text: PG 81.English: Claude (claude-opus-5-5), public domain (CC0).

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Chapter 7

7.1PG 81

α'. Τί ὄψεσθε ἐν τῇ Σουλαμίτιδι, ἣ ἐρχομένη "ἢ ὡς χοροὶ τῶν παρεμιδοιϊῶν; Τί γὰρ, φησὶ προσδοκᾶτε ἰδεῖν ἐν τῇ εἰρηνενούσῃ; Μὴ ἐλπίσητε εὐτελῆ τινα καὶ μερικὰ θεάσασθαι ἀγαθά ἰδοὺ γὰρ « ἔρχεται ὡς χοροὶ τῶν παρεμβολῶν.» Καὶ δοκεῖ πως ἐναντία εἶναι ἀλλήλοις τὰ ὀνόματα " οὔτε γὰρ συμθαίνουσιν οἱ χοροὶ ταῖς παρεμθολαῖς" οἱ μὲν γάρ εἰσι κανηγυριχοὶ, αἱ δὲ στρατιωτιχκαί. Ἐναντίον δὲ πολέμῳ πανήγυρις. Ἀλλ᾽ αὕτη ἡ νύμφη, ἡ ἐκ πολλῶν ἁγίων συγχεχροτημένη, καὶ παρεμθολαῖς ἔοικε διὸ τὸ ἀνδρεῖον αὐτῆς καὶ γενναῖον φρόνημα καὶ τὴν στρατιωτικὴν πανοπλίαν ΄ καὶ χορός ἐστι τὴν θείαν ὑμνῳδίαν ἐν τῷ στόματι φέρων. Καὶ τοῦτο μὲν ὁ μακάριος Δαδὶδ δηλοῖ λέγων “ « Φωνὴ ἀγαλλιάσεως καὶ οωτηρίας ἐν σκηναῖς δικαίων. » Καὶ πάλιν" ε Συστῆἑορτὴν ἐν τοῖς πυκάζουσιν, ἕως τῶν χεράτοῦ θυσιαστηρίου. » Τὰς δὲ παρεμδολὰ: ὁ "ἡ μακάριος Παῦλος ὑποδείκνυσι φάσχιυν" « ἡμῶν οὐ σαρκικὰ, ἀλλὰ δυνατὰ τῷ Θεῷ πρὸς ρξσιν ὀχυρωμάτων λογισμοὺς καθαιροῦντες, καὶ κἂν ὕψωμα ἐπαιρόμενον κατὰ τῆς γνώσεως τοῦ θεοῦ, καὶ αἰχμαλωτίζοντες πᾶν νόημα εἰς τὴν ὑπακοὴν τοῦ Χριστοῦ, » Καὶ πάλιν" ε ᾿Αναλάθετε, φησὶ, τὴν παν- ". » οπλίαν τοῦ Θεοῦ, ἵνα δυνηθῆτε ἀντιστῆναι ἐν τῇ ἡμέρφ τῇ πονηρᾷ, καὶ πάντα κατεργασάμενοι στῆναι. ν Χορηγεῖ δὲ τοῖς στρατιώταις, οἷόν τις στρατηγὸς, καὶ τὰ ὅπλα, καί φησι᾿ « Στῆτε οὖν περιζωσάμενοι τὴν ὑμῶν ἐν ἀληθείᾳ, καὶ ἐνδυσάμενοι τὸν τῆς δικαιοσύνης, καὶ ὑποδησάμενοι τοὺς πόδας ὑμῶν ἐν ἑτοιμασίᾳ τοῦ Εὐαγγελίου τῆς εἰρήνης" καὶ ἐπὶ πᾶσιν ἀναλαδόντες τὸν θυρεὸν τῆς πίστεως, ἐν ᾧ δυνήσεσθε πάντα τὰ βέλη τοῦ πονηροῦ τὰ πεπυρω- μένα σθέσαι “ καὶ τὴν περικεφαλαίαν τοῦ σωτηρίον δέξασθε, καὶ τὴν μάχαιραν τοῦ Πνεύματος, ὅ ἐστι ῥῆμα θεοῦ. » Ὅτι δὲ οὐ μόνον οἱ ἅγιοι, ἀλλὰ καὶ χοροῖς, ἀκούσωμεν τοῦ Κυρίον λέγοντος " « Τότε ὁμοιωθήσεται ἡ βασιλεία τῶν οὐρανῶν δέκα παρθένοις, αἵτινες, λαδοῦσαι τὰς λαμπάδας αὑτῶν, ἐξῆλθον εἰς ἀπάντησιν τοῦ νυμφίου. » δ Εἰκότως τοίνυν ὁ νυμφίος φησὶν, ὅτι « Τί ὄψεσθε ἐν τῇ Σουλαμίτιδι, ἢ ἐρχομένη ὡς χοροὶ τῶν λῶν; » Καὶ οὐκ εἶπεν, αἱ παρεμδολαὶ τῶν χορῶν, ἀλλ᾽, ε οἱ χοροὶ τῶν παρεμβολῶν.» Ὑπὸ δ γὰρ τῶν παρεμθολῶν γίνονται χοροὶ, καὶ νικῶντες ἐν ταῖς παρεμθολαῖς οἱ τῆς ἀρετῆς ἀθληταὶ παιανίξοντες Ταῦτα πρὸς τοὺς διακόνους εἰρηκὼς ὁ νυμφίος, πρὸς τὴν νύμφην τρέπει τὸν λόγον, καί φησι" ε Τί ὡραινώθησαν διαδήματά σου ἐν ὑποδήμασι, θύγατερ Ναδάδ᾽5} » Ὁ μὲν ᾿Ακύλας, ἄρχοντος εἴπεν" ὁ δὲ Σύμμαχος, ε ἡγεμόνο:. » Τίς δ᾽ ἂν εἴη ἕτερος οὗτο; ὁ ἡγεμὼν, ἣ ὁ ἄρχων, ἣ ὁ παράκλητος Πνεῦμα τὸ ἅγιον; Ὃς καὶ ἐν τῷ μδ΄ ψαλμῷ φησι. πρὸς αὐτέν " εἼΑχουσον, θύγατερ, καὶ ἴδε, καὶ κλῖνον τὸ οἷς σου, καὶ ἐπιλάθου τοῦ λαοῦ σου, καὶ τοῦ οἴχου Ξοῦ πατρός σου, καὶ ἐπιθυμήσει ὁ ϑασιλεὺς τοῦ κάλλους σου, ὅτι αὐτός ἔστιν ὁ " Κύριός σου. ν Ὅτι δὲ καὶ τὴν τοῦ ἡγεμόνος ἔχει προτηγορίαν τὸ Πνεῦμα τὸ ἅγιον, ὁ μακάριος διδάσκε: Δαδὶδ λέγων " « τὴν ἀγαλλίασιν τοῦ σωτηρίου σου, καὶ Πνεύματι ἠγεμονικῷ στήριξόν με. ν Ἐπαινεῖ τοίνυν ὁ νυμφίος πρῶτον τῆς νύμφης τὰ διαδήματα εὐθέα ὄντα, καὶ τὴν βασιλικὴν ὁδὸν ὀδεύοντα, καὶ καλῶς ἐν λάμποντα. Τίνα δὲ τὰ ὑποδήματα, ἐδίδαξεν ἡμᾶς ὁ μακάριος Παῦλος λέγων" « μενοι τοὺς πόδας ἐν ἑτοιμασίᾳ τοῦ Εὐαγγελίου τῆς εἰρήνης. » Τούτων δὲ τῶν ποδῶν τὸ κάλλος καὶ ὁ προφήτης Ἡσαΐας προορῶν ἔλεγεν’ ει ᾿ῆς ὡραῖοι οἱ πόδες τῶν εὐαγγελιζομένων εἰρήνην "", τῶν εὐαγγελιζομένων ἀγαθά! » Τοῖς αὐτοῖς ῥήμασι καὶ ὁ νυμφίος ἐν τῷδε τῷ συγγράμματι κεχρημένος φησί" « Τί ὡραιώθησαν διαδήματἄ σον, θύγατερ Ἵνα δὲ μὴ μόνον ἀπὸ τῆς ἑρμηνείας τοῦ ὀνόματος, ἀλλὰ καὶ ἐξ αὐτοῦ τοῦ ὀνόματος λάδωμέν τινα θεωρίαν, φέρε ζητήσωμεν τίς ὁ Ναδάθδ. Υἱὸς ᾿Ααρὼν ἐγένετο" πῦρ δὲ ἀλλότριον εἰς τὴν τοῦ Θεοῦ σκηνὴν εἰσενεγκὼν, τὸ τέλος τοῦ βίου ἐδέξατο. Εὑρίσκομεν τοίνυν καὶ τοῦ Κυρίου τὴν νύμφην, τὴν Ἐκκλησίαν φημὶ, οὐ τὸ νομικὸν πῦρ, ἀλλὰ τὸ καινὸν " εἰς τὴν θείαν εἰσενεγχοῦσαν σκηνήν. "Ἔλαδε δὲ τοῦτο τὸ πῦρ παρ᾽ αὐτοῦ τοῦ νυμφίου. « Πῦρ γὰρ Ὦλθον βαλεῖν εἰς τὸν κόσμον' καὶ τί θέλω "", εἰ ἤδη ἀνήφθη; » Τοῦτο τὸ καινὸν πῦρ διὰ τῆς Καινῆς Διαθήκης εἰς τὴν θείαν εἰσενεγχοῦσα σκηνὴν, βοᾷ καὶ λέγει" « Τὰ ἀρχαῖα παρῆλθεν, ἰδοὺ γέγονε τὰ πάντα καινά.» Εἰκότως τοίνυν « θυγατέρα Ναδὰδ » αὐτὴν προσαγορεύει, ἅτε δὴ τῷ καινῷ πυρὶ τὴν τῶν ἀνθρώπων θυσίαν ὁλοχαυτώσασαν. [δὶ γὰρ καὶ κατὰ τὸ φρόνημα τῆς τοῦ πυρὸς ἐναλλαγῆς διαφέρουσιν, ἀλλὰ ἕν ὑπ᾽ "2 ἐχείνου καὶ ταύτης τὸ πρᾶγμα γεγένηται. Ταῦτα δὲ ἐπὶ τοῦ παρόντος εἰρήκαμεν, ἵνα μηδὲ τὴν προσηγορίαν καταλίπωμεν ἀθεώρητον. Πάλιν τοίνυν ὁ νυμφίος κατὰ μέρος αὑτῆς τὰ μέλη διέξεισι, καὶ ἐκάστῳ τὴν πρόσσ φορον εὐφημίαν προσφέρε!:, καί φησι" 'Ρυθμοὶ "5 μηρῶν σου ὅμοιοι ἁρμίσκοις ἔργῳ σου ὡς δύο γεδροὶ δίδυμοι δορχάδος. σου ὡς πύργος ἐλεφάγντιγος " οἱ ὀρθαΐϊμοί σου ὡς ἐν πύλαις θυγατρὸς ποι- «λῶν. λυκτήρ σου ὡς πύργος τοῦ Λιθδάνου, σκο- Κάρμηλος ἐπὶ σέ" καὶ πιόχιον κεραλῆς σου ὡς πορφύρα, βασιλεὺς δεδεμένος ἐν παραδρομαῖς 55. Πρότερον μὲν οὖν ὁ νυμφίος ἀπὸ "7 τῶν ἄνωθεν τῆς γύμφης ἀρξάμενος ἐπήνεσεν αὐτήν " ἐπὶ δὲ τοῦ παρὄντος, ἀπὸ τῶν διαδημάτων καὶ τῶν ὑποδημάτων τὴν ἀρχὴν ποιησάμενος, ἄκρι τοῦ πλοχίου τῇς κεφαλῆς ἀνελήλυθε, Καὶ θαυμάζει, μετὰ τὰ ὑποδήματα καὶ τὰ διαδήματα, οὐ τοὺς μηροὺς, ἀλλὰ τοὺς ῥυθμοὺς τῶν μηρῶν, καὶ λέγει αὑτοὺς ἐοικέναι ὁρμίσλοις ὑπὸ τεχνίτου κατεσχευασμένοις- Ὥσπερ γὰρ ἐκεῖνοι, φησὶ, μετὰ πάσης ἁρμονίας ἔχουσι τοὺς λίθους τῷ χρυσῷ ἐμπεπηγότας, ὥστε τοὺς ὁρῶντας μὴ μόνον τὰς ὕλας