Homilies on Colossians 12.2–12.7

Greek text: PG 62.English: Claude (claude-opus-5-5), public domain (CC0). Compare: Nicene and Post-Nicene Fathers, series 1, vol. 13 (1889).

Show

Chapter 12

12.2PG 62:541

Μέγα ἐγχώμιον, καὶ μεῖζον τῶν ἄλλων ἁπάντων πὸ λέγειν περὶ τοῦ Ἐπαφρᾶ, Ὁ ἐξ ὑμῶν Χριστοῦ. Καὶ διάχονον αὐτὸν ὑπὲρ αὑτῶν φησιν, ὥσπερ καὶ ἑαυτὸν τῆς Ἐχχλησίας λέγει διάχοηνον, ὡς ὅταν λέγῃ" Ἧς ἐγενόμην ἐγὼ Παῦλος διάκογος. Εὶς τὸ αὐτὸ ἀξίωμα ἀναφέρει τὸν ἄνδοα, καὶ σύνδουλον ἀνωτέρω χαλεῖ, καὶ ἐνταῦθα δοῦλον. Ὃ δξ ὑμῶν, φησίν " ὡς πρὸς μητέρα διαλεγόμενος, καὶ λέγων" Ὁ ἐχ τῆς γαστρὸς τῆς σῆς. ᾿Αλλὰ τοῦτο φθόνον ἂν ἕτεχε τὸ ἑγχώμιον. Διὰ τοῦτο οὐχ ἀπὸ τούτων αὐτὸν συνίστησι μόνον, ἀλλὰ καὶ ἐχ τῶν πρὸς αὐτούς " καὶ ἐχεῖ φθόνον λύει, καὶ ἐνταῦθα. Πάντοτε, φησὶν, ἀγωνιζόμενος ὑπὲρ ὑμῶν" οὐ νῦν μόνον παρ᾽ ἡμῖν, ὥστε ἐπιδείξασθαι, οὐδὲ παρ᾽ ὑμῖν μόνον, ὥστῳ ὑμῖν ἐπιδείξασθαι. Μεγάλην προθυμίαν ἔδειξε τῷ εἰπεῖν. ᾿Αγωνιζόμενος. Εἶτα, ἵνα μὴ δόξῃ κολαχεύειν αὐτοὺς, ἐπήγαγεν, ὅτι Ζῆλον ἔχει πολὺν ὑπὲρ ὑμῶν, καὶ τῶν ἐν Λαοδικείᾳ, καὶ τῶν ἐν ᾿Ἰεραπόιιει. Καὶ τὸ, Ἵνα στῆτε τέλειοι, καὶ τοῦτο οὐ γολακείας, ἀλλ᾽ αἰδεσίμον διδα.-σχάλου Καὶ πεπληρωμένοι, φησὶ, καί τέλειοι. Τὸ μὲν ἔδωχε, τὸ δὲ εἶπεν ὑστερεῖν. Καὶ οὐχ εἶπεν, Ἵνα μὴ σαλεύησθε, ἀλλ᾽, Ἵνα στῆτε. Τὸ μέντοι παρὰ πολλῶν ἀσπάζεσθαι αὐτοὺς, ἀναχτᾶται αὐτοὺς, ὅταν μὴ μόνον οἱ οἰχεῖοι ἐξ αὐτῶν, ἀλλὰ καὶ ἕτεροι αὐτῶν μνημονεύωσι. Καὶ εἴπατε ᾿Αρχίππῳ' Βλέπε τὴν διακονίαν, ἣν παρέλαξες ἐν Κυρίῳ. Μάλιστα αὐτοὺς αὐτῷ ὑποτάττει. Οὐχέτι γὰρ ἂν ἔχοιεν ἐγχαλεῖν ἐκείνῳ ἐπιτιμῶντι αὐτοὺς, ὅταν αὐτὼ ὥὧσιν ἀναδεδεγμένοι τὸ πᾶν " ἐπεὶ οὐχ ἔχει λόγον τοῖ; μαθηταῖς περὶ τοῦ διδασκάλου λέγειν. ᾿Αλλ᾽ ἐπιστομίζων αὐτοὺς, ταῦτα γράφει. Εἴπατε, φησὶν, ᾿Αρχίππῳ" Βλέπε. Φοδοῦντός ἔστι τοῦτο τὸ ῥῆμα πανταχοῦ, ὡς ὅταν λέγη" Βιλέπετε τοὺς κύνας " Βιέπετε μή τις ὑμᾶς ἔσται ὁ συλαγωγῶν" Βιέπετε μή πως ἡ ἐξουσία ὑμῶν αὕτη πρόσκομμα γένηται τοῖς ἀσθενοῦσι. Καὶ πανταχοῦ οὕτω φησὶν ὅταν φοδῇ. Βλέπε, φησὶ, τὴν διακογίαν, ἣν παρέλαδες ἐν Κυρίῳ, ἵνα αὐτὴν πληροῖς. Οὐδὲ ἀφίησιν αὐτὸν χύριον εἶναι, καθάπερ αὑτὸς ἔλεγεν " Εἰ γὰρ ἑκὼν τοῦτο πράσσω, μισθὸν ἔχω" δὶ δὲ ἄχων, οἴχονομίαν πεπίστευμαι. Ἵνα αὐτὴν» πληροῖς " διηνεχῶς χεχρημένος σπουδῇ. Ἣν παρέλλαδες «ἐν Κυρίῳ. Πάλιν τὸ, ᾿Εν, διὰ Κυρίου, ἐστίν’ Αὐτός σοι ἔδωχεν, οὐχ ἡμεῖς. Κἀχείνους ὑποτάττει αὐτῷ, τῷ δειχνύειν παρὰ Θεοῦ αὐτοὺς ἐγχεχειρισμένον: Μνημονεύετέ μου τῶν δεσμῶν. Ἢ χάρις μεθ᾽ ὑμῶν. ᾿Αμήν. Τὸν φόδον ἔλυσεν. Εἰ γὰρ καὶ ὁ διδάσχαλος ἐν δεσμοῖς, ἀλλ᾽ ἡ χάρις αὐτὸν λύει. Καὶ τοῦτο τῆς χάριτος τὸ συγχωρεῖν αὐτὸν δεθῆναι " ἄκουε γὰρ τοῦ Λουχᾶ λέγοντος, ὅτι 'Υπέστρεφον οἱ ἀπόστολοι ἀπὸ προσὠπου τοῦ συνεδρίου καίροντες ὅτε κατηξιώθησαν ὑπὲρ τοῦ ὀνόματος αὐτοῦ ἀτιμασθῆγαι. Κατἀξιωθῆναι γὰρὄντως ἐστὶ, καὶ τὸ ἀτιμασθῆναι καὶ τὸ δεθῆναι. Εἰ γὰρ ἐρώμενόν τις ἔχων, χέρδος ἡγεῖται τὸ ἐχεῖνόν τι παθεῖν, πολλῷ μᾶλλον τὸ διὰ τὸν Χριστόν. Μὴ τοίνυν ἀσχάλλωμεν περὶ τὰς θλίψεις διὰ Χριστὸν, ἀλλὰ μνημονεύωμεν τῶν δεσμῶν Παύλου καὶ ἡμεῖς, καὶ τοῦτο ἔστω ἡμῶν προτροπή" οἷον, παραινεῖ; τισι, πένῃσι δοῦναι διὰ Χριστόν; ἀνάμνησον αὐτοὺς τῶν Παύλου δεσμῶν, καὶ σαυτὸν χἀχείνους ταλάνισον, εἰ ἐχεῖνος μὲν καὶ τὸ σῶμα ἐξέδωχε δεσμοὶς δι᾿ αὑτὸν, σὺ δὲ οὐδὲ τροφῆς μεταδίδως. Ἐπἤρθης ἐπὶ χατορθώμασι; μνημόνευσον τῶν Παύλου δεσμῶν, καὶ ὅτι οὐδὲν τοιοῦτον ἔπαθες, καὶ οὐχέτι ἐπαρθήσῃ. Ἐπεθύμησας τῶν τοῦ πλησίον; μνημόγνευσὸν τῶν Παύλου δεσμῶν, καὶ ὄψει πῶς ἄτοπον ἐχεῖνον μὲν ἐν χινδύνοις εἶναι, σὲ δὲ τρυφᾷν. Ἐπεθύμησας πάλιν τρυφῆς; ἐν νῷ λάδε τὸ δεσμωτήριον Παύλου ἐχείνου μαθητὴς εἶ, ἐχείνου συστρατιώτης. Πῶς ἔχει λόγων, τὸν μεν συστρακιώτην ἐν δεσμοῖς εἶναι, σὲ δὲ ἐν τρυφῇ; Ἐν θλίψει γέγονας, ἐνόμισας ἐγκαταλελεῖφθαι; ἄχους τῶν Παύλου λόγων, καὶ ὄψει ὅτι τὸ ἐν θλίψει εἶναι οὐχ ἐγχαταλείψεώς ἐστι τεχμήριον. Θέλεις σηριχὰ φορεῖν ἱμάτια; μνημόνευε τῶν Παύλου ὃςσμῶν, καὶ ταῦτά σοι φανεῖται τῶν ῥαχίων ἀτι-σθαι; ἐν νῷ λάδε τὰ Παύλου δεσμὰ, καὶ σχοίνου παλαιᾶς οὐδὲν ἄμεινόν σοι δόξει ταῦτα διακεῖσθαι. Θέλεις διαθεῖναι τὰς τρίχας, καὶ χαλὴ φαίνεσθαι; ἐννόησον τὸν αὐχμὸν τοῦ Παύλου τὸν ἐν τῷ δεσμωτηρίῳ, καὶ ἐχκαήσῃ πρὸς ἐκεῖνο τὸ κάλλος, καὶ πιχρῶς ἐπιθυμοῦσα ἐχείνων τῶν δεσμῶν. θέλεις ἐπιτρίμματα καὶ ὑπογραφὰς ἑαυτῇ περιθεῖναι, καὶ ὅσα τοιαῦτα; ἐννόησον τὰ ἐχείνου δάχρυα ᾿ τριετίαν, νύχτα καὶ ἡμέραν οὐχ ἐπαύετο δαχρύων. Τούτῳ τῷ χόσμῳ χολλώπιζε τὴν παρειάν" ταῦτα τὰ δάκρυα λαμπρὰν αὐτὴν ἐργάζεται. Οὐ λέγω ἵνα ὑπὲρ τῶν ἄλλων δαχρύῃς. ( βούλομαι μὲν γὰρ καὶ τοῦτο, ἀλλ᾽ ἀνώτερόν σού ἐστι τοῦτο), ἀλλ᾽ ὑπὲρ τῶν σῶν ἁμαρπημάτων τοῦτο παραινῶ ποιεῖν. Ἐχέλευσας θῆναι παῖδα, καὶ ὠργίσθης καὶ παρωξύνθης; μνημόνενε τῶν Παύλου δεσμῶν, καὶ εὐθέως παύσεις τὴν ὀργήν " ἀναμνήσθητι ὅτι τῶν δεδεμένων ἡμεῖς, ἀλλ᾽ οὐ τῶν δεόντων ", τῶν συντετριμμένων τὴν χαρ-δίαν, ἀλλ᾽ οὐ τῶν συντριθόντων. Διεχύθης καὶ ἀνμῶν, καὶ στενάξεις " πολλῷ σε λαμπροτέραν τὰ δάχρνα ταῦτα δείχνυσιν. Εἶδες τρυφῶντας καὶ ὀρχουμένους; μνημόνευσον᾽ αὐτοῦ τῶν δαχρύων. Ποία πηγὴ τοσαῦτα ἀνέδλυσε νάματα, ὡς οἱ ὀφθαλμοὶ ἐχεῖνοι τὰ δάχρυα: Μγημογεύετέ μου, φησὶ, τῶν δαχρϑων, ὥσπερ τῶν δεσμῶν ἐνταῦθα. Καὶ εἰχό- “ὡς ἐχείνοις ταῦτα εἶπεν, ἡνίχα ἀπὸ τῆς Ἐφέσου αὐτοὺς μετεστείλατο εἰς τὴν Μίλητον. Διδασχάλοις γὰρ ἔλεγεν ὥστε ἐχείνους μὲν καὶ τὸ συνάγειν ἀπαιτεῖ, τούτους δὲ τὸ χινδυνεύειν μόνον Ρ. Υ΄. Ποίαν βούλει παραδαλεῖν πηγὴν τοῖς δάχρυσιτούτοις; τὴν ἐν τῷ παραδείσῳ, τὴν ποτίζουσαν τὴν γῆν ἅπασαν; ᾿Αλλ᾽ οὐδὲν ἴσον ἐρεῖς “ αὕτη γὰρ ἣ τῶν δαχρύων πηγὴ ψυχὰς ἐπότιζεν, οὐ γῆν. Εἴ τις ἡμῖν δεδαχρυμένον ἔδειξε Παῦλον καὶ στενάζοντα, οὐ πολλῷ ἦν βέλτιον ἰδεῖν, ἢ χοροὺς μυρίους φαιδρῶς ἐστεφανωμένους; Οὐ λέγω περὶ ὑμῶν " ἀλλ᾽ εἴ τις ἀπὸ τοῦ θεάτρου καὶ τῆς σχηνῆς ἀποσπάσας τινὰ τῶν ἀχολάστων ἑχχαιόμενον καὶ βαχχευόμενον τῷ τῶν σωμάτων ἔρωτι, ἐδείχνυ χόρην παρθένον ἐν αὐτῷ τῆς ἡλιχίας τῷ ἄνθει τά τε ἄλλα νιχῶσαν τὰς ὁμήλικας, καὶ τῇ ὄψει ὑπὲρ τὰ λοιπὰ μέλη, ὀφθαλμὸν ἔχουσαν ἀπαλὸν καὶ μαλαχὸν ἐγχαθήμενον ἠρέμα, περιστρεφόμενον ἡρέμα, ὑγρὸν, ἥμερον, γαληνὸν μειδιῶντα, καὶ πολλῇ μὲν περιεσταλμένον τῇ αἰδοῖ, πολλῇ δὲ τῇ χάριτι, βλεφαρίσι χυαναῖς χάτωθεν καὶ ἄνωθεν ἐστεφανωμένην, τὴν χόρην ἔμψυχον, ὡς εἰπεῖν, ἔχουσαν, λάμπον τὸ μέτωπον, χάτωθεν πάλιν τὴν μάρου δίχην λείαν ὑποχειμένην, ὁμαλήν " εἶτά μοι ἔδειξε Παῦλον δαχρύοντα, ταύτην ἂν ἀφεὶς ἐπεπήδησα τῇ τούτου θέᾳ" κάλλος γὰρ ἀπέλαμπεν ἀπὸ «οὐτων τῶν ὀφθαλμῶν πνευματιχόν. Ἐχεῖνο μὲν γὰρ ποιεῖ ἐξίστασθαι νέων ψυχὰς, ἐχκαίει καὶ φλέγει" τοῦτο δὲ τοὐναντίον χαταστέλλει. Τούτου τοὺς ὀφθαλμοὺς ὁ ὁρῶν ὡραιότερον τὸν τῆς ψυχῆς ἐργάζεται, θείας πολλῆς, καὶ ἀδαμαντίνην μαλάξαι δύναται ψυχήν. Τούτοις ἄρδεται ἡ ᾿Ἐχχλησία,, τούτοις ψυκαὶ φυτεύονται τοῖς δάχρυσι᾽" χἂν πῦρ ἧ, ταῦτα τὰ δάκρυα σδέσαι δύναται, καὶ αἰσθητὸν « καὶ σωματιχόν' ταῦτα τὰ δάχρνα τὰ βέλη τοῦ Πονηροῦ τὰ πεπυρωμένα σδέννυσι. Μνημονεύωμεν τοίνυν τῶν δαχρύων αὐτοῦ, καὶ πάντων χαταγελασόμεθα τῶν παρόντων. Ταῦτα ἐμαχάριζεν ὁ Χριστὸς τὰ δάκρυα, λέγων" Μαχάριοι οἱ πενθοῦντες, καὶ μαχάριοι οἱ κλαίοντες, ὅτι αὐτοὶ γελάσονται. Τοιαῦτα καὶ ἩἩσαῖας, καὶ Ἱερεμίας ἠφίει δάχρνα" καὶ ὁ μὲν ἔλεγεν" Αφετά μὲ, πιχρῶς κλαύσομαι" ὁ δὲ ἔλεγε" Τίς δώσει τῇ κεφαλῇ μου ὕδωρ, καὶ τοῖς ὀρθαλμοῖς μου πηγὰς δαχρύων; ὡς οὖκ ἀρχούσης τῆς φυσικῆς. Οὐδὲν τῶν δαχρύων τούτων ἥδιον " παντὸς γέλωτος καῦτα ἠδύτερα. Ἴσασιν οἱ πενθοῦντες, πόσην ἔχει τὸ πρᾶγμα παραμυθίαν. Μὴ ἀπευχτὸν αὐτὸ εἶναι νομίζωμεν, ἀλλὰ καὶ σφόδρα εὐχτόν. Οὐχ ὥστε ἑτέρους ἁμαρτάνειν, ἀλλ᾽ ὥστε ἁμαρτανόντων αὖτῶν ἡμᾶς καταχλᾶσθαι, τούτων μνημονεύωμεν τῶν δαχρύων, τούτων τῶν δεσμῶν. Αρα καὶ ἐπὶ τῶν δεσμῶν δάχρυα χατέδαινεν " οὐκ ἢφίει δὲ αὐτὸν τῇ; ἀπὸ τῶν δεσμῶν ἡδονῆς αἰσθάνεσθαι τῶν ἀπολλυμένων ὁ θάνατος, τῶν δεσμούντων. Καὶ γὰρ ὑπὲρ ἐχείνων ἤλγει" μαθητὴς γὰρ ἦν ἐχείνου τοῦ δαχρύοντος τοὺς ἱερέας τῶν Ἰουδαίων, οὐχ ὅτι αὑτὸν ἔμελλον σταυροῦν, ἀλλ᾽ ὅτι αὑτοὶ ἀπώλλυντο. Καὶ οὐχ αὐτὸς μόνος αὐτὸ ποιεῖ, ἀλλὰ καὶ τοὺς ἄλλους οὕτω παραχαλεῖ, λέγων " Μὴ κλαίετε π᾿ ἐμὲ, θυγατέρες “ερουσακήμ. Εἶδον τὸν παράδεισον οὗτοι οἱ ὀφθαλμοὶ, εἶδον τὸν τρίτον οὐρανόν " ἀλλ᾽ οὐ μαχαρίζω αὐτοὺς τῆς θέας ταύτης ἕνεχεν οὕτως, ὡς τῶν δαχρύων ἐχείνων, ὧν εἶδον τὸν Χριστόν. Μαχάριον μὲν ὄντως τοῦτο " καὶ γὰρ καὶ αὑτὸς ἐπ᾿ αὐτῷ σεμνύνεται λέγων" Οὐχὶ ᾿Ιησοῦν Χριστὸν τὸν Κύριον ἡμῶν ἑώρακα; ἀλλὰ μακαριώτερον τὸ δαχρῦσαι οὕτως. Ἐχείνου πολλοὶ χεχοινωνήχασι τοῦ θεάματος, καὶ τοὺς μὴ χοινωνήσαντας μαχαρίζει πάλιν Χριστὸς, λέγων " Μακάριοι οἱ μὴ ἰδόντες, καὶ πιστεύσανεες " τούτου δὲ οὗ πολλοὶ ἐπέτυχον. Εἰ γὰρ τὸ μένειν διὰ Χριστὸν ἐνταῦθα τοῦ ἀναλῦσαι πρὸς αὑτὸν ἀναγχαιότερον διὰ τὴν σωτηρίαν τῶν ἄλλων, ἄρα καὶ τοῦ ἰδεῖν αὐτὸν τὸ αὐτοὺς στενάξαι ἀναγχαιότερον. Εἰ γὰρ τοῦ σὺν αὐτῷ εἶναι τὸ δι᾽ αὐτὸν εἰς γέενναν εἶναι ποθεινότερον, καὶ τοῦ συνεῖναι αὑτῷ τὸ χωρίζεσθαι αὐτοῦ δι᾽ αὐτὸν ποθεινότερον (τοῦτο γάρ ἔστιν ὅπερ ἔλεγεν" ὐχόμην ἀνάθεμα εἶναι αὑτὸς ἐγὼ ἀπὸ Χριστοῦ)" πολλῷ μᾶλλον καὶ τὸ δαχρύειν δι᾽ αὐτόν. Οὐκ ἐπαυσάμην, φησὶ, μετὰ δαχρύων γουθετῶν ἕνα ἕχαστον. Διὰ τί; Οὐχὶ τοὺς κινδύνους δεδοιχώς " ἀλλ᾽ ὥσπερ ἄν τις ἀσθενοῦντι παραχαθήμενος, καὶ μὴ εἰδὼς τὸ τέλος, δαχρύοι διὰ πόθον, δεδοιχὼς μὴ ἐχπέσῃ τῆς ζωῆς " οὕτω καὶ αὐτὸς, ὅταν εἶδεν ἀσθενοῦντα, καὶ ἐπιπλῆξαι οὐχ ἴσχυσεν, ἐδάχρυε λοιπόν. Τοῦτο καὶ ὁ Χριστὸς ἐποίησεν, ἵνα χἂν τὰ δάχρυα αἰδεσθῶσιν " οἷον, ἡμάρτανέ τις; ἐπετίμα " κατέπτυεν αὐτοῦ

