Fragments on the Song of Songs 4–8
Authorship disputed: Greek scholia on the Song of Songs printed by Migne under Origen's name from the catena of Procopius of Gaza and others; the attribution is uncertain and Migne's text is a catena mixture.
Greek text: PG 17 (Greek text: Migne, PG 17; OCR from the Internet Archive).English: Claude (claude-opus-5-5), public domain (CC0).
Chapter 4
4PG 17
Ὁδόγτες σου ὡς ἀγέ.λαι τῶν κεκαρμένων αἴ ἀνέδησαν ἀπὸ τοῦ λουτροῦʼ αἱ πᾶσαι διδυμεύουσαι, καὶ ἀτεχγοῦσω οὖλχ ἔστιν ἐν αὑταῖς. Διδυμεύουσαι δὲ ἄλλως, διὰ τὸ διττὸν τῆς νοήσεως τῆς τερητῆς (6) καὶ πνευματιχῆς. Ὡς σπαρτίον τὸ κόκκινον χείλη σοῦ, καὶ ἡ.α.λιά ἬἭνγουν ἔστω διάπυρος ἡ τοῦ λόγου παρασχευὴ ὡς Ἰερδῆσαι τὸν ἀκροατὴν δυναμένη, ἣ χαὶ τὸ ἔναιμον χαὶ ζωτικὸν δηλοῖ τῶν διὰ τοῦ χείλους ἐξιόντων ῥημάτων, οἰωνεὶ βαπτομένων ἐν τῇ ἀληθινῇ πόσει τοῦ αἵματος τοῦ Χριστοῦ. Προστίθησι τῷ τῆς σωφροσύνης ἐπαίνῳ, τὸν ἀπὸ τῆς σιωπῆς ἐπισταμένης τῆς νύμφης χαιροὺς λαλιᾶς ὡραίας καὶ ἐπαινουμένης σιγῆς χαὶ ἐπεὶ πιστὸς πνοῇ κρύπτει πράγματα χαὶ ἡ νύμφη ἐν τῷ βάθει κρύπτει τὰ θεωρήματα τοὺς οἱονεὶ χόχχους τῆς ῥόας ἔχαστος ἐν τῷ ἰδίῳ τάγματι σεσωματοποιημένον ἐν τῷ ἡγεμο: γιχῷʼ διὸ ἐπήγαγεν: ᾿Εκτὸς τῆς σιωπήσεώς σουʼ δηλῶν τὰ σιωπώμενα δόγματα ὡς χόχχους ῥόας ὑπὸ τὸ Ὡς πύργος Δαυῖδ τράχη.ϊός σου, ὁ ᾧχοδομημένος ὃν Θαιλπιώθʼ χίλιοι θυρεοὶ κρέμανται ἐπʼ αὐτὸν, πᾶσαι βοιλίδες τῶν δυνατῶν. ᾿Ακύλας τὸ Θαιϊπιὼθ ἐπάλξεις ἐχδέδωχεν ὃ δὲ Σύμμαχος, ὕψη ᾧ ἀχολουθεῖ τὸν ὑπὲρ τὰς ἐπάλξεις πύργον εἶναι τὴν σοφίαν, ἧς ὁμοίως ἤρτηνται θυρεοῦ μὲν τὰ πεπιστευμένα δόγματα, ἅπερ εἶπεν ἑνικῶς ὁ ᾿Ἀπόστολος θυρεὸν πίστεως βοιλίδος δὲ τῶν δυνατῶν, οἱ δυνατῶς ἀνατρέποντες λόγοι τῶν ἐναντίων τῆς ἀληθείας τὴν πιθανότηταʼ ἀντὶ δὲ τοῦ ἐπά,ἴξεις, ἐντολὰς ἐχδέδωχεν ἡ πέμπτη ἔχδοσις, τὸν νοῦν. μᾶλ λον ἣ τὴν λέξιν ἑρμηνεύουσαʼ μὴ προαποχειμένων γὰρ: ἐντολῶν, οἰχοδημηθῆναι τὴν ἀψευδῆ γνῶσιν ἀδύνατον. Δύο μαστοί σου, ὡς δύο νγεδροὶ δίδυμοι δορχάδος οἱ γεμόμεονοι ἐν τοῖς κρίνοις, ἕως οὗ διαπνεύσῃ ἡ ἡμέρα καὶ κινηθῶσιν αἱ σκιαί. … νεμομένοις ἐν ὡραίοις τόποις χαὶ εὐώδεσι σημαίνων τά τε νοητὰ χαὶ αἰσθητά νεδροὺς δὲ, ἐπειδὴ νῦν ἐχ μέρους γινώσχομενʼ ὅταν δὲ τὸ τέλειον ἔλθη, καταργοῦμεν τὴν νηπιότηταʼ ὅταν ὁ καύσων τοῦ παρόντος βίου παύσηται, καὶ χαιρὸς τῆς ἀναψύξεως ἐπιστῇ, λυομένης χαὶ τῆς σχιᾶς σχιὰ γάρ ἐστιν ὁ παρὼν βίος τότε γὰρ ὡς τέλειοι, ἀλλʼ οὐχ ὡς νεθροὶ νεμὴθησόμεθα. δίωσας ἡμᾶς ἐνὶ ἀπὸ ὀφθαλμῶν σου, ἐν μιᾷ ἂνΤὸ ἔνθεμα εἴρηται παρὰ τὸ ἐντίθεσθαι χαὶ ἑνορμᾶσθαι τῷ τραχήλῳ τῆς νύμφης εἰ δὲ ὡς δύο νεδροὶ Ὦ δορχάδος ἔμειναν οἱ μαστοὶ τῆς νύμφης, τὸ τί ἐχα.1λιώθησαν; οὐκ ἂν ἐῤῥέθη θαυμαστικῶς͵ περὶ τοῦ, ὡς ἔφην, διανοητικοῦ, ἀλλὰ χαὶ τὸ διπλοῦν τοῦ θαύματος, τὴν αὔξησιν τοῦ χάλλους ὑπέδειξεν ὁποῖον τὸ ἐκαρδίωσας ἐκ δευτέρου ῥηθένʼ ἱμάτια δὲ τῆς νύμφης, οἱ ἐνδεδυμένοι Χριστὸν ᾿Ιησοῦν, σπιλάγχνα οἰκτιρμῶν χαὶ χρηστότητα χαὶ ταπεινοφροσύνην χείλη δὲ. οἱ διδάσχαλοι χαὶ κηρία μέλιτος λόγοι καλοί εἰργάσαντο δὲ χηρίον χαὶ μέλι προφῆται. χαὶ ἀπόστοχλαι, Κῆκπος. κεκλεισμένος, ἀδελφή μου νύμφη κῆπος Δεύτερον, τὸ κῆπος κεχιδισμένος ἐῤῥέθη, τὸ μὲν ἐπὶ προκόπτοντος, τὸ δὲ ἐπὶ τελείον. ὅτε. τὸ. ἦγεβθ ἘΚΡ] τετύπωται ἣ χαὶ νῦν μὲν ἡ νύμφη κῆπός ἐστιν χεκιϊεισμένος μόνον, ἐν δὲ τῷ μέλλοντι αἰῶνι διὰ τὴν τελειότητα χαὶ τὸ βέδαιον, καὶ πηγή ἐστιν ἔσφραγισμένη. Παντὶ γὰρ τῷ ἔχοντι δοθήσεται καὶ περισσευθήσεται νῦν μὲν οὖν ἡ Γραφὴ χῇπον εἶναι ἀπλῶς ἀλλαχοῦ δὲ ὡς περὶ ἑτέρου, χαὶ τὸ :αχαγείως προστίθησιν. Ἔοικεν ἐπιτιμᾷν ἡ νύμφη τῷ Βοῤῥέᾳ, τὴν ἐξουσίαν λαδοῦσα παρὰ τοῦ ἐπιτιμήσαντος τῷ ἀνέμῳ νυμφίου διὸ παρὰ τοῖς τρισὶν εὐαγγελισταῖς ἐπιτιμηθῆναι τῷ ἀνέμῳ εἴρηται οἱ δὲ ἄνεμοι ἀπιῶς ὑπακούουσιν αὐτῷ Χριστὸς οὖν ἐξωθουμένους τοῦ διαβόλου, εἰδοιχίζεται ταῖς ψυχαῖς περὶ οὗ τὸ, ὁ Θεὸς ἀπὸ Θαιμὰν Β ξει, τουτέστιν ἐχ Νότου. Αγοιξόν μοι, ἀδειφρὴ μου, κι1ησίον μου, περιστερά μου, τε.ϊεία μου, ὅτι ἡ κεφρα.1ἠ μου ἐπλήσθη δρόσου, καὶ οἱ βόύστρυχοί μου ΨῬεχάδων γυχεός. ᾿Αναγχαίως ἡ τοῦ μοί προσθήχη τοῦ ἄγοιξον ἔστι γὰρ καὶ ἀντικειμέναις δυνάμεσιν ἀνοῖξαι ὡς περὶ ὀχληρᾶς δὲ τῆς δρόσου λέγειν δοχεῖ, ὡς 'χαὶ περὶ τῶν τῆς νυχτὸς ψΨεχάδωνʼ ἀνάπαυλαν γὰρ ἔοιχεν ἀπὸ τούτων ἐπιζητεῖν. ᾿Ακόλουθα ταῦτα τοῖς πρώτοις μετὰ γὰρ τὴν ἀνάστασιν εἰσῆλθε τῶν θυρῶν χεχλεισμένωνʼ χαὶ χαλεῖ τὸν Θωμᾶν, χαὶ διʼ αὐτοῦ πᾶσαν ἄπιστον ψυχὰν, ἀνοῖξαι τὴν ἰδίαν χαρδίαν καὶ τὴν τῆς ἀναστάσεως χωρῆσαι πληροφορίαν χαλεῖ δὲ αὐτὸν τελείαν εἰπόντα, ὁ Κύριός μου καὶ ὁ Θεός μου ἡ δρόσος δὲ δηλοῖ τὴν χατὰ τὸν ὄρθρον ἀνάστασιν, ὅτε χάτειόσι δρόσος. Ἀδειριδός μου παρῆ.10ε: ψυχή μου ἐξῆν ἐν ιόγῳ αὐτοῦ. Ἡνίχα ἔφθασεν ἣ νύμφη τὸ χλεῖθρον, ὥστε τὴν Ψυχὴν ἀναπετάσαι τῷ λόγῳ, τότε μόνην.τὴν χεῖρα χαΐ τινας ἑαυτοῦ δείξας πράξεις παρελήλυθεν, ὡς μηδέπω τὸ πλέον εἰς θέαν χωρούσης τῆς νύμφης ἅμα δὲ χαὶ οἰχονομεῖ πλέον αὐτῆς ἐπιτεῖναι τὸν ἔρωτα ἐξέρχεται! χαὶ ἐκδημεῖ τοῦ σώματος ἡ Ψυχὴ διὰ τὸν τοῦ νυμφίου λόγον ἔχουδα ἐν οὐρανῷ τὸ πολίἘζήτησα αὑτὸν, καὶ οὐχ εὗρον ἐχάλεσα αὑτὸν χαὶ οὐχ ὑπήκουσέ μου. Συνεχῶς ἡ Ψυχὴ τὸν νυμφίον λόγον ξΣπιζητεῖ χαὶ εὑροῦσά πάλιν ἑτέροις ἀποροῦσα ζητεῖ χἀκεῖνα θεωρήσασα ποθεῖ τὴν ἑτέρων ἀποχάλυψινʼ χαὶ τυχοῦσα τούτων, ἐπʼ ἄλλοις εὔχεται τὸν νυμφίον ἑπιγος ἀπὸ μυριάδων. Ἢ λευκὸς ἐπειδὴ ὁ Θεὸς ἀληθινὸς, πιῤῥὸς δὲ διὰ τὴν σάρκωσιν. Κεφαλὴ αὐτοῦ χρυσίον κεράζʼ βόστ, Οἱ βόστρυχοι διὰ τὴν πνχνότητα παραθδάλλονται ταῖς τῶν φοινίχων ἐλάταις, ἅς φασιν ἀντὶ σπέρματος εἶναι ταῖς θηλείαις φοίνιξιν, ὥστε καρπὸν φέρειν … ἀντὶ τριχῶν λογισμῶν, μέλανες ἐπαινετῶς ὀνομάξονται, τῷ τοῦ νυμφίου συμδαλλόμενοι χάλλει τὸ δὲ ὡς κόραξ, οὐχ ἁπλῶς οἶμαι διὰ τὸ χρῶμα: σύμόολον δὲ τῶν βαθυτάτων εἶναι χαὶ πεπληρωμένων σκοτεινοῦ ὕδατος ἐν νεφέλαις ἀέρων περὶ ὧν εἶπεν ὁ Ἰώδʼ Τίς δὲ ἡτοίμασε κόρακι βοράν; γεοσσοὶ δὲ αὑτοῦ πρὸς Κύριον χεκράζογνται ἡτοίμασε γὰρ τοῖς βαθυτέροις τὸν νοῦν, πολλὴν τροφὴν ὁ Θεὸς, ὧν οἱ μαθηταὶ νεοσσοὶ εὐχαῖς σχολάξοντες, πρὸς Κύριον χεχράγατσιν πλανώμενοι χαὶ ζητοῦντες τὰ ἐν αὐτοῖς ἐπαπορουμένοις ὑπʼ αὐτῶν τιτά. Σιαγόγες αὑτοῦ ὡς φιάϊζαι τοῦ ἀρώματος, φύουσαι Σιαγόνας Χριστοῦ τοὺς διακονουμένους λόγῳ θεοῦ χαὶ τροφῇ πνευματιχῇ νοητέονʼ διὰ μὲν τὴν πληρότητα τῆς εὐωδία; τῶν χαλῶν ἔργων χαὶ λόγων, ἔοιχότας φιάλαις τοῦ ἀρώματος διὰ δὲ τὸ ἐῤῥιζωμένον ἐν αὐταῖς ποιχίλον ἐν πάσῃ συνθέσει γραφῆς λόγον ἀεὶ Κοιλία αὐτοῦ πυξίον ἐ.εςάντινον, ἐπὶ λίθου σαπΚοιλία ἐστὶ τοῦ λόγου, οἱ χωρττιχοὶ τῶν μυστηρίων, τουτέστιν οἱ χοῖλοι πρὸς ὑποδοχήν πυξίον δὲ, οἱ πρὸς διατήρησιν ἐπιτήδειοι χατὰ δὲ τὸ λαμπρὸν χαὶ σαφὲ; ἐλεφάντινον εἶναι λέγεται ἡ δὲ τοιαύτη χοιλία, τὸ πύξιον τὸ ἐλεφάντινον, ἐπιδέδλτχε λίθῳ σαπφείρῳ, ὅς ἐστι Χριστός ὅσοι οὖν εἰσι χοιλία τοῦ λόγου, οὗτοι ἀπὸ τοῦ φόδου Κύριον ἐν γαστρὶ λαμδάνουσι, χαὶ τίκτουσι πνεῦμα σωτηρίας διὰ τοῦτο χαὶ ἡ χοιλία τῆς θυσίας ἐν τῷ Λευιτικῷ πλύνεται, ὡς μηδὲν ἔχειν χοπρῶδες.