τοῦ χρυσοῦ καὶ τῶν λίθων, ἀλλὰ καὶ τὴν τέχνην τοῦ χρυσοχόου θαυμάζειν οὕτως ἕχαστον τῶν τῆς πρακτικῆς ἀρετῆς ᾽"5 μορίων ῥυθμῷ καὶ ἁρμονίᾳ κεκόσμηται. Τοὺς γὰρ μηροὺς τροπικῶς τὴν πρακτικὴν ὠνόμασεν ἀρετὴν, ἐπειδὴ διὰ τούτων τὴν πορείαν ποιούμενοι δρῶμεν βουλόμεθα. Θαυμάζϑι τοίνυν ὁ νυμφίος τὴν νύμφην, ἀπὸ τῇς πραχτιχῖς ἀρξάμενος, καὶ ἄνεισιν ἐπὶ τὴν θεωοίαν, ἐν ἀρχῇ τοὐναντίον ποιήσας ἀπὸ γὰρ τῆς θεωρίας ἀρξάμενος, ἐπὶ τὴν πρᾶξιν ἐλήλυθεν. « Ὀφθαλμοΐί σου γὰρ, ἔφη, περιστεραὶ,» τὸ πνευματιχὺν τοῦ ὀπτιχοῦ τῆς ψυχῆς διὰ τούτου στ μαίνων. Ἕνταῦθα δὲ τὴν πρακτικὴν ἀρετὴν πρώτην θαυμάζει, καὶ μάλα εἰκότως" πρότερον γὰρ φωτιζόμενοι, καὶ τοὺς μεμυχότας τῆς Ψυχῆς ἀνοίγοντες ὀφθαλμοὺς, καὶ τὸ θεῖον φῶς εἰσδεχόμενοι, τῇ πίστει βεἐχιοὐμεθα- εἶθ᾽ 3" οὕτως ἐπὶ τὴν πρακτικὴν ὁδεύομεν ἀρετήν. Διὰ τοῦτο πρῶτον ᾽᾽ ἐγκώμιον ὁ νυμφίος ὑφαίνων, ἀπὸ τῶν ὀφθαλμῶν ἤρξατο, τῶν πρώτων ἣν θεραπείαν δεξαμένων. Νῦν δὲ ἐπειδὴ τέλειον τῆς νύμφης τὸ κάλλος ἐγένετο, κάτωθεν ἀπὸ τῆς πραχτιχῖς ἀρχόμενος ἀρετῆς, ἐπὶ τὴν θεωρίαν ἄνεισι, τῆς νύμτης τὴν εὐμορφίαν ἐγχωμιάξζξων. Καὶ πρῶτον μὲν ἐταινεῖ τὰ διαδήματα καὶ τὰ ὑποδήματα, εἶτα τῶν μηρῶν τοὺς ῥυθμοὺς, τουτέστιν ἕχαστον ᾽" τῶν γινομένων" μετὰ δὲ τοὺς μηροὺς τὸν ὀμφαλόν " « Ὀμνὸς κράμα. » Παραθῶμεν δὲ, εἰ δοκεῖ, τὰ περὶ τοῦ ὀμφαλοῦ τῆς Ἰουδαίας ὑπὸ τοῦ Θεοῦ τῶν ὅλων εἰρημένα διὰ Ἱεζεχιὴλ τοῦ προφήτου, Τὴν ὙΧρ ἀκολασίαν αὐτῇ: θριαμδεύων, καὶ τὴν πολλὴν αὐτῆς δημοσιείων ἀσέδειαν, ὡς καὶ ἐν τῷ πρώτῳ λόγῳ διεξεληλύθαμεν, τῷ προφήτῃ φησί" ε Διαμάρτυραι τῇ Ἵερουσαλὴμ τὰς ἀνομίας αὐτῆς, καὶ ἐρεῖς " Τάδε λέγει Κύριος τῇ “Ἱερουσαλήμ: Ἡ ῥίζα σου καὶ ἡ γένεσίς σουὲχ γῆς Χαναὰν, ὁ πατὴρ σου ᾿Αμοῤῥαῖος, καὶ ἡ μήτηρ σου Χετταία. Καὶ ἡ γένεσίς σου ἐν ἧ ἡμέρᾳ ἐτέχθης, οὐκ ἐτμήθη ὁ ὀμφαλός σου.» Ἑκείνῃ μὲν οὖν φησιν, «Οὐκ ἐτμήθη ὁ ὀμφαλός σου" ν ταύτῃ μενος κράμα. » Ἡ μὲν γὰρ ἐξ Αἰγύπτου τεχθεῖτα οὐκ ἔτεμεν αὑτῆς τὸν ὀμφαλὸν, ἀλλ᾽ ὥσπερ διά τινος ῥΐζης εἴλκεν ἐξ Αἰγύπτου τὴν πονηρίαν τῆς δυσσεθοῦς διδασκαλίας. Αὕτη δὲ οὐκ ἁπλῶς τὸν ὀμφαλὸν αὑτῆς ἔτεμεν, ἀλλ᾽ οὕτως ἐθάθυνε τὴν τορὴν, ὥστε πᾶσαν καὶ τὸ κράμα τῆς εὑςροσύνης διηνεκῶς ἔχειν, καὶ μηδέποτε ἐλλείπειν αὐτῇ τὴν ἐκ τῆς εὐσεδείας ἐγγινομένην αὐτῇ θυμηδίαν. ᾿Αλλχ καὶ ε« Ἡ κοιλία σου θημωνία σίτου, πεφραγμένη ἐν κρίνοις. » Τουτέστι, μεστὰ τὰ ταμιεῖά σοῦ τῆ: Ψυχῆς τῶν κεκρυμμένων μυστηρίων, ὧν ἡ εὐοσαία μόνη τοῖς ἀτελέσιν ἔτι καὶ νηπίοις γνώριμος. ε Κρίνοις γὰρ, φησὶ, περιπέφραχται, » ἵνα διὰ τοῦ περιφράγματος τὸ κεκρυμμένον νοήσωμεν, διὰ δὲ τῶν κρίνων, τὴν ἐκεῖθεν πανταχοῦ δια ῤῥέῥουσαν εὐοσμίαν. ε Καὶ οἱ μαστοί σου δὲ οἱ δύο νεδροῖς μοῖς δορχάδο: ἐοίκασιν. » Οἱ γὰρ τῆς διδασκαλίας σηυ χρηυνοῖ, τὰ καινὰ προφέροντες νάματα, ὀξυδοργίαν ξιδάτχουσι, καὶ τὴν πνευματικὴν θεωρίαν ἢ γὰρ δορκὰς ὀξυδορχίας ἐπώνυμος, χοὶ ὁ νεδρὸς τοῦ νέου « Ὃ δὲ τράχηλός σου, ὡς πύργος ἐλεφάντινος. » ᾿Απηλλάγη γὰρ τοῦ μέλας εἷναι. καὶ ἐλευχάνθη τὸν ζυγόν μου δεξάμενος " καὶ φοδερός ἔστι τοῖς πολεμίοις ὡς πύργος, καὶ ποθεινός ἔστι τοῖς φίλοις ὡς λάμπων. « Οἱ δὲ ὀφθαλμοί σου, ὡς λίμναι ἐν Ἐσσεβὼν 3", ἐν πύλαις θυγατρὸς πολλῶν.» Τοῦτο δὲ ὁ ᾿Ακύλας ἐρμηνεύων, ἀντὶ τοῦ ε« Ἐσσεθὼν » ἐπιλογισμὸν τέθεικε. Διδάσκει τοίνυν ὁ νυμφίος, ὅτι τῶν εὐσεδῶν ψυχῶν τὸ ὀπτιχὸν λίμναι εἰσὶ, τὰ θεῖα νάματα δεχόμεναι, καὶ διηνεκῶς πλημμυροῦσαι' ἅτε δὴ ἀπὸ πολλῶν πυλῶν, τουτέστι στομάτι." (τροπικῶς γὰρ τὰ στόματα πύλας ὠνόμασε), τὰ ῥεῖθρα δεχόμεναι. Καὶ γὰρ παρὰ τοῦ μεγάλου Μωσέως, καὶ παρὰ Ἰησοῦ τοῦ Ναυῆ, καὶ Σαμουὴλ τοῦ προφήτου, καὶ παρὰ Δαδιδ, τοῦ προφήτου καὶ βασιλέως, καὶ παρὰ Ἡσαῖον, καὶ Ἱερεμίου, καὶ Δανιὴλ, καὶ Ἰεζεχιὴλ, καὶ παρὰ τῶν δώδεκα προφητῶν, καὶ παρὰ τῶν θείων Εὐαγγελίων, καὶ παρὰ τῶν ἱερῶν ἀποστόλων, καὶ παρὰ τῶν μετ᾽ ἐκείνους γενομένων διδασκάλων, δέχονται τῆς ὠφελείας τὰ νάματα. Διό φησιν ὁ νυμφίος" « Οἱ ὀφθαλμοί σου ὡς λίμναι ἐν Ἑσσεδὼν, ἐν πύλαις θυγατρὸς πολλῶν ᾽". ν Αἱ γὰρ θεωρίαι τῆς ψυχῆς σου, καὶ τῶν εὐσεδῶν σου λογισμῶν τὸ πλῆθος ἐπειδὴ καὶ ἀπὸ πολλῶν στομάτων ὑποδέχῃ τῆς διδασκαλίας τὰ νάματα. ε Καὶ ὁ μυκτήρ σου δὲ, ὡς πύργος ἐστὶ τοῦ Λιδάνου, σχοπεύων πρόσωπον Δαμασκοῦ. » Τῆς μὲν οὖν Ἰουδαίας ὁ μυκτὴρ, διὰ τὸ ἀπειθὲς καὶ δυσήνιον, ἐνώτιον ἔλαδεν οἷόν τινα χαλενὸν, καθάπερ ταῦρος χερατίζων ᾽5, τοῦ νόμου τὴν ἀπειλὴν, ἐπειδὴ ὡς δάμαλις παροοιστρῶσα παροΐατρησεν Ἰσραήλ᾽". Ὁ δὲ τῆς νύμφης « μυκτὴρ ὡς πύργος, φησὶν, ἐστὶ τοῦ ωπον Δαμασκοῦ.», ψηλὸς γάρ ἔστι καὶ μετέωρος. καὶ τῆς ἄνωθεν εὐοσμίας ἀντιλαμδανόμενος, καὶ τῷ μύρῳ τοῦ νυμφίου προσδεδεμένος, καὶ βοῶν" « Ὁπέσω σου εἰς ὀσμὴν μύρων σου δραμοῦμεν. » Διὰ τοῦτο ἀπείκασται πύργῳ ἐπάνω μὲν τοῦ Λιδάνου κειμένῳ, σχοπεύοντι δὲ τῆς Δαμασκοῦ πρόσωπον. Ἐπειδὴ γὰρ ὁ μετασχηματιζόμενος εἰς ἄγγελον φωτὸς διάθολος, κατὰ τὸν μακάριον Παῦλον, καὶ εἰς μύρον πνευματικὸν σχηματίζεται, ἀναγκαίως ὁ μυκτὴρ τῆς νύμφης Δαμασχοῦ, ἵνα μὴ ἀπατηθεῖσα τὸ μὲν ἀληθινὸν καταλίπῃ μύρον, τῷ δὲ ψευδεῖ καὶ πλανῶντι ἀκολουθήσῃ" τὴν δὲ Δαμασχὸν ἐπὶ τῶν ἐθνῶν, καὶ τῆς τηνικαῦτα κρατούσης ἀσεδείας, ἡ θεία πολλάκις τίθησι Ἰραφῇ ἀμέλει καὶ ὁ μακάριος Ἡσαΐας τὰ περὶ τῆς τοῦ Κυρίου γεννήσεως προφητεύων, καὶ εἰρηκὼς ἐκ προσὦπον τοῦ Πνεύματος, ὅτι « Προσῆλθον πρὸς τὴν προφῆτιν, ν τουτέστι πρὸς τὴν παρθένον, ε καὶ ἐν γαστρὶ ἔλαδεν, καὶ ἔτεκεν υἱὸν, » ὑπάγει λέγων " « Καὶ εἶπε αἴματι τοῦ Χριστοῦ διηνθισμένην " οὐ γὰρ οὕτω λόμπει βασιλεὺς ἁλουργίδα περι:βεθλημένος, ὡς ὁ τῆς εὑφεδείας διδάσκαλος τὸ τῆς θεογνωσίας χέρυγμα ἐξυφαίνων, καὶ τοῖς τροφίμοις τῆς ἀληθείας προσφέρων 5"),