Mega enchōmion, kai meizon tōn allōn hapantōn po legein peri tou Epaphra, Ho ex hymōn Christou. Kai diachonon auton hyper hautōn phēsin, hōsper kai heauton tēs Echchlēsias legei diachoēnon, hōs hotan legę̄" Hēs egenomēn egō Paulos diakogos. Eis to auto axiōma anapherei ton andoa, kai syndoulon anōterō chalei, kai entautha doulon. Ho dx hymōn, phēsin " hōs pros mētera dialegomenos, kai legōn" Ho ech tēs gastros tēs sēs. ᾿Alla touto phthonon an heteche to henchōmion. Dia touto ouch apo toutōn auton synistēsi monon, alla kai ech tōn pros autous " kai echei phthonon lyei, kai entautha. Pantote, phēsin, agōnizomenos hyper hymōn" ou nyn monon par᾽ hēmin, hōste epideixasthai, oude par᾽ hymin monon, hōstǭ hymin epideixasthai. Megalēn prothymian edeixe tǭ eipein. ᾿Agōnizomenos. Eita, hina mē doxę̄ kolacheuein autous, epēgagen, hoti Zēlon echei polyn hyper hymōn, kai tōn en Laodikeią, kai tōn en ᾿Ierapoiiei. Kai to, Hina stēte teleioi, kai touto ou golakeias, all᾽ aidesimon dida.-schalou Kai peplērōmenoi, phēsi, kai teleioi. To men edōche, to de eipen hysterein. Kai ouch eipen, Hina mē saleuēsthe, all᾽, Hina stēte. To mentoi para pollōn aspazesthai autous, anachtatai autous, hotan mē monon hoi oicheioi ex autōn, alla kai heteroi autōn mnēmoneuōsi. Kai eipate ᾿Archippǭ' Blepe tēn diakonian, hēn parelaxes en Kyriǭ. Malista autous autǭ hypotattei. Oucheti gar an echoien enchalein ekeinǭ epitimōnti autous, hotan autō hōōsin anadedegmenoi to pan " epei ouch echei logon toi? mathētais peri tou didaskalou legein. ᾿All᾽ epistomizōn autous, tauta graphei. Eipate, phēsin, ᾿Archippǭ" Blepe. Phodountos esti touto to rhēma pantachou, hōs hotan legē" Bilepete tous kynas " Biepete mē tis hymas estai ho sylagōgōn" Biepete mē pōs hē exousia hymōn hautē proskomma genētai tois asthenousi. Kai pantachou houtō phēsin hotan phodę̄. Blepe, phēsi, tēn diakogian, hēn parelades en Kyriǭ, hina autēn plērois. Oude aphiēsin auton chyrion einai, kathaper hautos elegen " Ei gar hekōn touto prassō, misthon echō" di de achōn, oichonomian pepisteumai. Hina autēn» plērois " diēnechōs chechrēmenos spoudę̄. Hēn parellades «en Kyriǭ. Palin to, ᾿En, dia Kyriou, estin’ Autos soi edōchen, ouch hēmeis. Kacheinous hypotattei autǭ, tǭ deichnyein para Theou autous enchecheirismenon: Mnēmoneuete mou tōn desmōn. Ē charis meth᾽ hymōn. ᾿Amēn. Ton phodon elysen. Ei gar kai ho didaschalos en desmois, all᾽ hē charis auton lyei. Kai touto tēs charitos to synchōrein auton dethēnai " akoue gar tou Loucha legontos, hoti 'Ypestrephon hoi apostoloi apo prosōpou tou synedriou kairontes hote katēxiōthēsan hyper tou onomatos autou atimasthēgai. Kataxiōthēnai garontōs esti, kai to atimasthēnai kai to dethēnai. Ei gar erōmenon tis echōn, cherdos hēgeitai to echeinon ti pathein, pollǭ mallon to dia ton Christon. Mē toinyn aschallōmen peri tas thlipseis dia Christon, alla mnēmoneuōmen tōn desmōn Paulou kai hēmeis, kai touto estō hēmōn protropē" hoion, parainei? tisi, penę̄si dounai dia Christon? anamnēson autous tōn Paulou desmōn, kai sauton chacheinous talanison, ei echeinos men kai to sōma exedōche desmois di᾿ hauton, sy de oude trophēs metadidōs. Epērthēs epi chatorthōmasi? mnēmoneuson tōn Paulou desmōn, kai hoti ouden toiouton epathes, kai oucheti eparthēsę̄. Epethymēsas tōn tou plēsion? mnēmogneuson tōn Paulou desmōn, kai opsei pōs atopon echeinon men en chindynois einai, se de tryphąn. Epethymēsas palin tryphēs? en nǭ lade to desmōtērion Paulou echeinou mathētēs ei, echeinou systratiōtēs. Pōs echei logōn, ton men systrakiōtēn en desmois einai, se de en tryphę̄? En thlipsei gegonas, enomisas enkataleleiphthai? achous tōn Paulou logōn, kai opsei hoti to en thlipsei einai ouch enchataleipseōs esti techmērion. Theleis sēricha phorein himatia? mnēmoneue tōn Paulou hossmōn, kai tauta soi phaneitai tōn rhachiōn ati-sthai? en nǭ lade ta Paulou desma, kai schoinou palaias ouden ameinon soi doxei tauta diakeisthai. Theleis diatheinai tas trichas, kai chalē phainesthai? ennoēson ton auchmon tou Paulou ton en tǭ desmōtēriǭ, kai echkaēsę̄ pros ekeino to kallos, kai pichrōs epithymousa echeinōn tōn desmōn. theleis epitrimmata kai hypographas heautę̄ peritheinai, kai hosa toiauta? ennoēson ta echeinou dachrya ᾿ trietian, nychta kai hēmeran ouch epaueto dachryōn. Toutǭ tǭ chosmǭ chollōpize tēn pareian" tauta ta dakrya lampran autēn ergazetai. Ou legō hina hyper tōn allōn dachryę̄s. ( boulomai men gar kai touto, all᾽ anōteron sou esti touto), all᾽ hyper tōn sōn hamarpēmatōn touto parainō poiein. Echeleusas thēnai paida, kai ōrgisthēs kai parōxynthēs? mnēmonene tōn Paulou desmōn, kai eutheōs pauseis tēn orgēn " anamnēsthēti hoti tōn dedemenōn hēmeis, all᾽ ou tōn deontōn ", tōn syntetrimmenōn tēn char-dian, all᾽ ou tōn syntrithontōn. Diechythēs kai anmōn, kai stenaxeis " pollǭ se lamproteran ta dachrna tauta deichnysin. Eides tryphōntas kai orchoumenous? mnēmoneuson᾽ autou tōn dachryōn. Poia pēgē tosauta anedlyse namata, hōs hoi ophthalmoi echeinoi ta dachrya: Mgēmogeuete mou, phēsi, tōn dachrϑōn, hōsper tōn desmōn entautha. Kai eicho- “hōs echeinois tauta eipen, hēnicha apo tēs Ephesou autous metesteilato eis tēn Milēton. Didaschalois gar elegen hōste echeinous men kai to synagein apaitei, toutous de to chindyneuein monon R. Y΄. Poian boulei paradalein pēgēn tois dachrysitoutois? tēn en tǭ paradeisǭ, tēn potizousan tēn gēn hapasan? ᾿All᾽ ouden ison ereis “ hautē gar hē tōn dachryōn pēgē psychas epotizen, ou gēn. Ei tis hēmin dedachrymenon edeixe Paulon kai stenazonta, ou pollǭ ēn beltion idein, ē chorous myrious phaidrōs estephanōmenous? Ou legō peri hymōn " all᾽ ei tis apo tou theatrou kai tēs schēnēs apospasas tina tōn acholastōn hechchaiomenon kai bachcheuomenon tǭ tōn sōmatōn erōti, edeichny chorēn parthenon en autǭ tēs hēlichias tǭ anthei ta te alla nichōsan tas homēlikas, kai tę̄ opsei hyper ta loipa melē, ophthalmon echousan apalon kai malachon enchathēmenon ērema, peristrephomenon hērema, hygron, hēmeron, galēnon meidiōnta, kai pollę̄ men periestalmenon tę̄ aidoi, pollę̄ de tę̄ chariti, blepharisi chyanais chatōthen kai anōthen estephanōmenēn, tēn chorēn empsychon, hōs eipein, echousan, lampon to metōpon, chatōthen palin tēn marou dichēn leian hypocheimenēn, homalēn " eita moi edeixe Paulon dachryonta, tautēn an apheis epepēdēsa tę̄ toutou theą" kallos gar apelampen apo «outōn tōn ophthalmōn pneumatichon. Echeino men gar poiei existasthai neōn psychas, echkaiei kai phlegei" touto de tounantion chatastellei. Toutou tous ophthalmous ho horōn hōraioteron ton tēs psychēs ergazetai, theias pollēs, kai adamantinēn malaxai dynatai psychēn. Toutois ardetai hē ᾿Echchlēsia,, toutois psykai phyteuontai tois dachrysi᾽" chan pyr hē, tauta ta dakrya sdesai dynatai, kai aisthēton « kai sōmatichon' tauta ta dachrna ta belē tou Ponērou ta pepyrōmena sdennysi. Mnēmoneuōmen toinyn tōn dachryōn autou, kai pantōn chatagelasometha tōn parontōn. Tauta emacharizen ho Christos ta dakrya, legōn" Macharioi hoi penthountes, kai macharioi hoi klaiontes, hoti autoi gelasontai. Toiauta kai HēĒsaias, kai Hieremias ēphiei dachrna" kai ho men elegen" Apheta me, pichrōs klausomai" ho de elege" Tis dōsei tę̄ kephalę̄ mou hydōr, kai tois orthalmois mou pēgas dachryōn? hōs ouk archousēs tēs physikēs. Ouden tōn dachryōn toutōn hēdion " pantos gelōtos kauta ēdytera. Isasin hoi penthountes, posēn echei to pragma paramythian. Mē apeuchton auto einai nomizōmen, alla kai sphodra euchton. Ouch hōste heterous hamartanein, all᾽ hōste hamartanontōn autōn hēmas katachlasthai, toutōn mnēmoneuōmen tōn dachryōn, toutōn tōn desmōn. Ara kai epi tōn desmōn dachrya chatedainen " ouk ēphiei de auton tę̄? apo tōn desmōn hēdonēs aisthanesthai tōn apollymenōn ho thanatos, tōn desmountōn. Kai gar hyper echeinōn ēlgei" mathētēs gar ēn echeinou tou dachryontos tous hiereas tōn Ioudaiōn, ouch hoti hauton emellon stauroun, all᾽ hoti hautoi apōllynto. Kai ouch autos monos auto poiei, alla kai tous allous houtō parachalei, legōn " Mē klaiete p᾿ eme, thygateres “erousakēm. Eidon ton paradeison houtoi hoi ophthalmoi, eidon ton triton ouranon " all᾽ ou macharizō autous tēs theas tautēs henechen houtōs, hōs tōn dachryōn echeinōn, hōn eidon ton Christon. Macharion men ontōs touto " kai gar kai hautos ep᾿ autǭ semnynetai legōn" Ouchi ᾿Iēsoun Christon ton Kyrion hēmōn heōraka? alla makariōteron to dachrysai houtōs. Echeinou polloi chechoinōnēchasi tou theamatos, kai tous mē choinōnēsantas macharizei palin Christos, legōn " Makarioi hoi mē idontes, kai pisteusanees " toutou de hou polloi epetychon. Ei gar to menein dia Christon entautha tou analysai pros hauton ananchaioteron dia tēn sōtērian tōn allōn, ara kai tou idein auton to autous stenaxai ananchaioteron. Ei gar tou syn autǭ einai to di᾽ auton eis geennan einai potheinoteron, kai tou syneinai hautǭ to chōrizesthai autou di᾽ auton potheinoteron (touto gar estin hoper elegen" ychomēn anathema einai hautos egō apo Christou)" pollǭ mallon kai to dachryein di᾽ auton. Ouk epausamēn, phēsi, meta dachryōn gouthetōn hena hechaston. Dia ti? Ouchi tous kindynous dedoichōs " all᾽ hōsper an tis asthenounti parachathēmenos, kai mē eidōs to telos, dachryoi dia pothon, dedoichōs mē echpesę̄ tēs zōēs " houtō kai autos, hotan eiden asthenounta, kai epiplēxai ouch ischysen, edachrye loipon. Touto kai ho Christos epoiēsen, hina chan ta dachrya aidesthōsin " hoion, hēmartane tis? epetima " kateptyen autou

