Homilies on Acts 42.1–42.4
Greek text: PG 60.English: Claude (claude-opus-5-5), public domain (CC0). Compare: Nicene and Post-Nicene Fathers, series 1, vol. 11 (1889).
Chapter 42
42.1PG 60:316
Ὡς δὲ ἐπληρώθη ταῦτα, ἔθετο ὁ Παῦνος ἐν τῷ Πνεύματι, διειϊθὼν τὴν Μακεδονίαν καὶ ᾿Αχαΐαν, πορεύεσθαι εἰς ἱἱερουσαιϊὴμ, εἰπὼν, ὅτι Μετὰ τὸ γενέσθαι με ἐκεῖ, δεῖ μα καὶ 'Ρώμην ἰδεῖν. ᾿Αποστείλας δὲ εἷς τὴν Μακεδονίαν δύο τῶν διακογούγτων αὐτῷ, Τιμόθεον καὶ "Ἔραστον, αὐτὸς ἐπέσχε χρόνον εἰς τὴν ᾿Ασίαν. ᾿Εγένετο δὲ κατὰ τὸν καιρὸν ἐκεῖνον τάραχος οὐκ ὀλίγος περὶ τῆς ὁδοῦ. Ἱκανῶς ἐνδιατρίψας τῇ πόλει βούλεται μεταστῆναι πάλιν. Διὸ καὶ πέμπει τὸν Τιμόθεον καὶ τὸν "Ἔραστον εἰς Μακεδονίαν, αὑτὸς δὲ μένει εἰς Ἔφεσον. Πῶς δὲ ἐξ ἀρχῆς ἑλόμενος εἰς Συρίαν 8 ἀπελθεῖν, πάλιν εἰς Μακεδονίαν ὑποστρέφει; Δεικνὺς, ὅτε πάντα οὐκ οἰκείᾳ δυνάμει ἔπραττεν. Ἤδη προφητεύει λέγων, Δεῖ μὲ καὶ Ρώμην ἰδεῖν. Τοῦτο δὲ εἶπεν, ἴσως παραμυθούμενος αὐτοὺς, ὡς οὐκ ἀπομένων, ἀλλ᾽ ὡς πάλιν ἐγγυτέρω γινόμενος αὐτῶν, καὶ διανιστῶν τὰς ψυχὰς τῶν μαθητῶν τῇ προφητείᾳ. Ἔντεῦθέν μοι δοκεῖ γράφειν Κορινθίοιἀπὸ Ἐφέσου, καὶ λέγειν, ὅτι Οὐ θέλω ὑμᾶς ἀγνοεῖν ὑπὲρ τῆς θλίψεως τῆς γενομένης ἡμῖν ἐν τῇ ᾿Ασίᾳ. Ἐπειδὴ γὰρ ἐπηγγέλλετο εἰς Κόρινθον ἀπελθεῖν, ἀπολογεῖται ἅτε βραδύνας, καὶ λέγει τὸν πειρασμὸνλοιπὸν, τὰ κατὰ Δημήτριον διηγούμενος. Τοῦτον γὰρ αἰνίττεται, τάβράχον οὐκ ὀλίγον εἰπὼν περὶ τῆς ὁδοῦ γεγενῆσθαι. Πάλιν κίνδυνος, πάλιν τάραχος. Ὁρᾷς τὴν εὐδοκίμησιν; Ἐγένετὸ σημεῖα διπλᾶ" οἱ δὲ ἀντέλεγον. Οὕτω διὰ πάντων ὑφαίνεται τὰ πράγματα. Δημήτριος γάρ τις ὀνόματι, ἀργυροκόπος, ποιῶν γαοὺς ἀργυροῦς ᾿Αρτέμιδος, παρείχετο τοῖρ τεχνίταις ἐργασίαν οὐκ ὀλίγην. Οὗς περὶ τὰ τοιαῦτω ἐργάτας, εἴπεν" “Ανδρες, ἐπίστασθε, ὅτι ἐκ ταύτης τῆς ἀργασίας ἡ εὑπορία ἡμῶν ἔστι: καὶ θεωρεῖτε καὶ ἀκούετε, ὅτι οὐ μόνον» Ἔφέσου, ἀ.λ:λὰ καὶ σχεδὸν πάσης τῆς ᾿Ασίας ὁ οὗτος πείσας μετέστησεν ὄχιλον ἱκανὸν, 1έγων, ὅτι Οὐκ εἰσὶ θδοὶ οἱ διὰ χειρῶν ἀγθρώπων γιγόμενοι. Οὐ μόνον δὲ τοῦτο κιγδυνεύει ἡμῖν τὸ μέρος εἰς γμὸν ἐλθεῖν, ἀλλὰ καὶ τὸ τῆς μεγάλης θεᾶς ἱερὸν ᾿Αρτέμιδος εἰς οὐδὲν «λογισθῆναι, μέλλειν δὲ καὶ καθαιρεῖσθαι τὴν μεγαλειότητα αὐτῆς, ἣν δλη ἡ ἸΑσία καὶ ἡ οἰκουμένη σέθδεται. Ποιῶν, φησὶ, ναοὺς ἀργυροῦς ᾿Αρτέμιδος. Καὶ πῶς ἕνι ναοὺς ἀργυροῦς γενέσθαι; Ἴσως ὡς χιδωρια μικρά᾽ πολλὴ γὰρ ταύτης ἣν ἡ τιμὴ ἐν ᾿Εφέσῳ, ὅπου καὶ τὸ ἱερὸν αὐτῶν ἐμπρησθὲν οὕτως ἐλύπησεν αὐτοὺς, ὡς τὸν ἐμπρήσαντα κελεύειν μηδὲ ὀνόματι λέγεσθαι. “Ὅρα πανταχοῦ τὴν εἰδωλολατρείαν ἀπὸ χρημάτων γινομένην. Κἀκεῖνοι διὰ χρήματα, καὶ οὗτος διὰ χρήματα’ οὐκ ὡς τῆς εὐσεδείας χινδυνενούσης αὐτοῖς, ἀλλ᾽ ὡς τοῦ πορισμοῦ τὴν ὑπόθεσιν οὐκ ἔχοντος. Καὶ σκόπει κακίαν ἀνδρός" Εὔπορος ἣν αὐτὸς, καὶ αὐτῷ μὲν οὐ τοσαύτη ἔμελλε βλάδη γεγέσθαν ἐκ τούτου ἐκείνοις δὲ ἦν πολλὴ, ἅτε πένησιν οὖσι καὶ ἀπὸ τῆς καθ᾽ ἡμέραν ἐργασίας τρεφομένοις. Καὶ ὅμως οὗτοι μὲν οὐδὲν λέγουσιν, αὐτὸς δέ" κοινωνοὺς δὲ ὄντας αὐτοὺς τῆς τέχνης, κοινωνοὺς λαμθάνει καὶ τοῦ θορύθονυ. Εἶτα καὶ τὸν κίνδυνον ηὔξησεν, ἐπαγαγὼν, ὅτι Κωδυγνεύει ἡμῖν τοῦτο τὸ μέρος εἰς ἀπελεγμὸν ἐλθεῖν. Τοῦτο γὰρ σχεδὸν διὰ τούτου δηλοῖ, ὅτε ἀπὸ τῆς πέχνης ταύτης κινδυνεύομεν εἰς λιμὸν ἐμπεσεῖν. Καίτοι τὰ εἰρημένα ἱκανὰ εἰς εὐσέδειαν αὐτοὺς ἀγαγεῖν " ἀλλὰ λον, καὶ οὐκ ἐννοοῦσιν, ὅτι Εἰ ὁ ἄνθρωπος οὗτος τοσαῦτα ἰσχύει ὡς μεταστῆσαι πάντας, καὶ κινδυνεύει τὰ τῶν θεῶν, ἡλίκος ὁ τούτου Θεός! καὶ ὅτι Πολλῷ μᾶλλον ἐκεῖνα ἡμῖν δώσει, ὑπὲρ ὧν φοδούμεθα. “Ἤδη πραχατἐλαῦεν αὐτῶν τὰς ψυχὰς, λέγων, ὅτι Οὐκ εἰσὶ θεοὶ οἱ ὑπὲ χειρῶν ἀνθρώκων γιγνόμενοι. “Ὅρα ὑπὲρ τίνος ἀγανακτοῦσιν Ἕλληνες " ἐπειδὴ εἶπεν, ὅτι Οἱ ὑπὸ ἀνὠρώπων γιγνόμενοι, οὖκ εἰσὶ θεοί. Πανταχοῦ εἰς τὴν τέχνην ὠθεῖ τὸν λόγον. Εἶτα τὸ μάλιστα αὐτοὺς λυπῆσαν ὕστερον τίθησι, λέγων" Οὐ μόνον δὲ τοῦτο τὸ μέρος κιγδυγεύει" τουτέστι, Τῶν μὲν ἄλλων οὐδεὶς λόγος, ἀλλ᾽ ὅτι καὶ τὸ τῆς μεγάλης θεᾶς ἱερὸν ᾿Αρτέμιδος κινδυνεύει. χαθαιρεῖσθαι. Εἶτα ἵνα μὴ δόξῃ χρηματισμοῦ ἕνεκεν λέγειν ταῦτα, ὅρα τί προστίθησιν" “Ἣν ἡ οἰκουμένη σέδεται. Ὁρᾷς πῶς ἔδειξε μείζω τὴν τοῦ Παύλου δύναμιν, πάντας ἀθλίους καὶ ταλαιπώρους αὐτοὺς ἀποφαίνων, εἴγεἄνθρωπος ἐλαυνόμενος καὶ σχηνοποιὸς τοσαὔτα δύναται; Ὅρα παρ᾽ ἐχθρῶν τὰς μαρτυρίας τοῖς ἀποστόλοις γινομένας. Ἐκεῖ μὲν ἔλεγον, Ἰδοὺ πεπιηρώχατε τὴν Ἱερουσαλὴμ τῆς διδαχῆς ὑμῶν" ἐνταῦθα, της τότε, Οἱ τὴν οἰκουμένην ἀναστατώσαντες ἤκουον, ὅτι Οὗτοι καὶ ἐγθάδε πάρεισι" νῦν, ὅτι Κινδυνεύει ἡμῖν τοῦτο τὸ μέρος εἰς ἀπειλεγμὸν ἐλθεῖν. Οὕτω καὶ Ἰουδαῖοι ἐπὶ τοῦ. Χριστοῦ ἔλεγον" Ὁρᾶτε, ὅτι ὁ κόσμος ὀπίσω αὑτοῦ ὑπάγει, καὶ ἐλεύσονται οἱ Ῥωμαῖοι καὶ ἀροῦσιν ἡμῶν τὴν πόλιν. ᾿Ακούσαντες δὲ ταῦτα ἐπλήσθησαν θυμοῦ. Πότε ὁ θυμὸς γέγονεν; Ὅτε περὶ τῆς ᾿Αρτέμιδος ἤκουσαν, ὅτε περὶ τοῦ πορισμοῦ. Τοιαῦτα γὰρ τὰ τῶν ἀγοραίων ἤθη, ἀπὸ τοῦ μετ᾽ ἐξετάσεως δεῖ ποιεῖν πάντα". Ὅρα δὲ πῶς καὶ ἦσαν εὐκαταφρόνητοι, ὡς κᾶσι προκεῖσθαι. Ἀκούο τες δὲ, καὶ γεγόμεγοι πιῖήρεις θυμοῦ, φησὶν, ἔ; ἐπιλήσθη ἡ πόιϊιις ὅλη τῆς συγχύσεως" ὥρμησά ὁμοθυμαδὸν εἰς τὸ θέατρον. Συναρπάσαντει Γάϊον καὶ ᾿Αρίσταρχον Μακεδόγας,
Hōs de eplērōthē tauta, etheto ho Paunos en tǭ Pneumati, dieiïthōn tēn Makedonian kai ᾿Achaïan, poreuesthai eis hiierousaiïēm, eipōn, hoti Meta to genesthai me ekei, dei ma kai 'Rōmēn idein. ᾿Aposteilas de heis tēn Makedonian dyo tōn diakogougtōn autǭ, Timotheon kai "Eraston, autos epesche chronon eis tēn ᾿Asian. ᾿Egeneto de kata ton kairon ekeinon tarachos ouk oligos peri tēs hodou. Hikanōs endiatripsas tę̄ polei bouletai metastēnai palin. Dio kai pempei ton Timotheon kai ton "Eraston eis Makedonian, hautos de menei eis Epheson. Pōs de ex archēs helomenos eis Syrian 8 apelthein, palin eis Makedonian