a'. Ti opsesthe en tę̄ Soulamitidi, hē erchomenē "ē hōs choroi tōn paremidoiïōn? Ti gar, phēsi prosdokate idein en tę̄ eirēnenousę̄? Mē elpisēte eutelē tina kai merika theasasthai agatha idou gar « erchetai hōs choroi tōn parembolōn.» Kai dokei pōs enantia einai allēlois ta onomata " oute gar symthainousin hoi choroi tais paremtholais" hoi men gar eisi kanēgyrichoi, hai de stratiōtichkai. Enantion de polemǭ panēgyris. All᾽ hautē hē nymphē, hē ek pollōn hagiōn synchechrotēmenē, kai paremtholais eoike dio to andreion autēs kai gennaion phronēma kai tēn stratiōtikēn panoplian ΄ kai choros esti tēn theian hymnǭdian en tǭ stomati pherōn. Kai touto men ho makarios Dadid dēloi legōn “ « Phōnē agalliaseōs kai oōtērias en skēnais dikaiōn. » Kai palin" e Systēeortēn en tois pykazousin, heōs tōn cheratou thysiastēriou. » Tas de paremdola: ho "hē makarios Paulos hypodeiknysi phaschiyn" « hēmōn ou sarkika, alla dynata tǭ Theǭ pros rxsin ochyrōmatōn logismous kathairountes, kai kan hypsōma epairomenon kata tēs gnōseōs tou theou, kai aichmalōtizontes pan noēma eis tēn hypakoēn tou Christou, » Kai palin" e ᾿Analathete, phēsi, tēn pan- ". » oplian tou Theou, hina dynēthēte antistēnai en tę̄ hēmerph tę̄ ponērą, kai panta katergasamenoi stēnai. n Chorēgei de tois stratiōtais, hoion tis stratēgos, kai ta hopla, kai phēsi᾿ « Stēte oun perizōsamenoi tēn hymōn en alētheią, kai endysamenoi ton tēs dikaiosynēs, kai hypodēsamenoi tous podas hymōn en hetoimasią tou Euangeliou tēs eirēnēs" kai epi pasin analadontes ton thyreon tēs pisteōs, en hǭ dynēsesthe panta ta belē tou ponērou ta pepyrō- mena sthesai “ kai tēn perikephalaian tou sōtērion dexasthe, kai tēn machairan tou Pneumatos, ho esti rhēma theou. » Hoti de ou monon hoi hagioi, alla kai chorois, akousōmen tou Kyrion legontos " « Tote homoiōthēsetai hē basileia tōn ouranōn deka parthenois, haitines, ladousai tas lampadas hautōn, exēlthon eis apantēsin tou nymphiou. » d Eikotōs toinyn ho nymphios phēsin, hoti « Ti opsesthe en tę̄ Soulamitidi, ē erchomenē hōs choroi tōn lōn? » Kai ouk eipen, hai paremdolai tōn chorōn, all᾽, e hoi choroi tōn parembolōn.» Hypo d gar tōn paremtholōn ginontai choroi, kai nikōntes en tais paremtholais hoi tēs aretēs athlētai paianixontes Tauta pros tous diakonous eirēkōs ho nymphios, pros tēn nymphēn trepei ton logon, kai phēsi" e Ti hōrainōthēsan diadēmata sou en hypodēmasi, thygater Nadad᾽5} » Ho men ᾿Akylas, archontos eipen" ho de Symmachos, e hēgemono:. » Tis d᾽ an eiē heteros houto? ho hēgemōn, hē ho archōn, hē ho paraklētos Pneuma to hagion? Hos kai en tǭ md΄ psalmǭ phēsi. pros auten " eIAchouson, thygater, kai ide, kai klinon to hois sou, kai epilathou tou laou sou, kai tou oichou Xou patros sou, kai epithymēsei ho ϑasileus tou kallous sou, hoti autos estin ho " Kyrios sou. n Hoti de kai tēn tou hēgemonos echei protēgorian to Pneuma to hagion, ho makarios didaske: Dadid legōn " « tēn agalliasin tou sōtēriou sou, kai Pneumati ēgemonikǭ stērixon me. n Epainei toinyn ho nymphios prōton tēs nymphēs ta diadēmata euthea onta, kai tēn basilikēn hodon odeuonta, kai kalōs en lamponta. Tina de ta hypodēmata, edidaxen hēmas ho makarios Paulos legōn" « menoi tous podas en hetoimasią tou Euangeliou tēs eirēnēs. » Toutōn de tōn podōn to kallos kai ho prophētēs Hēsaïas proorōn elegen’ ei ᾿ēs hōraioi hoi podes tōn euangelizomenōn eirēnēn "", tōn euangelizomenōn agatha! » Tois autois rhēmasi kai ho nymphios en tǭde tǭ syngrammati kechrēmenos phēsi" « Ti hōraiōthēsan diadēmata son, thygater Hina de mē monon apo tēs hermēneias tou onomatos, alla kai ex autou tou onomatos ladōmen tina theōrian, phere zētēsōmen tis ho Nadathd. Huios ᾿Aarōn egeneto" pyr de allotrion eis tēn tou Theou skēnēn eisenenkōn, to telos tou biou edexato. Heuriskomen toinyn kai tou Kyriou tēn nymphēn, tēn Ekklēsian phēmi, ou to nomikon pyr, alla to kainon " eis tēn theian eisenenchousan skēnēn. "Elade de touto to pyr par᾽ autou tou nymphiou. « Pyr gar Ōlthon balein eis ton kosmon' kai ti thelō "", ei ēdē anēphthē? » Touto to kainon pyr dia tēs Kainēs Diathēkēs eis tēn theian eisenenchousa skēnēn, boą kai legei" « Ta archaia parēlthen, idou gegone ta panta kaina.» Eikotōs toinyn « thygatera Nadad » autēn prosagoreuei, hate dē tǭ kainǭ pyri tēn tōn anthrōpōn thysian holochautōsasan. [di gar kai kata to phronēma tēs tou pyros enallagēs diapherousin, alla hen hyp᾽ "2 echeinou kai tautēs to pragma gegenētai. Tauta de epi tou parontos eirēkamen, hina mēde tēn prosēgorian katalipōmen atheōrēton. Palin toinyn ho nymphios kata meros hautēs ta melē diexeisi, kai ekastǭ tēn pross phoron euphēmian prosphere!:, kai phēsi" 'Rythmoi "5 mērōn sou homoioi harmiskois ergǭ sou hōs dyo gedroi didymoi dorchados. sou hōs pyrgos elephagntigos " hoi orthaïïmoi sou hōs en pylais thygatros poi- «lōn. lyktēr sou hōs pyrgos tou Lithdanou, sko- Karmēlos epi se" kai piochion keralēs sou hōs porphyra, basileus dedemenos en paradromais 55. Proteron men oun ho nymphios apo "7 tōn anōthen tēs gymphēs arxamenos epēnesen autēn " epi de tou parontos, apo tōn diadēmatōn kai tōn hypodēmatōn tēn archēn poiēsamenos, akri tou plochiou tę̄s kephalēs anelēlythe, Kai thaumazei, meta ta hypodēmata kai ta diadēmata, ou tous mērous, alla tous rhythmous tōn mērōn, kai legei hautous eoikenai hormislois hypo technitou katescheuasmenois- Hōsper gar ekeinoi, phēsi, meta pasēs harmonias echousi tous lithous tǭ chrysǭ empepēgotas, hōste tous horōntas mē monon tas hylas tou chrysou kai tōn lithōn, alla kai tēn technēn tou chrysochoou thaumazein houtōs hechaston tōn tēs praktikēs aretēs ᾽"5 moriōn rhythmǭ kai harmonią kekosmētai. Tous gar mērous tropikōs tēn praktikēn ōnomasen aretēn, epeidē dia toutōn tēn poreian poioumenoi drōmen boulometha. Thaumazϑi toinyn ho nymphios tēn nymphēn, apo tę̄s prachtichis arxamenos, kai aneisin epi tēn theōoian, en archę̄ tounantion poiēsas apo gar tēs theōrias arxamenos, epi tēn praxin elēlythen. « Ophthalmoïi sou gar, ephē, peristerai,» to pneumatichyn tou optichou tēs psychēs dia toutou st mainōn. Hentautha de tēn praktikēn aretēn prōtēn thaumazei, kai mala eikotōs" proteron gar phōtizomenoi, kai tous memychotas tēs Psychēs anoigontes ophthalmous, kai to theion phōs eisdechomenoi, tę̄ pistei beechioumetha- eith᾽ 3" houtōs epi tēn praktikēn hodeuomen aretēn. Dia touto prōton ᾽᾽ enkōmion ho nymphios hyphainōn, apo tōn ophthalmōn ērxato, tōn prōtōn hēn therapeian dexamenōn. Nyn de epeidē teleion tēs nymphēs to kallos egeneto, katōthen apo tēs prachtichis archomenos aretēs, epi tēn theōrian aneisi, tēs nymtēs tēn eumorphian enchōmiaxzxōn. Kai prōton men etainei ta diadēmata kai ta hypodēmata, eita tōn mērōn tous rhythmous, toutestin hechaston ᾽" tōn ginomenōn" meta de tous mērous ton omphalon " « Omnos krama. » Parathōmen de, ei dokei, ta peri tou omphalou tēs Ioudaias hypo tou Theou tōn holōn eirēmena dia Hiezechiēl tou prophētou, Tēn HyChr akolasian autę̄: thriamdeuōn, kai tēn pollēn autēs dēmosieiōn asedeian, hōs kai en tǭ prōtǭ logǭ diexelēlythamen, tǭ prophētę̄ phēsi" e Diamartyrai tę̄ Hierousalēm tas anomias autēs, kai ereis " Tade legei Kyrios tę̄ “Hierousalēm: Hē rhiza sou kai hē genesis souech gēs Chanaan, ho patēr sou ᾿Amorrhaios, kai hē mētēr sou Chettaia. Kai hē genesis sou en hē hēmerą etechthēs, ouk etmēthē ho omphalos sou.» Hekeinę̄ men oun phēsin, «Ouk etmēthē ho omphalos sou" n tautę̄ menos krama. » Hē men gar ex Aigyptou techtheita ouk etemen hautēs ton omphalon, all᾽ hōsper dia tinos rhïzēs eilken ex Aigyptou tēn ponērian tēs dyssethous didaskalias. Hautē de ouk haplōs ton omphalon hautēs etemen, all᾽ houtōs ethathyne tēn torēn, hōste pasan kai to krama tēs heusrosynēs diēnekōs echein, kai mēdepote elleipein autę̄ tēn ek tēs eusedeias enginomenēn autę̄ thymēdian. ᾿Allch kai e« Hē koilia sou thēmōnia sitou, pephragmenē en krinois. » Toutesti, mesta ta tamieia sou tē: Psychēs tōn kekrymmenōn mystēriōn, hōn hē euosaia monē tois atelesin eti kai nēpiois gnōrimos. e Krinois gar, phēsi, peripephrachtai, » hina dia tou periphragmatos to kekrymmenon noēsōmen, dia de tōn krinōn, tēn ekeithen pantachou dia rrherhousan euosmian. e Kai hoi mastoi sou de hoi dyo nedrois mois dorchado: eoikasin. » Hoi gar tēs didaskalias sēu chrēunoi, ta kaina propherontes namata, oxydorgian xidatchousi, kai tēn pneumatikēn theōrian ē gar dorkas oxydorchias epōnymos, choi ho nedros tou neou « Ho de trachēlos sou, hōs pyrgos elephantinos. » ᾿Apēllagē gar tou melas heinai. kai eleuchanthē ton zygon mou dexamenos " kai phoderos esti tois polemiois hōs pyrgos, kai potheinos esti tois philois hōs lampōn. « Hoi de ophthalmoi sou, hōs limnai en Essebōn 3", en pylais thygatros pollōn.» Touto de ho ᾿Akylas ermēneuōn, anti tou e« Essethōn » epilogismon tetheike. Didaskei toinyn ho nymphios, hoti tōn eusedōn psychōn to optichon limnai eisi, ta theia namata dechomenai, kai diēnekōs plēmmyrousai' hate dē apo pollōn pylōn, toutesti stomati." (tropikōs gar ta stomata pylas ōnomase), ta rheithra dechomenai. Kai gar para tou megalou Mōseōs, kai para Iēsou tou Nauē, kai Samouēl tou prophētou, kai para Dadid, tou prophētou kai basileōs, kai para Hēsaion, kai Hieremiou, kai Daniēl, kai Iezechiēl, kai para tōn dōdeka prophētōn, kai para tōn theiōn Euangeliōn, kai para tōn hierōn apostolōn, kai para tōn met᾽ ekeinous genomenōn didaskalōn, dechontai tēs ōpheleias ta namata. Dio phēsin ho nymphios" « Hoi ophthalmoi sou hōs limnai en Hessedōn, en pylais thygatros pollōn ᾽". n Hai gar theōriai tēs psychēs sou, kai tōn eusedōn sou logismōn to plēthos epeidē kai apo pollōn stomatōn hypodechę̄ tēs didaskalias ta namata. e Kai ho myktēr sou de, hōs pyrgos esti tou Lidanou, schopeuōn prosōpon Damaskou. » Tēs men oun Ioudaias ho myktēr, dia to apeithes kai dysēnion, enōtion eladen hoion tina chalenon, kathaper tauros cheratizōn ᾽5, tou nomou tēn apeilēn, epeidē hōs damalis parooistrōsa paroïatrēsen Israēl᾽". Ho de tēs nymphēs « myktēr hōs pyrgos, phēsin, esti tou ōpon Damaskou.», psēlos gar esti kai meteōros. kai tēs anōthen euosmias antilamdanomenos, kai tǭ myrǭ tou nymphiou prosdedemenos, kai boōn" « Hopesō sou eis osmēn myrōn sou dramoumen. » Dia touto apeikastai pyrgǭ epanō men tou Lidanou keimenǭ, schopeuonti de tēs Damaskou prosōpon. Epeidē gar ho metaschēmatizomenos eis angelon phōtos diatholos, kata ton makarion Paulon, kai eis myron pneumatikon schēmatizetai, anankaiōs ho myktēr tēs nymphēs Damaschou, hina mē apatētheisa to men alēthinon katalipę̄ myron, tǭ de pseudei kai planōnti akolouthēsę̄" tēn de Damaschon epi tōn ethnōn, kai tēs tēnikauta kratousēs asedeias, hē theia pollakis tithēsi Iraphę̄ amelei kai ho makarios Hēsaïas ta peri tēs tou Kyriou gennēseōs prophēteuōn, kai eirēkōs ek prosōpon tou Pneumatos, hoti « Prosēlthon pros tēn prophētin, n toutesti pros tēn parthenon, e kai en gastri eladen, kai eteken huion, » hypagei legōn " « Kai eipe aimati tou Christou diēnthismenēn " ou gar houtō lompei basileus halourgida peri:bethlēmenos, hōs ho tēs heuphedeias didaskalos to tēs theognōsias cherygma exyphainōn, kai tois trophimois tēs alētheias prospherōn 5"),

