Exhortation to the Greeks 10.98

Summary: No sculptor can make a living being; God alone formed the human being as his living image, since the Word is God's image and the human mind the image of the Word.

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Greek text · Stählin 1:71

βᾶτʼ εἰς ὁδὸν δὴ πᾶς ὁ χειρῶναξ λεώς, οἳ τὴν Διὸς γοργῶπιν Ἐργάνην θεὸν στατοῖσι λίκνοις προστρέπεσθε, ἠλίθιοι τῶν λίθων δημιουργοί τε καὶ προσκυνηταί. ὁ Φειδίας ὑμῶν καὶ ὁ Πολύκλειτος ἡκόντων Πραξιτέλης τε αὖ καὶ Ἀπελλῆς καὶ ὅσοι τὰς βαναύσους μετέρχονται τέχνας, γήινοι γῆς ὄντες ἐργάται. τότε γὰρ φησί τις προφητεία δυστυχήσειν τὰ τῇδε πράγματα, ὅταν ἀνδριᾶσι πιστεύσωσιν. ἡκόντων οὖν αὖθις, οὐ γὰρ ἀνήσω καλῶν, οἱ μικροτέχναι. οὐδείς που τούτων ἔμπνουν εἰκόνα δεδημιούργηκεν, οὐδὲ μὴν ἐκ γῆς μαλθακὴν ἐμάλαξε σάρκα. τίς ἔτηξε μυελὸν ἢ τίς ἔπηξεν ὀστέα; τίς νεῦρα διέτεινεν ἢ τίς φλέβας ἐφύσησεν; τίς αἷμα ἐνέχεεν ἐν αὐταῖς ἢ τίς δέρμα περιέτεινεν; ποῦ δʼ ἄν τις αὐτῶν ὀφθαλμοὺς ποιήσαι βλέποντας; τίς ἐνεφύσησε ψυχήν; τίς δικαιοσύνην ἐδωρήσατο; τίς ἀθανασίαν ὑπέσχηται; μόνος ὁ τῶν ὅλων δημιουργός, ὁ »ἀριστοτέχνας πατήρ,« τοιοῦτον ἄγαλμα ἔμψυχον ἡμᾶς τὸν ἄνθρωπον ἔπλασεν· ὁ δὲ Ὀλύμπιος ὑμῶν, εἰκόνος εἰκών, πολύ τι τῆς ἀληθείας ἀπᾴδων, ἔργον ἐστὶ κωφὸν χειρῶν Ἀττικῶν. »εἰκὼν« μὲν γὰρ »τοῦ θεοῦ« ὁ λόγος αὐτοῦ (καὶ υἱὸς τοῦ νοῦ γνήσιος ὁ θεῖος λόγος, φωτὸς ἀρχέτυπον φῶς), εἰκὼν δὲ τοῦ λόγου ὁ ἄνθρωπος ὁ ἀληθινός, ὁ νοῦς ὁ ἐν ἀνθρώπῳ, ὁ »κατʼ εἰκόνα« τοῦ θεοῦ καὶ »καθʼ ὁμοίωσιν« διὰ τοῦτο γεγενῆσθαι λεγόμενος, τῇ κατὰ καρδίαν φρονήσει τῷ θείῳ παρεικαζόμενος λόγῳ καὶ ταύτῃ λογικός. ἀνθρώπου δὲ τοῦ ὁρωμένου τοῦ γηγενοῦς γήινος εἰκὼν τὰ ἀγάλματα τὰ ἀνδρείκελα καὶ πόρρω τῆς ἀληθείας ἐπίκαιρον ἐκμαγεῖον καταφαίνεται.

English · Claude translation

“Come out into the road, all you craftsmen folk, who pray to Zeus's fierce-eyed daughter, the Worker, with winnowing baskets set up,” you foolish makers and worshipers of stones. Let your Phidias and Polyclitus come, and Praxiteles too and Apelles, and all who practice the mechanical arts, earthly workers of earth. For then, says a certain prophecy, things here will fare badly, when people put their trust in statues. Let them come again, then (for I will not stop calling them), these petty craftsmen. Not one of them has made a breathing image, nor molded soft flesh out of earth. Who melted the marrow, or who made the bones solid? Who stretched out the sinews, or who inflated the veins? Who poured blood into them, or who stretched skin around them? How could any of them make eyes that see? Who breathed a soul into it? Who bestowed righteousness? Who has promised immortality? Only the Creator of the universe, “the Father, the supreme artist,” fashioned such a living statue as us, the human being. But your Olympian Zeus, an image of an image, far out of tune with the truth, is a dumb work of Attic hands. For “the image of God” is his Word (and the divine Word is the true Son of Mind, the Light that is the archetype of light); and the image of the Word is the true human being, the mind in the human being, who is said for this reason to have been made “in the image” of God and “after his likeness,” being likened to the divine Word by the understanding of the heart, and in this way rational. But the man-shaped statues are an earthly image of the visible, earthborn man, and appear to be a transient impression, far from the truth.

About this passage

Source
Stählin 1:71 · Otto Stählin, ed., Clemens Alexandrinus, vol. 1, Protrepticus und Paedagogus, GCS 12 (Leipzig: Hinrichs, 1905) · Greek text: Otto Stählin, Clemens Alexandrinus 1: Protrepticus und Paedagogus (GCS 12, 1905), digitized by the First Thousand Years of Greek project (Open Greek and Latin), CC BY-SA 4.0
Text
As printed in Stählin, GCS 12. Manuscript variants and the editor's apparatus are not reproduced; no textual problem is noted in this passage.
Translation
Claude translation (claude-opus-5-5), 2026-09-26 · Translated by Claude from the Greek text of Stählin (1905); made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 2 (1885) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Scripture
Extrabiblical texts
  • Sophocles (Sophocles (plays and fragments)) · quotation, high confidence
Topics
Christology

Notes

Translation notes

  • The opening lines are Sophocles, fragment 844. “The Father, the supreme artist” is from Pindar (fragment 57). The prophecy about statues is unidentified.
  • The quotations are Col 1:15 (the Word as “image of God”) and Gen 1:26. Clement distinguishes the image of God (the Word) from the human being made “according to” that image.

Notes on the original text

  • Digital text corrected (stray space before the closing quotation mark): ατήρ, « → ατήρ,«.

Cite this passage

Clement of Alexandria, Protr. 10.98 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/10/98/).

Plain text
Clement of Alexandria, Protr. 10.98 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/10/98/).

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