Great praise, and greater than all the others, is to say of Epaphras, “who is one of you, a slave of Christ.” And he calls him a minister on their behalf, as he calls himself too a minister of the church, as when he says, “of which I, Paul, became a minister.” He raises the man to the same rank; above he calls him a fellow slave, and here a slave. “Who is one of you,” he says, as though speaking to a mother and saying, “who came from your womb.” But this praise might have bred envy. That is why he commends him not only from these things but also from his attitude toward them; and there he dissolves envy, and here too. “Always,” he says, “striving for you”: not only now, when with us, so as to make a display, nor only when with you, so as to make a display to you. He showed great eagerness by saying “striving.” Then, lest he seem to flatter them, he added that “he has great zeal for you and for those in Laodicea and those in Hierapolis.” And “that you may stand perfect” — this too is not flattery, but the language of a teacher who deserves respect. “And fully assured,” he says, “and perfect.” The one he granted them; the other he said they lacked. And he did not say, “that you may not be shaken,” but “that you may stand.” And to be greeted by many restores them, when not only their own people from among them but others too remember them. “And say to Archippus, ‘See to the ministry which you received in the Lord.’” He especially subjects them to him. For they could no longer find fault with him when he rebuked them, since they themselves had undertaken the whole; for it is not reasonable for disciples to speak about their teacher. But he writes this to stop their mouths. “Say,” he says, “to Archippus, ‘See.’” This word is everywhere the language of one who frightens, as when he says, “See the dogs”; “See lest anyone make spoil of you”; “See lest somehow this liberty of yours become a stumbling block to the weak.” Everywhere he speaks so when he frightens. “See,” he says, “to the ministry which you received in the Lord, that you fulfil it.” He does not leave him master of it, as he himself said: “For if I do this willingly, I have a reward; but if unwillingly, I have been entrusted with a stewardship.” “That you fulfil it”: using diligence continually. “Which you received in the Lord.” Again the “in” means “through the Lord”: he gave it to you, not we. He subjects them to him too, by showing that he was entrusted with them by God. “Remember my bonds. Grace be with you. Amen.” He dissolved their fear. For even if the teacher is in bonds, grace frees him. And this too is of grace, to allow him to be bound; for hear Luke saying that the apostles returned from the presence of the council rejoicing that they had been counted worthy to be dishonoured for his name. For to be dishonoured and to be bound is truly to be counted worthy. For if someone who has a beloved thinks it gain to suffer something for him, much more for Christ's sake. Let us not, then, be vexed at afflictions for Christ's sake; but let us too remember Paul's bonds, and let this be our exhortation. For example, are you exhorting some to give to the poor for Christ's sake? Remind them of Paul's bonds, and call yourself and them wretched, if he gave even his body to bonds for Christ's sake, while you do not even share your food. Have you been lifted up by your achievements? Remember Paul's bonds, and that you have suffered nothing of the kind, and you will no longer be lifted up. Have you desired your neighbour's goods? Remember Paul's bonds, and you will see how absurd it is that he should be in dangers and you in luxury. Have you desired luxury again? Bring to mind Paul's prison; you are his disciple, his fellow soldier. How is it reasonable that your fellow soldier should be in bonds and you in luxury? Have you been in affliction, and did you think yourself abandoned? Hear Paul's words, and you will see that being in affliction is no token of abandonment. Do you want to wear silk clothes? Remember Paul's bonds, and these will appear to you more worthless than rags … Bring to mind Paul's bonds, and your ornaments will seem to you no better than an old rope. Do you want to arrange your hair and appear beautiful? Consider Paul's squalor in prison, and you will be fired with love for that beauty, bitterly desiring those bonds. Do you want to put on cosmetics and paint and such things? Consider his tears: for three years, night and day, he did not cease weeping. Beautify your cheek with this adornment; these tears make it brilliant. I do not say that you should weep for others (I would like that too, but it is beyond you), but I exhort you to do this for your own sins. Did you order a slave to be bound, and were you angry and provoked? Remember Paul's bonds, and you will at once stop your anger; remember that we are of those who are bound, not of those who bind; of those broken in heart, not of those who break. Have you become dissolute and …? … and you will groan; these tears show you much more brilliant. Did you see people living in luxury and dancing? Remember his tears. What spring ever poured out such streams as those eyes poured tears? “Remember,” he says, “my tears,” as here, “my bonds.” And rightly he said this to those men when he summoned them from Ephesus to Miletus. For he was speaking to teachers; so from them he demands also the gathering of the flock, but from these only remembrance. What spring do you want to compare with these tears? The one in paradise, which waters the whole earth? But you will name nothing equal; for this spring of tears watered souls, not earth. If someone showed us Paul in tears and groaning, would it not be much better to see than ten thousand choruses gaily crowned? I do not say this about you; but suppose someone dragged from the theatre and the stage one of the licentious, burning and frenzied with love of bodies, and showed him a maiden in the very flower of her youth, surpassing her companions in everything else and in her face above her other features, having a tender and soft eye that rests quietly and turns quietly, liquid, gentle, calm, smiling, wrapped in much modesty and much grace, crowned with dark lashes below and above, with a pupil, so to speak, alive, a shining forehead, and below again the cheek, smooth and even like marble; and then showed me Paul weeping: I would have left her and leapt to the sight of him; for a spiritual beauty shone from those eyes. For the one makes young men's souls lose their wits, kindles and inflames them; but this does the opposite and calms them. He who sees these eyes makes the eye of his soul more beautiful … of much divine …, and they can soften even an adamantine soul. With these tears the church is watered, with these tears souls are planted; even if there is fire, these tears can quench it, both sensible and bodily fire; these tears quench the fiery darts of the evil one. Let us then remember his tears, and we will laugh at all present things. These tears Christ blessed, saying, “Blessed are those who mourn,” and “Blessed are those who weep, for they shall laugh.” Such tears Isaiah too shed, and Jeremiah: the one said, “Let me alone, I will weep bitterly”; and the other said, “Who will give water to my head, and to my eyes fountains of tears?”, as though natural ones were not enough. Nothing is sweeter than these tears; they are sweeter than any laughter. Those who mourn know how much comfort the thing holds. Let us not think it a thing to be prayed against, but very much a thing to be prayed for: not that others may sin, but that when they sin we may be broken. Let us remember these tears, these bonds. Perhaps tears ran down even upon the bonds; and the death of those who were perishing, of those who were binding him, did not let him feel the pleasure that came from the bonds. For he grieved for them too; for he was a disciple of him who wept over the priests of the Jews, not because they were going to crucify him, but because they themselves were perishing. And not only does Christ do this himself, but he also exhorts others so, saying, “Do not weep for me, daughters of Jerusalem.” These eyes saw paradise, saw the third heaven; but I do not count them blessed for this sight so much as for those tears through which they saw Christ. That indeed is blessed; for he himself takes pride in it, saying, “Have I not seen Jesus Christ our Lord?”; but it is more blessed to weep so. Many shared in that sight, and Christ again blesses those who did not share it, saying, “Blessed are those who have not seen and have believed”; but this not many attained. For if remaining here for Christ's sake is more necessary than departing to him, for the salvation of others, then groaning for them is more necessary than seeing him. For if being in Gehenna for his sake is more desirable than being with him, and being separated from him for his sake more desirable than being with him (for this is what he said: “I could wish that I myself were accursed from Christ”), much more is weeping for his sake. “I did not cease,” he says, “to admonish each one with tears.” Why? Not because he feared the dangers; but as someone sitting by a sick man, not knowing the outcome, weeps from longing, fearing lest he lose his life, so he too, when he saw someone sick and could not rebuke him, wept at last. This Christ too did, so that they might respect at least the tears. For example, someone sinned? He rebuked him; he spurned him …

Col 1:23 (quotation, medium confidence) · Phil 3:2 (quotation, high confidence) · Col 2:8 (quotation, high confidence) · 1 Cor 8:9 (quotation, high confidence) · 1 Cor 9:17 (quotation, high confidence) · Col 4:17–18 (quotation, high confidence) · Acts 5:41 (quotation, high confidence) · Acts 20:31 (quotation, high confidence) · Acts 20:17 (allusion, high confidence) · Gen 2:10 (allusion, medium confidence) · Eph 6:16 (allusion, high confidence) · Matt 5:4 (quotation, high confidence) · Luke 6:21 (quotation, high confidence) · Isa 22:4 (quotation, high confidence) · Jer 9:1 (quotation, high confidence) · Luke 19:41 (allusion, medium confidence) · Luke 23:28 (quotation, high confidence) · 2 Cor 12:2–4 (allusion, medium confidence) · 1 Cor 9:1 (quotation, high confidence) · John 20:29 (quotation, high confidence) · Phil 1:23–24 (allusion, medium confidence) · Rom 9:3 (quotation, high confidence)

Notes and citation

Summary: Chrysostom explains Paul's praise of Epaphras and his charge to Archippus (Col 4:12–17), then turns “Remember my bonds” into an exhortation against luxury, vanity, and anger, and praises Paul's tears as more beautiful than any face and as watering the church.

  • Part of Homily 12. Quotations and allusions: Col 1:23, 25; Phil 3:2; Col 2:8; 1 Cor 8:9; 1 Cor 9:17; Col 4:17–18; Acts 5:41; Acts 20:31 (three years of tears); Acts 20:17 (Ephesus to Miletus); Gen 2:10; Eph 6:16; Matt 5:4; Luke 6:21; Isa 22:4; Jer 9:1 (8:23 in the Hebrew numbering); Luke 19:41; Luke 23:28; 2 Cor 12:2–4; 1 Cor 9:1; John 20:29; Phil 1:23–24; Rom 9:3. The section breaks off in mid-sentence in the scan. Words are lost in several places (marked …). Leaked Latin of Migne's parallel translation (after “which you received in the Lord. Again”) and a displaced phrase (“only remembrance”, translated in its place earlier) were removed. κ/χ confusions translated by sense.

Notes on the original text

  • Digital text corrected (displaced phrase and stray marks; leaked Latin of Migne's translation inside a split word): Πά ἰαι6 [Γαϊτος γαῖ εἰμι Ἱναοαΐοεῖ, εἰ Νυῳπιρίαπι, εἰ φια ἱπ ᾿εργομδηϑ58 δυὰ ρεξοϑιδ βποβοίγοηϊ. Εἰ οα για Μαογον γε πα ργαοθριογῖ5, Εἰ γορ] δῖ, παῖ, οἱ ρεγίδοι!. βἰὰ ἴῃ ἰοῦ 5, τὰ δυίθπι ἴῃ [05 Εἰ πν}!ἃ φταιΐδ; πἰχγὶ8 ρα! ρα γὶβ ἰδ υπα οἱ δυλιν → Πάλιν ; τοὺς τὸ μνημονεύειν μόνον. ΄ ὅδ ἱερέας → τοὺς ἱερέας.

Topics: Persecution, Ethics, Church office

Cite (SBL): Chrysostom, Hom. Col. 12.2 (PG 62:541; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-colossenses/12-2). (abbreviation not yet checked)

BibTeX · RIS · CSL-JSON (whole work; this passage's key: sophiascriptura-chrysostom-hom-colossenses-12-2) · Report an error

Translation: Translated by Claude from the Greek of Migne's Patrologia Graeca 62 (archive.org OCR; corrections logged); compared afterwards with NPNF¹ 13.