1. "What will you see in the Shulammite? She comes like dances of the camps." For what, he says, do you expect to see in her who is at peace? Do not hope to behold some paltry and partial goods; for behold, "she comes like dances of the camps." The names seem somehow opposed to each other, for dances do not go with camps: the one belongs to festivals, the other to soldiers, and a festival is the opposite of war. But this bride, gathered together from many saints, is like camps because of her manly and noble spirit and her soldier's full armour, and she is a dance, carrying the divine hymnody in her mouth. The blessed David shows this, saying: "The voice of rejoicing and salvation is in the tents of the righteous." And again: "Bind the feast with thick boughs, up to the horns of the altar." And the camps the blessed Paul points out, saying: "[For the weapons of our warfare are] not fleshly, but powerful for God for the destruction of strongholds, as we overthrow reasonings and every high thing raised up against the knowledge of God, and take every thought captive to the obedience of Christ." And again: "Take up the full armour of God, that you may be able to withstand in the evil day, and having done everything, to stand." And like a general he supplies the soldiers with their weapons, and says: "Stand, then, having girded your [loins] with truth, and having put on the [breastplate] of righteousness, and having shod your feet with the readiness of the gospel of peace; and in all things taking up the shield of faith, with which you will be able to quench all the flaming darts of the evil one; and receive the helmet of salvation, and the sword of the Spirit, which is the word of God." And that the saints [are likened] not only [to camps] but also to dances, let us hear from the Lord, who says: "Then the kingdom of heaven will be likened to ten virgins, who took their lamps and went out to meet the bridegroom." Fittingly, then, the bridegroom says: "What will you see in the Shulammite? She comes like dances of the camps." And he did not say "the camps of the dances," but "the dances of the camps." For dances arise from the camps, and the athletes of virtue, victorious in the camps, sing the song of victory …

Having said these things to the ministers, the bridegroom turns his speech to the bride, and says: "How beautiful your steps have become in sandals, daughter of Nadab!" Aquila said "of a ruler," and Symmachus "of a leader." Who else could this leader or ruler be but the Paraclete, the Holy Spirit? He it is who says to her in the forty-fourth psalm: "Hear, daughter, and see, and incline your ear, and forget your people and your father's house, and the king will desire your beauty, for he is your Lord." And that the Holy Spirit also bears the title of leader, the blessed David teaches, saying: "[Restore] to me the joy of your salvation, and establish me with a leading Spirit." The bridegroom, then, first praises the steps of the bride, which are straight and travel the royal road, and shine finely in [sandals]. What the sandals are the blessed Paul taught us, saying: "[having shod] your feet with the readiness of the gospel of peace." The prophet Isaiah too foresaw the beauty of these feet, and said: "How beautiful are the feet of those who bring good news of peace, of those who bring good news of good things!" Using the same words, the bridegroom in this writing says: "How beautiful your steps have become, daughter [of Nadab]!" …

And so that we may take some insight not only from the interpretation of the name but also from the name itself, come, let us ask who Nadab was. He was a son of Aaron; and having brought strange fire into the tabernacle of God, he met the end of his life. We find, then, that the bride of the Lord too, I mean the church, brought into the divine tabernacle not the fire of the law but the new [fire]. She received this fire from the bridegroom himself: "For I came to cast fire upon the world, and what do I wish, if it is already kindled?" Bringing this new fire into the divine tabernacle through the New Covenant, she cries out and says: "The old things have passed away; behold, all things have become new." Fittingly, then, he calls her "daughter of Nadab," since with the new fire she has offered the sacrifice of men as a whole burnt offering. For even if they differ in intention in the change of the fire, yet one and the same deed was done by him and by her. We have said this for the present so as not to leave even the name without contemplation.