Hodogtes sou hōs age.lai tōn kekarmenōn ai anedēsan apo tou loutrouʼ hai pasai didymeuousai, kai atechgousō oulch estin en hautais. Didymeuousai de allōs, dia to ditton tēs noēseōs tēs terētēs (6) kai pneumatichēs. Hōs spartion to kokkinon cheilē sou, kai hē.a.lia HēĒngoun estō diapyros hē tou logou parascheuē hōs Ierdēsai ton akroatēn dynamenē, hē chai to enaimon chai zōtikon dēloi tōn dia tou cheilous exiontōn rhēmatōn, oiōnei baptomenōn en tę̄ alēthinę̄ posei tou haimatos tou Christou. Prostithēsi tǭ tēs sōphrosynēs epainǭ, ton apo tēs siōpēs epistamenēs tēs nymphēs chairous lalias hōraias kai epainoumenēs sigēs chai epei pistos pnoę̄ kryptei pragmata chai hē nymphē en tǭ bathei kryptei ta theōrēmata tous hoionei chochchous tēs rhoas echastos en tǭ idiǭ tagmati sesōmatopoiēmenon en tǭ hēgemo: gichǭʼ dio epēgagen: ᾿Ektos tēs siōpēseōs souʼ dēlōn ta siōpōmena dogmata hōs chochchous rhoas hypo to Hōs pyrgos Dauid trachē.ïos sou, ho hǭchodomēmenos hon Thailpiōthʼ chilioi thyreoi kremantai epʼ auton, pasai boilides tōn dynatōn. ᾿Akylas to Thaiïpiōth epalxeis echdedōchen ho de Symmachos, hypsē hǭ acholouthei ton hyper tas epalxeis pyrgon einai tēn sophian, hēs homoiōs ērtēntai thyreou men ta pepisteumena dogmata, haper eipen henikōs ho ᾿Apostolos thyreon pisteōs boilidos de tōn dynatōn, hoi dynatōs anatrepontes logoi tōn enantiōn tēs alētheias tēn pithanotētaʼ anti de tou epa,ixeis, entolas echdedōchen hē pemptē echdosis, ton noun. mal lon hē tēn lexin hermēneuousaʼ mē proapocheimenōn gar: entolōn, oichodēmēthēnai tēn apseudē gnōsin adynaton. Dyo mastoi sou, hōs dyo ngedroi didymoi dorchados hoi gemomeonoi en tois krinois, heōs hou diapneusę̄ hē hēmera kai kinēthōsin hai skiai. … nemomenois en hōraiois topois chai euōdesi sēmainōn ta te noēta chai aisthēta nedrous de, epeidē nyn ech merous ginōschomenʼ hotan de to teleion elthē, katargoumen tēn nēpiotētaʼ hotan ho kausōn tou parontos biou pausētai, kai chairos tēs anapsyxeōs epistę̄, lyomenēs chai tēs schias schia gar estin ho parōn bios tote gar hōs teleioi, allʼ ouch hōs nethroi nemēthēsometha. diōsas hēmas eni apo ophthalmōn sou, en mią anTo enthema eirētai para to entithesthai chai henormasthai tǭ trachēlǭ tēs nymphēs ei de hōs dyo nedroi Ō dorchados emeinan hoi mastoi tēs nymphēs, to ti echa.1liōthēsan? ouk an errhethē thaumastikōs͵ peri tou, hōs ephēn, dianoētikou, alla chai to diploun tou thaumatos, tēn auxēsin tou challous hypedeixen hopoion to ekardiōsas ek deuterou rhēthenʼ himatia de tēs nymphēs, hoi endedymenoi Christon ᾿Iēsoun, spilanchna oiktirmōn chai chrēstotēta chai tapeinophrosynēn cheilē de. hoi didaschaloi chai kēria melitos logoi kaloi eirgasanto de chērion chai meli prophētai. chai apostochlai, Kēkpos. kekleismenos, adelphē mou nymphē kēpos Deuteron, to kēpos kechidismenos errhethē, to men epi prokoptontos, to de epi teleion. hote. to. ēgebth EKR] tetypōtai hē chai nyn men hē nymphē kēpos estin chekiïeismenos monon, en de tǭ mellonti aiōni dia tēn teleiotēta chai to bedaion, kai pēgē estin esphragismenē. Panti gar tǭ echonti dothēsetai kai perisseuthēsetai nyn men oun hē Graphē chę̄pon einai aplōs allachou de hōs peri heterou, chai to :achageiōs prostithēsin. Eoiken epitimąn hē nymphē tǭ Borrheą, tēn exousian ladousa para tou epitimēsantos tǭ anemǭ nymphiou dio para tois trisin euangelistais epitimēthēnai tǭ anemǭ eirētai hoi de anemoi apiōs hypakouousin autǭ Christos oun exōthoumenous tou diabolou, eidoichizetai tais psychais peri hou to, ho Theos apo Thaiman B xei, toutestin ech Notou. Agoixon moi, adeiphrē mou, ki1ēsion mou, peristera mou, te.ïeia mou, hoti hē kephra.1ē mou eplēsthē drosou, kai hoi boustrychoi mou PsRhechadōn gycheos. ᾿Ananchaiōs hē tou moi prosthēchē tou agoixon esti gar kai antikeimenais dynamesin anoixai hōs peri ochlēras de tēs drosou legein dochei, hōs 'chai peri tōn tēs nychtos psPsechadōnʼ anapaulan gar eoichen apo toutōn epizētein. ᾿Akoloutha tauta tois prōtois meta gar tēn anastasin eisēlthe tōn thyrōn chechleismenōnʼ chai chalei ton Thōman, chai diʼ autou pasan apiston psychan, anoixai tēn idian chardian kai tēn tēs anastaseōs chōrēsai plērophorian chalei de auton teleian eiponta, ho Kyrios mou kai ho Theos mou hē drosos de dēloi tēn chata ton orthron anastasin, hote chateiosi drosos. Adeiridos mou parē.10e: psychē mou exēn en iogǭ autou. Hēnicha ephthasen hē nymphē to chleithron, hōste tēn Psychēn anapetasai tǭ logǭ, tote monēn.tēn cheira chaï tinas heautou deixas praxeis parelēlythen, hōs mēdepō to pleon eis thean chōrousēs tēs nymphēs hama de chai oichonomei pleon autēs epiteinai ton erōta exerchetai! chai ekdēmei tou sōmatos hē Psychē dia ton tou nymphiou logon echouda en ouranǭ to poliEzētēsa hauton, kai ouch heuron echalesa hauton chai ouch hypēkouse mou. Synechōs hē Psychē ton nymphion logon xSpizētei chai heurousa palin heterois aporousa zētei chakeina theōrēsasa pothei tēn heterōn apochalypsinʼ chai tychousa toutōn, epʼ allois euchetai ton nymphion hepigos apo myriadōn. Ē leukos epeidē ho Theos alēthinos, pirrhos de dia tēn sarkōsin. Kephalē autou chrysion kerazʼ bost, Hoi bostrychoi dia tēn pnchnotēta parathdallontai tais tōn phoinichōn elatais, has phasin anti spermatos einai tais thēleiais phoinixin, hōste karpon pherein … anti trichōn logismōn, melanes epainetōs onomaxontai, tǭ tou nymphiou symdallomenoi challei to de hōs korax, ouch haplōs oimai dia to chrōma: symoolon de tōn bathytatōn einai chai peplērōmenōn skoteinou hydatos en nephelais aerōn peri hōn eipen ho Iōdʼ Tis de hētoimase koraki boran? geossoi de hautou pros Kyrion chekrazogntai hētoimase gar tois bathyterois ton noun, pollēn trophēn ho Theos, hōn hoi mathētai neossoi euchais scholaxontes, pros Kyrion chechragatsin planōmenoi chai zētountes ta en autois epaporoumenois hypʼ autōn tita. Siagoges hautou hōs phiaïzai tou arōmatos, phyousai Siagonas Christou tous diakonoumenous logǭ theou chai trophę̄ pneumatichę̄ noēteonʼ dia men tēn plērotēta tēs euōdia? tōn chalōn ergōn chai logōn, eoichotas phialais tou arōmatos dia de to errhizōmenon en autais poichilon en pasę̄ synthesei graphēs logon aei Koilia autou pyxion e.esantinon, epi lithou sapKoilia esti tou logou, hoi chōrttichoi tōn mystēriōn, toutestin hoi choiloi pros hypodochēn pyxion de, hoi pros diatērēsin epitēdeioi chata de to lampron chai saphe? elephantinon einai legetai hē de toiautē choilia, to pyxion to elephantinon, epidedltche lithǭ sappheirǭ, hos esti Christos hosoi oun eisi choilia tou logou, houtoi apo tou phodou Kyrion en gastri lamdanousi, chai tiktousi pneuma sōtērias dia touto chai hē choilia tēs thysias en tǭ Leuitikǭ plynetai, hōs mēden echein choprōdes.
"Your teeth are like flocks of shorn ewes that have come up from the washing, all of them bearing twins, and there is none barren among them." Bearing twins in another sense, because of the twofold understanding, the literal and the spiritual.
"Your lips are like a scarlet thread, and your speech [is lovely]." That is, let the preparation of the word be fiery, so as to be able to set the hearer aflame; or it also indicates that the words coming out through the lips are full of blood and of life, as if dipped in the true drink of the blood of Christ. To the praise of her self-control he adds the praise of the bride, who knows from her silence the seasons for beautiful speech and for praiseworthy silence. And since one who is faithful in spirit hides matters, the bride too hides her contemplations in the depth, like the seeds of the pomegranate, each in its own order, embodied in the ruling mind. Therefore he added, "apart from your silence," indicating the doctrines kept in silence, like the seeds of a pomegranate under the [veil].
"Your neck is like the tower of David, built for Thalpioth; a thousand shields hang upon it, all the darts of the mighty." Aquila rendered Thalpioth "battlements"; Symmachus, "heights." In keeping with this, the tower above the battlements is wisdom, on which there hang, in the same way, shields, that is, the doctrines that are believed, which the Apostle spoke of in the singular as "the shield of faith"; and darts of the mighty, that is, the arguments that mightily overturn the plausibility of those opposed to the truth. Instead of "battlements" the fifth edition rendered "commandments," interpreting the sense rather than the word; for unless commandments have first been laid down, it is impossible for true knowledge to be built up.
"Your two breasts are like two fawns, twins of a gazelle, that feed among the lilies, until the day breathes and the shadows move." … feeding in lovely and fragrant places, signifying both the things of the mind and the things of the senses. "Fawns," because now we know in part; but when the perfect comes, we do away with childishness, when the burning heat of the present life ceases and the time of refreshment arrives, and the shadow too is dissolved; for the present life is a shadow. For then we shall be fed as perfect, and not as fawns.
"You have heartened us with one of your eyes, with one [ornament of your neck]." The ornament is so called from being set upon and fitted to the neck of the bride. But if the bride's breasts had remained like two fawns of a gazelle, "How have they become beautiful?" would not have been said in wonder about the intellectual part, as I said; rather, the doubling of the wonder showed the increase of her beauty, as does "you have heartened" said a second time. The garments of the bride are those who have put on Christ Jesus, compassion, kindness, and humility. Her lips are the teachers, and the honeycombs are good words; prophets and apostles made the honeycomb and the honey.
"A garden enclosed, my sister bride; a garden [enclosed, a fountain sealed]." "Garden enclosed" was said a second time, once of one who is making progress and once of one who is perfect. … Or else: now the bride is only a garden enclosed, but in the age to come, because of her perfection and steadfastness, she is also a sealed fountain. "For to everyone who has, more will be given, and he will have abundance." Now, then, Scripture says simply that she is a garden; but elsewhere, as if of another, it adds … .
The bride seems to rebuke the north wind, having received the authority from the bridegroom, who rebuked the wind; for this reason it is said in the three evangelists that the wind was rebuked, and the winds simply obey him. When the powers of the devil are driven out, Christ then makes his dwelling in the souls; of him it is said, "God will come from Teman," that is, from the south.
"Open to me, my sister, my companion, my dove, my perfect one; for my head is filled with dew, and my locks with the drops of the night." The addition of "to me" to "open" is necessary; for one may also open to the opposing powers. He seems to speak of the dew as troublesome, as also of the drops of the night; for he seems to seek rest from them. These things follow on what came first: for after the resurrection he came in while the doors were shut, and he calls Thomas, and through him every unbelieving soul, to open its own heart and to receive the full assurance of the resurrection; and he calls him perfect when he has said, "My Lord and my God." The dew indicates the resurrection at dawn, when the dew comes down.
"My kinsman passed by; my soul went out at his word." When the bride reached the bolt, so as to open her soul to the Word, then, having shown only his hand and some of his deeds, he passed by, since the bride did not yet have room to behold more; and at the same time he arranges to heighten her love still further. The soul goes out and departs from the body because of the word of the bridegroom, having her citizenship in heaven.
"I sought him, and did not find him; I called him, and he did not hearken to me." The soul seeks the bridegroom Word continually; and having found him, being again at a loss about other things, she seeks; and having contemplated those, she longs for the revelation of others; and having obtained these, she prays to the bridegroom about yet others.
"[My kinsman is white and ruddy, chosen] from ten thousands." … Or white, since he is true God, and ruddy because of the incarnation.
"His head is gold, kephaz; his locks [are fir branches, black as a raven]." The locks, because of their thickness, are compared to the fronds of palm trees, which, they say, serve the female palms in place of seed so that they bear fruit … in place of hairs, thoughts, which are called black in praise when they are compared with the beauty of the bridegroom. And "as a raven," not simply, I think, because of the colour, but as a symbol of the deepest things, filled with dark water in clouds of the air; about which Job said, "Who has prepared food for the raven? Its young cry out to the Lord." For God has prepared much food for those who are deeper in mind, and their disciples, the young ones, devoting themselves to prayers, have cried out to the Lord, wandering and seeking the things in them about which they are perplexed.
"His cheeks are like bowls of spice, putting forth [perfumes]." The cheeks of Christ are to be understood as those who minister the word of God and spiritual food: because of the fullness of the fragrance of good works and words, they are like bowls of spice; and because of the varied word rooted in them, in every arrangement of Scripture, always [putting forth perfumes].