12.4PG 62:541

Τούτων μνημονεύωμεν τῶν δαχρύων" οὕτω τὰς θυγατέρας ἀνατρέφωμεν τὰς ἑαυτῶν, οὕτω τοὺς παῖδας, δαχρύοντες ὅταν ἴδωμεν ἐν χαχοῖς ὄντας. “Ὅσαι Παύλου, καὶ στεναζέτωσαν " ὅσαι μαχαρίζεσθε, ὅσαι ἐν θαλάμοις ἐστὲ, ὅσαι ἐν ἡδονῇ, τούτων μνημονεύετε" ὅσοι ἐν πένθει, ἀλλάττεσθε δάχρυα δαχρύων. Οὐ τοὺς τεθνεῶτας ἑἐχεῖνος ἐπένθει, ἀλλὰ τοὺς ἀπολλυμένους καὶ ζῶντας. Εἴπω καὶ ἕτερα δάχρυα; Καὶ Τιμόθεος ἔχλαις " μαθητὴς γὰρ ἣν τούτου" διὸ καὶ γράφων αὐτῷ ἔλεγε Μεμνγημένος σου τῶν δαχρύων, ἵγα χαρᾶς πιληρωθῶ. Πολλοὶ καὶ ἐξ ἡδονῆς ὀδύρονται. Οὕτω καὶ ἡδονῆς ἐστι τὸ πρᾶγμα, καὶ ἡδονῆς μάλιστα ἐπιτεταμένης᾽" οὕτως οὐ φορτιχὰ τὰ δάχρυα τὰ ἐξ ὀδύνης τοιαύτης, ἀλλὰ καὶ ἐχείνων πολλῷ βελτίονα τῶν δι᾽ ἡδονὴν χοσμιχήν. ΓἌχουε τοῦ Προφήτου λέγόντο;" Ἥχουσε Κύριος τῆς φωνῆς τοῦ κχλαυ-θμοῦ μου. Ποῦ γὰρ οὐ χρήσιμον τὸ δάχρνον; ἐν εὐχαῖς, ἐν παραινέσεσιν; Ἡμεῖς δὲ αὐτὰ διαδάλλομεν, οὐχ εἰς ἃ δέδοται χεχρημένοι. “Ὅταν ἀδελφὸν παραχαλῶμεν ἁμαρτάνοντα, χλαίειν δεῖ χοπτόμενον καὶ στενάζοντα᾽ ὅταν παραινῶμέν τινι, ὁ δὲ μὴ προσἐχῃ ν ἀλλ᾽ ἀπολλύηται, χλαίειν δεῖ. Ταῦτα φιλοσοφίας τὰ δάχρνα᾽ ὅταν μέντοι πένης τις γένηται, ὅταν ἐν νόσῳ ἢ σωματιχῇ, ὅταν ἀποθάνῃ, οὐκέτι" ταῦτα γὰρ οὐ δαχρύων ἄξια. Ὥσπερ οὖν καὶ τὸν γέλωτα διαθόλλομεν, ἀκαίρως αὐτῷ χεχρημένοι " οὕτω καὶ τὰ δάχρυα, ἀκαίρως αὐτὰ μεταχειρίζοντες. Ἡ γὰρ ἑκάστου ἀρετὴ τότε φαίνεται, ὅταν πρὸς τὸ ἐπιτήδειον ἔργον ἄγηται" ὅταν δὲ πρὸς τὸ ἀλλότριον, οὐχέτι, Οἷον, ὁ οἶνος πρὸς εὐφροσύνην δέδοται, ἀλλ' οὐ πρὸς μέθην" ὁ ἄρτος πρὸς τροφὴν, ἡ μίξις πρὸς παιδοοὕτω καὶ τὰ δάκρυα. Ἐπικείσθω νόμος, ἐν εὐχαῖς μόναις καὶ παραινέσεσι χεχρῆσθαι τούτοις - καὶ ὅρα πῶς καὶ ποθεινὸν ἔσται τὸ πρᾶγμα. Οὐδὲν οὕτως ἀποσμήχει τὰ ἁμαρτήματα, ὡς δάχρυα, Καὶ ταύτην τὴν σωματικὴν ὄψιν ὡραίαν δείχνυσι τὰ δάκρυα" πρὸς ἕλεον γὰρ ἐπισπᾶται τὸν ὁρῶντα, σεμνὴν ποιεῖ ἡμῖν αὐτήν. Οὐδὲν ἥδιον ὀφθαλμῶν δεδαχρυμένων. Τὸ γὰρ εὐγενέστερον ἐν ἡμῖν μέλος καὶ ὡραιότερον καὶ τῆς ψυχῆς τοῦτό ἐστιν. “Ατε οὖν ὡς αὐτὴν τὴν Ταῦτα ὑμῖν οὐχ ἁπλῶς εἴρηται, ἀλλ᾽ ὥστε ὑμᾶς μὴ γάμοις, μὴ ὀρχήμασι, μὴ χοροῖς παραγίνεσθαι σατανιχοῖς. Ὅρα γὰρ τί εὗρεν ὁ διάδολος - Ἐπειδὴ τῆς σχηνῆς καὶ τῶν ἀσέμνων τῶν ἐκεῖ ἡ φύσις αὐτὴ τὰς γυναῖκας ἀπήγαγεν, εἰς τὴν γυναιχωνῖτιν εἰσήγαγε τὰ τοῦ θεάτρου, μαλαχοὺς λέγω καὶ πόρνας. Ταύτην τὴν λύμην ὁ τῶν γάμων ἐπεισήγαγε νόμος " μᾶλλον δὲ οὐχ ὁ τοῦ γάμου, μὴ γένοιτο, ἀλλὰ τῆς ἡμετέρας βλακείας. Τί ποιεῖς, ἄνθρωπε; οὐχ οἶδας τί πράττεις. Γυναῖχα ἄγῃ ἐπὶ σωφροσύνῃ καὶ παιδοποιίᾳ " τί οὖν αἱ πόρναι βούλονται; “Ἵνα ἡ εὐφροσύνη, φησὶ, γένηται μείζων. Καὶ μὴν ταῦτα οὐχ ἀφροσύ- Εἰ γὰρ τοιούτοις τέρπονται, ὕδρις τὸ πρᾶγμα. Εἰ τὸ γυναῖκας πόρνας ὁρᾷν ἀσχημονούσας φέρει τινὰ φιλοτιμίαν, διὰ τί μὴ καὶ τὴν νύμφην ἕλχεις, ἵνα κἀκείνη θεωρῇ; Πάντως ἄσχημον καὶ αἰσχρὸν, μαλακοὺς ἄνδρας καὶ ὀρχουμένους, καὶ πᾶσαν τὴν πομπὴν τὴν σατανιχὴν ἐπεισάγειν τῇ οἰχίᾳ. Μγημογεύετόέ μου, φησὶ, τῶν δεσμῶν. Δεσμός ἔστιν ὁ γάμος, δεσμὸς ὡρισμένος παρὰ Θεοῦ " λύσις ἡ πόρνη καὶ διάλυσις. Ἕξεστιν ἑτέροις φαιδρύνειν τὸν γάμον, οἷον τραπέζαις πληθούσαις, καὶ ἱματίοις " οὐ περν χόπτω ταῦτα, ἵνα μὴ δόξω σφόδρα εἶναι ἄγριος" καίτοι ἤρχεσε τῇ Ῥεδέχχᾳ θέριστρον μόνον " ἀλλ᾽ ναιχῶν. Τίτὰ ἐπιχάρματα ἐχεῖνα, τί τὰ τέρατα ἐπεισἁγεις; Εἰπὲ ἃ ἀχούεις παρ᾽ αὐτῶν. ᾿Αλλ᾽ ἐρυθριᾷς εἰπεῖν; Σὺ ἐρυθριᾷς, χἀκχείνους ἀναγκάζεις ποιεῖν; Εἰ χαλὸν, διὰ τί μὴ καὶ αὐτὸς ποιεῖς; εἰ δὲ αἰσχρὸν, διὰ τί ἕτερον ἀναγχάζεις; Πάντα σωφροσύνης ἐμπεπλῆσθαι δεῖ, πάντα σεμνότητος, πάντα χοσμιότῆτος " νῦν δὲ τοὐναντίον ὁρῶ, σχιρτῶντας ὡς αἱ χάμηλοι, ὡς αἱ ἡμίονοι. Τῇ παρθένῳ θάλαμος ἐπιτήδειον μόνον. ᾿Αλλὰ πενιχρά ἔστι, φησίν. Ἐπειδὴ πενιχρά ἐστι, καὶ χόσμιος ὀφείλει εἶναι " ἐχέτω τὸν τρόπον ἀντὶ πλούτου. Οὐχ ἔχει προῖχα ἐπιδοῦνάι ς τί αὐτὴν καὶ ἑτέρως εὐκαταφρόνητον ποιεῖς ἀπὸ τῆς ἀναστροφῆς; ᾿Επαινῶ ὅτε παρθένοι παραγίνονται τὴν ὁμήλιχα τιμῶσαι, ὅτι παραγίνονται γυναῖχες τὴν εἰς αὐτὰς καταχθεῖσαν τιμῶσαι “ χαλῶς τοῦτο ὥρισται. Δύο γάρ εἰσιν οὗτοι χοροὶ, ὁ τῶν παρθένων, καὶ ὁ τῶν γεγαμημένων " αὗται παραδιδόασιν, ἐχεῖνα! δέχονται. Ἧ νύμφη μεταξὺ τούτων ἐστὶν, οὔτε παρθένος, οὔτε γυνή " ἐχεῖθεν μὲν γὰρ ἐξέρχεται, Αἱ δὲ πόοναι, διὰ τί; Δέον αὐτὰς ἐγχαλύπτεσθαι ὅταν γάμος ἧ, δέον αὑτὰς χατορύττεσθαι (φθορὰ γὰρ γάμου πορνεία), ἡμεῖς δὲ ἄγομεν αὐτὰς εἰς γάμους. Καὶ ὅταν μέν τι ποιῆτε, καὶ μέχρι ῥήματος οἱωνίζεσθε τὰ ἐναντία " οἷον, ὅταν σπείρῃς, ὅταν ἀπαντλῇς τῶν ὑποληνίων τὸν οἶνον, τὰ ὀξίνην σημαίνοντα οὐδ᾽ ἂν ἀποκρίνοιο᾽ ἐνταῦθα δὲ σωφροσύνης γινομένης, ἐπεισάγετε τὴν ὀξίνην; τοῦτο γὰρ: ἡ πόρνη. Ὅταν μύρον χατασχευάζητε, οὐδὲν δυσῶδες ἀφίετε πλησιάζειν. Μύρον ἐστὶν ὁ γάμος" τί τοίνυν τὴν τοῦ βορδόρου δυσωδίαν ἐπεισάγεις τῇ τοῦ μύρου χατασχευῇ; Τί λέγεις; ὀρχεῖται ἡ παρθένος, καὶ οὐχ αἰσχύνεται τὴν ὁμήλιχα; Ταύτης γὰρ σεμνοτέραν αὐτὴν εἶναι δεῖ" ἐξ ἀγχάλης γε, οὐχ ἐχ παλαίστρας ἔξηλθε. Φαίνεσθαι γὰρ ὅλως ἐν γάμοις τὴν παρθένον οὗ δεῖ. «΄. Οὐχόρᾷς ἐν τοῖς βασιλείοις, ὅτι οἱ μὲν τετιμημένοι ἔνδον περὶ τὸν βασιλέα εἰσὶν, οἱ δὲ ἄτιμοι ἕξω; Καὶ σὺ ἕνδον ἔσο περὶ τὴν νύμφην. ᾿Αλλὰ ἁγνὸς μένε ἐπὶ τῆς οἰχίας " μὴ ἐχπόμπευε τὴν παρθενίαν. Παρέστηχεν ἑχάτερος ὁ χορὸς, ὁ μὲν οἵαν διδόασι δειχνὺς, ὁ δὲ ἵνα ταύτην φυλάττωσι" τί καταισχύνεις τὴν παρθενίαν; Εἰ γὰρ σὺ τοιαύτη, τοιαῦτα καὶ περὶ ἐχείνη; ὁ νυμφίος ὑποπτεύσει" εἰ σὺ ἐρᾶσθαι θέλεις, ταῦτα. Οὐχ ἔστι ταῦτα αἰσχύνη; Αἰσχύνη ἐστὶ τὸ ἀσχημονεῖν, χἂν βασιλέως θυγάτηρ ἧ. Μὴ γὰρ ἡ πενία χωλύει; μὴ γὰρ τὸ ἐπιτήδευμα; Κἂν δούλη τις ἧ παρθένος, ἐν σωφροσύνῃ μενέτω" Ἐν γὰρ Χριστῷ Ἰησοῦ οὔτε δοῦ,ϊος, οὔτε ἐλεύθερος. Μὴ γὰρ θέατρόν ἐστιν ὁ γάμος; Μυστήριόν ἐστι, καὶ τύπος μεγάλου πρά- Ὑματος" χἂν αὐτὸ μὴ αἰδῇ, αἰδέσθητι οὗ τύπος ἐστί. Τὸ μυστήριον τοῦτο, φησὶ, μέγα ἐστίν" ἐγὼ δὲ «.Ἰέγω εἰς Χριστὸν, καὶ εἰς τὴν Ἐκκχιλησίαν. Τῆς Ἐχχλησίας τύπος ἐστὶ καὶ τοῦ Χριστοῦ, καὶ πόρνας εἰσάγεις; ν τοίνυν, φησὶ, μήτε παρθένοι ὀρχῶνται, μῆτε γεγαμημέναι, τίς ὀρχήσεται; Μηδείς " ποία γὰρ ὀρχήσεως ἀνάγχη; Ἐν τοῖς τῶν ᾿Ελλήνων μυστηρίοις αἱ ὀρχήσεις, ἐν δὲ τοῖς ἡμετέροις σιγὴ καὶ εὐχρσμία, αἰδὼς καὶ χαταστολῆ. Μυστήριον τελεῖται μέγα" ἔξω αἱ πόρναι, ἕξω οἱ βέδηλοι. Πῶς μυστήριόν ἐστι; Συν- ᾿ ἔρχονται, καὶ ποιοῦσιν οἱ δύο ἕνα. Διὰ τί, ὅτε μὲν εἰσήει, οὐχ ὄρχησις, οὐ χύμδαλα, ἀλλὰ πολλὴ σιγὴ, πολλὴ ἡσυχία" ὅταν δὲ συνίωσιν, οὐχ εἰκόνα ἄψυχον, οὐδὲ εἰχόνα τινὸς τῶν ἐπὶ γῆς, ἀλλ᾽ αὐτοῦ ποιοῦντες τεις τοὺς ὄντας α, καὶ αἰσχύνεις τὴν ψυχὴν, καὶ θορυδεῖς; Ἔρχονται ἕν σῶμα γενησόμενοι. Ἰδοὺ πάλιν ἀγάπης μυστήριον. ᾽Ἄν οἱ δύο μὴ γένωνται ἕν, οὐκ ἐργάζονται πολλοὺς, ἕως ἂν δύο μένωσιν " ὅταν δὲ εἰς ἐνότητα ἔλθωσι, τότε ἐργάζονται. Τί μανθάνομεν ἀπὸ τούτου; Ὅτι πολλὴ τῆς ἑνώσεως ἡ ἰσχύς. Τὸ εὐμήχανον τοῦ Θεοῦ τὸν ἕνα εἰς δύο δ'εἴλε παρὰ τὴν ἀρχὴν, καὶ θέλων δεῖξαι ὅτι μετὰ τὸ διαιρεθῆναι καὶ εἷς μένει, οὐχ ἀφῆχεν ἕνα ἀρχεῖν πρὸς τὴν γέννησιν. Οὐ γὰρ ἐστιν εἷς [ὁ] οὐδέπω, ἀλλ᾽ ἥμισυ τοῦ ἑνός" καὶ δῆλον, ὅτι οὐ παιδοποιεῖ, καθάπερ καὶ πρότερον. Ἑΐδες τοῦ γάμου τὸ μυστήριον; ᾿Εποίησεν ἐξ ἑνὸς ἕνα, καὶ πάλιν τοὺς δύο τούτους ἕνα ποιήσας οὕτω ποιεῖ ἕνα " ὥστε καὶ νῦν ἐξ ἑνὸς τίχτεται ἄνθρωπος. Γυνὴ γὰρ καὶ ἀνὴρ οὐχ εἰσὶν ἄνθρωποι δύο, ἀλλ᾽ ἄνθρωπος εἷς " καὶ παρὸν καὶ πολλαχόθεν αὐτὸ πιστώσασθαι, οἷον ἀπὸ τοῦ Ἰαχώδου, ἀπὸ τῆς Μαρίας τῆς μητρὸς τοῦ Χριστοῦ, ἀπὸ τοῦ λέγειν“ ἽΔρσεν καὶ θῆλυ ἐποίησεν αὐτούς. Εἰ ὁ μὲν χεφαλὴ, ἡ δὲ σῶμα, πῶς δύο; Διὰ τοῦτο ἡ μὲν μαθητοῦ, ὁ δὲ διδασχάλου τάξιν ἐπέχει" ὁ μὲν ἄρχοντος, ἡ δὲ ἀρχομένης. Καὶ ἀπ᾽ αὐτῆς δὲ τῆς τοῦ σώματος διαπλάσεως ἴδοι τις ἂν, ὅτι ἕν εἰσιν" ἀπὸ γὰρ τῆς πλευρᾶς γέγονε, καὶ ὥσπερ ἡμίπουρα δύο εἰσί. Διὰ τοῦτο καὶ βοηθὸν χαλεῖ, ἵνα δείξῃ ὅτι ἕν εἰσι " διὰ τοῦτο καὶ πατρὸς καὶ μητρὸς προτιμᾷ τὴν συνοίχησιν, ἵνα δείξῃ ὅτι ἕν εἰσι. Καὶ ὁ πατὴρ ὁμοίως καίρει καὶ θυγατρὸς καὶ υἱοῦ γαμούντων, ὡς πρὸς οἰχεῖον μέλος ἐπειγομένου τοῦ σώματος " καὶ ποσαύτη δαπάνη γίνεται καὶ χρημάτων ἐλάττωσις, καὶ ὅμως οὐχ ἀνέχεται ἄγαμον περιορᾷν. Ὥσπερ γὰρ ἀπεσχισμένης αὐτῇ τῆς σαρχὸς, ἀτελὴς πρὸς παιδοποιίαν ἑχάτερος, ἀτελής ἐστι πρὸς βίου σύστασιν τοῦ παρόντος ἑχάτερος. Διὰ τοῦτο καὶ ὁ προφήτης φησίν" 'γπόλειμμα πνεύματός σου. Πῶς δὲ καὶ γίνονται εἰς σάρχα μίαν; Καθάπερ χρυσοῦ τὸ χαθαρώτατον ἂν ἀφέλῃς καὶ ἑτέρῳ ἀναμίξῃς χρυσῷ, οὕτω δὴ καὶ ἐνταῦθα, τὸ πιότατον τῆς ἡδονῆς χωνενούσης ἣ γυνὴ δεχομένη τρέφει καὶ θάλπει, καὶ τὰ παρ᾽ ἑαυτῆς συνεισενεγχαμένη ἄνδρα ἀποδίδωσι. Καὶ γέφυρά τίς ἐστι τὸ παιδίον. Ὥστε οἱ τρεῖς σὰρξ γίνονται μία, τοῦ παιδὸς ἑχατέρωθεν ἑχατέρους συνἄπτοντος. "Ὥσπερ γὰρ εἰ δύο πόλεων οὐσῶν, καὶ ποταμοῦ διόλου διαιροῦντος, μία γίνεται πόλι;, γεφύρας ἑκατέρωθεν ἁπτομένης ᾿ οὕτως ἐστὶν ἐνταῦθα, καὶ πλέον“ αὐτὴ γὰρ ἡ γέφυρα ἐχ τῆς ἑχατέρων οὐσίας. Καὶ τῷ λόγῳ τούτῳ ἕν εἰσιν, ὡς τὸ σῶμα καὶ χεφαλὴ ἕν σῶμα " τῷ γὰρ τραχήλῳ διαιρεῖται " ἀλλ᾽ οὐ διαιροῦνται » μᾶλλον, ἣ συνάπτονται μέσος γὰρ ὡνἑχατέρους συνάγει " καὶ ταυτὸν γίνεται, ὥσπερ ἂν εἰ χορὸς διεσπασμένος τὸ μὲν ἕν αὐτοῦ μέρος ἐντεῦθεν λαδὼν, τὸ δὲ ἕτερον ἐχ τῆς δεξιᾶς, ἕνα ποιήσειεν ἣ ὥσπερ οἱ συνεσταλμένοι οὗτοι καὶ τὰς χεῖρας ἐχτείνοντες ἕν γίνονται" αἱ γὰρ χεῖρες ἐχ- «αθεῖσαι, οὐκ ἀφιᾶσιν εἶναι δύο. Διὰ τοῦτο γοῦν καὶ ἀχριθῶς εἶπεν, οὐχ, ἼἜσονται μία σὰρξ, ἀλλ᾽, Εἰς σάρκα μίαν, τὴν τοῦ παιδὸς συναπτόμενοι δηλονότι. Τί οὖν, ὅταν παιδίον μὴ ἧ, οὐκ ἔσονται δύο ε καὶ τότε: Εὔδηλον" ἢ μίξις γὰρ τοῦτο ἐργάζεται, ἀναχέασα καὶ ἀναμίξασα ἀμφοτέρων τὰ σώματα. Καὶ ὥσπερ εἰς ἔλαιον μύρον ἐμδαλὼν, τὸ πᾶν ἐποέησεν ἕν, οὕτω δὴ καὶ ἐνταῦθα.