hypostrephei? Deiknys, hote panta ouk oikeią dynamei epratten. Ēdē prophēteuei legōn, Dei me kai Rōmēn idein. Touto de eipen, isōs paramythoumenos autous, hōs ouk apomenōn, all᾽ hōs palin engyterō ginomenos autōn, kai dianistōn tas psychas tōn mathētōn tę̄ prophēteią. Enteuthen moi dokei graphein Korinthioiapo Ephesou, kai legein, hoti Ou thelō hymas agnoein hyper tēs thlipseōs tēs genomenēs hēmin en tę̄ ᾿Asią. Epeidē gar epēngelleto eis Korinthon apelthein, apologeitai hate bradynas, kai legei ton peirasmonloipon, ta kata Dēmētrion diēgoumenos. Touton gar ainittetai, tabrachon ouk oligon eipōn peri tēs hodou gegenēsthai. Palin kindynos, palin tarachos. Horąs tēn eudokimēsin? Egeneto sēmeia dipla" hoi de antelegon. Houtō dia pantōn hyphainetai ta pragmata. Dēmētrios gar tis onomati, argyrokopos, poiōn gaous argyrous ᾿Artemidos, pareicheto toir technitais ergasian ouk oligēn. Hous peri ta toiautō ergatas, eipen" “Andres, epistasthe, hoti ek tautēs tēs argasias hē heuporia hēmōn esti: kai theōreite kai akouete, hoti ou monon» Ephesou, a.l:la kai schedon pasēs tēs ᾿Asias ho houtos peisas metestēsen ochilon hikanon, 1egōn, hoti Ouk eisi thdoi hoi dia cheirōn agthrōpōn gigomenoi. Ou monon de touto kigdyneuei hēmin to meros eis gmon elthein, alla kai to tēs megalēs theas hieron ᾿Artemidos eis ouden «logisthēnai, mellein de kai kathaireisthai tēn megaleiotēta autēs, hēn dlē hē IAsia kai hē oikoumenē sethdetai. Poiōn, phēsi, naous argyrous ᾿Artemidos. Kai pōs heni naous argyrous genesthai? Isōs hōs chidōria mikra᾽ pollē gar tautēs hēn hē timē en ᾿Ephesǭ, hopou kai to hieron autōn emprēsthen houtōs elypēsen autous, hōs ton emprēsanta keleuein mēde onomati legesthai. “Hora pantachou tēn eidōlolatreian apo chrēmatōn ginomenēn. Kakeinoi dia chrēmata, kai houtos dia chrēmata’ ouk hōs tēs eusedeias chindynenousēs autois, all᾽ hōs tou porismou tēn hypothesin ouk echontos. Kai skopei kakian andros" Euporos hēn autos, kai autǭ men ou tosautē emelle bladē gegesthan ek toutou ekeinois de ēn pollē, hate penēsin ousi kai apo tēs kath᾽ hēmeran ergasias trephomenois. Kai homōs houtoi men ouden legousin, autos de" koinōnous de ontas autous tēs technēs, koinōnous lamthanei kai tou thorythony. Eita kai ton kindynon ēuxēsen, epagagōn, hoti Kōdygneuei hēmin touto to meros eis apelegmon elthein. Touto gar schedon dia toutou dēloi, hote apo tēs pechnēs tautēs kindyneuomen eis limon empesein. Kaitoi ta eirēmena hikana eis eusedeian autous agagein " alla lon, kai ouk ennoousin, hoti Ei ho anthrōpos houtos tosauta ischyei hōs metastēsai pantas, kai kindyneuei ta tōn theōn, hēlikos ho toutou Theos! kai hoti Pollǭ mallon ekeina hēmin dōsei, hyper hōn phodoumetha. “Ēdē prachatelauen autōn tas psychas, legōn, hoti Ouk eisi