"His belly is an ivory box, upon a sapphire stone." The belly of the Word is those who can contain the mysteries, that is, those who are hollow so as to receive them; the box, those fit to preserve them; and because of its brightness and clearness it is said to be of ivory. Such a belly, the ivory box, has been set upon a sapphire stone, which is Christ. All who are the belly of the Word conceive the Lord in the womb from fear, and give birth to a spirit of salvation. For this reason too the belly of the sacrifice is washed in Leviticus, so as to have nothing filthy.
Song 4:2 (quotation, high confidence) · Song 4:3 (quotation, high confidence) · John 6:55 (allusion, medium confidence) · Eccl 3:7 (allusion, medium confidence) · Prov 11:13 (allusion, medium confidence) · Song 4:4 (quotation, high confidence) · Eph 6:16 (quotation, high confidence) · Song 4:5 (quotation, high confidence) · 1 Cor 13:9 (allusion, high confidence) · 1 Cor 13:11 (allusion, medium confidence) · Acts 3:20 (allusion, medium confidence) · Song 4:9 (quotation, high confidence) · Song 4:10 (quotation, high confidence) · Col 3:12 (allusion, high confidence) · Rom 13:14 (allusion, medium confidence) · Song 4:11 (allusion, high confidence) · Prov 16:24 (allusion, medium confidence) · Song 4:12 (quotation, high confidence) · Matt 25:29 (quotation, high confidence) · Song 4:16 (allusion, high confidence) · Matt 8:26 (allusion, high confidence) · Hab 3:3 (quotation, high confidence) · Song 5:2 (quotation, high confidence) · John 20:26 (allusion, high confidence) · John 20:28 (quotation, high confidence) · Song 5:6 (quotation, high confidence) · 2 Cor 5:8 (allusion, medium confidence) · Phil 3:20 (allusion, medium confidence) · Song 5:10 (quotation, high confidence) · Song 5:11 (quotation, high confidence) · Ps 18:11 (17:12 LXX) (allusion, medium confidence) · Job 38:41 (quotation, high confidence) · Song 5:13 (quotation, high confidence) · Song 5:14 (quotation, high confidence) · Isa 26:18 (allusion, high confidence) · Lev 1:9 (allusion, high confidence)
Notes and citation
Summary: Comments on Song of Songs 4:2–5:14 read the bride's features as the gifts of the church's teachers and the bridegroom's as Christ's, with the call to open read of the risen Christ and Thomas.
- From the catena on the Song in PG 17; the excerpts skip verses, and several lemmas are incomplete (bracketed words supply them). Migne's Latin translation and footnotes are interleaved in the scan (removed by logged corrections); passages lost there are marked "…".
- Quotations: Song 4:2–5; John 6:55; Eccl 3:7; Prov 11:13 (LXX); Eph 6:16; 1 Cor 13:9–11; Acts 3:20; Song 4:9–12; Col 3:12; Rom 13:14; Prov 16:24; Matt 25:29; Song 4:16; Matt 8:26 (and parallels); Hab 3:3; Song 5:2; John 20:26–28; Song 5:6; 2 Cor 5:8; Phil 3:20; Song 5:10–11; Ps 18:11 (17:12 LXX); Job 38:41; Song 5:13–14; Isa 26:18 (LXX); Lev 1:9.
- "Literal": the scan's τερητῆς is read as ῥητῆς ("of the letter"). Kephaz (Song 5:11) is a Hebrew word for fine gold left untranslated in the Septuagint. The "fifth edition" is one of the anonymous Greek versions in Origen's Hexapla. The words after "it adds" in the comment on Song 4:12 are garbled in the scan.
Notes on the original text
- Digital text corrected (Migne's Latin column and footnotes interleaved inside a Greek word; Migne's Latin column and footnotes interleaved; the lost Greek is marked as a gap; Migne's Latin column interleaved in the scan; Migne's Latin column interleaved; the lost Greek is marked as a gap): τὸ ἔναιμον εἰ φἰογὶ δ πολ 6δί ἰδ Εἷς. θυ φόπιο!!υ8 δύσει [εἴυ8, 5οἰ 661 ργορίετ ἀμ]: - Το Γθογιπὶ 6 ἰδθ 5 οΠϊυδηιίατηα οαἰοηάαὶ τἰγίαιοπι, οἱ Α χαὶ ζωτικὸν → τὸ ἔναιμον χαὶ ζωτικὸν; αἱ σκιαί. 6,. ἱα πο. οΥἱηα ορἐ μὰ. ἰηδρυύδιιν οἱ ογοδοὶὶ. δὶ δυΐϊδιη, υἱ ἀμο. ἢ] πη} ολδι Ποῃ), χη, 14; (Ο]088. τη, 43. νεμομένοις → αἱ σκιαί. … νεμομένοις; ὥστε καρπὸν φέρειν χοι αὐτοῦ Τιιοπιδηι, οἱ ροῦ δου ὁπιιοη ἰπογδάυ]απὶ Δ} }1Π8Π|,. ον δ πο. 406 4] 5 οἱ ἢππ|ο Γ8 ἰπ πα] 008 δ0γι58 : ἰα αυΐϊεκ. 15. σης {Πὰς δι! αγοοίθʼ ατγοπιαί μ}}} (ΟΠ - ἀντὶ τριχῶν → ὥστε καρπὸν φέρειν … ἀντὶ τριχῶν; λόγῳ θεοῦ [Δοιἱ δῖ νόγῦο 6 οἱ βρίγ 141} 6868. Ῥγόρίογ αιϊΒ χαὶ τροφῇ → λόγῳ θεοῦ χαὶ τροφῇ; διὰ μὲν τὴν πληρόΠΟΟΥ ἢ Δ 1ἰ0116 ΒΟΥ ραν Γὰδ ΒΟΓΠΙΟ ΘΙ δ6ΙΉΡΘΓ γι οι ΒΑ ΡΟΝ ἰαρ 6 ἀϊδιϊπφυίΐίυγ, αι δι Οἰ γί θίυ8. ΟΓ6 Ὀοριλΐμε ᾿η ΨΘΗΓ δυβοί μὶι, ρατίᾳυο δα υις ΡΑΓγΓδΔίυγ. ὑπ) Θηἢ ἢ 11184π| ρὺ [οἰ γα πὶ, (οτιηοβδηὶ αἱδοουπείσ σάγηθιῃ ΟΠ γ βίαι, δὶ πῆς πΟη πη 8 ΤΡ} ΧΧΧΥΠΙ, 4ϊ, δʼ Τόν, 1,9, 10. τῆητα → διὰ μὲν τὴν πληρότητα.
Cite (SBL): Origen, Frag. Cant. 4 (PG 17; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/origen-fragmenta-canticum/4/#p-4). (abbreviation not yet checked)
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Translation: Translated by Claude from the Greek catena fragments (PG 17); no public-domain English exists, so the translation was re-read against the Greek.
Chapter 6
6PG 17
Κα,λὴ εἷ, ἡ πιησίον μου, ὡς εὐδοκία, ὡραία ὡς Ὅσον πλησίον γίνεται τοῦ νυμφίου, κρείττοσιν ἀπειχάξεται τῷ γὰρ κα.1ὴ χαὶ ὡραία χαὶ πιϊησίον, προσέθηχε τὸ ὡς Ἱερουσαιϊήμʼ καὶ χαταπληχτιχὴν δὲ τὴν τετελειωμένην φησὶν Ἐχχλησίαν πῇ μὲν, ὃν ταῖς ἀντικειμέναις δυνάμεσιν, οὐ δυναμέναις ἐνατενίζειν τῷ χάλλει τοῦ προσώπου αὐτῆς πῇ δὲ χαὶ ταῖς ὑποδεεστέραις αὐτῆς, ἑοιχυίαις ταῖς τεταγμέναις ἐν τῷ παντὶ χαταστάσεσινʼ ὁ δὲ Σύμμαχος οὐ τεταγμέὉ γαι παρατάξεις θάμξος γάρ εἰσιν ὡς τάγμα παρεμἉπόσερεψον τοὺς ὀφθαιϊμούς σου ἀπεναντίον μου, ὅτι αὑτοὶ ἀνεπτέρωσάν μδ. Ἡ Ἐχχλησία τῇ ὡραιότητι: χαὶ τῷ χάλλει ἐνορᾷ τοῦ Χριστοῦ δυναμένη τῇ πλείονι προχοπῇ κατανοεῖν αὐτοῦ τὴν θεότηταʼ χαθὸ πάντα διʼ αὐτοῦ ἐγένετο εὐφραινόμενος δὲ ἐπὶ τῇ δυνάμει τῶν ὀφθαλμῶν, τῆς εἴτε Ἐχχλησίας εἴτε νύμφης τοῦ λόγου ψυχῆς πτεροῖς αὐτὴν λογικοῖς ἀποστραφῆναι κελεύει πρὸς τὸ μετέωρον ὡς ἂν ἐπʼ ἄχρον ἔλθοι τῆς τελειότητος, ὡς ἂν χἀχείνη βλέπῃ τοῦτον ἑπτερωμένον, χαὶ μηχέτι συγχαταθαίνουτα διʼ αὑτὴν, καὶ δύνηται λένειν, εἰ χαὶ γινώσχομεν τῇ σῇ τοίνυν συνανέδη προχοπῇ, φησὶν, χωρησάσης σου ἐνορᾷν, χαὶ μηχέτι περαιτέρω τῆς οἰχονομίας ζητεῖν. … τῶν κεκαρμένων αἱ ἀγέδησαν ἀπὸτοῦ ἰουτροῦ αἱ πᾶσαι διδυμεύουσαι, καὶ ἀτεχγοῦσω οὐκ ἔστιν ἐν αὐταῖς. Εἴρτται δεύτερον ταῦτα τῇ νύμφῃ, πρότερον οἶμαι τοιαύτῃ φανείσῃ χατὰ τὸ ἐνδεχόμενον, ἡνέχα ἔτι ἐν τῷ βίῳ τούτῳ ἐτύγχανενʼ δεύτερον ὁπότε ἦλθεν ἐπὶ πὴν τελειότηταʼ διὸ χαὶ νῦν μόνον παρῃνίξατοʼ Ὁδόντῆς σου ὡς ἀγέλαι τῶν κεκαρμένων χατὰ δὲ τὸν ᾿Ακύλαν χαὶ Σύμμαχον, ὀδόντες σου ὡς ἀγέιλαι τῶν προδάτων, ἣ, τῶν ἀμνάδων χαὶ ἔπρεπεν εἰρῆσθαι ταῦτα ἐπὶ τῆς τελειότητος ὡς εἶναι τὸ ἀπὸ τοῦ λουτροῦ οὐχ ἔτι προτέρου, ἀλλὰ τοῦ δευτέρου διδυ. μεύουσαι δὲ τάχα, ὡς τρεφόμεναι τῇ τῶν νοητῶν χαὶ αἰσθητῶν θεωρίᾳ χαὶ ὡς μηδεμίαν ἄγονον εἶναι τῆς περὶ οὑτινοσοῦν λόγου τροφῆς. Ἑξήκοντά εἰσι βασίλισσαι καὶ ὀγδοήχογντα παλαχαὶ, καὶ γεάνιδες ὧν οὐχ ἔστιν ἀριθμός μέα δέ ἐστι περιστερά μου. Αἱ γεάνιδες ἀριθμὸν οὐχ ἔχουσαι οὐ τῷ μὴ ὑποπίπτειν ἀριθμῷ, ἀλλὰ τῷ ἀξίας αὐτὰς εἶναι ἀριθμηθῆναιχαὶ τάχα τῆς αὐτῆς διανοίας ἔχεται, τῇ ἐνταῦθα διαφορᾷ τῶν νεανίδων τῶν χοινωνουμένων ὑπὸ Χριστοῦ, χαὶ τὰ παρὰ ᾿Αποστόλου λεγόμενα περὶ ἀναστάσεως νεχρῶν, λόγῳ τάγματα φάσχοντιʼ ἐπειδὴ γὰρ διʼ ἀνθρώπου θάνατος, καὶ διʼ ἀνθρώπου ἀνάσ… ἀποθνήσκουσιν, οὕτω καὶ ἐν τῷ Χριστῷ πάγτες ζωοποιηθήσογται: ἔχαστος ἐν τῷ ἰδίῳ τάγματι ὁ γὰρ ἑχάστου βίος χαὶ λόγος χαὶ διάθεσις ποιήσει προχριθῆναι ἑχάστου κατʼ ἀξίαν. Μὴ θαύμαζε, εἰ ὁ νυμφίος ἣν ἔχων χαλὴν νύμφην, χαὶ τάχα δευτέραν καὶ τρίτην χαὶ πλείονας ἐὰν νοήσῃς αὐτοῦ χκλὶ τὰς νύμφας, οὐ φοδηθήσῃ λέγειν ἀπὸ τοῦ Ασματος: Ἑξήχογνταά εἰσι βασίλισσαι καὶ ὀγδοήκοντα παλλακαὶ, καὶ γεάγιδες ὧν οὐκ ἔστιν ἀριθμός μία δέ ἐστι περιστερά μου λόγος ἐστὶν ὁ νυμφίος λογικὸν ζῶον ἡ νύμφη ἐὰν νοήσῃ ψυχὴ χαὶ λάθῃ ὁ νυμφίος τὴν νύμφηνʼ ἀλλʼ ἐπεί ἐστιν ὁ λόγος οὗτος, οὗ μιᾷ ψυχῇ κοινωνῶν, ἀλλὰ πλείοσι χαὶ διαφόροις, τιμῇ τινι βασιλιχῇ καὶ διαφαινούσῃ, λεγέτω τελεία περιστερά ταῖς δὲ βασιλικαῖς μὲν, ὑποδεεστέ(αις δὲ, διὰ τοῦτο ἑξήκοντα βασίλισσαι ἑτέραις δὲ ψυχαῖς χοινωνεῖ παιδαγωγουμέναις φόδῳ θεοῦ αὗταί εἰσιν αἱ παλλαχίδες εἰσί τινες χαὶ ἄλλαι ψυχαὶ ὗποδεέστεραι, ἐλάττονα φόδον ἔχουσαι αὗταί εἰσιν αἱ νεάνιδες ὧν οὐχ ἔστιν ἀριθμός ὁ νυμφίος τοῖνυν χαὶ ἐνθάδε καλὰς καὶ δυναμένας αὐτῷ εἶναι χαὶ χοινωνοὺς, ἐξῆλθεν ἀπὸ τοῦ παστοῦ τοῦ ἐπουρανίου, χοινωνεῖ ἀγγέλοις χαὶ ἀρχαγγέλοις, αἴ τινές εἰσιν αἱ νύμφαι τοῦ λόγου, χαὶ θρόνοι καὶ κυριότητες. Εἰς κῆπον καρύας κατέδην ἰδεῖν ἐν γεγγήματι τοῦ χειμάῤῥου ἰδεῖν εἰ ἤνθησεν ἡ ἄμπειλος, εἰ ἤνθησαν αἱ. ῥόαιʼ ἐκεῖ δώσω τοὺς μαστούς μου. Κατά τι παράδειγμα οἱ δίχαιοι χαρύαι εἰσὶ, φέροντες χαρπὸν διὰ τὴν πρὸς Θεὸν θεραπείαν ἱερατικὴν, διὰ τὸ ἔρχος ἔχειν περὶ αὐτά ὁ μέν τι πιχρὸν καὶ χολῶδες, ὕτερον δέ τι δχληρὸν τῶν πειρασμῶν ἀλλὰ χαὶ χειμάῤῥους ὁ πειρασμὸς λέγοιτοʼ χατὰ τὸ, χειμάῤῥους διῆῖθεν ἡ ψυχὴ ἡμῶν ἡδρυλήθη τοίνυν ἡ νύμφη χαταῤᾶσᾳ εἰς τὸν κῆπον τῆς καρύας, τουτέστιν ἐχπεσοῦσα τὰ ([) παραδείσου πρὸς τὴν ἐπίμόχθον ταύτην ζωὴν, ἰδεῖν παράδοξόν τι γέννημα τοῦ χειμῶνος ῥέοντος μαύρου ποταμοῦ ἣ, χατὰ Σύμμαχον, κατέθη μαθεῖν εἰ ἡ φάρυγξ τοῦ βίου ὀπώρας ἔχειʼ ἀλλὰ καὶ ἰδεῖν εἰ ἤγθησεν ἡ ἄμπειλος, διαφεύ - γουφᾷ τὸν χειμμῶγαʼ χαὶ τὸ ἕαρ φθάσασα, τὸν χαιρὸν τοῦ Πάρχα χαὶ τῆς τῶν ἀξύμων ἑορτῆς τότε γὰρ φιλεὶ ἀγθεῖν ἐν τῇ Ἰουδαίᾳ ἡ ἄμπελος χαὶ εἰ ἤγθησαν αἱ ῥόαι, ὧν ὁ καρπὸς πολὺς, καὶ τάξει περιξιλημμένας ὑπὸ τοῦ λέπους ᾧ ὡμοίωται τὸ μῆλον τῆς νύμφης ἐχεὶῖ δὲ, φησὶ, δώσω σρι τοὺς μαστούς μου, ουτέστι τὸ ἡγεμονιχόνʼ ἀ.1.. ἠἡἠγγόησδ, φησὶν, ἡ ψυχή μου, καὶ τὴν ὑπόσχεσιν ἔψευσται, μὴ δυναμένη ἀφʼ ἑαυτῆς τι ποιεῖν ἀλλʼ οὐχ ἀπελείφθην ἐν τούτοις ὁʼ γὰρ πατὴρ ποῦ Νασσσὼν ὁ ἄρχων τοῦ λαοῦ μου ᾿Αμιναδὰδ, ἔθετό με ἑαυτῷ εἶναι ἄρματα Ναασσὼν δὲ ὁὀφριώδης ἑρμηνεύεται ὁ ἄρχων τοῦ λαοῦ τῆς νύμφηςʼ ᾿λμιναδὰδ ὃὲ οὗτος ὁ ἐν ᾿Αριθμοῖς πατὴρ τοῦ ἄρχοντος τῆς φυλῆς Ἰούδα Νααστώνʼ ὃς μεταλαμδάν νεται εἰς τὸν Χριστόν διὰ τὸ, χαθὼς Μωῦσῇς ὕψωσε τὸν ὄφιν ἐν τῇ ἐρήμῳ, οὕτως, φησὶν, ἄρματά μὲ ἔθετο ἑαυτῷ ἡνιοχῶν μου τοὺς λογισμούς. ἐπίστρεφε καὶ ὀψόμεθα ἐν σοί.