Toutōn mnēmoneuōmen tōn dachryōn" houtō tas thygateras anatrephōmen tas heautōn, houtō tous paidas, dachryontes hotan idōmen en chachois ontas. “Hosai Paulou, kai stenazetōsan " hosai macharizesthe, hosai en thalamois este, hosai en hēdonę̄, toutōn mnēmoneuete" hosoi en penthei, allattesthe dachrya dachryōn. Ou tous tethneōtas heecheinos epenthei, alla tous apollymenous kai zōntas. Eipō kai hetera dachrya? Kai Timotheos echlais " mathētēs gar hēn toutou" dio kai graphōn autǭ elege Memngēmenos sou tōn dachryōn, higa charas pilērōthō. Polloi kai ex hēdonēs odyrontai. Houtō kai hēdonēs esti to pragma, kai hēdonēs malista epitetamenēs᾽" houtōs ou phorticha ta dachrya ta ex odynēs toiautēs, alla kai echeinōn pollǭ beltiona tōn di᾽ hēdonēn chosmichēn. GAchoue tou Prophētou legonto?" Hēchouse Kyrios tēs phōnēs tou kchlau-thmou mou. Pou gar ou chrēsimon to dachrnon? en euchais, en parainesesin? Hēmeis de auta diadallomen, ouch eis ha dedotai chechrēmenoi. “Hotan adelphon parachalōmen hamartanonta, chlaiein dei choptomenon kai stenazonta᾽ hotan parainōmen tini, ho de mē prosechę̄ n all᾽ apollyētai, chlaiein dei. Tauta philosophias ta dachrna᾽ hotan mentoi penēs tis genētai, hotan en nosǭ ē sōmatichę̄, hotan apothanę̄, ouketi" tauta gar ou dachryōn axia. Hōsper oun kai ton gelōta diathollomen, akairōs autǭ chechrēmenoi " houtō kai ta dachrya, akairōs auta metacheirizontes. Hē gar hekastou aretē tote phainetai, hotan pros to epitēdeion ergon agētai" hotan de pros to allotrion, oucheti, Hoion, ho oinos pros euphrosynēn dedotai, all' ou pros methēn" ho artos pros trophēn, hē mixis pros paidooutō kai ta dakrya. Epikeisthō nomos, en euchais monais kai parainesesi chechrēsthai toutois - kai hora pōs kai potheinon estai to pragma. Ouden houtōs aposmēchei ta hamartēmata, hōs dachrya, Kai tautēn tēn sōmatikēn opsin hōraian deichnysi ta dakrya" pros heleon gar epispatai ton horōnta, semnēn poiei hēmin autēn. Ouden hēdion ophthalmōn dedachrymenōn. To gar eugenesteron en hēmin melos kai hōraioteron kai tēs psychēs touto estin. “Ate oun hōs autēn tēn Tauta hymin ouch haplōs eirētai, all᾽ hōste hymas mē gamois, mē orchēmasi, mē chorois paraginesthai satanichois. Hora gar ti heuren ho diadolos - Epeidē tēs schēnēs kai tōn asemnōn tōn ekei hē physis autē tas gynaikas apēgagen, eis tēn gynaichōnitin eisēgage ta tou theatrou, malachous legō kai pornas. Tautēn tēn lymēn ho tōn gamōn epeisēgage nomos " mallon de ouch ho tou gamou, mē genoito, alla tēs hēmeteras blakeias. Ti poieis, anthrōpe? ouch oidas ti pratteis. Gynaicha agę̄ epi sōphrosynę̄ kai paidopoiią " ti oun hai pornai boulontai? “Hina hē euphrosynē, phēsi, genētai meizōn. Kai mēn tauta ouch aphrosy- Ei gar toioutois terpontai, hydris to pragma. Ei to gynaikas pornas horąn aschēmonousas pherei tina philotimian, dia ti mē kai tēn nymphēn helcheis, hina kakeinē theōrę̄? Pantōs aschēmon kai aischron, malakous andras kai orchoumenous, kai pasan tēn pompēn tēn satanichēn epeisagein tę̄ oichią. Mgēmogeuetoe mou, phēsi, tōn desmōn. Desmos estin ho gamos, desmos hōrismenos para Theou " lysis hē pornē kai dialysis. Hexestin heterois phaidrynein ton gamon, hoion trapezais plēthousais, kai himatiois " ou pern choptō tauta, hina mē doxō sphodra einai agrios" kaitoi ērchese tę̄ Rhedechchą theristron monon " all᾽ naichōn. Tita epicharmata echeina, ti ta terata epeisageis? Eipe ha achoueis par᾽ autōn. ᾿All᾽ erythriąs eipein? Sy erythriąs, chakcheinous anankazeis poiein? Ei chalon, dia ti mē kai autos poieis? ei de aischron, dia ti heteron ananchazeis? Panta sōphrosynēs empeplēsthai dei, panta semnotētos, panta chosmiotētos " nyn de tounantion horō, schirtōntas hōs hai chamēloi, hōs hai hēmionoi. Tę̄ parthenǭ thalamos epitēdeion monon. ᾿Alla penichra esti, phēsin. Epeidē penichra esti, kai chosmios opheilei einai " echetō ton tropon anti ploutou. Ouch echei proicha epidounai s ti autēn kai heterōs eukataphronēton poieis apo tēs anastrophēs? ᾿Epainō hote parthenoi paraginontai tēn homēlicha timōsai, hoti paraginontai gynaiches tēn eis autas katachtheisan timōsai “ chalōs touto hōristai. Dyo gar eisin houtoi choroi, ho tōn parthenōn, kai ho tōn gegamēmenōn " hautai paradidoasin, echeina! dechontai. Hē nymphē metaxy toutōn estin, oute parthenos, oute gynē " echeithen men gar exerchetai, Hai de poonai, dia ti? Deon autas enchalyptesthai hotan gamos hē, deon hautas chatoryttesthai (phthora gar gamou porneia), hēmeis de agomen autas eis gamous. Kai hotan men ti poiēte, kai mechri rhēmatos hoiōnizesthe ta enantia " hoion, hotan speirę̄s, hotan apantlę̄s tōn hypolēniōn ton oinon, ta oxinēn sēmainonta oud᾽ an apokrinoio᾽ entautha de sōphrosynēs ginomenēs, epeisagete tēn oxinēn? touto gar: hē pornē. Hotan myron chatascheuazēte, ouden dysōdes aphiete plēsiazein. Myron estin ho gamos" ti toinyn tēn tou bordorou dysōdian epeisageis tę̄ tou myrou chatascheuę̄? Ti legeis? orcheitai hē parthenos, kai ouch aischynetai tēn homēlicha? Tautēs gar semnoteran autēn einai dei" ex anchalēs ge, ouch ech palaistras exēlthe. Phainesthai gar holōs en gamois tēn parthenon hou dei. «΄. Ouchorąs en tois basileiois, hoti hoi men tetimēmenoi endon peri ton basilea eisin, hoi de atimoi hexō? Kai sy hendon eso peri tēn nymphēn. ᾿Alla hagnos mene epi tēs oichias " mē echpompeue tēn parthenian. Parestēchen hechateros ho choros, ho men hoian didoasi deichnys, ho de hina tautēn phylattōsi" ti kataischyneis tēn parthenian? Ei gar sy toiautē, toiauta kai peri echeinē? ho nymphios hypopteusei" ei sy erasthai theleis, tauta. Ouch esti tauta aischynē? Aischynē esti to aschēmonein, chan basileōs thygatēr hē. Mē gar hē penia chōlyei? mē gar to epitēdeuma? Kan doulē tis hē parthenos, en sōphrosynę̄ menetō" En gar Christǭ Iēsou oute dou,ïos, oute eleutheros. Mē gar theatron estin ho gamos? Mystērion esti, kai typos megalou pra- Hymatos" chan auto mē aidę̄, aidesthēti hou typos esti. To mystērion touto, phēsi, mega estin" egō de «.Iegō eis Christon, kai eis tēn Ekkchilēsian. Tēs Echchlēsias typos esti kai tou Christou, kai pornas eisageis? n toinyn, phēsi, mēte parthenoi orchōntai, mēte gegamēmenai, tis orchēsetai? Mēdeis " poia gar orchēseōs ananchē? En tois tōn ᾿Ellēnōn mystēriois hai orchēseis, en de tois hēmeterois sigē kai euchrsmia, aidōs kai chatastolē. Mystērion teleitai mega" exō hai pornai, hexō hoi bedēloi. Pōs mystērion esti? Syn- ᾿ erchontai, kai poiousin hoi dyo hena. Dia ti, hote men eisēei, ouch orchēsis, ou chymdala, alla pollē sigē, pollē hēsychia" hotan de syniōsin, ouch eikona apsychon, oude eichona tinos tōn epi gēs, all᾽ autou poiountes teis tous ontas a, kai aischyneis tēn psychēn, kai thorydeis? Erchontai hen sōma genēsomenoi. Idou palin agapēs mystērion. ᾽An hoi dyo mē genōntai hen, ouk ergazontai pollous, heōs an dyo menōsin " hotan de eis enotēta elthōsi, tote ergazontai. Ti manthanomen apo toutou? Hoti pollē tēs henōseōs hē ischys. To eumēchanon tou Theou ton hena eis dyo d'eile para tēn archēn, kai thelōn deixai hoti meta to diairethēnai kai heis menei, ouch aphēchen hena archein pros tēn gennēsin. Ou gar estin heis [ho] oudepō, all᾽ hēmisy tou henos" kai dēlon, hoti ou paidopoiei, kathaper kai proteron. Heïdes tou gamou to mystērion? ᾿Epoiēsen ex henos hena, kai palin tous dyo toutous hena poiēsas houtō poiei hena " hōste kai nyn ex henos tichtetai anthrōpos. Gynē gar kai anēr ouch eisin anthrōpoi dyo, all᾽ anthrōpos heis " kai paron kai pollachothen auto pistōsasthai, hoion apo tou Iachōdou, apo tēs Marias tēs mētros tou Christou, apo tou legein“ HiDrsen kai thēly epoiēsen autous. Ei ho men chephalē, hē de sōma, pōs dyo? Dia touto hē men mathētou, ho de didaschalou taxin epechei" ho men archontos, hē de archomenēs. Kai ap᾽ autēs de tēs tou sōmatos diaplaseōs idoi tis an, hoti hen eisin" apo gar tēs pleuras gegone, kai hōsper hēmipoura dyo eisi. Dia touto kai boēthon chalei, hina deixę̄ hoti hen eisi " dia touto kai patros kai mētros protimą tēn synoichēsin, hina deixę̄ hoti hen eisi. Kai ho patēr homoiōs kairei kai thygatros kai huiou gamountōn, hōs pros oicheion melos epeigomenou tou sōmatos " kai posautē dapanē ginetai kai chrēmatōn elattōsis, kai homōs ouch anechetai agamon periorąn. Hōsper gar apeschismenēs autę̄ tēs sarchos, atelēs pros paidopoiian hechateros, atelēs esti pros biou systasin tou parontos hechateros. Dia touto kai ho prophētēs phēsin" 'gpoleimma pneumatos sou. Pōs de kai ginontai eis sarcha mian? Kathaper chrysou to chatharōtaton an aphelę̄s kai heterǭ anamixę̄s chrysǭ, houtō dē kai entautha, to piotaton tēs hēdonēs chōnenousēs hē gynē dechomenē trephei kai thalpei, kai ta par᾽ heautēs syneisenenchamenē andra apodidōsi. Kai gephyra tis esti to paidion. Hōste hoi treis sarx ginontai mia, tou paidos hechaterōthen hechaterous synaptontos. "Hōsper gar ei dyo poleōn ousōn, kai potamou diolou diairountos, mia ginetai poli?, gephyras hekaterōthen haptomenēs ᾿ houtōs estin entautha, kai pleon“ autē gar hē gephyra ech tēs hechaterōn ousias. Kai tǭ logǭ toutǭ hen eisin, hōs to sōma kai chephalē hen sōma " tǭ gar trachēlǭ diaireitai " all᾽ ou diairountai » mallon, hē synaptontai mesos gar hōnechaterous synagei " kai tauton ginetai, hōsper an ei choros diespasmenos to men hen autou meros enteuthen ladōn, to de heteron ech tēs dexias, hena poiēseien hē hōsper hoi synestalmenoi houtoi kai tas cheiras echteinontes hen ginontai" hai gar cheires ech- «atheisai, ouk aphiasin einai dyo. Dia touto goun kai achrithōs eipen, ouch, IEsontai mia sarx, all᾽, Eis sarka mian, tēn tou paidos synaptomenoi dēlonoti. Ti oun, hotan paidion mē hē, ouk esontai dyo e kai tote: Eudēlon" ē mixis gar touto ergazetai, anacheasa kai anamixasa amphoterōn ta sōmata. Kai hōsper eis elaion myron emdalōn, to pan epoeēsen hen, houtō dē kai entautha.