theoi hoi hype cheirōn anthrōkōn gignomenoi. “Hora hyper tinos aganaktousin Hellēnes " epeidē eipen, hoti Hoi hypo anōrōpōn gignomenoi, ouk eisi theoi. Pantachou eis tēn technēn ōthei ton logon. Eita to malista autous lypēsan hysteron tithēsi, legōn" Ou monon de touto to meros kigdygeuei" toutesti, Tōn men allōn oudeis logos, all᾽ hoti kai to tēs megalēs theas hieron ᾿Artemidos kindyneuei. chathaireisthai. Eita hina mē doxę̄ chrēmatismou heneken legein tauta, hora ti prostithēsin" “Hēn hē oikoumenē sedetai. Horąs pōs edeixe meizō tēn tou Paulou dynamin, pantas athlious kai talaipōrous autous apophainōn, eigeanthrōpos elaunomenos kai schēnopoios tosauta dynatai? Hora par᾽ echthrōn tas martyrias tois apostolois ginomenas. Ekei men elegon, Idou pepiērōchate tēn Hierousalēm tēs didachēs hymōn" entautha, tēs tote, Hoi tēn oikoumenēn anastatōsantes ēkouon, hoti Houtoi kai egthade pareisi" nyn, hoti Kindyneuei hēmin touto to meros eis apeilegmon elthein. Houtō kai Ioudaioi epi tou. Christou elegon" Horate, hoti ho kosmos opisō hautou hypagei, kai eleusontai hoi Rhōmaioi kai arousin hēmōn tēn polin. ᾿Akousantes de tauta eplēsthēsan thymou. Pote ho thymos gegonen? Hote peri tēs ᾿Artemidos ēkousan, hote peri tou porismou. Toiauta gar ta tōn agoraiōn ēthē, apo tou met᾽ exetaseōs dei poiein panta". Hora de pōs kai ēsan eukataphronētoi, hōs kasi prokeisthai. Akouo tes de, kai gegomegoi piiēreis thymou, phēsin, e? epilēsthē hē poiïiis holē tēs synchyseōs" hōrmēsa homothymadon eis to theatron. Synarpasantei Gaïon kai ᾿Aristarchon Makedogas,
“Now after these things were accomplished, Paul resolved in the Spirit to pass through Macedonia and Achaia and go to Jerusalem, saying, ‘After I have been there, I must also see Rome.’ And having sent into Macedonia two of those who ministered to him, Timothy and Erastus, he himself stayed in Asia for a time. And about that time there arose no small disturbance concerning the Way.” Having spent enough time in the city, he wants to move on again. That is why he sends Timothy and Erastus into Macedonia, while he himself remains at Ephesus. But how is it that, having chosen at first to go to Syria, he turns back again to Macedonia? Showing that he did not do everything by his own power. Already he prophesies, saying, “I must also see Rome.” And he said this perhaps to comfort them, as one who would not be far away, but would again come nearer to them, and rousing the souls of the disciples by the prophecy. It seems to me that it was from here, from Ephesus, that he wrote to the Corinthians and said, “I do not want you to be ignorant of the affliction we experienced in Asia.” For since he had promised to come to Corinth, he excuses himself for being slow, and speaks