Ka,lē hei, hē piēsion mou, hōs eudokia, hōraia hōs Hoson plēsion ginetai tou nymphiou, kreittosin apeichaxetai tǭ gar ka.1ē chai hōraia chai piïēsion, prosethēche to hōs Hierousaiïēmʼ kai chataplēchtichēn de tēn teteleiōmenēn phēsin Echchlēsian pę̄ men, hon tais antikeimenais dynamesin, ou dynamenais enatenizein tǭ challei tou prosōpou autēs pę̄ de chai tais hypodeesterais autēs, heoichuiais tais tetagmenais en tǭ panti chatastasesinʼ ho de Symmachos ou tetagmeO gai parataxeis thamxos gar eisin hōs tagma paremAposerepson tous ophthaiïmous sou apenantion mou, hoti hautoi anepterōsan md. Hē Echchlēsia tę̄ hōraiotēti: chai tǭ challei enorą tou Christou dynamenē tę̄ pleioni prochopę̄ katanoein autou tēn theotētaʼ chatho panta diʼ autou egeneto euphrainomenos de epi tę̄ dynamei tōn ophthalmōn, tēs eite Echchlēsias eite nymphēs tou logou psychēs pterois autēn logikois apostraphēnai keleuei pros to meteōron hōs an epʼ achron elthoi tēs teleiotētos, hōs an chacheinē blepę̄ touton hepterōmenon, chai mēcheti synchatathainouta diʼ hautēn, kai dynētai lenein, ei chai ginōschomen tę̄ sę̄ toinyn synanedē prochopę̄, phēsin, chōrēsasēs sou enorąn, chai mēcheti peraiterō tēs oichonomias zētein. … tōn kekarmenōn hai agedēsan apotou ioutrou hai pasai didymeuousai, kai atechgousō ouk estin en autais. Eirttai deuteron tauta tę̄ nymphę̄, proteron oimai toiautę̄ phaneisę̄ chata to endechomenon, hēnecha eti en tǭ biǭ toutǭ etynchanenʼ deuteron hopote ēlthen epi pēn teleiotētaʼ dio chai nyn monon parę̄nixatoʼ Hodontēs sou hōs agelai tōn kekarmenōn chata de ton ᾿Akylan chai Symmachon, odontes sou hōs ageilai tōn prodatōn, hē, tōn amnadōn chai eprepen eirēsthai tauta epi tēs teleiotētos hōs einai to apo tou loutrou ouch eti proterou, alla tou deuterou didy. meuousai de tacha, hōs trephomenai tę̄ tōn noētōn chai aisthētōn theōrią chai hōs mēdemian agonon einai tēs peri houtinosoun logou trophēs. Hexēkonta eisi basilissai kai ogdoēchognta palachai, kai geanides hōn ouch estin arithmos mea de esti peristera mou. Hai geanides arithmon ouch echousai ou tǭ mē hypopiptein arithmǭ, alla tǭ axias autas einai arithmēthēnaichai tacha tēs autēs dianoias echetai, tę̄ entautha diaphorą tōn neanidōn tōn choinōnoumenōn hypo Christou, chai ta para ᾿Apostolou legomena peri anastaseōs nechrōn, logǭ tagmata phaschontiʼ epeidē gar diʼ anthrōpou thanatos, kai diʼ anthrōpou anas… apothnēskousin, houtō kai en tǭ Christǭ pagtes zōopoiēthēsogtai: echastos en tǭ idiǭ tagmati ho gar hechastou bios chai logos chai diathesis poiēsei prochrithēnai hechastou katʼ axian. Mē thaumaze, ei ho nymphios hēn echōn chalēn nymphēn, chai tacha deuteran kai tritēn chai pleionas ean noēsę̄s autou chkli tas nymphas, ou phodēthēsę̄ legein apo tou Asmatos: Hexēchogntaa eisi basilissai kai ogdoēkonta pallakai, kai geagides hōn ouk estin arithmos mia de esti peristera mou logos estin ho nymphios logikon zōon hē nymphē ean noēsę̄ psychē chai lathę̄ ho nymphios tēn nymphēnʼ allʼ epei estin ho logos houtos, hou mią psychę̄ koinōnōn, alla pleiosi chai diaphorois, timę̄ tini basilichę̄ kai diaphainousę̄, legetō teleia peristera tais de basilikais men, hypodeeste(ais de, dia touto hexēkonta basilissai heterais de psychais choinōnei paidagōgoumenais phodǭ theou hautai eisin hai pallachides eisi tines chai allai psychai hypodeesterai, elattona phodon echousai hautai eisin hai neanides hōn ouch estin arithmos ho nymphios toinyn chai enthade kalas kai dynamenas autǭ einai chai choinōnous, exēlthen apo tou pastou tou epouraniou, choinōnei angelois chai archangelois, ai tines eisin hai nymphai tou logou, chai thronoi kai kyriotētes. Eis kēpon karyas katedēn idein en gengēmati tou cheimarrhou idein ei ēnthēsen hē ampeilos, ei ēnthēsan hai. rhoaiʼ ekei dōsō tous mastous mou. Kata ti paradeigma hoi dichaioi charyai eisi, pherontes charpon dia tēn pros Theon therapeian hieratikēn, dia to erchos echein peri auta ho men ti pichron kai cholōdes, hyteron de ti dchlēron tōn peirasmōn alla chai cheimarrhous ho peirasmos legoitoʼ chata to, cheimarrhous diēithen hē psychē hēmōn hēdrylēthē toinyn hē nymphē chatarasą eis ton kēpon tēs karyas, toutestin echpesousa ta ([) paradeisou pros tēn epimochthon tautēn zōēn, idein paradoxon ti gennēma tou cheimōnos rheontos maurou potamou hē, chata Symmachon, katethē mathein ei hē pharynx tou biou opōras echeiʼ alla kai idein ei ēgthēsen hē ampeilos, diapheu - gouphą ton cheimmōgaʼ chai to hear phthasasa, ton chairon tou Parcha chai tēs tōn axymōn heortēs tote gar philei agthein en tę̄ Ioudaią hē ampelos chai ei ēgthēsan hai rhoai, hōn ho karpos polys, kai taxei perixilēmmenas hypo tou lepous hǭ hōmoiōtai to mēlon tēs nymphēs echeii de, phēsi, dōsō sri tous mastous mou, outesti to hēgemonichonʼ a.1.. hēēēngoēsd, phēsin, hē psychē mou, kai tēn hyposchesin epseustai, mē dynamenē aphʼ heautēs ti poiein allʼ ouch apeleiphthēn en toutois hoʼ gar patēr pou Nasssōn ho archōn tou laou mou ᾿Aminadad, etheto me heautǭ einai armata Naassōn de hoophriōdēs hermēneuetai ho archōn tou laou tēs nymphēsʼ ᾿lminadad hoe houtos ho en ᾿Arithmois patēr tou archontos tēs phylēs Iouda Naastōnʼ hos metalamdan netai eis ton Christon dia to, chathōs Mōysę̄s hypsōse ton ophin en tę̄ erēmǭ, houtōs, phēsin, armata me etheto heautǭ hēniochōn mou tous logismous. epistrephe kai opsometha en soi.
"You are beautiful, my companion, as good pleasure, lovely as [Jerusalem, terrible as ordered ranks]." The nearer she comes to the bridegroom, the better the things to which she is likened; for to "beautiful" and "lovely" and "companion" he added "as Jerusalem." And he calls the perfected church terrifying: in one way to the opposing powers, which cannot gaze upon the beauty of her face; in another way also to those below her, since she resembles the ordered states of the universe. Symmachus has not "ordered" but "battle-lines": for they are an object of awe, like a rank of armies.
"Turn your eyes away from me, for they have given me wings." The church gazes upon the loveliness and beauty of Christ, able through greater progress to perceive his divinity, inasmuch as all things came into being through him. And he, gladdened by the power of the eyes of the soul, whether the church or the soul that is the bride of the Word, bids her turn away on rational wings toward the height, so that she may come to the summit of perfection, and so that she too may see him winged and no longer coming down for her sake, and may be able to say, "even if we have known [Christ according to the flesh, we know him so no longer]." He went up, then, together with your progress, he says, since you now have room to gaze upon him, and no longer seek further than the dispensation.
"[Your teeth are like flocks] of shorn ewes that have come up from the washing, all of them bearing twins, and there is none barren among them." These things are said to the bride a second time: the first time, I think, when she had appeared such, as far as was possible, while she was still in this life; the second, when she had come to perfection. Therefore now he only hinted at it: "Your teeth are like flocks of shorn ewes"; according to Aquila and Symmachus, "your teeth are like flocks of sheep," or "of ewe-lambs." And it was fitting that these things be said of perfection, so that "from the washing" refers no longer to the first washing but to the second. Bearing twins, perhaps, as being nourished by the contemplation of the things of the mind and the things of the senses, and as none being barren of the nourishment of the word about anything whatever.
"There are sixty queens and eighty concubines, and maidens without number; but one is my dove." The maidens have no number, not because they do not fall under number, but because they are not worthy to be numbered. And perhaps the same thought underlies the difference here among the maidens who share with Christ and what the Apostle says about the resurrection of the dead when he speaks of orders: "For since death came through a man, the resurrection [of the dead also came through a man; for as in Adam all] die, so also in Christ all will be made alive, each in his own order." For each one's life and word and disposition will cause each to be ranked according to worth. Do not be surprised if the bridegroom, having a beautiful bride, has perhaps a second and a third and more: if you understand his brides too, you will not be afraid to say, from the Song, "There are sixty queens and eighty concubines, and maidens without number; but one is my dove." The bridegroom is the Word; the bride is a rational living being, if the soul understands and the bridegroom receives the bride. But since this Word shares, not with one soul, but with many and different ones, then the one with whom he shares with a royal and conspicuous honour, let her be called the perfect dove; those with whom he shares royally, but less, are for this reason the sixty queens; he shares with other souls that are trained by the fear of God, and these are the concubines; there are some other souls, still lower, having less fear: these are the maidens without number. The bridegroom, then, [seeking] here too souls that are beautiful and able to be his and to share with him, came out from the heavenly bridal chamber. He shares with angels and archangels, who are brides of the Word, and with thrones and dominions.
"I went down into the garden of the nut tree, to see the produce of the torrent, to see whether the vine had blossomed, whether the pomegranates had flowered; there I will give you my breasts." By a kind of likeness the righteous are nut trees, bearing fruit through their priestly service to God, because they have a fence around them: one bitter and like gall, another hard, the hardness of temptations. But temptation may also be called a torrent, according to the saying, "Our soul passed through a torrent." The bride, then, … going down into the garden of the nut tree, that is, falling from the things of paradise into this toilsome life, to see some unexpected produce of the winter-flowing dark river; or, according to Symmachus, "I went down to learn whether the ravine of life has fruits"; and also to see whether the vine has blossomed, having escaped the winter and reached the spring, the season of the Passover and of the feast of unleavened bread; for that is when the vine usually blossoms in Judea; and whether the pomegranates have flowered, whose fruit is plentiful and enclosed in order by the rind, to which the bride's cheek is likened. "There," she says, "I will give you my breasts," that is, the ruling mind. But "my soul did not know," she says, and the promise proved false, since she cannot do anything of herself. "But I was not left behind in these things; for the father of Nahshon, the ruler of my people, Amminadab, set me to be chariots for himself." Nahshon is interpreted "serpent-like," the ruler of the bride's people; and Amminadab is the one in Numbers, the father of Nahshon, ruler of the tribe of Judah. He is applied to Christ because of the words, "as Moses lifted up the serpent in the desert." So, she says, he set me as chariots for himself, driving my thoughts. "Return, and we shall look upon you."