Again, then, the bridegroom goes through her members one by one, and offers each the fitting praise, and says: "The curves of your thighs are like necklaces, the work [of a craftsman's hands. 2. Your navel is a turned bowl, not lacking mixed wine; your belly is a heap of wheat, fenced about with lilies. 3. Your two breasts are] like two twin fawns of a gazelle. 4. [Your neck] is like an ivory tower; your eyes are like [pools in Heshbon], by the gates of the daughter of many; your nose is like the tower of Lebanon, looking toward [the face of Damascus. 5. Your head upon you is like] Carmel, and the braid of your head like purple; a king bound in the galleries." Previously the bridegroom praised the bride beginning from her upper parts; but now, making his start from the steps and the sandals, he has gone up as far as the braid of the head. After the sandals and the steps he admires not the thighs but the curves of the thighs, and says they are like necklaces made by a craftsman. For as those, he says, have the stones set in the gold with all harmony, so that those who see them admire not only the materials, the gold and the stones, but also the goldsmith's art, so each part of practical virtue has been adorned with rhythm and harmony. For figuratively he named practical virtue the thighs, since through them we make our journey [and do] … we wish. The bridegroom, then, admires the bride beginning from practical virtue, and goes up to contemplation, having done the opposite at the beginning; for there he began from contemplation and came to practice: "For your eyes," he said, "are doves," signifying by this the spiritual quality of the soul's sight. But here he admires practical virtue first, and very fittingly; for first we are enlightened, we open the closed eyes of the soul, we receive the divine light, and we are made firm in faith; and then we travel on to practical virtue. That is why the bridegroom, weaving his first encomium, began from the eyes, which were the first to receive healing. But now, since the bride's beauty has become perfect, he begins below, from practical virtue, and goes up to contemplation, praising the comeliness of the bride. First he praises the steps and the sandals, then the curves of the thighs, that is, each of the deeds done; and after the thighs the navel: "[Your] navel [is a turned bowl, not lacking] mixed wine."

Let us set beside this, if you please, what was said by the God of all through the prophet Ezekiel about the navel of Judaea. For, exposing her licentiousness and publishing her great impiety, as we went through in the first discourse, he says to the prophet: "Testify to Jerusalem her iniquities, and you shall say: Thus says the Lord to Jerusalem: Your root and your birth are from the land of Canaan; your father was an Amorite and your mother a Hittite. And as for your birth, on the day you were born your navel was not cut." To her, then, he says, "Your navel was not cut"; but to this one, "[Your navel is a turned bowl, not lacking] mixed wine." For the one born out of Egypt did not cut her navel, but drew from Egypt, as through a root, the wickedness of impious teaching. But this one not only cut her navel, but so deepened the cut that … and she has the mixed wine of gladness continually, and the delight that springs up in her from godliness never fails her. Moreover, "Your belly is a heap of wheat, fenced about with lilies." That is, the storerooms of your soul are full of hidden mysteries, of which only the fragrance is known to those who are still imperfect and infants. "For it is fenced about," he says, "with lilies," so that by the fence we may understand what is hidden, and by the lilies the fragrance that flows out from there everywhere. "And your two breasts are like two twin fawns of a gazelle." For the streams of your teaching, bringing forth new waters, teach keenness of sight and spiritual contemplation; for … the gazelle is named from its keen sight, and the fawn from the word "new" … "And your neck is like an ivory tower." For it has been freed from being black and has become white, having received my yoke; and it is fearsome to enemies like a tower, and longed for by friends as shining.

"And your eyes are like pools in Heshbon, by the gates of the daughter of many." Aquila, rendering this, put "reckoning" instead of "Heshbon." The bridegroom teaches, then, that the sight of pious souls is pools, receiving the divine streams and continually overflowing, since they receive their streams from many gates, that is, mouths (for figuratively he named the mouths gates). For from the great Moses, and from Joshua the son of Nun, and from Samuel the prophet, and from David the prophet and king, and from Isaiah and Jeremiah and Daniel and Ezekiel, and from the twelve prophets, and from the divine Gospels, and from the holy apostles, and from the teachers who came after them, they receive the streams of benefit. That is why the bridegroom says: "Your eyes are like pools in Heshbon, by the gates of the daughter of many." For the contemplations of your soul and the multitude of your pious reasonings [are like pools], since you receive the streams of teaching from many mouths. "And your nose is like the tower of Lebanon, looking toward the face of Damascus." The nose of Judaea, because of its disobedience and unruliness, received a ring, like a bridle, as a goring bull does, namely the threat of the law, since "Israel ran wild like a heifer stung by the gadfly." But the bride's "nose," he says, "is like the tower [of Lebanon, looking toward the face] of Damascus"; for it is high and lofty, and perceives the fragrance from above, and is bound to the bridegroom's ointment, and cries: "We will run after you, toward the fragrance of your ointments." That is why it is likened to a tower set upon Lebanon and looking toward the face of Damascus. For since the devil, who disguises himself as an angel of light, according to the blessed Paul, disguises himself also as spiritual ointment, of necessity the bride's nose [watches toward] Damascus, lest she be deceived and leave the true ointment and follow the false and deceiving one. And the divine Scripture often uses Damascus for the nations and for the impiety that then prevailed. Indeed the blessed Isaiah too, prophesying about the birth of the Lord and saying in the person of the Spirit, "I went in to the prophetess," that is, to the virgin, "and she conceived in the womb and bore a son," continues, saying: "And [the Lord] said …" … blossoming with the blood of Christ; for a king clothed in purple does not shine as the teacher of godliness does, weaving the proclamation of the knowledge of God and offering it to the nurslings of the truth.

Textual problem in this passage: see the notes.

Song 6:13–7:5 (7:1-Song LXX) (quotation, high confidence) · Ps 118:15 (117:15 LXX) (quotation, high confidence) · Ps 118:27 (117:27 LXX) (quotation, high confidence) · 2 Cor 10:4–5 (quotation, high confidence) · Eph 6:13–17 (quotation, high confidence) · Matt 25:1 (quotation, high confidence) · Ps 45:10–11 (44:11-Ps LXX) (quotation, high confidence) · Ps 51:12 (50:14 LXX) (quotation, high confidence) · Isa 52:7 (quotation, high confidence) · Rom 10:15 (quotation, medium confidence) · Lev 10:1–2 (allusion, high confidence) · Luke 12:49 (quotation, high confidence) · 2 Cor 5:17 (quotation, high confidence) · Ezek 16:2–4 (quotation, high confidence) · Hos 4:16 (quotation, high confidence) · Song 1:4 (quotation, high confidence) · 2 Cor 11:14 (allusion, high confidence) · Isa 8:3–4 (quotation, high confidence)

Notes and citation

Summary: The Shulammite is both an army and a choir; her straight steps shod with the gospel, the "daughter of Nadab" who brings the new fire, and the bridegroom now praises her from her deeds upward to her contemplation, setting her navel and nose against those of unfaithful Judaea.

  • Lemmas: Song 6:13b–7:5 (7:1b–6 in the Septuagint; several clauses of the lemma are lost in the scan and supplied in brackets from the comment). Lines are lost where marked …. "Steps" renders διαβήματα (printed with δ for β, as often in this text); Nadab is likewise printed Ναδάδ. Aquila read "Heshbon" as "reckoning"; Aquila and Symmachus read "Nadab" as "ruler" or "leader."
  • Judaea's uncut navel (Ezek 16) and unruly nose are contrasted with the bride; translated as written. Nadab and his brother were struck down for offering strange fire (Lev 10:1–2); the church's "new fire" is set against it.
  • Quoted or alluded to: Ps 118:15 (LXX 117:15); Ps 118:27 (LXX 117:27); 2 Cor 10:4–5; Eph 6:13–17; Matt 25:1; Ps 45:10–11 (LXX 44:11–12); Ps 51:12 (LXX 50:14); Isa 52:7; Rom 10:15; Lev 10:1–2; Luke 12:49; 2 Cor 5:17; Ezek 16:2–4; Hos 4:16; Song 1:4; 2 Cor 11:14; Isa 8:3–4.

Notes on the original text

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Cite (SBL): Theodoret, Comm. Cant. 7.1 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/7-1). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

7.6PG 81

ς΄, ζ΄. τί ὡραιώθης, καὶ τί ἡδύγθης, ἀγάπη, ἐν ει να Τὸ "δ μέγεθός σου ὡμοιώθη τῷ καὶ οἱ μαστοί σου τοῖς βέτρυσιν. Ὥραία γὰρ ἐγένου μὴ οὖσα πρότερον ὡραία" καὶ ἀηδίας ἁπάσης ἡγησαμένη τὸ περὶ τοῦτον φίλτρον, πάντων ὁμοῦ κατ" διὸ « ὡραιώθης, καὶ ἡδύνθης, ἀλλὰ καὶ "7 Ὁ τὸ μέγεθός σου ὡμοιώθη τῷ φοίνικι, καὶ οἱ μαστοί σου τοῖς βότρυτιν. ι Οὐ γὰρ μόνον κάλλος ἔχεις, ἀλλὰ καὶ ὕψος ἀπεικασμένον φοίνικι. ε« Οἱ δὲ μαστοί σοὺ » Οὐ μετέωρος, καὶ τῶν οὐρανίων ἁψίδων ἐφιχνουμένη, : « : οἱ συγχαταθαΐνεις τοῖς ἀσθενέσι, καὶ ὀρέγεις τοὺς μαστούς σου καὶ τὰς τῆς διδασκαλίας σου θηλὰς τεῖς «ἧς διδασκαλίας δεομένοις" καὶ γὰρ ὁ φιῖνιξ κάτω νεύοντας ἔχει τοὺς βότρυας. Τοῦτο καὶ διὰ τοῦ μακαρίου Δαθὶδ τὸ Πνεῦμα λέγει τὸ ἅγιον: ε Δίκαιος ὡς φοῖνιξ ἀνθήσει. » ᾿Ακούσασα τοιγαροῦν " τῶν ἐπαίνων ἡ νύμφη, καὶ τῶν πολλῶν ἐγχω:μίων πτερωθεῖσα, καὶ πυρσευθεῖσα τῷ φίλτρῳ, φησίν "

s΄, z΄. ti hōraiōthēs, kai ti hēdygthēs, agapē, en ei na To "d megethos sou hōmoiōthē tǭ kai hoi mastoi sou tois betrysin. Hōraia gar egenou mē ousa proteron hōraia" kai aēdias hapasēs hēgēsamenē to peri touton philtron, pantōn homou kat" dio « hōraiōthēs, kai hēdynthēs, alla kai "7 Ho to megethos sou hōmoiōthē tǭ phoiniki, kai hoi mastoi sou tois botrytin. i Ou gar monon kallos echeis, alla kai hypsos apeikasmenon phoiniki. e« Hoi de mastoi sou » Ou meteōros, kai tōn ouraniōn hapsidōn ephichnoumenē, : « : hoi synchatathaïneis tois asthenesi, kai oregeis tous mastous sou kai tas tēs didaskalias sou thēlas teis «hēs didaskalias deomenois" kai gar ho phiinix katō neuontas echei tous botryas. Touto kai dia tou makariou Dathid to Pneuma legei to hagion: e Dikaios hōs phoinix anthēsei. » ᾿Akousasa toigaroun " tōn epainōn hē nymphē, kai tōn pollōn enchō:miōn pterōtheisa, kai pyrseutheisa tǭ philtrǭ, phēsin "

6–7. "How beautiful you have become, and how sweet, O love, in [your delights]! This stature of yours is like a palm tree, and your breasts like clusters." For you have become beautiful, not having been beautiful before; and … all unpleasantness, having held love for him [above] all things together … That is why "you have become beautiful and sweet"; and moreover "your stature is like a palm tree, and your breasts like clusters." For you have not only beauty but also a height like a palm tree's. "And your breasts …" … lofty, and reaching to the vaults of heaven, … and you condescend to the weak, and hold out your breasts and the nipples of your teaching to those who need teaching; for the palm too has its clusters hanging downward. This the Holy Spirit also says through the blessed David: "The righteous will flourish like a palm tree." Having heard the praises, then, the bride, given wings by the many encomia and kindled with love, says:

Textual problem in this passage: see the notes.