Let us remember these tears; so let us bring up our own daughters, so our sons, weeping when we see them in evil ways. All you women who … of Paul, and let them groan; all you who are counted blessed, all you who are in bridal chambers, all you who live in pleasure, remember these things; all you who are in mourning, exchange tears for tears. He mourned not the dead, but those who were perishing though alive. Shall I mention other tears too? Timothy too wept, for he was his disciple; that is why, writing to him, he said, “Remembering your tears, that I may be filled with joy.” Many lament even out of pleasure. So this thing belongs to pleasure too, and to a very intense pleasure; so tears that come from such pain are not burdensome, but much better than those shed for worldly pleasure. Hear the Prophet saying, “The Lord has heard the voice of my weeping.” For where is a tear not useful? In prayers, in exhortations. But we bring tears into disrepute by not using them for what they were given. When we exhort a sinning brother, we must weep, beating our breast and groaning; when we exhort someone, and he does not heed but is perishing, we must weep. These are the tears of philosophy; but when someone becomes poor, when he is in bodily sickness, when he dies, no longer; for these things are not worth tears. Just as we bring laughter into disrepute by using it out of season, so too tears, by handling them out of season. For the virtue of each thing appears when it is led to its proper work; but when it is led to an alien one, no longer. For example, wine was given for gladness, not for drunkenness; bread for food; intercourse for the begetting of children; … so too tears. Let the law be laid down that we use them only in prayers and exhortations; and see how desirable the thing will be. Nothing scours away sins like tears. Tears make even this bodily face beautiful; for they draw the onlooker to pity, and make the face dignified for us. Nothing is sweeter than tearful eyes. For this is the nobler and more beautiful member in us, and belongs to the soul. As then the very … These things have not been said to you idly, but so that you may not attend weddings, dances, satanic choruses. For see what the devil has devised. Since nature itself kept women away from the stage and the indecencies there, he brought the things of the theatre into the women's quarters, I mean effeminate men and harlots. This pest the custom of weddings brought in; or rather not the custom of marriage, God forbid, but our own silliness. What are you doing, man? You do not know what you are doing. You take a wife for chastity and the begetting of children; what then are the harlots for? “So that the festivity,” he says, “may be greater.” And yet these things are not … For if they delight in such things, the thing is an outrage. If seeing harlots disgrace themselves brings some distinction, why do you not drag the bride there too, so that she may watch? It is altogether unseemly and shameful to bring effeminate men and dancers and the whole satanic pomp into the house. “Remember,” he says, “my bonds.” Marriage is a bond, a bond appointed by God; the harlot is a loosing and a dissolution. It is possible to brighten the wedding by other things, such as full tables and garments; I do not cut these off, so as not to seem very harsh, although a veil alone was enough for Rebekah; but … women. Why do you bring in those mockeries, those monsters? Say what you hear from them. But you blush to say it? You blush, and do you force them to do it? If it is good, why do you not do it yourself? But if it is shameful, why do you force another? Everything must be full of chastity, everything of dignity, everything of decorum; but now I see the opposite: people skipping like camels, like mules. For the virgin the bridal chamber alone is fitting. “But she is poor,” someone says. Since she is poor, she ought to be all the more modest; let her have character instead of wealth. She has no dowry to give? Why do you make her contemptible in another way too by her conduct? I praise it when virgins attend to honour their companion, when women attend to honour the one who is brought down to them; this is well ordained. For there are these two choirs, that of the virgins and that of the married women; the latter hand her over, the former receive her. The bride is between these, neither virgin nor wife; for she is leaving the one … But the harlots, why are they there? They ought to hide themselves when there is a wedding; they ought to be buried (for sexual immorality is the ruin of marriage); but we bring them to weddings. When you do anything else, you take omens even from a word, avoiding anything ill-omened: for example, when you sow, when you draw the wine from the vats, you would not even answer a word that means vinegar; but here, when chastity is being celebrated, do you bring in vinegar? For that is what the harlot is. When you prepare ointment, you let nothing foul-smelling come near. Marriage is an ointment; why then do you bring the stench of the mire into the preparation of the ointment? What do you say? The virgin dances, and is not ashamed before her companion? For she ought to be more dignified than the bride; she has come from her mother's arms, not from the wrestling ground. For a virgin ought not to appear at weddings at all. Do you not see in the palaces that the honoured are within, about the king, and the dishonoured outside? You too be within, about the bride. But remain chaste at home; do not parade your virginity. Each choir stands by, the one showing what sort of virgin they are giving, the other so that they may guard her; why do you shame virginity? For if you are such, the bridegroom will suspect such things of her too; if you want to be loved … these things. Is this not a disgrace? It is a disgrace to behave indecently, even if she is a king's daughter. Does poverty prevent it? Does one's occupation? Even if a virgin is a slave, let her remain in chastity; “for in Christ Jesus there is neither slave nor free.” Is marriage a theatre? It is a mystery and a type of a great thing; even if you do not revere it, revere that of which it is a type. “This mystery,” he says, “is great; but I speak concerning Christ and the church.” It is a type of the church and of Christ, and do you bring in harlots? “If then,” someone says, “neither virgins nor married women are to dance, who will dance?” No one; for what need is there of dancing? In the mysteries of the Greeks there are dances, but in ours silence and decorum, modesty and restraint. A great mystery is being performed: out with the harlots, out with the profane! How is it a mystery? They come together, and the two make one. Why, when he entered, was there no dancing, no cymbals, but much silence, much quiet; but when they come together, making not a lifeless image, nor an image of anything on earth, but of God himself … do you … and shame the soul, and make an uproar? They come to become one body. See again a mystery of love. If the two do not become one, they do not make many, as long as they remain two; but when they come into unity, then they make them. What do we learn from this? That the power of union is great. God's wise contrivance divided the one into two at the beginning, and wishing to show that even after being divided it remains one, he did not let one suffice for generation. For one who is not yet united is not one, but half of one; and it is clear that he does not beget children, just as before. Do you see the mystery of marriage? He made one from one, and again, making these two one, so he makes one; so that even now a human being is born from one. For wife and husband are not two human beings, but one human being. And one can confirm this from many places, for example from Jacob, from Mary the mother of Christ, from the saying, “Male and female he made them.” If he is the head and she the body, how are they two? That is why she holds the rank of a disciple and he of a teacher; he of a ruler, she of one ruled. And from the very formation of the body one could see that they are one; for she came from the side, and they are like two halves. That is why he calls her a helper, to show that they are one; that is why he prefers living together to father and mother, to show that they are one. And the father rejoices alike when his daughter and his son marry, as though the body were hastening to its own member; and though so much expense arises and loss of money, yet he cannot bear to leave a child unmarried. For just as, the flesh having been cut in two, each is incomplete for the begetting of children, so each is incomplete for the constitution of the present life. That is why the prophet says, “the remnant of your spirit.” And how do they become one flesh? Just as if you take the purest part of gold and mix it with other gold, so here too the wife receives the richest part, melted down by pleasure, nourishes and cherishes it, and, contributing her own share, gives it back as a man. And the child is a kind of bridge; so that the three become one flesh, the child joining each to the other from either side. For just as, if there were two cities and a river divided them right through, they become one city when a bridge touches either side, so it is here, and more so; for the bridge itself is made from the substance of each. And in this way they are one, as body and head are one body; for they are divided by the neck, yet they are not so much divided as joined; for being in the middle it brings both together. It is the same as if a chorus that had been separated were made one, by taking one part of it from here and the other from the right; or as those who stand apart become one by stretching out their hands; for the hands, stretched out, do not let them be two. That is why he said exactly, not “they shall be one flesh,” but “into one flesh,” clearly joined in the flesh of the child. “What then, when there is no child, will they not be two?” Clearly they are one even then; for intercourse does this, pouring out and mixing the bodies of both. And just as one who puts ointment into oil makes the whole one, so it is here too.

2 Tim 1:4 (quotation, high confidence) · Ps 6:8 (6:9 LXX) (quotation, high confidence) · Col 4:18 (quotation, high confidence) · Gen 24:65 (allusion, high confidence) · Gal 3:28 (quotation, high confidence) · Eph 5:32 (quotation, high confidence) · Gen 1:27 (quotation, high confidence) · Gen 2:18 (allusion, high confidence) · Gen 2:21–24 (allusion, high confidence) · Mal 2:15 (quotation, medium confidence)

Notes and citation

Summary: Chrysostom urges tears only for sin, then attacks the hiring of harlots, dancers, and effeminate performers for weddings, and explains marriage as a mystery and type of Christ and the church, in which husband and wife become one flesh, joined above all in their child.

  • Part of Homily 12. Quotations and allusions: 2 Tim 1:4; Ps 6:8 (6:9 LXX); Col 4:18; Gen 24:65 (Rebekah's veil); Gal 3:28; Eph 5:32; Gen 1:27; Gen 2:18, 21–24; Mal 2:15 (LXX wording, “the remnant of your spirit”). Chrysostom's frank account of marital intercourse and conception, and his reasoning that the child is the “one flesh”, are translated as written. “From Jacob, from Mary the mother of Christ” is given without explanation in the text. The bracketed article in “one who is not yet united” is left out. Words are lost in several places (marked …). Leaked Latin of Migne's parallel translation after “for she is leaving the one” was removed. κ/χ confusions translated by sense.

Notes on the original text

  • Digital text corrected (leaked Latin of Migne's translation): γεργοἰιθπαϊπηυβ, αἱ αυΐ ποπ υἱδηλυῦ δὰ δὰ μὰ τυ πυρι 5. → .

Topics: Marriage, Ethics

Cite (SBL): Chrysostom, Hom. Col. 12.4 (PG 62:541; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-colossenses/12-4). (abbreviation not yet checked)

BibTeX · RIS · CSL-JSON (whole work; this passage's key: sophiascriptura-chrysostom-hom-colossenses-12-4) · Report an error

Translation: Translated by Claude from the Greek of Migne's Patrologia Graeca 62 (archive.org OCR; corrections logged); compared afterwards with NPNF¹ 13.

12.6PG 62:541

Οἴδαδτι πολλοὶ αἰσχύνονται τοῖς λεγομένοις" καὶ τούτου αἴτιον ἡ ἀσέλγεια καὶ ἡ ἀχολασία. Τὸ οὕτω ποὺς γάμους γίνεσθαι, τὸ παραφθείρεσθαι, τὸ πρᾶγμα διέδαλεν" ἐπεὶ Τίμιος ὁ γάμος, καὶ ἡ κοίτη ἁμίαντος. Τί αἰσχύνῃ τῷ τιμίῳ; τέ ἐρυθριᾷς ἐπὶ. τῷ ἀμιάντῳ; Ταῦτα αἱρετιχῶν ἐστι, ταῦτα τῶν τὰς πόρνας ἐπεισαγόντων. Διὰ τοῦτο αὐτὸν ἐχχαθαΐρεσθαι βούλομαι, ὥστε ἐπὶ τὴν οἰχείαν εὐγένειαν ἀναγαγεῖν, ὥστε τῶν αἱρετικῶν ἐμφράξαι τὰ στόματα. "Υόρισται «ὃ τοῦ Θεοῦ δῶρον, ἣ ῥίζα τῆς ἡμετέρας γενέσεως “πο)λὴ γὰρ περὶ τὴν ῥίζαν ἣ κόπρος καὶ ὁ βόρθορος. Τοῦτον οὖν ἐκχαθάρωμεν τῷ λόγῳ. ᾿Ανέχεσθε τοίνυν μικρὸν ἐπεὶ καὶ ὁ βόρδορον χατέχων δυσωδίας ἀνἄχεται. Βούλομαι δεῖξαι ὅτι οὐ χρὴ ἐπὶ τούτοις αἰσχύνεσθαι, ἀλλὰ τούτοις οἷς ποιεῖτε" σὺ δὲ ἐπ᾽ ἐχεΐνοις αἰσχύνεσθαι ἀφεὶς, τούτοις αἰσχύνῃ " οὐχοῦν τοῦ Θεοῦ χαταγινώσχεις τοῦ οὕτω θεσπίσαντος. Εἴπω πῶς καὶ μυστήριον τῆς Ἐχκχλησίας ἐστίν’ Ὁ Χριστὸς ἦλθε πρὸς τὴν Ἐχχλησίαν, καὶ ἐξ αὐτῆς γέγονε, καὶ αὐτῇ συνεισῆλθε ἃ συνουσίᾳ πνευματικῇ. ΗἩρμοσάμην γὰρ ὑμᾶς, φησὶν, ἐνὶ ἀνδρὶ παρθένον ἁγνήν. τι δὲ ἐξ αὐτοῦ ἐσμεν, ἄχουε πῶς φησιν" Ἐκχ τῶν μελῶν αὐτοῦ, καὶ ἐχ τῆς σαρχὸς αὐτοῦ πάντες ἡμεῖς. Ταῦτα δὴ πάντα ἐννοοῦντες, μὴ αἰσχύνωμεν τὸ τηλιχοῦτον μυστήριον. Τύπος τῆς τοῦ Χριστοῦ παρουσίας ἐστὶν ὁ γάμος, σὺ δὲ μεθύεις; Εἰπέ μοι, εἰ εἰκόνα εἶδες τοῦ βασιλέως. ἄρα ἂν αὐτὴν ἤσχυνες; Οὐδαμῶς. Δοκεῖ μὲν οὖν ἀδιάφορα εἶναι τὰ περὶ τὸν γάμον γινόμενα, ἔστι δὲ μεγάλων αἴτια χαχῶν. Πάντα παρανομίας γέμει. Αἰσχρότης καὶ μωρολογία καὶ εὐτραπελία μὴ ἐκπορευέσθω, φησὶν, ἐκ τοῦ στόματος ὑμῶν. Πάντα δὲ ἐχεῖνα, αἰσχρότης καὶ μωρολογία καὶ εὐπραπελία, οὐχ ἁπλῶς, ἀλλὰ μετὰ ἐπιτάσεως " τέχνη γὰρ τὸ πρᾶγμά ἔστι, καὶ ἐγχώμια μεγάλα τοῖς αὐτὴν μετιοῦσι" τὰ ἁμαρτήματα τέχνη γέγονεν. Οὐχ ἀκλῶς αὑτὰ μετερχόμεθα, ἀλλὰ μετὰ σπουδῆς, μετὰ ἐπιστήμης" καὶ στρατηγεῖ λοιπὸν ὁ διάδολος τῶν αὐτοῦ ταγμάτων. “Ὅπου γὰρ μέθη, ἀχολασία " ὅπου αἰσχρολογία, ὁ διάδολος πάρεστι τὰ παρ᾽ ἑαυτοῦ εἰσφέρων. Τούτοις ἑστιώμενος, εἰπέ μοι, μυστήριον Χριστοῦ τελεῖς, καὶ τὸν διάδολον χαλεῖς; Τάχα με φορτιχὸν εἶναι νομίζετε. Καὶ γὰρ καὶ τοῦτο τῆς διαστροφῆς τῆς πολλῆς, ὅτι καὶ ὁ ἐπιτιμῶν, γέλωτα ὀφλισχάνει ὡς αὐστηρός. Οὐχ ἀκούετε Παύλου λέγοντος, Πᾶν ὅ τι ἂν ποιῆτε, εἴτε ἐσθίετε, εἴτε πίνετε, εἴτα τι ποιεῖτε, πάντα εἰς δόξαν Θεοῦ ποιεῖτε; Ὑμεῖς δὲ εἰς δυσφημίαν καὶ ἀδοξίαν. Οὐχ ἀχούετε τοῦ Προφήτου λέγοντος, Δουλεύσατε τῷ Νυρίῳ ἐν φόξῳ, καὶ ἀγα.- «Ἰιᾶσθε αὑτῷ ἐν τρόμῳ; Ὑμεῖς δὲ διαχεῖσϑε. Μὴ γὰρ οὐκ ἔστι καὶ ἤδεσθαι, καὶ μετὰ ἀσφαλείας; Βούλει μελῶν ἀχοῦσαι χαλῶν; Μάλιστα μὲν οὐδὲ ἔδει" πλὴν συγχαταθαίνω, εἰ βούλει" μὴ τῶν σατανιχῶν ἀχούσῃς, ἀλλὰ τῶν πνευματιχῶν. Βούλει χορεύοντας ἰδεῖν; ὅρα τῶν ἀγγέλων τὸν χορόν. Καὶ πῶς δυνατὸν, φησὶν, ἰδεῖν; ᾿Εὰν ταῦτα ἀπελάσῃς, ἐλεύσεται καὶ ὁ Χριατὸς εἰς τούτους τοὺς γάμους τοῦ δὲ Χριστοῦ παρόντος, καὶ ὁ τῶν ἀγγέλων πάρεστι χορός. ᾽ν θέλῃς, καὶ νῦν θαύματα ἐργάσεται, καθάπερ καὶ τότε" ποιήσει καὶ νῦν τὸ ὕδωρ οἶνον" καὶ πολλῷ θαυμασιώτερον, τὴν διάχυσιν ἐπιστρέψει τὴν διαῤῥέουσαν καὶ ψυχρὰν ἐπιθυμίαν, καὶ ἐπὶ τὴν πνευματιχὴν μεταστήσε:, Τοῦτό ἐστιν ἐξ ὕδατος οἶνον ποιΐσαι. Ἔνθα αὐληταὶ, οὐδαμοῦ ὁ Χριστός" ἀλλὰ χἂν εἰσέλθῃ, τὸ πρῶτον ἐχδάλλει τούτους, καὶ τότε θαυματουργεῖ. Τί τῆς ἔνθα πάντα ἄσημα; ἂν δέ τι καὶ ἕναρθρον, πάλιν πάντα αἰσχρὰ, πάντα ἀηδῆ.