Song 6:4 (quotation, high confidence) · Song 6:5 (quotation, high confidence) · John 1:3 (allusion, high confidence) · 2 Cor 5:16 (quotation, high confidence) · Song 6:6 (quotation, high confidence) · Song 6:8 (quotation, high confidence) · Song 6:9 (quotation, high confidence) · 1 Cor 15:21 (quotation, high confidence) · 1 Cor 15:22 (quotation, high confidence) · 1 Cor 15:23 (quotation, high confidence) · Ps 19:5 (18:6 LXX) (allusion, medium confidence) · Col 1:16 (allusion, high confidence) · Song 6:11 (quotation, high confidence) · Num 17:8 (allusion, low confidence) · Ps 124:4 (123:4 LXX) (quotation, high confidence) · Song 6:12 (quotation, high confidence) · Num 1:7 (allusion, high confidence) · John 3:14 (quotation, high confidence) · Song 6:13 (7:1 LXX) (quotation, high confidence)
Notes and citation
Summary: Comments on Song of Songs 6:4–13 read the queens, concubines, and maidens as ranks of souls sharing in the Word, and the bride's descent to the nut garden as the soul's fall into this toilsome life.
- From the catena on the Song in PG 17; Migne's Latin translation and footnotes are interleaved in the scan (removed by logged corrections). Bracketed words supply lemmas and a quotation partly lost there (1 Cor 15:21–22).
- Quotations: Song 6:4–5; John 1:3; 2 Cor 5:16; Song 6:6; Song 6:8–9; 1 Cor 15:21–23; Ps 19:5 (18:6 LXX, the bridal chamber); Col 1:16; Song 6:11; Num 17:8 (Aaron's rod bearing nuts, an allusion: uncertain); Ps 124:4 (123:4 LXX); Song 6:12; Num 1:7; John 3:14; Song 6:13 (7:1 LXX).
- "No longer seek further than the dispensation" (μηκέτι περαιτέρω τῆς οἰκονομίας ζητεῖν): the sense is uncertain. "Nahshon is interpreted 'serpent-like'": the scan's ὀφριώδης is read as ὀφιώδης, as the reference to the serpent of John 3:14 requires. The word after "The bride, then," is garbled in the scan.
Notes on the original text
- Digital text corrected (Migne's Latin column interleaved; the lost words of 1 Cor 15:21–22 are marked as a gap; footnote and Latin column debris; garbled lemma (Song 6:6) and Latin column debris; the lost words are marked as a gap): ἐο Ή6 γον τινα ἐηαβ τὐμε. τε τὰ ἠΕ → … ; ἀνάτθγῖιο, νοῖυϊ βρὶ γ δʼ) οἱ δοῃθὶ Ὁ} 0 πὶ σοι 6πν [δγου]ο. ηη6ι ἰΠΠὰ πίον δι οʼοθοδηιυϊυ8 4 ΟἰἸγῖδίο ρΟ5868588, ἀποθνήσκουσιν → ἀνάσ… ἀποθνήσκουσιν; μαστούς μου δ {(ογ. τν, 21, 422, οεἰοφὲπία εοπεμθίπα, εἰ αἀοἰεδοεπίμἰατμπι ΠΟΝ ἐδί πιι-Κατά τι → μαστούς μου. Κατά τι.
Cite (SBL): Origen, Frag. Cant. 6 (PG 17; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/origen-fragmenta-canticum/4/#p-6). (abbreviation not yet checked)
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Translation: Translated by Claude from the Greek catena fragments (PG 17); no public-domain English exists, so the translation was re-read against the Greek.
Chapter 7
7PG 17
Τί ὄψεσθε ἐν τῇ Σουλαδίςειδι; ἡ ἐρχομένη ὡς χοροὶ τῶν παρεμ δο.ἰῶν ἀνέδη γὰρ ἐχ τοῦ (1ουτροῦ, ὡς τὰ ἀγγελικὰ τάγματα. ᾿Αχύλας χαὶ ἡ πέμπτη ἔχδοσις, τὸ Σου.Ἰαδίτις ἐξἐδωχαν, εἰρηγεύουσα γάρ ἔστι δὲ ἡ νύμφη τοῦ λόγου ψυχὴ, ἡ τοῦ Χριστοῦ Ἐχχλησία, διὰ τὸν ποʼ ἧσαντα τὸ ἕν, καὶ τὸ μεσότοιχον τοῦ φραγμοῦ λύσαντα. ἐὰν ὃξ ἢ Σου.Ἰαμίτις, ἢ ἐσχυ.ϊευμένη, κατὰ Σύμμαχον, λέγοι ἂν πρὸς αὐτὴν ὁ νυμφίος, Ὦ ἐσχυλευμένη χαὶ ὑπὸ τῷ αἰχμαλωτίσαντί σς γεγενημένη, ἐπίστρεφε εἰς τὴν προτέραν εὐγένειαν νῦν μὲν ὡς ἐν ἀπαρχῇ λαμβάνουσα τῆς υἱοθεσίας τὸν ἀῤῥαθῶνα, καὶ τὴν τῆς ἀναστάσεως ἐλπίδαʼ ἐὰν δὲ τῆς ἐπαγγελίας χαὶ τῆς ἀφθαρσίας τὸ ἔνδυμα, πυχνότερον δὲ εἰς προτροπὴν, τὸ ἐπίστρεφδʼ τότε γάρ φησι χυρίως ἐστὶν ἰδεῖν σε᾿ τῶν ἑταίρων ὃὲ τοῦ νυμφίου πρὸς τὴν νύμφην εἶναι τὸν λόγον δοχῶʼ πρὸς οὺς ὁ νυμφίος, Τί ὄψεσθε; φητίν ἀπεικάζεται δὲ νενιχτ κότων στρατῷ ἣ μία γὰρ νύμφὴ πλῆθος ἐν ἑαυτῇ ἔχει παρεμθολῶνʼ τὰ γὰρ μέλη τῆς νύμφης συστήματα τυγχάνοντα πλείονα, χοροὶ μέν εἰσι, τῷ τὸ θεῖον ὑμνεῖν συμφώνως θεολογοῦντες. αὐτῷʼ τῷ δὲ καθελεῖν τοὺς πολεμίους παρεμθολῶν. εἰοηνιχῶν ἔχοντες ἀλλʼ οὐκάότι σχήμα πολεμικὸν, τὴν ὑπὲρ τῶν ἐν χειμάῤῥω χαμοῦσαν χαὶ σχυλεῖσαν αὐτούς προσκαλοῦνται οἱ φίλοι τοῦ νυμφίου ἐσκυλέγοντες, ὀψόμοθω ἐν σοί δώρων γὰρ αὐτῆς τὸν σκυλμὸν, οὐκ ἄχαρπον, ἀλλʼ εἰς χρηστὸν τελευτήσαντα πέρας, ὅπιως τοὺς ἐγ τῷ χειμάῤῥῳ κατακριθέντας παραδεδομένους τῷ Σατανᾷ εἰς ὄλεθρον τῆς σαρχὸς, παρελθόντας τὸ τοῦ χειμάῤῥου ὕδωρ, γιχηφύρους ἦγε μεθʼ ἑαυτῇς, ἀρχομένη ὡς χρροὶ παρεμδοϊῶγ, τῶν ἐχ πολέμον ἐπανερχομένων, χαὶ χατὰ των χαὶ λεγόντων Κύριξ, ὡς ὅχιλῳ εὐδοχίας ἐστεῬυθμοὶ μηρῶν σον ὅμοιοι ὁρμίσχοις, ἔργον χειρῶν Πολλαχοῦ τάττει τοὺς μηροὺς ἐπὶ τῆς γενέσεως ἡ Γραφὴ δηλοῖ τοίνυν ἐνταῦθα τῆς νύμφης τὸ τεταγμένον ἐν τῷ τῆς γενέσεως χωρίῳ καὶ εὕρυὅμον, ὁμοίῳ περιτραχηλίοις χατεσχενασμένοις τῇ ἀρετῇ. γὸς χρᾶαμα κοιλία σου, θημωνία σίτου ποφρωγμέγη ἐν κρίνοις.͵ Ἐπὶ τὸν ὀμφαλὸν δὲ τὸν χρατῇρα ἡ σοφία συγχαλεῖ λέγουσα Αεῦτε, πίδτε οἶνον ὃν κεκέρακα ὑμῖν χαὶ δηλοῖ τὸ πνευματιχὸν πνεῦμαʼ καὶ προσέθηχε χαὶ θημωγνίαν σίτου, ἵνα τὴν πνευματιχὴν τροφὴν σημάνῃ τὸ γὰρ θημωγία ἀντὶ τοῦ συναγωγὴ ἀρετῶν πλήθους εἰς ἕν τῇ ὁμονοίᾳ συντεταγμένη. Κρίνα δʼ ἂν εἴη χαὶ τὰ ἄνθη τῆς χάριτος τοῦ Θεοῦ, ἃ ουνελέξατο ἀπὸ μέσου τῶν τοῦ βίου ἀκανθῶν. Ὁ τράχη.1ός σου ὡς πύργος ἐλεφάντιγος. Ἰργοι δὲ ἐχλήθησαν, οἱ τὰ ἀρεστὰ τῷ νυμφίῳ ποιοῦντες, σκοπευτήριον ἔχοντες τὴν θεωρητικὴν ψυχὴν, ἐχ μετεώρου σχοπεύουσαν ἅπαντα ἐλεφάντινον δὲ, διὰ τὸ λαμπρὸν χαὶ λεῖον οὐδὲν γὰρ ἀπὸ χαχίας τραχὺ ἐν τῷ τῆς νύμφης τραχήλῳʼ οὐχέτι δὲ περὶ τῶν νεχρῶν εἶπεν, οἱ γεμόμεγοι ἐν κρίνοις ὑπεράνω γὰρ ἐγεγόνεισαν χρίνων τῶν ἐν μέσῳ ἀχανθῶνʼ βούλεται δὲ ἡμᾶς χαὶ φιλομαθεῖς ὄντας πολλῶν ἔχειν τὴν ψυχὴν θυγατέρα σοφῶν καὶ ἐν εἰσαγωγαῖς γενέσθαι μαθημάτων πολλῶν, ἃς ἐχάλεσε πύλαςτοσοῦτον, φηοἷν, γνώσεως τοῖς ὃν σοὶ διδασκάλοις περίεστι χάρις, ὡς μὴ μόνον τοὺς παρὰ σοὶ ἀπολαύειν αὐτῶν τῆς παιδεύσεως, ἀλλʼ ἤδη καὶ τῆς ἔξωθεν καὶ πόῤῥωθεν τῆς αὐτῶν ἀπολαύειν ὠφελείας. Μυχτήρ σου, ὡς πύργος τοῦ Λιδάνου σχοκεύων ἀρόσωπον τς υῥέλῳ τη κεραλή σου ἐπὶ σὲ ὡς Κάρμηιϊτος, καὶ πιιόχιον κερωϊῆς σου ὡς πορφύραν βασιλεὺς δεδεμένος ἐν παραδρομαῖς. Ὁ δὲ χαθαρὰν ἔχων τὴν διαπνοὴν, χαὶ διὰ τῆς αἱσθήσεως τοῦ θείου λόγον δυνάμενος ὀπίσω αὐτοῦ εἰς ὀσμὴν μύρων αὑτοῦ δραμεῖν, μυκτήρ ἐστιν αἰσθανόβενος εὐωδίας πνευματικῆς σχοπεύων εἶ τι ἐπιφανὲς ἐν ἔθνεσι δόγμα δοχεῖʼ Δαμασκὸς γὰρ τὰ ἔθνη παρἔστηστιτοῦ δὲ ἐπιφανοῦς καὶ χαλοῦ τὸ πρόσωπον σύμὄρλονʼ ὁ δὲ λίδανος ἀναφέρεται ἐπὶ τὸ θυσιαστήριον τοῦ Θεοῦ ὁ δὲ Κάρμηλος ἐπίγνωσις περιτομῆς ἐρἀηνεύεται γινώσκε: δὲ περιτομὴν ὁ μετὰ παῤῥησίας λέγειν δυνάμενος ἡ μεῖς ἐσμὲν ἣ περιτομή ἀπὸ … χεφαλῆς, τουτέστι Χριστοῦ, ἐπίγνωσις πνευματιχῆς ἐγεννήθη περιτομῆς. Τί ὡραιώθης καὶ τί ἡδύνθης, ἀγάπη, ἐν τρυφαῖς σου; τοῦτο μέγεθός σον ὡμοιώθης τῷ φοίνικι, χαὶ οἱ μαστοί σου τοῖς βότρυσι διότι ὑψη.1όν σου τὸ φρόγημα καὶ οὐδὲν τῶν γηΐνων ἐπιφεὍτι ταῦτά φησιν ὁ νυμφίος ἀποθαυμάζων αὐτῦὶς τὴν ἐπὶ τὸ χρεῖττον μεταθδολήνʼ ὡς γὰρ ἡ τῶν στοιχείων εὐχρατία σωμάτων ὑγείαν ἐμποιεῖ, οὕτως ἐχ τῶν ὁρμῶν καὶ ἐχχλίσεων, ὑγεία πως χαὶ χάλλος ἐπιγίνεται τῇ Ψυχῇʼ ὡς δὲ αἰσχρά τίς οὖσα διὰ χαχίαν ἡ νύμφη, μετέδαλεν ἐξ ἀρετῆς εἰς ὡραιότητα, οὕτως οὖσα πιχρὰ, γέγονεν ἡδίστη τε αὐτῷ χαὶ γλυκεῖα φησὶ τοίνυν, ὡς ἐν ταῖς σωματικαῖς τρυφαῖς ἣ πολυτελὴς εὐωχία περιπόθητος, οὕτω τοῖς τὴν πνευματιχὴν τρυφῶσι τρυφὴν, ἡ ἀγάπη τῆς δὲ σοῦ ἀντωνυμίας χειμένης παρὰ τοῖς ἄλλοις, λέγοι ἂν, τῇ ἀγάπῃ ἐντρυφᾷς πλέον τῶν ἄλλων τοῦ πνεύματος χαρπῶνʼ ὡς πάντα διʼ αὐτὴν στέγειν πάντα ὑπομένεινʼ ὥσπερ ὃὲ σωμάτων ἐστὶ βραχύτης (δ), καὶ μέγεθος ἑτέρων, οὕτω χαὶ ψυχῆς ἀναλόγως οἷς διαπράττεται. Ἤγουν τὰ νοἡματά σον, φησὶν, τρόφιμά τε χαὶ πόΕἶτα ἀναδήσομαι ἐν τῷ φοίνικιʼ κρατήσω τῶν ὕψεων αὐτοῦ, καὶ ἔσονται δὴ μαστοί σου ὡς βότρυες ἀμπέλου καὶ ὀσμὴ ῥιγός σου ὡς μηα, καὶ λάρυγξ ὡς οἶνος ἀγαθὸς, πορευόμενος τῷ ἀδειφριδῷ μου εἰς εὐθύτητα, ἱκαγούμενος ἐν χείλεσί μου ὀδοῦσιν. ᾿ἈἈσειχασθεῖσα φοίγνιχε, φοίνικα τὸν νυμφίου χαλεῖ, τὸ ὕψος καὶ μέγεθος τοῦ λόγου χατανοήσασαʼ ἐφʼ ἃ καὶ ἤλπισεν ἀνελθεῖν ἐπὶ τέλει τῶν ἀσμάτων ὅτε τελεία ἐστὶν ἡ νύμφη ὅτε καὶ ἀντιλήψεται τῶν τοῦ νυμφίου μασθῶν, δηλούντων τὰ πυχνώματαʼ διὸ καὶ ἀμπέλου βότρυσιν ἀπειχάζονται περὶ ἧς εἶπεν ὁ Σωτὴρʼ Ἐγώ εἰμι ἡ ἄμπελος ἡ ἀληθινή τὰ δὲ ἐχ τῶν τοῦ λόγου χρυπτῶν ἐχπορενόμενα, ἐπὶ τοδοῦτον ἰθύνει τε χαὶ εὐφραίνει, ὥστε λέγειν ὅτε δεῖ, καὶ οἷς δεῖ, χαὶ ὅσου δεῖ τὰ μὲν γὰρ χείλη τὸν λόγονʼ οἱ δὲ ὀδόντες τὴν ἐχεμυθίαν ἐμφαίνουσι κατὰ τὸ, ε τῷ στόματί σου ποίησον θύραν χαὶ μοχλὸν, καὶ τοῖς λόγοις σου μέτρον χαὶ σταθμόν ν τῶν δὲ τοιούτων οὐ μόνον ἄσφαλῇ τὰ νοήματα, ἀλλὰ χαὶ τὰ χείλη αἰσθήσει δέδεται Ὁ οἶνος δὲ ὁ ἀγαθὸς, ὁ ἐξ ἀγαθοῦ θησαυροῦ τῆς χαρδίας προσφερόμενος. Ἐγὼ τῷ ἀδειφριδῷ μου ἐπ᾿ ἐμὲ ἡ ἐπιστροφὴ αὐτοῦ. Τελειωθείσης ὁ λόγος, ὅτι μηδαμοῦ παντοδα πῇ ἀνάπαυσιν εὑρήσει, ὅπου ἑαυτὸν ἐπιστρέψει, ὡς παρʼ ἐμοΐ Ἐλθὲ, ἀδελφιδέ μου ἐξέλθωμεν εἰς ἀγρόν αὐ.1ισθῶμεν ἐν κώμαις ὀρθρίσωμεν εἰς ἀμπειῶνας Περὶ τῶν ὑποδεεστέρων ἡ νύμφη παραχαλεῖ ὡς ἐχ τῶν ἐνδοτάτων χαὶ μαχαρίων διατριδῶν εἰς τὴν τούτων ἐπισκοπὴν ἐξελθεῖνʼ οὗτοι γὰρ ἀγρὸς χαὶ κῶμαι χαὶ ἀμπελῶνες χαὶ ῥόαι