Song 7:6–7 (7:7-Song LXX) (quotation, high confidence) · Ps 92:12 (91:13 LXX) (quotation, high confidence)

Notes and citation

Summary: The bride's height is like the palm reaching to heaven, yet like the palm's hanging clusters her teaching bends down to the weak.

  • Lemmas: Song 7:6–7 (7:7–8 in the Septuagint). Lines are lost in the scan where marked ….
  • Quoted or alluded to: Ps 92:12 (LXX 91:13).

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): Υεπβ. θ, 7. ρπανι ριτῆτα εἰ φιανὶ → ; [ἀεα ερυφῶς σου" } → ; εἰιατί(ας, ἐπ ἀφἰϊεἰϊδ γικι, → ; ζάαεία 651 ραίπια, εἰ πὔότα {πὰ δοῖτὶδ. → ; 6115 ΔΙΠΟΓΟ (158 ΟΠΙΠ65 ἠο] εἐφρύνησας → ; οἷνν οἱ ϑυιανὶβ οΠθοι 65, → ; 0 {08 Θ΄ ΠΠ} 5 → ; οηΐπὶ μι]. ΠΥ] ἀἴμα, [π 1 → ; 4. Κὶ Ζόγϑιν. 11, → ; "7 καί, [}65.. Ἰΐὰ δπηῖ. → ; δηΐπὶ Θχυυϊϑὰ 58 → ; ϑρίγί 5. ΒΔΠ οι 15. → ; ἱπαυΐθιβ, υἱ μά] ΠΟγΘθῖ 1, → ; οὐπλλ! τὶ, δηνογ 5 → ; {Γι οίι), τα 6708,» γε], → ; 1} γναγι 1, «ο]αι 5 6}. → ; φυδιη ἴα, ΠΘρο5 νηὶ, Ὁ) ἴεγβ, → ; ὡμοιώθη τῷ «οἱ. ἐδ, → ὡμοιώθη τῷ ; ἀηδίας ἁπάσης [ποῖ 65, ἡγησαμένη → ἀηδίας ἁπάσης ἡγησαμένη; κατ- 5811}, Οἵ ἴῃ → κατ; ΟἹ πη → ; ἀλλὰ [ποῖ 651 καὶ ὕψος → ἀλλὰ καὶ ὕψος; ἴα. νεῖ, → ; ἦ. τ ἰπ οι. 58 φητίν. Αυδδὶ ἃ εὐὰ., δ᾽ τῶν, βγεῖ, τοῦτο. θεῖ δ χ, τ᾿ λ. 55 τόν, Αμδβὶ ἃ οὐ. → ; οἱ δ Π Π18, 160 Α μετέωρος → μετέωρος; ἐφιχνου μένη, ας 16 ἀν θανϊ οι ἰδ ἴσαι → ἐφιχνουμένη, ; » Οὐαὶ δι! |8561 ᾿σί τ Γ νυ → ; δε μ 10 πέρι, βόα πα, αἱ σοΠρΓΘ θη ἰαϊ : οἵ ἐογαπη αιὰ πὶ » εἶς, εἰ νἱε5 : ἂς ρα 5 αυ! ἀδη ποῖ αι → ; αὐ Αψ → ; ν -- ε οἱ σπου Γ Υἱτ8 νοϊυρίαία ὑπο οῦγ δ : → ; δι πεῖς δυίθπν πα π ἀοοίγί πα τπ, υἱ Ευδίοὐΐδηι, ἸΔΐοτγινπὶ δ η 8. ἰης γι πιο 8, → ; καὶ 4. τῶν → καὶ τῶν.

Cite (SBL): Theodoret, Comm. Cant. 7.6 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/7-6). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

7.8PG 81

"η΄, θ΄. Εἴπον, ᾿Αναδήσομαι ἐπὶ τῷ φοίνικι, κρατήσω τῶν ὕψεων αὐτοῦ, καὶ ἔσονται δὴ μαστοὶ σου ὡς βότρυες τῆς ἀμπέλου, καὶ ὀσμὴ ῥινός σου ὡς μῆλα. Καί Ἰάρυγξ σου, ὡς οἷνος ἀγαθὸς πο- »ρευόμεγος τῷ ἀδε.ϊιδῷ μου εἰς εὐθύτητα 59: 'χεαγούμεγος δ' χείλεσί μου καὶ ὀδοῦσιν. Ἔστιν ἐντεῦθεν ἀχριθῶς καταμαθεῖν, ὅπως ποθεῖ τὸν νυμφίον ἡ νύμφη, καὶ τῆς ἀναδάσεως ἐφίεται, καὶ τὸ ὕψος φαντάζεται, καὶ, κατὰ τὸν μακάριον Παῦλον, « οὗ νομίζειν κατειληφέναι, ἀλλὰ διώκει ἵνα χαταλάδῃ" καὶ τῶν μὲν ὄπισθεν ἐπιλανθάνεται, τοῖς δὲ ἔμπροσθεν ἐπεκτείνεται, ν» Ζητητέον δὲ πῶς ὁ νυμφίος καὶ φοῖνίξ ἐστι καὶ ἄμπελος καὶ φοίνικος μὲν οὐκ ἔχει καρπὸν, ἀμπέλου δὲ βότρυας ἐκφέρει. ᾿Οδτγήσει δὲ ἡμᾶς ἐπὶ τὴν κεκρυμμένην διάνοιαν ἥ τοῦ ᾿Ακύλα ἑρμηνεία" ἀντὶ γὰρ τοῦ « κρατήσω τῶν ὕψεων αὐτοῦ, » τέθεικε ε κρατήσω τῶν ἐλατῶν αὐτοῦ" » οἱ δ" δὲ ἐλάται τῶν ἀῤῥένων εἰσὶ φοινίκων καρποί" τοῖς θήλεσι ἐχείνων καρποὺς ἐργάζονται. Ἱξπείγεται τοίνυν ἧ νύμφη λαθεῖν παρὰ τοῦ νυμφίου τὰς τῶν εὐσεδῶν γονῶν ἀφορμὰς, καί φησιν ε Εἶπον, ᾿Αναδήσομαι ἐπὶ τῷ φοίνικι, καὶ κρατήσω τῶν ὕψεων αὐτοῦ" » ἣ, ὡς ὁ ᾿Ακύλας, «τῶν ἐλατῶν αὑτοῦ. »---ε Καὶ ἔσονται δὴ μαστοί σου ὡς βότρυες τῆς ἀμπέλου. ν Σὺ γὰρ εἴ ἀληθινὴ ἄμπελος, ἀφ᾽ ἧς ὁ σωτήριος οἶνος γεωργούμενος ἐν ταῖς πνευματικαῖς ἀποθλίδεται ληνοῖς, ἀφ᾽ ὧν τὸ ποτήριον πληροῦται τὸ μεθύσκον ὡσεὶ κράτιστον, « Καὶ ὀσμὴ ῥινός σου τῇ τοῦ μήλου ἔοικεν εὐωδίᾳ. ν Καὶ γὰρ αὐτὸ τὸ τῆς ὀσφρήσεώς σου δοχεῖον, καὶ αὑτό μοι εὐωδίαν ἐκπέμπει μήλοις ἀπειχασμένην. Ἱκανὰ δὲ τὰ περὶ τῶν μήλων εἰρημένα ἡμῖν ἐν τῇ τῆς βίόλου ἀρχῇ. ε Καὶ ὁ λάρυγξ δέ σου, ὡς οἶνος ἀγαθὸς δ" πορευόμενος τῷ ἀδελφιδῷ μὸν εἰς εὐθύτητα, ἱχανούμενος χεἰλεσί μου καὶ ὀδοῦσιν. » Ἢ γὰρ ἐκ τῆς φάρυγγός σον προσφερομένη διδασχαλέα, οἴνου παντὸς ἀνθοσμίου καὶ πάσης εὐφροσύνης διευθῦναι βουλόμενος τὰς εἰς σὲ πεπιστευκυίας Ψψυχάς᾽ ἱκανὴ δέ μοι αὕτη καὶ ἀποχρῶσα, ἵνα τὰ "" μὲν μένη" τὰ δὲ φρουρῷῶ καὶ φυλάττω, τοὺς ὀδόντας ἀντὶ τειχίου περιτιθεῖσα. Τούτοις ἁρμόττει καὶ τὰ παρὰ τοῦ μακαρίου Παύλον εἰρημένα" «Ἤκουσα γὰρ, φησὶν, ἀῤῥητα ῥήματα, ἃ οὐκ ἐξὸν ἀνθρώπῳ λαλῆσαι. » Διὰ «οὔτο καὶ ἡ νύμφη φησίν᾽ « ἱχανούμενος χείλεσί μου Τούτοις ἐπιφέρει" (. ᾿Εγὼ τῷ ἀδελριδῷ μου, καὶ " ἐπ᾿ ἐμὲ ἡ ἐπιστροφὴ αὑτοῦ. Αὐτῷ γὰρ ἐμαυτὴν ἀνατέθειχα, καὶ πᾶσαν ἀλλοτρίαν κοινωνίαν ἐθδελυξάμην, Ἰουδαϊκὴν, αἱρετικήν᾽ καὶ γὰρ αὐτὸς πάντων με τῶν ἄλλω, προτέθειχε, καὶ πρὸς ἐμὲ τὴν ἀποστροφὴν ἔχεν οὐ γὰρ ἔχων πρότερον ποῦ κλίναι τὴν κεφαλὴν, εἷρΞ: νῦν ποῦ κλίνῃ τὴν κεφαλήν' καὶ πολλὰς ἔχων παλλαχίδας, καὶ βϑαπιλίδας, καὶ νεάνιδας, πάντων προτίθητ με’ ἀλλ᾽ οὐκ ἀνέχομαι μόνη τῆς ἱερᾶς αὺ- «κοὐ κοινωνία: ἀπολαύειν.