of the trial, relating at last the affair of Demetrius. For he hints at this, saying that no small disturbance arose concerning the Way. Again danger, again disturbance. Do you see the success? Double signs had taken place; but these men spoke against them. So in everything the events are woven together. “For a man named Demetrius, a silversmith, who made silver shrines of Artemis, brought no small business to the craftsmen. These he gathered, together with the workmen of like occupation, and said, ‘Men, you know that from this business we have our wealth. And you see and hear that not only at Ephesus but almost throughout all Asia this Paul has persuaded and turned away a great many people, saying that gods made with hands are not gods. And there is danger not only that this trade of ours may come into disrepute, but also that the temple of the great goddess Artemis may be counted as nothing, and that she may even be deposed from her magnificence, she whom all Asia and the world worship.’” “Who made,” it says, “silver shrines of Artemis.” And how is it possible for shrines to be of silver? Perhaps like small caskets; for her honor was great in Ephesus, where the burning of their temple so grieved them that they ordered that the man who burned it should not even be named. See how everywhere idolatry arises from money. Those men too acted for money, and this man for money; not as though their religion were in danger, but as though their gain were losing its source. And consider the man’s wickedness. He himself was wealthy, and no great harm was going to come to him from this; but to them it was great, since they were poor and lived on their daily work. And yet they say nothing, but he does; and since they were partners in the trade, he takes them as partners in the uproar too. Then he magnified the danger, adding, “There is danger that this trade of ours may come into disrepute.” For by this he means almost this: that we are in danger of falling into famine from this craft. And yet what was said was enough to bring them to godliness; but … and they do not consider: if this man is so strong as to turn everyone away, and the affairs of the gods are in danger, how great is his God! and that he will give us much more those things for which we fear. He had already won over their souls beforehand, saying, “Gods made by human hands are not gods.” See what the Greeks are indignant about: because he said, “Those made by men are not gods.” Everywhere he pushes the speech toward the trade. Then he puts last what grieved them most, saying, “And not only is this trade of ours in danger”; that is, of the others there is no account; but that “the temple too of the great goddess Artemis” is in