Ti opsesthe en tę̄ Souladiseidi? hē erchomenē hōs choroi tōn parem do.iōn anedē gar ech tou (1outrou, hōs ta angelika tagmata. ᾿Achylas chai hē pemptē echdosis, to Sou.Iaditis exedōchan, eirēgeuousa gar esti de hē nymphē tou logou psychē, hē tou Christou Echchlēsia, dia ton poʼ hēsanta to hen, kai to mesotoichon tou phragmou lysanta. ean hox ē Sou.Iamitis, ē eschy.ïeumenē, kata Symmachon, legoi an pros autēn ho nymphios, Ō eschyleumenē chai hypo tǭ aichmalōtisanti ss gegenēmenē, epistrephe eis tēn proteran eugeneian nyn men hōs en aparchę̄ lambanousa tēs huiothesias ton arrhathōna, kai tēn tēs anastaseōs elpidaʼ ean de tēs epangelias chai tēs aphtharsias to endyma, pychnoteron de eis protropēn, to epistrephdʼ tote gar phēsi chyriōs estin idein se᾿ tōn hetairōn hoe tou nymphiou pros tēn nymphēn einai ton logon dochōʼ pros ous ho nymphios, Ti opsesthe? phētin apeikazetai de nenicht kotōn stratǭ hē mia gar nymphē plēthos en heautę̄ echei paremtholōnʼ ta gar melē tēs nymphēs systēmata tynchanonta pleiona, choroi men eisi, tǭ to theion hymnein symphōnōs theologountes. autǭʼ tǭ de kathelein tous polemious paremtholōn. eioēnichōn echontes allʼ oukaoti schēma polemikon, tēn hyper tōn en cheimarrhō chamousan chai schyleisan autous proskalountai hoi philoi tou nymphiou eskylegontes, opsomothō en soi dōrōn gar autēs ton skylmon, ouk acharpon, allʼ eis chrēston teleutēsanta peras, hopiōs tous eg tǭ cheimarrhǭ katakrithentas paradedomenous tǭ Sataną eis olethron tēs sarchos, parelthontas to tou cheimarrhou hydōr, gichēphyrous ēge methʼ heautę̄s, archomenē hōs chrroi paremdoïōg, tōn ech polemon epanerchomenōn, chai chata tōn chai legontōn Kyrix, hōs hochilǭ eudochias esteRhythmoi mērōn son homoioi hormischois, ergon cheirōn Pollachou tattei tous mērous epi tēs geneseōs hē Graphē dēloi toinyn entautha tēs nymphēs to tetagmenon en tǭ tēs geneseōs chōriǭ kai heuryomon, homoiǭ peritrachēliois chateschenasmenois tę̄ aretę̄. gos chraama koilia sou, thēmōnia sitou pophrōgmegē en krinois.͵ Epi ton omphalon de ton chratę̄ra hē sophia synchalei legousa Aeute, pidte oinon hon kekeraka hymin chai dēloi to pneumatichon pneumaʼ kai prosethēche chai thēmōgnian sitou, hina tēn pneumatichēn trophēn sēmanę̄ to gar thēmōgia anti tou synagōgē aretōn plēthous eis hen tę̄ homonoią syntetagmenē. Krina dʼ an eiē chai ta anthē tēs charitos tou Theou, ha ounelexato apo mesou tōn tou biou akanthōn. Ho trachē.1os sou hōs pyrgos elephantigos. Irgoi de echlēthēsan, hoi ta aresta tǭ nymphiǭ poiountes, skopeutērion echontes tēn theōrētikēn psychēn, ech meteōrou schopeuousan hapanta elephantinon de, dia to lampron chai leion ouden gar apo chachias trachy en tǭ tēs nymphēs trachēlǭʼ oucheti de peri tōn nechrōn eipen, hoi gemomegoi en krinois hyperanō gar egegoneisan chrinōn tōn en mesǭ achanthōnʼ bouletai de hēmas chai philomatheis ontas pollōn echein tēn psychēn thygatera sophōn kai en eisagōgais genesthai mathēmatōn pollōn, has echalese pylastosouton, phēoin, gnōseōs tois hon soi didaskalois periesti charis, hōs mē monon tous para soi apolauein autōn tēs paideuseōs, allʼ ēdē kai tēs exōthen kai porrhōthen tēs autōn apolauein ōpheleias. Mychtēr sou, hōs pyrgos tou Lidanou schokeuōn arosōpon ts yrhelǭ tē keralē sou epi se hōs Karmēiïtos, kai piiochion kerōïēs sou hōs porphyran basileus dedemenos en paradromais. Ho de chatharan echōn tēn diapnoēn, chai dia tēs haisthēseōs tou theiou logon dynamenos opisō autou eis osmēn myrōn hautou dramein, myktēr estin aisthanobenos euōdias pneumatikēs schopeuōn ei ti epiphanes en ethnesi dogma docheiʼ Damaskos gar ta ethnē parestēstitou de epiphanous kai chalou to prosōpon symorlonʼ ho de lidanos anapheretai epi to thysiastērion tou Theou ho de Karmēlos epignōsis peritomēs eraēneuetai ginōske: de peritomēn ho meta parrhēsias legein dynamenos hē meis esmen hē peritomē apo … chephalēs, toutesti Christou, epignōsis pneumatichēs egennēthē peritomēs. Ti hōraiōthēs kai ti hēdynthēs, agapē, en tryphais sou? touto megethos son hōmoiōthēs tǭ phoiniki, chai hoi mastoi sou tois botrysi dioti hypsē.1on sou to phrogēma kai ouden tōn gēïnōn epipheOti tauta phēsin ho nymphios apothaumazōn autuis tēn epi to chreitton metathdolēnʼ hōs gar hē tōn stoicheiōn euchratia sōmatōn hygeian empoiei, houtōs ech tōn hormōn kai echchliseōn, hygeia pōs chai challos epiginetai tę̄ Psychę̄ʼ hōs de aischra tis ousa dia chachian hē nymphē, metedalen ex aretēs eis hōraiotēta, houtōs ousa pichra, gegonen hēdistē te autǭ chai glykeia phēsi toinyn, hōs en tais sōmatikais tryphais hē polytelēs euōchia peripothētos, houtō tois tēn pneumatichēn tryphōsi tryphēn, hē agapē tēs de sou antōnymias cheimenēs para tois allois, legoi an, tę̄ agapę̄ entryphąs pleon tōn allōn tou pneumatos charpōnʼ hōs panta diʼ autēn stegein panta hypomeneinʼ hōsper hoe sōmatōn esti brachytēs (d), kai megethos heterōn, houtō chai psychēs analogōs hois diaprattetai. Ēgoun ta noēmata son, phēsin, trophima te chai poEita anadēsomai en tǭ phoinikiʼ kratēsō tōn hypseōn autou, kai esontai dē mastoi sou hōs botryes ampelou kai osmē rhigos sou hōs mēa, kai larynx hōs oinos agathos, poreuomenos tǭ adeiphridǭ mou eis euthytēta, hikagoumenos en cheilesi mou odousin. ᾿AAseichastheisa phoigniche, phoinika ton nymphiou chalei, to hypsos kai megethos tou logou chatanoēsasaʼ ephʼ ha kai ēlpisen anelthein epi telei tōn asmatōn hote teleia estin hē nymphē hote kai antilēpsetai tōn tou nymphiou masthōn, dēlountōn ta pychnōmataʼ dio kai ampelou botrysin apeichazontai peri hēs eipen ho Sōtērʼ Egō eimi hē ampelos hē alēthinē ta de ech tōn tou logou chryptōn echporenomena, epi todouton ithynei te chai euphrainei, hōste legein hote dei, kai hois dei, chai hosou dei ta men gar cheilē ton logonʼ hoi de odontes tēn echemythian emphainousi kata to, e tǭ stomati sou poiēson thyran chai mochlon, kai tois logois sou metron chai stathmon n tōn de toioutōn ou monon asphalę̄ ta noēmata, alla chai ta cheilē aisthēsei dedetai Ho oinos de ho agathos, ho ex agathou thēsaurou tēs chardias prospheromenos. Egō tǭ adeiphridǭ mou ep᾿ eme hē epistrophē autou. Teleiōtheisēs ho logos, hoti mēdamou pantoda pę̄ anapausin heurēsei, hopou heauton epistrepsei, hōs parʼ emoï Elthe, adelphide mou exelthōmen eis agron au.1isthōmen en kōmais orthrisōmen eis ampeiōnas Peri tōn hypodeesterōn hē nymphē parachalei hōs ech tōn endotatōn chai machariōn diatridōn eis tēn toutōn episkopēn exeltheinʼ houtoi gar agros chai kōmai chai ampelōnes chai rhoai
"What will you see in the Shulammite? She who comes like dances of the camps." For she has come up from the washing, like the angelic orders. Aquila and the fifth edition rendered "Shulammite" as "the one at peace"; for the bride of the Word is the soul, the church of Christ, because of him who made both one and broke down the dividing wall of the fence. But if "Shulammite" means "the despoiled one," according to Symmachus, the bridegroom would say to her: O despoiled one, who came to be under the one who took you captive, return to your former nobility; now receiving, as in firstfruits, the pledge of adoption and the hope of the resurrection, but then the garment of the promise and of incorruption. The repetition of "return" is for exhortation; for then, he says, it is properly possible to see you. I think the words are spoken by the companions of the bridegroom to the bride, and to them the bridegroom says, "What will you see?" She is likened to an army of victors; for the one bride has in herself a multitude of camps. For the members of the bride, being many companies, are dances in hymning the divine with one voice and speaking of God; and in destroying the enemies they are camps, now at peace, no longer having a warlike form. The friends of the bridegroom call to her who toiled and was troubled for those in the torrent, saying, "We shall look upon you"; for seeing her trouble, not fruitless but ending in a good outcome, how she led with her as victors those who had been condemned in the torrent, handed over to Satan for the destruction of the flesh, once they had passed through the water of the torrent, coming like dances of the camps of those returning from war, … and saying, "Lord, as with a shield of good pleasure you have crowned us."
"The curves of your thighs are like necklaces, the work of [a craftsman's] hands." Scripture often places the thighs in connection with generation. Here, then, it indicates what is ordered and well proportioned in the bride in the region of generation, like necklaces fashioned by virtue.
"[Your navel is a turned bowl, not lacking] mixed wine; your belly is a heap of wheat fenced about with lilies." At the navel, wisdom calls people to the mixing bowl, saying, "Come, drink the wine that I have mixed for you"; and it indicates the spiritual …; and he added "a heap of wheat" also, to signify the spiritual food. For "heap" stands for a gathering of a multitude of virtues, ordered into one in concord. The lilies would be the flowers of the grace of God, which she gathered from amid the thorns of life.
"Your neck is like a tower of ivory." Those who do what pleases the bridegroom were called towers, having as their watchtower the contemplative soul, which watches over all things from on high; and ivory, because of its brightness and smoothness; for there is nothing rough from wickedness in the bride's neck. And he no longer spoke of the fawns "that feed among the lilies"; for they had come to be above the lilies that are amid thorns. He wishes us, being lovers of learning, to have the soul as the daughter of many wise men, and to be at the entrances of many studies, which he called gates. So great a grace of knowledge, he says, abounds to the teachers among you that not only those with you enjoy their instruction, but those outside and far off already enjoy the benefit they bring.