"ē΄, th΄. Eipon, ᾿Anadēsomai epi tǭ phoiniki, kratēsō tōn hypseōn autou, kai esontai dē mastoi sou hōs botryes tēs ampelou, kai osmē rhinos sou hōs mēla. Kai Iarynx sou, hōs hoinos agathos po- »reuomegos tǭ ade.ïidǭ mou eis euthytēta 59: 'cheagoumegos d' cheilesi mou kai odousin. Estin enteuthen achrithōs katamathein, hopōs pothei ton nymphion hē nymphē, kai tēs anadaseōs ephietai, kai to hypsos phantazetai, kai, kata ton makarion Paulon, « hou nomizein kateilēphenai, alla diōkei hina chataladę̄" kai tōn men opisthen epilanthanetai, tois de emprosthen epekteinetai, n» Zētēteon de pōs ho nymphios kai phoinix esti kai ampelos kai phoinikos men ouk echei karpon, ampelou de botryas ekpherei. ᾿Odtgēsei de hēmas epi tēn kekrymmenēn dianoian hē tou ᾿Akyla hermēneia" anti gar tou « kratēsō tōn hypseōn autou, » tetheike e kratēsō tōn elatōn autou" » hoi d" de elatai tōn arrhenōn eisi phoinikōn karpoi" tois thēlesi echeinōn karpous ergazontai. Hixpeigetai toinyn hē nymphē lathein para tou nymphiou tas tōn eusedōn gonōn aphormas, kai phēsin e Eipon, ᾿Anadēsomai epi tǭ phoiniki, kai kratēsō tōn hypseōn autou" » hē, hōs ho ᾿Akylas, «tōn elatōn hautou. »---e Kai esontai dē mastoi sou hōs botryes tēs ampelou. n Sy gar ei alēthinē ampelos, aph᾽ hēs ho sōtērios oinos geōrgoumenos en tais pneumatikais apothlidetai lēnois, aph᾽ hōn to potērion plēroutai to methyskon hōsei kratiston, « Kai osmē rhinos sou tę̄ tou mēlou eoiken euōdią. n Kai gar auto to tēs osphrēseōs sou docheion, kai hauto moi euōdian ekpempei mēlois apeichasmenēn. Hikana de ta peri tōn mēlōn eirēmena hēmin en tę̄ tēs biolou archę̄. e Kai ho larynx de sou, hōs oinos agathos d" poreuomenos tǭ adelphidǭ mon eis euthytēta, hichanoumenos cheilesi mou kai odousin. » Ē gar ek tēs pharyngos son prospheromenē didaschalea, oinou pantos anthosmiou kai pasēs euphrosynēs dieuthynai boulomenos tas eis se pepisteukuias Pspsychas᾽ hikanē de moi hautē kai apochrōsa, hina ta "" men menē" ta de phrourǭō kai phylattō, tous odontas anti teichiou perititheisa. Toutois harmottei kai ta para tou makariou Paulon eirēmena" «Ēkousa gar, phēsin, arrhēta rhēmata, ha ouk exon anthrōpǭ lalēsai. » Dia «outo kai hē nymphē phēsin᾽ « hichanoumenos cheilesi mou Toutois epipherei" (. ᾿Egō tǭ adelridǭ mou, kai " ep᾿ eme hē epistrophē hautou. Autǭ gar emautēn anatetheicha, kai pasan allotrian koinōnian ethdelyxamēn, Ioudaïkēn, hairetikēn᾽ kai gar autos pantōn me tōn allō, protetheiche, kai pros eme tēn apostrophēn echen ou gar echōn proteron pou klinai tēn kephalēn, heirX: nyn pou klinę̄ tēn kephalēn' kai pollas echōn pallachidas, kai bϑapilidas, kai neanidas, pantōn protithēt me’ all᾽ ouk anechomai monē tēs hieras au- «kou koinōnia: apolauein.

8–9. "I said: I will go up to the palm tree, I will take hold of its heights; and now your breasts shall be like clusters of the vine, and the fragrance of your nose like apples, 9. and your throat like good wine, going to my kinsman for uprightness, sufficing for my lips and teeth." One may learn exactly from this how the bride longs for the bridegroom, aims at the ascent, and pictures the height, and, according to the blessed Paul, "does not consider that she has laid hold, but presses on so that she may lay hold; and forgetting what lies behind, she stretches out to what lies ahead." We must ask how the bridegroom is both a palm tree and a vine, and how he does not have the fruit of the palm but bears the clusters of the vine. Aquila's rendering will guide us to the hidden meaning; for instead of "I will take hold of its heights" he put "I will take hold of its spathes"; and the spathes are the fruit of male palms; they produce the fruit for the females. The bride, then, hastens to receive from the bridegroom the beginnings of pious offspring, and says: "I said: I will go up to the palm tree and take hold of its heights," or, as Aquila has it, "its spathes." "And now your breasts shall be like clusters of the vine." For you are the true vine, from which the saving wine, once cultivated, is pressed in the spiritual winepresses, from which the cup that makes drunk, how excellent it is, is filled. "And the fragrance of your nose" resembles the fragrance of the apple. For the very organ of your sense of smell sends out to me a fragrance like apples. What we said about apples at the beginning of the book is sufficient. "And your throat is like good wine, going to my kinsman for uprightness, sufficing for my lips and teeth." For the teaching offered from your throat [surpasses] every fragrant wine and every gladness, as you wish to set straight the souls that have believed in you; and it is sufficient and enough for me, so that some things I … and others I guard and keep, putting my teeth around them as a wall. With these words agree also those of the blessed Paul: "For I heard unspeakable words, which it is not lawful for a man to utter." That is why the bride too says: "sufficing for my lips [and teeth]."

To these words she adds: 10. "I am my kinsman's, and his turning is toward me." For I have dedicated myself to him, and I have loathed every alien communion, Jewish or heretical; for he too has preferred me above all others and has his turning toward me. For though formerly he had nowhere to lay his head, he has now found where to lay his head; and though he has many concubines and queens and maidens, he prefers me above them all. But I cannot bear to enjoy his holy communion alone.

Textual problem in this passage: see the notes.

Song 7:8–10 (7:9-Song LXX) (quotation, high confidence) · Phil 3:12–13 (quotation, high confidence) · John 15:1 (allusion, high confidence) · Ps 23:5 (22:5 LXX) (quotation, medium confidence) · Song 2:3 (allusion, medium confidence) · 2 Cor 12:4 (quotation, high confidence) · Matt 8:20 (allusion, high confidence)

Notes and citation

Summary: The bride presses on to climb the palm, which bears the vine's clusters of saving teaching; her speech is guarded by her teeth, and she shuns every alien communion while longing to share the bridegroom with others.

  • Lemmas: Song 7:8–10 (7:9–11 in the Septuagint). Lines are lost in the scan where marked …. "Spathes" (ἐλάται) are the flower-sheaths of the date palm; Aquila is the second-century Greek translator. The bride's rejection of "Jewish or heretical" communion is translated as written.
  • Quoted or alluded to: Phil 3:12–13; John 15:1; Ps 23:5 (LXX 22:5); Song 2:3, 5; 2 Cor 12:4; Matt 8:20.

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): 1 ῬΑ). σοὶ, 12. πὶ ΡΏΠΙρΡρ. μι, 15, 1}. δ Ρφη}. αι! ὅ. 9. 1] (ογ. → ; οο]. 5 καί, (οά. → ; θήλεσι ( ἐχείνων → θήλεσι ἐχείνων; ἀληθινὴ δ᾽ ἄμπελος → ἀληθινὴ ἄμπελος; χα, ἅ. "8 τοιγαροῦν. ἈΠ οδῖ ἃ → ; δέ. ἡ. δὲ τά, (οή. τό, «εἰχίου → τειχίου; παρὰ Α τοῦ → παρὰ τοῦ; ἀπολαύειν δ΄, → ἀπολαύειν..

Topics: Heresy

Cite (SBL): Theodoret, Comm. Cant. 7.8 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/7-8). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.

7.11PG 81

ια', τῷ’, ιγ΄. ᾿Ε.ϑὲ, ἀδειςιδέ μου, καὶ ἐξέλθωμεν εἷς ἀγρὸν, αὐ«τσγῶμεν ἐν κώμαις. ᾿Ορϑρίσωμεν εἰς ἀμπελῶνας, ἴδωμεν εἰ ἤνθησεν. ἡ ἄμπειλος, ἢ " ἤνθησεν ὁ κυπρισμὲς δ᾽, εἰ ἤγθησαν αἱ ῥοαί. Ἐκεῖ δώσω τοὺς μαστούς μού " σοι. Οἱ μαγδρωγόραι ἔδωκαν ἐσμὴν. καὶ ἐπὶ θύραις ἡμῶν πάντα ἀκρόδρυα "' γέα πρὸς παλαιὰ, ὅσα "" ἐδωκέ μοι ἡ μήτηρ μου, ἀδελφιδέ μου, ἐτήρησά σοι. Προπρέπει τὸν νυμφίον ἡ νύμφη. καὶ τῶν εὐτελῶν ἔτι καὶ ταπεινῶν φροντίσαι ψυχῶν, ἃς τροπικῶς ἀγρὸν καὶ κώμας ὀνομάζει, ὡς ταπεινὰς καὶ μικράς. Οὐ γὰρ λέγει, ἐξέλθωμεν εἰς πόλιν, ἀλλ᾽, « ἐξέλθωμεν εἰς ἀγρὸν, αὐλισθῶμεν ἐν κώμαις, ὀρθρίσωμεν εἰς ἀμπελῶνας, ἴδωμεν εἰ ἤνθησεν ἡ ἄμπελος. » Ἐπισχεψώμεθα, φησὶ, τοὺς ἄρτι τὸ χέρνγμα δεξαμένους" « εἰ ἔνθησεν ὁ χυπρισμός.» Ἴδωμεν καὶ τούτους ἀμείνους, οἴτινες οὗ μόνον φύλλα, ἀλλὰ καὶ αὐτὸ τὸ ἄνθο; ἐδλά- « εἰ ἤνθησαν αἱ ῥοαί" ν εἰ γέγονε, φησὶν, ἔν τισιν ἀγάπης ἀρχὴ. Χρὴ γὰρ ἡμᾶς περινουτῆσαι, καὶ Τοῦτο γὰρ ποιοῦσα σε θεραπεύσω" « ἐκεῖ, φησὶ, ξώτω τοὺς μαστούς μού οι. ν Οἰκειοῦσαι γὰρ τὰ εἰς ξχείνους γιγνόμενα, καὶ λέγεις᾽ ε Ἔφ᾽ ὅσον ἐποιήσατε δὰ τῶν μικρῶν τῶν ἐλαχίστων, ἐμοὶ μανδραγόραι ἔδωκαν ὀσμήν. ν Ὕπνον οἶδεν ἐμποιεῖν ὁ μανδραγόρας, ὡς ἰατρῶν παῖδές φασιν. Ἐπειδὴ τοίυυν «νεκροῦν τὰ μέλη τὰ ἐπὶ τῆς γῖ,ς) προστετάγμεθα, οὐκ ἵνα αὑτὰ τὰ μέλη “5 παραδῶμεν τῷ θανάτῳ, ἀλλ᾽ Ἦν νεκρὰ ταῖ: κακαὶς ἀποφήνωμεν ἐνεργείαις, εἰκότως τὺν φτ τιν" « Οἱ μανδραγόραι ἔδωκαν ὁτμῆν" ν ἀντὶ τοῦ, ἤρξαντο καθεύδειν ταῖς ἁμαρτίαις οἱ ἄνθρωποι" καὶ καθάπερ οἱ μανδραγόραν πεπωχότες οὐκ αἰσθάνονται τῶν τοῦ σώματος χινηλάτων" οὕτως οἱ τῆς τὰ πάθη χοιμίζειν σπουκαὶ ὀδοῦσί μου, » ἵνα τὰ μὲν προτέρω, τὰ ὃς φυλάττω" ἀλλὰ καὶ ἐπὶ θύραις ἡμῶν πάντα τὰ ἀχρέδρυα. Πᾶν γὰρ εἶδο; καρποφοροῦσιν οἱ τὴν ἡμετέραν διδασκαλίαν δεξάμενοι. Ἐγὼ δὲ νέα πρὸς παλαιὰ, ὅσα ἔδωκέ μοι ἣ μήτηρ μον, ἐτήρησά σοι, ἀδελφιδέ μον. Καὶ γὰρ τῆς Παλαιᾶς Διαθέκῃς τὰς ἐντολὰς, καὶ τῆς Καινῆς Διαθήκῆς τὰς ὑποθήκας, ἃς ὑπὸ τῆς μητρός μου, τῖςς τοῦ Πνεύματος χάριτος ἐδεξάμην, ταύτας σοι τετήρηκα, καὶ τὴν παρακαταθήκην ἄσυλον διεφύλαξα. Τούτοις ἔοικε τὰ ὑπὸ τοῦ μακαρίου Παύλου Τιμοθέῳ γραφέντα’ « Τὸν χαλὸν ἀγῶνα ἡγώνιομαι, τὸν δρόμον τετέλεκα, τὴν πίστιν τετήρηκα᾽ λοιπὸν ἀπόκειταί μοι ὁ τῆς δικαιοσύνης στέφανος, ὃν ἀποδώσει μοι Κύριος ἐν ἐκείνῃ τῇ ἡμέρᾳ, ὁ δίκαιος κριτής.» Καὶ πάλεν τὸ ἐν Εὐαγγελίῳ “1 ὑπὸ τοῦ Κυρίου εἰρημένον, ὅτι « Πᾶς γραμματεὺς μαθητενθεὶς τὴν βασιλείαν τῶν οὐρανῶν, ὅμοιός ἐστιν ἀνθρώπῳ ἐχδάλλοντι ἐκ τοῦ θησαυροῦ αὑτοῦ νέα καὶ παλαιά 48.»