danger of being deposed. Then, so that he might not seem to say these things for the sake of gain, see what he adds: “she whom the world worships.” Do you see how he showed Paul’s power to be greater, proving them all wretched and miserable, if a man who was being driven about, and a tentmaker, can do so much? See how the testimonies to the apostles come from enemies. There they said, “See, you have filled Jerusalem with your teaching”; here …, “Those who have turned the world upside down”; then they heard, “These men have come here too”; now, “There is danger that this trade of ours may come into disrepute.” So too the Jews said in the case of Christ: “You see that the world has gone after him,” and, “The Romans will come and take away our city.” “When they heard this, they were filled with rage.” When did the rage come? When they heard about Artemis, when they heard about their gain. Such are the manners of the men of the marketplace, … one must do everything with examination. And see how contemptible they were, so as to be exposed to everyone. “When they heard this,” it says, “and were filled with rage, they cried out, …; and the whole city was filled with the confusion; and they rushed together into the theater, dragging along Gaius and Aristarchus, Macedonians,”
Textual problem in this passage: see the notes.
Acts 19:21–29 (quotation, high confidence) · 2 Cor 1:8 (quotation, high confidence) · Acts 5:28 (quotation, high confidence) · Acts 17:6 (quotation, high confidence) · John 12:19 (quotation, high confidence) · John 11:48 (quotation, high confidence)
Notes and citation
Summary: Chrysostom explains Paul’s plan to go to Jerusalem and Rome, and the riot of Demetrius the silversmith at Ephesus (Acts 19:21–29), showing that idolatry was defended for the sake of money and that Paul’s enemies bore witness to his power.
- Lemma: Acts 19:21–29, quoted in pieces; a few words are lost in the scan (marked “…”). A footnote fragment inside the text is removed. “The burning of their temple”: the burning of the temple of Artemis in 356 BC, whose author the Ephesians decreed should never be named; Chrysostom does not name him either. “Double signs”: the healings and the exposure of the exorcists in 19:11–17.
- Quoted: 2 Cor 1:8; Acts 5:28; Acts 17:6; John 12:19; John 11:48.
Notes on the original text
- Digital text corrected (footnote debris removed): Αοτοὶ, ἀπελθεῖν, εἷς Μακεδονίαν. → .
Cite (SBL): Chrysostom, Hom. Act. 42.1 (PG 60:316; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-acta/42-1). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/chrysostom-hom-acta/42-1
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 60 (archive.org OCR); each batch then compared with NPNF1 11.