"Your nose is like the tower of Lebanon, watching the face of Damascus; your head upon you is like Carmel, and the braid of your head like purple; a king bound in the galleries." The one who has pure breath, and through the perception of the divine Word is able to run after him to the fragrance of his ointments, is a nose that perceives spiritual fragrance, watching whether any doctrine among the nations seems remarkable; for Damascus represents the nations, and the face is a symbol of what is remarkable and beautiful. Frankincense is offered on the altar of God. Carmel is interpreted "knowledge of circumcision"; and he knows circumcision who can say with boldness, "We are the circumcision." From … the head, that is, Christ, the knowledge of spiritual circumcision was born.
"How beautiful you have become, and how sweet, O love, in your delights! This is your stature: you were likened to the palm tree, and your breasts to clusters." Because your mind is lofty, and nothing earthly … . The bridegroom says these things marvelling at their change for the better. For as a good blending of the elements produces health in bodies, so from right impulses and avoidances a kind of health and beauty comes upon the soul. And as the bride, who was ugly through wickedness, changed through virtue into loveliness, so, being bitter, she became most pleasant and sweet to him. He says, then, that as in bodily delights a costly feast is longed for, so, for those who delight in spiritual delight, love is longed for. Since the pronoun "your" stands in the other versions, he would be saying: you delight in love more than in the other fruits of the Spirit, so as to bear all things and endure all things for its sake. And as there is shortness in some bodies and tallness in others, so it is with the soul too, in proportion to what it accomplishes. That is, your thoughts, he says, are nourishing and … .
"I said, I will go up into the palm tree, I will take hold of its heights; and your breasts shall be like clusters of the vine, and the fragrance of your nostril like apples, and your throat like good wine, going to my kinsman for uprightness, sufficient for my lips and teeth." Having been likened to a palm tree, she calls the bridegroom a palm tree, having perceived the height and greatness of the Word, to which she also hoped to go up at the end of the songs, when the bride is perfect, when she will also take hold of the bridegroom's breasts, which signify the dense truths; therefore they are also likened to clusters of the vine, of which the Savior said, "I am the true vine." The things that come forth from the hidden places of the Word direct and gladden to such a degree that one speaks when one should, to whom one should, and as much as one should. For the lips signify speech, and the teeth reticence, according to the saying, "Make a door and a bolt for your mouth, and a measure and a weight for your words." In such people not only are the thoughts secure, but the lips also are bound by discernment. The good wine is that which is brought forth from the good treasure of the heart.
"I am my kinsman's, and his turning is toward me." When she has been perfected, [she says] that the Word will find rest nowhere at all, wherever he turns, as he does with me.
"Come, my kinsman, let us go out into the field; let us lodge in the villages; let us rise early to go to the vineyards." The bride urges him to go out, as from the innermost and blessed dwellings, to watch over those who are lower; for these are the field and the villages and the vineyards and the pomegranates …
Textual problem in this passage: see the notes.
Song 6:13 (7:1 LXX) (quotation, high confidence) · Eph 2:14 (allusion, high confidence) · Rom 8:23 (allusion, medium confidence) · Eph 1:14 (allusion, medium confidence) · 1 Cor 5:5 (quotation, high confidence) · Ps 5:12 (5:13 LXX) (quotation, high confidence) · Song 7:1 (7:2 LXX) (quotation, high confidence) · Song 7:2 (7:3 LXX) (quotation, high confidence) · Prov 9:5 (quotation, high confidence) · Song 7:4 (7:5 LXX) (quotation, high confidence) · Song 7:5 (7:6 LXX) (quotation, high confidence) · Song 1:4 (allusion, high confidence) · Phil 3:3 (quotation, high confidence) · Song 7:6 (7:7 LXX) (quotation, high confidence) · Song 7:7 (7:8 LXX) (quotation, high confidence) · Gal 5:22 (allusion, medium confidence) · 1 Cor 13:7 (allusion, high confidence) · Song 7:8 (7:9 LXX) (quotation, high confidence) · Song 7:9 (7:10 LXX) (quotation, high confidence) · John 15:1 (quotation, high confidence) · Luke 6:45 (allusion, high confidence) · Song 7:10 (7:11 LXX) (quotation, high confidence) · Song 7:11 (7:12 LXX) (quotation, high confidence)
Notes and citation
Summary: Comments on Song of Songs 6:13–7:12 read the Shulammite as the church at peace or the despoiled soul called back, and her features as the gifts of teachers and the fruit of love.
- From the catena on the Song in PG 17; Migne's Latin translation and footnotes are interleaved in the scan (removed by logged corrections); gaps are marked "…" and bracketed words supply lemmas. The section breaks off in mid-sentence. Song 6:13–7:11 in the English numbering is 7:1–12 in the Septuagint.
- Quotations: Song 6:13 (7:1 LXX); Eph 2:14; Rom 8:23 and Eph 1:14 (firstfruits, pledge); 1 Cor 5:5; Ps 5:12 (5:13 LXX); Song 7:1–2; Prov 9:5; Song 7:4–5; Song 1:4; Phil 3:3; Song 7:6–7; Gal 5:22; 1 Cor 13:7; Song 7:8–9; John 15:1; Sir 28:25; Luke 6:45; Song 7:10–11.
- "The fifth edition" is one of the anonymous Greek versions in Origen's Hexapla. "Towers" and "fawns" read the scan's ἴργοι as πύργοι and νεκρῶν ("the dead") as νεβρῶν, as the lemmas require. Symmachus's rendering "the despoiled one" derives the name from a Hebrew root for spoil. The sentence on 7:10 is garbled and is translated by sense.
Notes on the original text
- Digital text corrected (Migne's Latin column debris; Migne's Latin column interleaved in the scan; Migne's Latin column interleaved inside the Greek; Migne's Latin column interleaved; the lost Greek is marked as a gap): ἐπίστρεφε εἷς τὴν λίθοι, θυης αὐυΐ46 1} δίοα! ἰῃ δγίῃεϊρίρ δοοὶρίθδηβ Ὁ προτέραν εὐγένειαν νῦν μὲν ὡς ἐν ἀπαρχὴ λαμδάδροηθυ8, → ἐπίστρεφε εἰς τὴν προτέραν εὐγένειαν νῦν μὲν ὡς ἐν ἀπαρχῇ λαμβάνουσα; (μία υἱἀεβ με 5 80}} 1 οἷ1. Α55μμ αι νἱοῖρνουσα → ; αυθδεὶ θρθαι δα πο διιδ8 ΘΟ ΘΠ Αι γα δηΐιδηι, Δ ΌΘΡΟ δορί δηιίυ ΔἸ Δ πὶ, δί486 ἰῃ γυάϊπηθηι}8 νογἼδη θηΐπ), 911, θείη ἴθ ἴῃ 16 τπαρίθιτβ ἰδοθὶ 5Γ8εἶα, αἱ πο βοίυπι 4υἱ δηηϊ δρυὰ 6 θογυπῆ νοι. 86116 Εἰ 6η}:}) ψΨ6Π|68 δἰβηιῇοαι; Γαὶ ηδηϊίοθι ἃς εἰδίοποπι υΐ οὐπὶ δἰποογί(δῖ6 Ἰοχυΐιιγ : βδυπηυβ Π05 Α λέγειν → λέγειν; ἀπὸ ἐξ -ἧς ἅμα, πὲ σι ἰοττγομπι αὐ {{|απὶ ἀοοεά!. πιθηΐθυ5 ἰυ}5 αΠἸδιθυτγάπ) 6ἱ ἰδισθπι νʼ. ΤΑΙ 1 δι:80 ΘΠ ΠῚ 5 8η Πσ8ηι 56 Γ, ν᾿}, νη θς οἱ πα ]ὰ ρυπο ἃ. χεφαλῆς → ἀπὸ … χεφαλῆς.
Extrabiblical texts: Sir 28:25 (Sirach [in RC, EO, ETH canons]; quotation)
Cite (SBL): Origen, Frag. Cant. 7 (PG 17; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/origen-fragmenta-canticum/4/#p-7). (abbreviation not yet checked)
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Translation: Translated by Claude from the Greek catena fragments (PG 17); no public-domain English exists, so the translation was re-read against the Greek.
Chapter 8
8PG 17
Εὑροῦσα ἔξω φιλήσω σε καί γε οὐχ ἐξουδεγώσουσί με 'παραϊήψομαί σεʼ εἰσάξω σε εἰς οἷχον μητρός μοι καὶ εἰς ταμιεῖον τῆς συ.1.1αἀπὸ γάματος ῥοῶν μου. Εὑρίσκουσα γὰρ αὑτὸν τῆς ἄνω περιωπῆς ἐχδάντα, Ὥρχισα ὑμᾶς. θυγατέρες Ἱερουσαλὴμ, ἐν ταῖς δυνάμεσι καὶ ἐν ταῖς ἰσχύσεσι (9) του ἀγροῦ, τί ἐγείρητε χαὶ ἐξεγείρητε τὴν ἀγάπην ἕως ἂν θελήσῃ; Ἤδη δεύτερον ὥρκισεν ἀλλʼ ἀμφιδάλλουσα προετίθει τὸ ἐών νῦν δὲ διδάξασα τὸ εἶδος τῆς ἐγέρσεως τῆς ἐξεγέρξεως χαὶ τῆς ἀγάπης οἱονεὶ παρίστησιν, ὅτι ὀρχοῦσα ὑμᾶς κατὰ τῶνδε ὥρχισα, τὸ ἐγείρττε χαὶ θές με ὡς σ:-οαγίδα ἐπὶ τὴν καρδίαν σου, ὡς σΞξραγίδα ἐπὶ τὸν βραχίονά σου ὅτι κραταιὰ ὡς θάΠροτρέπεται αὑτὴν ὁ νυμφίος πᾶν νόημα χαὶ πρᾶξιν μορφῶσαι τῷ ἑαυτοῦ χαραχτῆριʼ ποιεῖν δὲ ταῦτά φησιν τὴν ὡς θάνατον κραταιὰν ἀγάπηνʼ πάντα γὰρ στέγει, πάντα ὑπομένει διὸ χαὶ κραταιὰ χατὰ θάνατον νεχροῦντα τὴν ἁμαρτίαν ἤγουν ἐπειδὴ πάντων ἐκράτησεν ὁ θάνατος, διὰ τὸ ἐν τῷ ᾿Αδὰμ πάντας ἀποῦνέσχειν χαὶ ὁ ἄδης ὁμοίως τοιαύτη, φησὶν, ἡ ἀγάπη χαὶ ὁ ζῆλος: ὃν δεῖ ζηλοῦν τῷ Θεῷ, σκληρὸς χατὰ τῶν ἁμαρτανόντων ὑπάρχων, ὡς ὁ τοῦ Ἡλίου χαὶ τοῦ Φινεές ἣ τοῦτο λέγει ὁ νυμφίος πρὸς αὐτὴν, θές με ὡς σφραγίδα πρὸς τὸ σφραγίζειν τὰς ἐνθυμήσεις σου χαὶ τὰς πράξεις σου, χαὶ ξως θανάτου ἀγωνίσαι ὑπὲρ τῆς ἀληθείας χαὶ ἐν τῷ ἄδῃ δὲ τὸν Χριστὸν ἐζήλωσαν οἱ Ἰουδαῖοι, ὑποφθείραντες τοὺς στρατιώτας. Ἀδειϊφὴ ἡμῶν μιχρὰ, καὶ μαστοὺς οὐχ ἔχει. Ὅτι μιχρὰ ἡ τοῦ ἀνθρώπου ψυχὴ, καὶ ἐπὶ γῆς ἔτι ἐπισκευαζομένη τοῦ Θεοῦ Ἐχχλησία, χαὶ νοήματα (τοῦτο γὰρ οἱ μαστοὶ) μήπω ἔχουσα, ἐπιδίδωσιν εἰς μέγεθος βίου καὶ νοημάτωνʼ ἐπʼ ἂν τρανώσῃ τὰ νοῆματα χαὶ προφητικὰ θεωρήματα, ἣ τὴν σύμπνοιάν τε χαὶ ἐνέργειαν χωρήσῃ δυνάμεως αἷ χαὶ ταῦτά φατι μετά τε προφητῶν χαὶ δικαίων πνευμάτων. Ὁ χαθήμενος ἐν κήποις, ἑταῖροι προσέχοντες τῆς φωνῆς σου ἀκούτισόν με΄ φύγε, ἀδελφιδέ μου, καὶ ὁμοιώθητι τῇ δορκάδι, ἣ τῷ γνεδρῳῷ τῶν ἐ.1άφων ἐπὶ ὄρη ἀρωμάτων. Εἶδεν ἡ νύμφη τὸν νυμφίον ἀναπαυόμενον ἐν τοῖς Ν κήποις, χαὶ τοὺς ἑταίρους αὐτοὺς προσέχηντας αὐτοῦ τῇ φωνῇ ἧς ἤχουφεν αὐτή χαὶ βούλεται αὑτὸν ὀξέως χαὶ διορατικῶς ὁρῶντα, ἀπὸ τῶν τῇδε πραγμάτων ἐχχλῖναι, τάχει μὲν καὶ ὀξνδερχίᾳ, ὡμοιωμένον δορκάδι, γεδρῷ δὲ τοῖς τῶν πολεμίων ὡς ὄφεων χαὶ σχορπίων ταφρονητιχῶς ἔχειν, χαὶ ἀνελθεῖν πρὸς τοὺς ἀνεστηχόταὡς ὅρη, καὶ πάσης πνέοντας εὐωδίας περὶ ὧν τὸ, οἱ θεμέλιοι αὑτοῦ ἐν τοῖς ἔρεσι τοῖς ἁγίοις χαὶ ταῦτα χατὰ τοὺς Ἑδδομήχοντα χαὶ Θεοδοτίωνα, χαὶ τὴν πέμπτην ἔχδοσινʼ ὁ μέντοι ᾿Αχύλας, ὁ χαθὴμεγος ἐν κήποις, ἐξέδωκεν ὁ δὴ Σύμμαχος, ἡ χατοικοῦσαʼ ὡς λέγεσθαι τὰ πρῶτα πρὸς τὴν νύμφην καθημένην παρὰ τοῖς ἰδίους καρποῖς, χαὶ τοὺς ἕταιρους αὐτοῦ προσεχτιχῶς αὐτῆς ἀκροᾶσθαι
Heurousa exō philēsō se kai ge ouch exoudegōsousi me 'paraïēpsomai seʼ eisaxō se eis hoichon mētros moi kai eis tamieion tēs sy.1.1aapo gamatos rhoōn mou. Heuriskousa gar hauton tēs anō periōpēs echdanta, Hōrchisa hymas. thygateres Hierousalēm, en tais dynamesi kai en tais ischysesi (9) tou agrou, ti egeirēte chai exegeirēte tēn agapēn heōs an thelēsę̄? Ēdē deuteron hōrkisen allʼ amphidallousa proetithei to eōn nyn de didaxasa to eidos tēs egerseōs tēs exegerxeōs chai tēs agapēs hoionei paristēsin, hoti orchousa hymas kata tōnde hōrchisa, to egeirtte chai thes me hōs s:-oagida epi tēn kardian sou, hōs sXxragida epi ton brachiona sou hoti krataia hōs thaProtrepetai hautēn ho nymphios pan noēma chai praxin morphōsai tǭ heautou charachtēriʼ poiein de tauta phēsin tēn hōs thanaton krataian agapēnʼ panta gar stegei, panta hypomenei dio chai krataia chata thanaton nechrounta tēn hamartian ēgoun epeidē pantōn ekratēsen ho thanatos, dia to en tǭ ᾿Adam pantas apouneschein chai ho adēs homoiōs toiautē, phēsin, hē agapē chai ho zēlos: hon dei zēloun tǭ Theǭ, sklēros chata tōn hamartanontōn hyparchōn, hōs ho tou Hēliou chai tou Phinees hē touto legei ho nymphios pros autēn, thes me hōs sphragida pros to sphragizein tas enthymēseis sou chai tas praxeis sou, chai xōs thanatou agōnisai hyper tēs alētheias chai en tǭ adę̄ de ton Christon ezēlōsan hoi Ioudaioi, hypophtheirantes tous stratiōtas. Adeiïphē hēmōn michra, kai mastous ouch echei. Hoti michra hē tou anthrōpou psychē, kai epi gēs eti episkeuazomenē tou Theou Echchlēsia, chai noēmata (touto gar hoi mastoi) mēpō echousa, epididōsin eis megethos biou kai noēmatōnʼ epʼ an tranōsę̄ ta noēmata chai prophētika theōrēmata, hē tēn sympnoian te chai energeian chōrēsę̄ dynameōs hai chai tauta phati meta te prophētōn chai dikaiōn pneumatōn. Ho chathēmenos en kēpois, hetairoi prosechontes tēs phōnēs sou akoutison me΄ phyge, adelphide mou, kai homoiōthēti tę̄ dorkadi, hē tǭ gnedrǭǭ tōn e.1aphōn epi orē arōmatōn. Eiden hē nymphē ton nymphion anapauomenon en tois N kēpois, chai tous hetairous autous prosechēntas autou tę̄ phōnę̄ hēs ēchouphen autē chai bouletai hauton oxeōs chai dioratikōs horōnta, apo tōn tę̄de pragmatōn echchlinai, tachei men kai oxnderchią, hōmoiōmenon dorkadi, gedrǭ de tois tōn polemiōn hōs opheōn chai schorpiōn taphronētichōs echein, chai anelthein pros tous anestēchotaōs horē, kai pasēs pneontas euōdias peri hōn to, hoi themelioi hautou en tois eresi tois hagiois chai tauta chata tous Heddomēchonta chai Theodotiōna, chai tēn pemptēn echdosinʼ ho mentoi ᾿Achylas, ho chathēmegos en kēpois, exedōken ho dē Symmachos, hē chatoikousaʼ hōs legesthai ta prōta pros tēn nymphēn kathēmenēn para tois idious karpois, chai tous hetairous autou prosechtichōs autēs akroasthai
"Finding you outside, I will kiss you, and indeed they will not despise me. I will take you, I will bring you into my mother's house and into the chamber of her who conceived [me; I will give you to drink of spiced wine,] from the stream of my pomegranates." For finding him come down from the lookout above, … .