ia', tǭ’, ig΄. ᾿E.ϑe, adeiside mou, kai exelthōmen heis agron, au«tsgōmen en kōmais. ᾿Orϑrisōmen eis ampelōnas, idōmen ei ēnthēsen. hē ampeilos, ē " ēnthēsen ho kyprismes d᾽, ei ēgthēsan hai rhoai. Ekei dōsō tous mastous mou " soi. Hoi magdrōgorai edōkan esmēn. kai epi thyrais hēmōn panta akrodrya "' gea pros palaia, hosa "" edōke moi hē mētēr mou, adelphide mou, etērēsa soi. Proprepei ton nymphion hē nymphē. kai tōn eutelōn eti kai tapeinōn phrontisai psychōn, has tropikōs agron kai kōmas onomazei, hōs tapeinas kai mikras. Ou gar legei, exelthōmen eis polin, all᾽, « exelthōmen eis agron, aulisthōmen en kōmais, orthrisōmen eis ampelōnas, idōmen ei ēnthēsen hē ampelos. » Epischepsōmetha, phēsi, tous arti to cherngma dexamenous" « ei enthēsen ho chyprismos.» Idōmen kai toutous ameinous, oitines hou monon phylla, alla kai auto to antho? edla- « ei ēnthēsan hai rhoai" n ei gegone, phēsin, en tisin agapēs archē. Chrē gar hēmas perinoutēsai, kai Touto gar poiousa se therapeusō" « ekei, phēsi, xōtō tous mastous mou oi. n Oikeiousai gar ta eis xcheinous gignomena, kai legeis᾽ e Eph᾽ hoson epoiēsate da tōn mikrōn tōn elachistōn, emoi mandragorai edōkan osmēn. n Hypnon oiden empoiein ho mandragoras, hōs iatrōn paides phasin. Epeidē toiyyn «nekroun ta melē ta epi tēs gi,s) prostetagmetha, ouk hina hauta ta melē “5 paradōmen tǭ thanatǭ, all᾽ Ēn nekra tai: kakais apophēnōmen energeiais, eikotōs tyn pht tin" « Hoi mandragorai edōkan hotmēn" n anti tou, ērxanto katheudein tais hamartiais hoi anthrōpoi" kai kathaper hoi mandragoran pepōchotes ouk aisthanontai tōn tou sōmatos chinēlatōn" houtōs hoi tēs ta pathē choimizein spoukai odousi mou, » hina ta men proterō, ta hos phylattō" alla kai epi thyrais hēmōn panta ta achredrya. Pan gar eido? karpophorousin hoi tēn hēmeteran didaskalian dexamenoi. Egō de nea pros palaia, hosa edōke moi hē mētēr mon, etērēsa soi, adelphide mon. Kai gar tēs Palaias Diathekę̄s tas entolas, kai tēs Kainēs Diathēkēs tas hypothēkas, has hypo tēs mētros mou, tiss tou Pneumatos charitos edexamēn, tautas soi tetērēka, kai tēn parakatathēkēn asylon diephylaxa. Toutois eoike ta hypo tou makariou Paulou Timotheǭ graphenta’ « Ton chalon agōna hēgōniomai, ton dromon teteleka, tēn pistin tetērēka᾽ loipon apokeitai moi ho tēs dikaiosynēs stephanos, hon apodōsei moi Kyrios en ekeinę̄ tę̄ hēmerą, ho dikaios kritēs.» Kai palen to en Euangeliǭ “1 hypo tou Kyriou eirēmenon, hoti « Pas grammateus mathētentheis tēn basileian tōn ouranōn, homoios estin anthrōpǭ echdallonti ek tou thēsaurou hautou nea kai palaia 48.»

11–13. "Come, my kinsman, let us go out into the field, let us lodge in the villages. 12. Let us rise early to the vineyards; let us see whether the vine has blossomed, whether the blossom has appeared, whether the pomegranates have blossomed. There I will give you my breasts. 13. The mandrakes have given fragrance, and at our doors are all fruits, new with old, which my mother gave me; my kinsman, I have kept them for you." The bride urges the bridegroom to take thought also for the souls that are still paltry and lowly, which she figuratively calls field and villages, as lowly and small. For she does not say, Let us go out into the city, but "Let us go out into the field, let us lodge in the villages, let us rise early to the vineyards, let us see whether the vine has blossomed." Let us visit, she says, those who have just received the preaching; "whether the blossom has appeared": let us see these too, who are better, who have put forth not only leaves but the blossom itself; "whether the pomegranates have blossomed": whether, she says, there has come about in some a beginning of love. For we must go about … For by doing this I will serve you: "There," she says, "I will give you my breasts." For you make your own what is done to them, and say: "Inasmuch as you did it to one of the least, you did it to me." "The mandrakes have given fragrance." The mandrake is known to induce sleep, as the sons of the physicians say. Since, then, we have been commanded "to put to death the members that are on the earth," not so that we may hand over the members themselves to death but so that we may render them dead to evil activities, she fittingly … says: "The mandrakes have given fragrance," that is, men have begun to sleep to their sins; and as those who have drunk mandrake do not feel the movements of the body, so those who … are eager to put the passions to sleep … "and my teeth," so that some things I bring forward and others I guard … "but also at our doors are all fruits." For those who have received our teaching bear fruit of every kind. "And I have kept for you, my kinsman, new with old, all that my mother gave me." For the commandments of the Old Covenant and the precepts of the New Covenant, which I received from my mother, the grace of the Spirit, these I have kept for you, and I have guarded the deposit inviolate. Like this is what the blessed Paul wrote to Timothy: "I have fought the good fight, I have finished the race, I have kept the faith; henceforth there is laid up for me the crown of righteousness, which the Lord, the righteous judge, will award me on that day." And again what was said by the Lord in the Gospel: "Every scribe trained for the kingdom of heaven is like a man who brings out of his treasure new and old."

Textual problem in this passage: see the notes.

Song 7:11–13 (7:12-Song LXX) (quotation, high confidence) · Matt 25:40 (quotation, high confidence) · Col 3:5 (quotation, high confidence) · 1 Tim 6:20 (allusion, medium confidence) · 2 Tim 4:7–8 (quotation, high confidence) · Matt 13:52 (quotation, high confidence)

Notes and citation

Summary: The bride asks the bridegroom to go with her to the field and villages, the lowly souls, to see who has begun to bear fruit; the mandrakes are souls asleep to sin, and the new and old fruits are the precepts of the two covenants she has kept.

  • Lemmas: Song 7:11–13 (7:12–14 in the Septuagint; the lemma adds "which my mother gave me" from 8:1–2). Lines are lost in the scan where marked …; a stray line repeating the comment on 7:9 ("my teeth, so that some things I bring forward and others I guard") stands in the scan text and is translated where it stands.
  • Quoted or alluded to: Matt 25:40; Col 3:5; 1 Tim 6:20; 2 Tim 4:7–8; Matt 13:52.

Notes on the original text

  • Digital text corrected (Latin column debris and Migne's footnotes; Latin column debris, marginal numbers and Migne's footnotes): μανδοαγόραν ἐνταῦθα τἐἼειχε, χα! → ; εὐσεθοὺῦς διδασκαλῖας ἐχπίνηοντες τὴν χύλιχα, → ; 4. 4 εἰ ἀοιμίθα8. πιο 18, γ) → ; ὁ)μ8. {Π] πίη πμδίρβϑιν Δ ἰἰχί, → ; τοσίαθ, οἱ δάο! ομᾶπο, → ; (οἴ18, 50} οἰϊδιν « ἃ) δυγαύγ! τνῖα → ; ξορίιμ [1 μοῦ 5. αἱ 6 πον 504. αἱ πιοτίμ 108}15. → ; Ἐπισχε- α ψώμεθα → Ἐπισχεψώμεθα; ἐκεῖ 4, φησὶ → ἐκεῖ, φησὶ; γιγνόμενα δ᾽, → γιγνόμενα,; σπου- » δώ. κιν, → σπου; υἱ καὶ ὀδοῦσί → καὶ ὀδοῦσί; οἱ Αἰ οι ΟΊ Θ αι νοεῖ. Ομ "ηυ}τ8. ᾿ιὰ οι σοπουθ πα, εὐ → ; ἴμ Ὁ 15. Ἡ απ διγσαμιμς αὐ πα. πε ὶ πιαιθν πιεα, πόρος πιΐ, δοτυαιὶ εἰδὲ. ϑροπϑιπὴ εἱ δἱ ν ἢ} 88 ἢὺ εἰ πιο ον 5 ἰδίου, 4} ποι δου. → ; ρυ πο, » Δῃ αἰναν αι 5, ἴμ.- 651, αἱ πιού οὶ → ; ἃς ΠΟ π να 5. το ἀμλι8, Π πε 8 δόντα ἐπ 40οἱ ἀε « Ῥιὸν νϑίας ϑρί γί, εἱ → ; παρακαταθήκην δ᾽ ἄσυλον → παρακαταθήκην ἄσυλον.

Topics: Scripture and canon

Cite (SBL): Theodoret, Comm. Cant. 7.11 (PG 81; trans. Sophia Scriptura, https://sophiascriptura.com/p/theodoret-interpretatio-canticum/7-11). (abbreviation not yet checked)

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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 81 (archive.org OCR); no public-domain or FOTC English exists, so each batch was re-read against the Greek.