Oidadti polloi aischynontai tois legomenois" kai toutou aition hē aselgeia kai hē acholasia. To houtō pous gamous ginesthai, to paraphtheiresthai, to pragma diedalen" epei Timios ho gamos, kai hē koitē hamiantos. Ti aischynę̄ tǭ timiǭ? te erythriąs epi. tǭ amiantǭ? Tauta hairetichōn esti, tauta tōn tas pornas epeisagontōn. Dia touto auton echchathaïresthai boulomai, hōste epi tēn oicheian eugeneian anagagein, hōste tōn hairetikōn emphraxai ta stomata. "Yoristai «ho tou Theou dōron, hē rhiza tēs hēmeteras geneseōs “po)lē gar peri tēn rhizan hē kopros kai ho borthoros. Touton oun ekchatharōmen tǭ logǭ. ᾿Anechesthe toinyn mikron epei kai ho bordoron chatechōn dysōdias anachetai. Boulomai deixai hoti ou chrē epi toutois aischynesthai, alla toutois hois poieite" sy de ep᾽ echeïnois aischynesthai apheis, toutois aischynę̄ " ouchoun tou Theou chataginōscheis tou houtō thespisantos. Eipō pōs kai mystērion tēs Echkchlēsias estin’ Ho Christos ēlthe pros tēn Echchlēsian, kai ex autēs gegone, kai autę̄ syneisēlthe ha synousią pneumatikę̄. HēĒrmosamēn gar hymas, phēsin, eni andri parthenon hagnēn. ti de ex autou esmen, achoue pōs phēsin" Ekch tōn melōn autou, kai ech tēs sarchos autou pantes hēmeis. Tauta dē panta ennoountes, mē aischynōmen to tēlichouton mystērion. Typos tēs tou Christou parousias estin ho gamos, sy de methyeis? Eipe moi, ei eikona eides tou basileōs. ara an autēn ēschynes? Oudamōs. Dokei men oun adiaphora einai ta peri ton gamon ginomena, esti de megalōn aitia chachōn. Panta paranomias gemei. Aischrotēs kai mōrologia kai eutrapelia mē ekporeuesthō, phēsin, ek tou stomatos hymōn. Panta de echeina, aischrotēs kai mōrologia kai euprapelia, ouch haplōs, alla meta epitaseōs " technē gar to pragma esti, kai enchōmia megala tois autēn metiousi" ta hamartēmata technē gegonen. Ouch aklōs hauta meterchometha, alla meta spoudēs, meta epistēmēs" kai stratēgei loipon ho diadolos tōn autou tagmatōn. “Hopou gar methē, acholasia " hopou aischrologia, ho diadolos paresti ta par᾽ heautou eispherōn. Toutois hestiōmenos, eipe moi, mystērion Christou teleis, kai ton diadolon chaleis? Tacha me phortichon einai nomizete. Kai gar kai touto tēs diastrophēs tēs pollēs, hoti kai ho epitimōn, gelōta ophlischanei hōs austēros. Ouch akouete Paulou legontos, Pan ho ti an poiēte, eite esthiete, eite pinete, eita ti poieite, panta eis doxan Theou poieite? Hymeis de eis dysphēmian kai adoxian. Ouch achouete tou Prophētou legontos, Douleusate tǭ Nyriǭ en phoxǭ, kai aga.- «Iiasthe hautǭ en tromǭ? Hymeis de diacheisϑe. Mē gar ouk esti kai ēdesthai, kai meta asphaleias? Boulei melōn achousai chalōn? Malista men oude edei" plēn synchatathainō, ei boulei" mē tōn satanichōn achousę̄s, alla tōn pneumatichōn. Boulei choreuontas idein? hora tōn angelōn ton choron. Kai pōs dynaton, phēsin, idein? ᾿Ean tauta apelasę̄s, eleusetai kai ho Chriatos eis toutous tous gamous tou de Christou parontos, kai ho tōn angelōn paresti choros. ᾽n thelę̄s, kai nyn thaumata ergasetai, kathaper kai tote" poiēsei kai nyn to hydōr oinon" kai pollǭ thaumasiōteron, tēn diachysin epistrepsei tēn diarrheousan kai psychran epithymian, kai epi tēn pneumatichēn metastēse:, Touto estin ex hydatos oinon poiïsai. Entha aulētai, oudamou ho Christos" alla chan eiselthę̄, to prōton echdallei toutous, kai tote thaumatourgei. Ti tēs entha panta asēma? an de ti kai henarthron, palin panta aischra, panta aēdē.

I know that many are ashamed at what is said; and the cause of this is licentiousness and lack of self-control. Holding weddings in this way, and their corruption, has brought the thing into disrepute; for “marriage is honourable, and the bed undefiled.” Why are you ashamed of what is honourable? Why do you blush at what is undefiled? These attitudes belong to heretics, to those who bring in harlots. That is why I want marriage cleansed, so as to bring it back to its own nobility and stop the mouths of the heretics. God's gift has been insulted, the root of our birth; for much dung and mire lies about the root. Let us then cleanse this away by our discourse. Bear with me, then, a little, since one who clears away dung puts up with the stench too. I want to show that one should not be ashamed of these things, but of the things you do; but you, leaving off being ashamed at those, are ashamed at these; so you condemn God, who ordained it so. Shall I tell how it is also a mystery of the church? Christ came to the church, and came into being from it, and joined it in spiritual union. “For I betrothed you,” he says, “to one husband, as a pure virgin.” And that we are from him, hear how he says: “Of his members and of his flesh are we all.” Considering all these things, let us not shame so great a mystery. Marriage is a type of Christ's presence, and do you get drunk? Tell me, if you saw an image of the emperor, would you shame it? By no means. The things done at weddings seem indifferent, but they are the causes of great evils. Everything is full of lawlessness. “Let filthiness and foolish talk and jesting not come out of your mouth,” he says. But all those things, filthiness and foolish talk and jesting, are done not simply but with intensity; for the thing is an art, and great praise goes to those who pursue it; sins have become an art. We pursue them not simply but with earnestness and skill; and the devil now commands his own ranks. For where there is drunkenness, there is licentiousness; where there is obscene talk, the devil is present, contributing his own share. Feasting on these things, tell me, do you celebrate a mystery of Christ and invite the devil? Perhaps you think me burdensome. For this too belongs to the great perversion, that even the one who rebukes incurs laughter as austere. Do you not hear Paul saying, “Whatever you do, whether you eat or drink or do anything else, do all to the glory of God”? But you do it to ill repute and dishonour. Do you not hear the Prophet saying, “Serve the Lord with fear, and rejoice in him with trembling”? But you are dissolute. Is it not possible to be pleased, and that with safety? Do you want to hear beautiful songs? It ought not to be so at all; but I condescend, if you wish: do not listen to the satanic ones, but to the spiritual. Do you want to see dancers? See the chorus of angels. “And how is it possible,” someone says, “to see it?” If you drive these away, Christ too will come to this wedding; and when Christ is present, the chorus of angels is present too. If you wish, he will work wonders now too, as he did then; he will make the water wine now too; and, much more wonderful, he will turn the dissipation, the flowing and cold desire, and transfer it to the spiritual. This is making wine from water. Where there are pipers, Christ is nowhere; and even if he enters, he first casts them out, and then works wonders. … where everything is inarticulate; and if anything is articulate, again everything is shameful, everything unpleasant.

Textual problem in this passage: see the notes.

Heb 13:4 (quotation, high confidence) · 2 Cor 11:2 (quotation, high confidence) · Eph 5:30 (quotation, high confidence) · Eph 5:4 (quotation, high confidence) · 1 Cor 10:31 (quotation, high confidence) · Ps 2:11 (quotation, high confidence) · John 2:1–11 (allusion, high confidence) · Matt 9:23–25 (allusion, medium confidence)

Notes and citation

Summary: Chrysostom defends marriage as honourable and a mystery of Christ and the church against those who are ashamed of it, blames the shame on the indecency of wedding feasts, and invites his hearers to have Christ at their weddings instead of pipers and dancers.

  • Part of Homily 12. Quotations and allusions: Heb 13:4; 2 Cor 11:2; Eph 5:30; Eph 5:4; 1 Cor 10:31; Ps 2:11; John 2:1–11 (Cana); Matt 9:23–25 (the pipers put out). “Heretics” here are those who disparaged marriage. Leaked Latin of Migne's parallel translation and a footnote (a variant reading of the end of 12.4) after “the root of our birth” were removed. Words are lost before “where everything is inarticulate” (marked …). κ/χ confusions translated by sense.

Notes on the original text

  • Digital text corrected (leaked Latin of Migne's translation and a footnote (variant reading)): " » ὕπ5 οσὰ. οἱ τηᾶγρ. 84γ]}., ἕν εἶσιν, ὡς τοῦ σώματος πάντα τὰ μέλη συνάρμο ογούμενα πρὸς τὴν κεφαλὴν, ἕν γίνεται σῶμα, εἰ καὶ τῷ τραχήλῳ διαιρεῖται ἔνταῦθα δὲ οὐ δια:ς μμοροηύυμῃ νἱάδίυτ εἷς οἱ δύο. → .

Topics: Marriage, Heresy

Cite (SBL): Chrysostom, Hom. Col. 12.6 (PG 62:541; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-colossenses/12-6). (abbreviation not yet checked)

BibTeX · RIS · CSL-JSON (whole work; this passage's key: sophiascriptura-chrysostom-hom-colossenses-12-6) · Report an error

Translation: Translated by Claude from the Greek of Migne's Patrologia Graeca 62 (archive.org OCR; corrections logged); compared afterwards with NPNF¹ 13.