"I have adjured you, daughters of Jerusalem, by the powers and by the strengths of the field: why should you awaken and arouse love until it pleases?" She has now adjured them a second time. Before, being in doubt, she put "if" first; but now, having taught the form of the awakening, of the arousing, and of love, she presents, as it were, this: that in adjuring you I adjured by these things, by "awaken" and … .
"Set me as a seal upon your heart, as a seal upon your arm; for love is strong as death, [jealousy hard as Hades]." The bridegroom urges her to shape every thought and action by his own stamp; and he says that it is love, strong as death, that does these things; for it bears all things, endures all things. Therefore it is strong like death, putting sin to death. That is: since death prevailed over all, because in Adam all die, and Hades likewise, such, he says, is love; and such is the jealousy with which one must be jealous for God, being hard against sinners, like that of Elijah and of Phinehas. Or the bridegroom says this to her: "Set me as a seal," to seal your thoughts and your actions, and to contend even to death for the truth. And even in Hades the Jews were jealous against Christ, bribing the soldiers.
"Our sister is small, and she has no breasts." Because the soul of man is small, and the church of God is still being furnished on earth and does not yet have thoughts (for this is what the breasts are), she advances to greatness of life and of thoughts, when she makes the thoughts and the prophetic contemplations clear, or makes room for the concord and working of power; and she says these things together with the prophets and the spirits of the righteous.
"You who sit in the gardens, the companions attend to your voice; let me hear it. Flee, my kinsman, and be like the gazelle or the young stag on the mountains of spices." The bride saw the bridegroom resting in the gardens, and the companions attending to his voice, which she herself heard; and she wishes him, who sees sharply and keenly, to turn away from the things here: in speed and sharpness of sight to be like a gazelle, and like a young stag in treating the enemies, as serpents and scorpions, with contempt; and to go up to those who stand high like mountains and breathe out every fragrance, of whom it is said, "His foundations are on the holy mountains." This is according to the Seventy, Theodotion, and the fifth edition. Aquila rendered "he who sits in the gardens"; but Symmachus, "she who dwells," so that the first words are said to the bride, as sitting among her own fruits, while his companions listen attentively to her.
Song 8:1 (quotation, high confidence) · Song 8:2 (quotation, high confidence) · Song 8:4 (quotation, high confidence) · Song 8:6 (quotation, high confidence) · 1 Cor 13:7 (quotation, high confidence) · 1 Cor 15:22 (allusion, high confidence) · 1 Kgs 19:10 (allusion, high confidence) · Num 25:11 (allusion, high confidence) · Matt 28:12 (allusion, high confidence) · Song 8:8 (quotation, high confidence) · Heb 12:23 (allusion, medium confidence) · Song 8:13 (quotation, high confidence) · Song 8:14 (quotation, high confidence) · Luke 10:19 (allusion, high confidence) · Ps 87:1 (86:1 LXX) (quotation, high confidence)
Notes and citation
Summary: Comments on Song of Songs 8:1–14 read love strong as death as the seal of Christ on the soul's thoughts and deeds, and the small sister as the church still growing on earth.
- From the catena on the Song in PG 17. Migne's Latin translation is interleaved in the scan (removed by logged corrections), and the comments on 8:1–2 and 8:4 break off. After the comment on Song 8:13–14 the scan text runs on into Origen's fragments on Ezekiel (on Ezek 29:10; 30:21–22; 32:6, 25; 44:1–3), which belong to another work and were removed by a logged correction; they are not translated here.
- Quotations: Song 8:1–2, 4, 6; 1 Cor 13:7; 1 Cor 15:22; 1 Kgs 19:10 (Elijah's zeal); Num 25:11 (Phinehas); Matt 28:12–13 (the soldiers bribed); Song 8:8; Heb 12:23; Song 8:13–14; Luke 10:19; Ps 87:1 (86:1 LXX). "The fifth edition" is one of the anonymous Greek versions in Origen's Hexapla.
- "And even in Hades the Jews were jealous against Christ, bribing the soldiers": the catena's comment applies "jealousy hard as Hades" to the bribing of the guard at the tomb (Matt 28:12–13); translated as written. "Your thoughts": the scan's word is broken by the Latin column and is read by sense.
Notes on the original text
- Digital text corrected (Latin column debris followed by Origen's fragments on Ezekiel (Ezek 29–44), which belong to another work and run on in the scan text; Migne's Latin column interleaved in the scan; Migne's Latin column interleaved inside a Greek word; the word read by sense): ἐνθυμῇ - μι πιοῦς αἰδειδο, ἀπ γα εἰσ ἰη [ἐγ μδιεπιμίπιὶρ. δύνδγδιιβ ἸΠΟΓ ΘΠ) 5 οὐρα 681 [61}}4|18. ᾿φί τυ οὐ πε δεῖς σηυ → ἐνθυμήσεις σου; ἀγωνίσαι ( τυ οἱ δεῖ ἰυ08, οἱ υθ406 δά πιογίοι ῃΓῸ νοεί(διθ → ἀγωνίσαι ; μνυχυληθυπι. Αἰφυ6 ἰῃ ἱπίογηο Ομ σία η 26 α δεῖ τ θη; οὐ πιθηϊίοοι6 ἴση! οἱ σορὶΔι!]οΠ 65 οἱ ἰδιρῖι ἰ θ6 γα, δι 46 διἱ 50}} 6768 8686 Δι(ΟΙΐογα, υἱ καθημένην → καθημένην; χαύπα τυ στ ς΄ ςςὩὩππὩὰὩπὐθθπσωα μασι που σα σισαυκισσιονοα [γαβπιόμίυπ Μαγδωλά ἐστιν ἀρχὴ τῆς Αἰγύπτου, 1, (οἀ. Γ. 381 ἃ. (ἀρ. ΧΧΧ. 95. Βραχίονές εἰσι Φαραὼ ἣ χαχία ἐν πράξει ἁμαρτίας, καὶ ἐν δόγμασιν ἀσεδείας τὸ φρόνημα τῆς σαρχός οὖς βραχίονας ὁ Θεὸς συντρίδει ὡς ἀγαθός - ὁ Φαραὼ τοῦ διαδόλου ἐστὶ σύμδολον τοῦ ἄρχοντος τῆς ἐν ἀνθρώποις ἁμαρτίας.----Συντρίδει ὁ Κύριος τὸν βραχίονα τῶν ἁμαρτωλῶν, ἵνα μὴ δύνωνται ἐπιλαθέσθαι μαχαίρας. 4, (οὐ. [. 993 ἃ. ΧΧΧΙ͂Ι. 6. Καὶ τοῦτο ἐν τοῖς μάλιστα τὴν ἀλληγορίαν δείχνυσι τῆς Γραφῇ ὁ γοῦν Φαραὼ σωματικῶς οὐχ ἂν ἀπὸ τῶν προχωρημάτων αὐτοῦ ποτίσαι τὴν γῆν, ἀλλʼ ἡ σχυθαλώδης ἔχχρισις τοῦ ἀντιχειμένου ποτίζει τὰ γήϊνα. ὅ. (οὐ. [. 9239 νυ. ΧΧΧΙΙ. 25. Ὁ Ἑόδραῖος ὃν μήκει λάχκχου ἔχει τὸ γὰρ ἑἰαρὴχ κατὰ τὴν Ἑόραίων φωγὴν δασέως προφερόμενον, χαὶ μηρʼγ, χαὶ μῆχος σημαίνει τὸ δὲ αὐτῆς πρὸς τὴν συναγωγὴν ἔχει τὴν ἐπίδοσιν ςἰάχχον οὖν χαλεῖ τῆς ταφῆς τὸ βάθος μῆκος δὲ, τῆς ταφῆς τὴν ἔχτασιν. Δ. (οὐ. [. 959. ΧΙΙΥ͂. 1. Πολλὰς πύλας διαγράφει ὁ υἱὸς τοῦ ἀνθρώπου Ἰεζεχιὴλ, χαὶ περὶ ἑχάστης διηγήσατό τι νῦν δὲ διηγεῖται τοῖς ἔχουσι ὦτα, περὶ τῆς πύλης τῶν ἁγίων τῆς βλεπούσης χατὰ ἀνατολάς περὶ ἧς γέγραπται ὅτι ἡ πύλη αὕτη κεχιεισμέγη ἔσται, καὶ τὰ ἑξῆς.---Οὐ μόνον ὅτι Κύριος ὁ Θεὸς τοῦ Ἰσραὴλ διέρχεται διὰ τῆς πύλης, χέχλεισταε, ἀλλʼ ὅτι χαὶ ὁ ἡγούμενος κάθηται ἐν ἐχείνῃ τῇ πύλῃ τοῦ φαγεῖν ἕναντι Κυρίου κατὰ τὴν ὁδὰν Αἰλὰμ, ὅπερ ἐρ΄ μηνεύεται πρόθυρον πύ.Ἰης.-Πύλη ἐστὶ χεχλεισμέν:) τὰ μυστήρια τοῦ Θεοῦ τὰ ἀχατάχλειστα --Ἢ γνῶσις κλεῖδα ἔχει, ὡς ὁ Κύριος λέγει τοῖς νομικοῖς ἄρα πύ.Ἰη ἐστὶ τοῖς μὲν ἀνθρώποις κεκ.ἰδισμένη τὰ γὰρ ἔνδον τῆς πύλης ἐστὶν ὃ ὁ ὀφθαλμὸς οὐχ εἶδεν καδ οὖς οὐχ ἤκουσε, καὶ τὰ ἑξῆς.---Ὅμοιον δὲ τῆς πύλῃς ταύτης ἔχει νοῦν χαὶ τὸ γεγραμμένον ἐν τῷ Ἡσαΐᾳ βιθλίον ἐσφραγισμένον τὸ αὐτὸ τοῦτο βιδλίον λευχοτέρως εὑρήσεις χαὶ ἐν τῇ ᾿Αποκαλύψει Ἰωάννου, χαὶ τὰ περὶ αὐτοῦ γεγραμμένα χαὶ πῶς ἤνοιξεν ὁ ἐχ φυλῆς Ἰούδα ταῦτα χαὶ μόνος μέχρι γὰρ οὗ ἣλθεν ὁ Κύριος ἡμῶν Ἰησοῦς ὁ Χριστὸς, ἐχέχλειστο ὁ νόμος, ὁ λόγος ὁ προφητικός χαὶ χάλυμμα ἣν ἐπὶ τούτων ὁ λίθος τῆς πωρώσεως, ὃν ἀφεῖλεν ὁ Ἰαχὼδ ἐχ τοῦ φρέατος ἐν πολλοῖς γὰρ τόποις τὸν νοῦν τὸν περὶ τῆς πύλης ταύτης ἡ Γραφὴ ἤνοιξεν. → .
Cite (SBL): Origen, Frag. Cant. 8 (PG 17; trans. Sophia Scriptura, https://sophiascriptura.com/fathers/origen-fragmenta-canticum/4/#p-8). (abbreviation not yet checked)
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Translation: Translated by Claude from the Greek catena fragments (PG 17); no public-domain English exists, so the translation was re-read against the Greek.