12.7PG 62:541

Οὐδὲν τῆς ἀρετῆς ἔδιον, οὐδὲν χοσμιότητος γλυκύτερον, οὐδὲν σεμνότητος ποθεινότερον. Ποιείτω τις γάμους, οἵους ἐγὼ λέγω, καὶ ὄψεται τὴν ἡδονήν" ποίους δὲ γάμους, προσέχετε. Πρῶτον μὲν ἄνδρα ζήτει τῇ παρθένῳ ὄντως ἄνδρα καὶ προστάτην, ὡς σώματι μέλλων ἐπιθήσειν χεφαλὴν, ὡς οὐχ ἀνδράποδον, ἀλλὰ θυγατέρα αὐτῷ μέλλων παραδώσειν" μὴ χρήματα ζήτει, μὴ γένους λαμπρότητα, μὴ πατρίδος μέγεθος, πάντα ταῦτα περιττὰ, ἀλλὰ ψυχῆς εὐλάὄειαν, ἐπιείκειαν, τὴν ἀληθῆ σύνεσιν, τοῦ Θεοῦ τὸν φόδον, εἰ βούλει μεθ᾽ ἡδονῆς τὸ θυγάτριον ζῆν. Πλουσιώτερον γὰρ ζητοῦσα, οὐ μόνον αὐτὴν οὐκ ὠφελήσεις, ἀλλὰ καὶ βλάψεις, δούλην ἀντ᾽ ἐλευθέρας ποιοῦσα. Οὐ τοσαύτην γὰρ ἀπὸ τῶν χρυσίων τὴν ἠδονὴν, ὅσην ἀπὸ τοῦ δουλεύειν τὴν. ἀηδίαν. ᾿Αλλὰ μὴ ζήτει ταῦτα, ἀλλὰ μάλιστα μὲν ὁμότιμον " εἰ δὲ μὴ δυνατὸν, πενέστερον μᾶλλον, ἣ εὐπορώτε ρον, εἴ γε μὴ ἀποδόσθαι δεσπότῃ, ἀλλ᾽ ἐχδοῦναι ἀνδρὶ βούλει τὴν θυγατέρα. “ὕταν ἀχριδῶς ἐξετάσῃς τὰν: δρὸς τὴν ἀρετὴν, καὶ μέλλῃς ἐχδιδόναι, παραχάλεσον τὸν Χριστὸν παραγενέσθαι " οὐ γὰρ ἐπαισχυνθήσεταιν μυστήριόν ἐστι τῆς αὐτοῦ παρουσίας. Μάλιστα μὲν οὖν καὶ τότε παραχάλει, ὥστε μνηστῆρα τοιοῦτον δοῦναι. Μὴ γένῃ τοῦ παιδὸς τοῦ ᾿Αδραὰμ. χείρων, ὃς εἰς τοσαύτην ἀποδημίαν πεμπόμενος, ἤδει ἔνθα χρὴ καταφυγεῖν " διὸ καὶ πάντων ἐπέτυχεν. Ὅταν περιεργάζῃ καὶ ζητῇς τὸν ἄνδρα, εὔχου " εἰπὲ τῷ Θεῷ" Ὃν ἂν θέλῃς σὺ οἰχονόμησον " ἐγχείρισον αὑτῷ τὸ πρᾶγμα, καὶ τιμηθεὶς ταύτῃ παρὰ σοῦ τῇ τιμῇ ἀμείψεταί σε. Δύο δὴ ποιεῖν χρὴ, αὐτῷ τε ἐγχειρέζειν, καὶ τοιοῦτον ζητεῖν, οἷον ἂν αὑτὸς βούληταε, κόσμιον, σώφρονα. Ὅταν οὖν τοὺς γάμους ποιῇς, μὴ οὐ γὰρ πρὸς ἐπίδειξιν τὸ πρᾶγμά ἔστιν, οὐδὲ εἰς “πομπὴν εἰσάγεις τὸ θυγάτριον " ἀλλὰ φαιδρύνουσα τὴν οἰχίαν τοῖς ἐνοῦσι, κάλει γείτονας καὶ φίλους καὶ συγγενεῖς. Ὅσους ἂν οἶδας ἐπιειχεῖς, τούτους χάλει, καὶ τοῖς οὖσιν ἐπαρχεῖσθαι παραίνει. Μηδεὶς τῶν ἀπὸ τῆς ὀρχήστρας παρέστω " ἐχεῖ γὰρ δαπάνη περιττὴ καὶ ἄσχημος" χάλεσον τὸν Χριστὸν πρὸ τῶν ἄλλων ἁπάντων. Οἶδας διὰ τίνος αὐτὸν χαλέσεις - Ὅς ἂν ποιήσῃ, φησὶν, ἑνὶ τούτων τῶν ἐλαχίστων, ἐμοὶ ἐποίησε. Μὴ νομίσῃς τὸ πρᾶγμα δυσάρεστον εἶναι, τὸ πένητας χαλεῖν διὰ τὸν Χριστόν " δυσάρεστον τὸ πόρνας χαλεῖν. Τὸ γὰρ πένητας χαλεῖν, τοῦτο ἀφορμὴ πλούτον, ἐχεῖνο δὲ ἀνατροπῆς. Κόσμε: τὴν νύμφην μὴ τούτοις τοῖς χοσμίοις τοῖς ἀπὸ τοῦ χρυσοῦ, ἀλλ᾽ ἐπιεικείᾳ καὶ αἰδοῖ καὶ τοῖς συνήθεσιν ἱματίοις, ἀντὶ παντὸς χόσμου χρυσοῦ καὶ ἐμπλεγμάτων, τὸ ἐρυθριᾷν, τὸ αἰσχύνεσθαι περιθεῖσα, καὶ τὸ μὴ ζητεῖν ἐχεῖνα. Μηδεὶς ἔστω θόρυδος, μηδεμία ταραχή " χαλείσθω ὁ νυμφίος, δεχέσθω τὴν παρθένον. Τὰ ἄριστα καὶ τὰ δεῖπνα μὴ μέθης ἔστω πλήρη, ἀλλὰ πνευματιχῆς ἡδονῆς. Μυρία γὰρ ἐκ τοῦ τοιούτου γάμου ἔσται τὰ χαλὰ, καὶ τὰ τοῦ βίου ἐν ἀσφαλείᾳ" ἐχ δὲ τῶν νῦν γινομένων γάμων (εἴ γε γάμους, ἀλλὰ μὴ πομπὰς αὐτὰ δεῖ καλεῖν), ὅρα ς ὅσα τὰ καχά. Διελύθησαν αἱ παστάδες, καὶ εὐθέως μέριμνα καὶ φόδος, μῇ τι παραπέσῃ τῶν χεχρημένων, καὶ διαδέχεται τὴν ἡδονὴν ἀθυμία ἀφόρητος. ᾿Αλλ᾽ αὕτη μὲν τῆς κηδεστρίας ἡ ἀγωνία " μᾶλλον δὲ οὐδὲ αὐτὴ ἀπήλλακται ἡ νύμφη τὰ γοῦν μετὰ ταῦτα αὐτῆς τῆς νύμφης ἐστὶν ἅπαντα. Τὸ γὰρ ὁρᾷν χαταλυόμενα ἅπαντα, ἀθυμίας ὑπόθεσις, τὸ ὁρᾷν ἔρπιμον τὴν οἰκίαν, χατηφείας ἀφορμή. Ἐκεῖ ὁ Χριστὸς, ἐνταῦθα ὁ Σατανᾶς" ἐχεῖ θυμηδία, ἐνταῦθα φροντίς " ἐχεῖ ἡδονὴ, ἐνταῦθα λύπη" ἐχεῖ δαπάνη, ἐνταῦθα οὐδὲν τοιοῦτον, ἐχεῖ ἀσχημοσύνη, ἐνταῦθα εὐχοσμία" ἐχεῖ φθόνος, ἐνταῦθα ἀφθονία - ἔχεῖ μέθη, ἐνταῦθσ νῆψις, ἐνταῦθα σωτηρία, ἐνταῦθα σωφροσύνη. Ταῦτα δὴ πάντα ἐννοοῦντες, στήσωμεν τὸ χαχὸν μέχρι τούτου, ἵνα ἀρέσωμεν τῷ Θεῷ, καὶ τῶν ἐπηγγελμένων ἀγαθῶν τοῖς ἀγαπῶσιν αὐτὸν ἐπιτυχεῖν χαταξιωθῶμεν, χάριτι καὶ φιλανθρωπίᾳ τοῦ Κυρίου ἡμῶν Ἰησοῦ Χριστοῦ, μεθ᾽ οὗ τῷ Πατρὶ ἅμα τῷ ἁγίῳ Πνεύματ! δόξα. χράτος, τιμὴ, νῦν καὶ ἀεὶ, καὶ εἰς τοὺς αἰῶνας τῶν αἰώνων. ᾿Αμὴν.

Ouden tēs aretēs edion, ouden chosmiotētos glykyteron, ouden semnotētos potheinoteron. Poieitō tis gamous, hoious egō legō, kai opsetai tēn hēdonēn" poious de gamous, prosechete. Prōton men andra zētei tę̄ parthenǭ ontōs andra kai prostatēn, hōs sōmati mellōn epithēsein chephalēn, hōs ouch andrapodon, alla thygatera autǭ mellōn paradōsein" mē chrēmata zētei, mē genous lamprotēta, mē patridos megethos, panta tauta peritta, alla psychēs eulaoeian, epieikeian, tēn alēthē synesin, tou Theou ton phodon, ei boulei meth᾽ hēdonēs to thygatrion zēn. Plousiōteron gar zētousa, ou monon autēn ouk ōphelēseis, alla kai blapseis, doulēn ant᾽ eleutheras poiousa. Ou tosautēn gar apo tōn chrysiōn tēn ēdonēn, hosēn apo tou douleuein tēn. aēdian. ᾿Alla mē zētei tauta, alla malista men homotimon " ei de mē dynaton, penesteron mallon, hē euporōte ron, ei ge mē apodosthai despotę̄, all᾽ echdounai andri boulei tēn thygatera. “hytan achridōs exetasę̄s tan: dros tēn aretēn, kai mellę̄s echdidonai, parachaleson ton Christon paragenesthai " ou gar epaischynthēsetain mystērion esti tēs autou parousias. Malista men oun kai tote parachalei, hōste mnēstēra toiouton dounai. Mē genę̄ tou paidos tou ᾿Adraam. cheirōn, hos eis tosautēn apodēmian pempomenos, ēdei entha chrē kataphygein " dio kai pantōn epetychen. Hotan periergazę̄ kai zētę̄s ton andra, euchou " eipe tǭ Theǭ" Hon an thelę̄s sy oichonomēson " encheirison hautǭ to pragma, kai timētheis tautę̄ para sou tę̄ timę̄ ameipsetai se. Dyo dē poiein chrē, autǭ te encheirezein, kai toiouton zētein, hoion an hautos boulētae, kosmion, sōphrona. Hotan oun tous gamous poię̄s, mē ou gar pros epideixin to pragma estin, oude eis “pompēn eisageis to thygatrion " alla phaidrynousa tēn oichian tois enousi, kalei geitonas kai philous kai syngeneis. Hosous an oidas epieicheis, toutous chalei, kai tois ousin eparcheisthai parainei. Mēdeis tōn apo tēs orchēstras parestō " echei gar dapanē perittē kai aschēmos" chaleson ton Christon pro tōn allōn hapantōn. Oidas dia tinos auton chaleseis - Hos an poiēsę̄, phēsin, heni toutōn tōn elachistōn, emoi epoiēse. Mē nomisę̄s to pragma dysareston einai, to penētas chalein dia ton Christon " dysareston to pornas chalein. To gar penētas chalein, touto aphormē plouton, echeino de anatropēs. Kosme: tēn nymphēn mē toutois tois chosmiois tois apo tou chrysou, all᾽ epieikeią kai aidoi kai tois synēthesin himatiois, anti pantos chosmou chrysou kai emplegmatōn, to erythriąn, to aischynesthai peritheisa, kai to mē zētein echeina. Mēdeis estō thorydos, mēdemia tarachē " chaleisthō ho nymphios, dechesthō tēn parthenon. Ta arista kai ta deipna mē methēs estō plērē, alla pneumatichēs hēdonēs. Myria gar ek tou toioutou gamou estai ta chala, kai ta tou biou en asphaleią" ech de tōn nyn ginomenōn gamōn (ei ge gamous, alla mē pompas auta dei kalein), hora s hosa ta kacha. Dielythēsan hai pastades, kai eutheōs merimna kai phodos, mę̄ ti parapesę̄ tōn chechrēmenōn, kai diadechetai tēn hēdonēn athymia aphorētos. ᾿All᾽ hautē men tēs kēdestrias hē agōnia " mallon de oude autē apēllaktai hē nymphē ta goun meta tauta autēs tēs nymphēs estin hapanta. To gar horąn chatalyomena hapanta, athymias hypothesis, to horąn erpimon tēn oikian, chatēpheias aphormē. Ekei ho Christos, entautha ho Satanas" echei thymēdia, entautha phrontis " echei hēdonē, entautha lypē" echei dapanē, entautha ouden toiouton, echei aschēmosynē, entautha euchosmia" echei phthonos, entautha aphthonia - echei methē, entauths nēpsis, entautha sōtēria, entautha sōphrosynē. Tauta dē panta ennoountes, stēsōmen to chachon mechri toutou, hina aresōmen tǭ Theǭ, kai tōn epēngelmenōn agathōn tois agapōsin auton epitychein chataxiōthōmen, chariti kai philanthrōpią tou Kyriou hēmōn Iēsou Christou, meth᾽ hou tǭ Patri hama tǭ hagiǭ Pneumat! doxa. chratos, timē, nyn kai aei, kai eis tous aiōnas tōn aiōnōn. ᾿Amēn.

Nothing is sweeter than virtue, nothing more pleasant than decorum, nothing more desirable than dignity. Let someone hold a wedding such as I describe, and he will see the pleasure. What kind of wedding? Pay attention. First, seek for the virgin a husband who is truly a husband and a protector, as one who is going to set a head on a body, as one who is going to hand over to him not a slave but a daughter. Do not seek money, nor splendour of family, nor greatness of country — all these are superfluous — but piety of soul, gentleness, true understanding, the fear of God, if you want your little daughter to live with pleasure. For if you seek a richer man, you will not only not benefit her, but even harm her, making her a slave instead of free. For the pleasure from the gold ornaments is not as great as the unpleasantness of being a slave. Do not seek these things; but most of all seek one of equal rank; and if this is not possible, a poorer man rather than a richer, if indeed you want not to sell your daughter to a master but to give her to a husband. When you have examined the man's virtue exactly and are about to give her, beseech Christ to be present; for he will not be ashamed; it is a mystery of his presence. Indeed beseech him even before, that he may give such a suitor. Do not be worse than Abraham's servant, who, sent on so long a journey, knew where to take refuge; that is why he obtained everything. When you busy yourself and seek the husband, pray; say to God, “Arrange it with whomever you will”; entrust the matter to him, and he, honoured by you with this honour, will repay you. Two things must be done: to entrust it to him, and to seek such a man as he himself would wish, decent and chaste. When then you hold the wedding, do not … for the thing is not for display, nor are you bringing your little daughter in a procession; but brightening the house with what is in it, invite neighbours and friends and relatives. Invite as many as you know to be decent, and exhort them to be content with what there is. Let no one from the orchestra be present; for that is superfluous and unseemly expense. Invite Christ before all others. Do you know through whom you will invite him? “Whoever does it,” he says, “to one of the least of these, did it to me.” Do not think it a disagreeable thing to invite the poor for Christ's sake; the disagreeable thing is to invite harlots. For inviting the poor is an occasion of wealth, but the other of ruin. Adorn the bride not with these gold ornaments, but with gentleness and modesty and the customary garments; instead of all adornment of gold and braiding, put on her blushing and modesty, and not seeking those things. Let there be no uproar, no confusion; let the bridegroom be called, let him receive the virgin. Let the luncheons and dinners not be full of drunkenness, but of spiritual pleasure. For countless good things will come from such a wedding, and the affairs of life will be in safety; but from the weddings held now (if indeed one should call them weddings, and not processions), see how many evils come. The bridal chambers are dismantled, and at once there is anxiety and fear lest something of what was borrowed be lost, and unbearable despondency succeeds the pleasure. But this is the anxiety of the bride's mother; or rather not even the bride herself is free of it: all that follows belongs to the bride herself. For to see everything dismantled is a cause of despondency; to see the house deserted, an occasion of dejection. There Christ, here Satan; there gladness, here anxiety; there pleasure, here grief; there expense, here nothing of the kind; there indecency, here decorum; there envy, here freedom from envy; there drunkenness, here sobriety; here salvation, here chastity. Considering all these things, let us stop the evil at this point, so that we may please God and be counted worthy to obtain the good things promised to those who love him, by the grace and lovingkindness of our Lord Jesus Christ, with whom to the Father together with the Holy Spirit be glory, might, honour, now and always, and to the ages of ages. Amen.

Gen 24:12–14 (allusion, high confidence) · Matt 25:40 (quotation, high confidence) · 1 Tim 2:9 (allusion, medium confidence)

Notes and citation

Summary: Chrysostom ends the homilies on Colossians by describing a Christian wedding: choose a godly husband of equal or lower means, pray and entrust the choice to God, invite decent guests and the poor instead of performers, and adorn the bride with modesty instead of gold.

  • Part of Homily 12, the last of the homilies on Colossians. Quotations and allusions: Gen 24:12–14 (Abraham's servant); Matt 25:40; 1 Tim 2:9 (gold and braiding). In the closing contrast the text uses “there” and “here” inconsistently (“there indecency, here decorum” reverses the earlier pairs); translated as printed. Words are lost after “do not” (marked …). Leaked Latin of Migne's parallel translation inside “free of it” and stray marks after the final Amen were removed. κ/χ confusions translated by sense.

Notes on the original text

  • Digital text corrected (leaked Latin of Migne's translation inside a split word; stray marks after the end): ἀπήλ- Έ ς γοροα ἔρα, 4υλπι ἰρηογαηῖ οὐὰ,, ἀράϊι! θυ οσᾶ. Ῥδοςαῖδ. Νοη ἰονἤ εν δὰ ἐγδοίληνι5, 56 Δ ἢ 0110 μὶς ἀφοῦ οἱ δὺ πιο ἐδιΐα δϑὶ ργοσιγαιγίςῖβ᾽ οπιηίλ, ιάθγο ὁπ ὦ 550] Υ 1 ΟΠ ῶ, 651 Δγβη τ Θι» ΄ λοχται → ἀπήλλακται; ᾿Αμὴν. ΄ - 7νέ4, “με ᾿ τῆς ὅ : → ᾿Αμὴν..

Topics: Marriage, Ethics

Cite (SBL): Chrysostom, Hom. Col. 12.7 (PG 62:541; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-colossenses/12-7). (abbreviation not yet checked)

BibTeX · RIS · CSL-JSON (whole work; this passage's key: sophiascriptura-chrysostom-hom-colossenses-12-7) · Report an error

Translation: Translated by Claude from the Greek of Migne's Patrologia Graeca 62 (archive.org OCR; corrections logged); compared afterwards with NPNF¹ 13.