42.2PG 60:316
᾿Απλῶς πάλιν ἐπίασσιν ὡς νὲἐπὶ Ἰάσονος Ἰουδαῖοι πανταχοῦ αὐτοῖς πρόκεινται " οὕτως οὐδὲν εἶχον χό γέμον οὐδὲ δόξης. Τοῦ δὲ Παύλου βουλομένου ε.1θεῖν εἰς τὸν δῆμον, οὐκ εἴων αὑτὸν οἱ μαθ. Τινὲς δὲ τῶν ᾿Ασιαρχῶν ὄντες αὐτῷ φίλοι, πέμ τες πρὸς αὑτὸν παρεκάλουν μὴ δοῦναι ἑαυτὸϊ τὸ θέατρον. Παρακχαλοῦσιν, ὅτι ἄταχτο; ἦσαν ! ἀλογίστῳ ῥύμῃ πάντα τολμῶντες. Καὶ ὁ Παῦλος 1 ται οὐ γὰρ ἣν κενόδοξος, οὐδὲ φιλότιμος. οὗν ἄ.1.10 τι ἔκραζον " ἦν γὰρ ἡ ἐκκλησία συγ μένη. Τοιοῦτον γὰρ τὸ πλῆθος - ἁπλῶς ἕπεται χα! πῦρ εἰς ὕλην ἐμπεσόν. Καὶ οἱ πιλείους οὐκ ἧδε τίγος ἔνεχεν συγεληλύθεισαγν. Ἔκ δὲ τοῦ ἐ Ἰουδαίων. Προεθάλοντο Ἰουδαῖοι οἰκονομικῶς, δὲν ἔχωσιν ὕστερον ἀντιλέγειν. Οὗτος καὶ προδάλ καὶ φθέγγεται, καὶ τί, ἄκουε" Ὁ δὲ ᾿Αλέξανδρος σείσας τῇ χειρὶ, ἤθελεν ἀπολογεῖσθαι τῷ ι ᾿Επιγγόνεες δὲ, ὅτι ᾿Ιουδαῖός ἐστι, φωνὴ ἐξ. μία ἐκ πάντων, ὡς ἐπὶ ὥρας δύο κραζόντων" ] «Ἰη ἡ Ἄρτεμις Ἐφεσίων. Παιδικὴ ὄντως ἡ δι εχῶς ἐδόων. Δύο ἕτη ἐκάθισεν ἐκεῖ, καὶ ὅρα πόα Ἕλληνες ἧσαν. Καταστείλας δὲ ὁ γραμματεὺ ὄχλον, φησίν" "Αγδρες Ἐφέσιοι, εἰς γάρ ἐστ θρωπρς, ὃς οὐ γιγώσκει τὴν Ἐφεσίων κόρον οὖσαν τῆς μεγάλης θεᾶς Ἀρτέμιδος κέ Διοπετοῦς; Τούτῳ πρώτῳ τὸν θυμὸν αὐτῶν ἔ Καὶ τοῦ διοπετοῦς. Τοῦτα λέγει, ὡς οὐκ ὄντος τοῦ πράγματος. Ἱερὸν δὲ ἕτερον οὕτω ἐκαλεῖτο πές " ἢτοι τὸ εἴδωλον τοίνυν τῆς ᾿Αρτέμιδος Δ ἔλεγον, ὡς ἐκ τοῦ Διὸς τὸ ὄστρακον ἐκεῖνο πεῖ καὶ οὐκ ὑπὸ ἀνθρώπου γενόμενον " ἣ ἕτερον, παρ᾽ αὐτοῖς οὕτως ἐλέγετο. ᾿Αγαγτιῤῥήτων, ο των τούτων, δέον ἐστὶν ὑμᾶς κατεσταλμέγνο ἄρχειν, καὶ μηδὲν προπετὲς πράσσει». " τὸ γὰρ τοὺς ἄνδρας τούτους, οὔτε ἱεροσ οὔτε βλασφημοῦντας τὴν θεὰν ὑμῶν. “Α πᾶν ψεῦδος" ταῦτα δὲ πρὸς τὸν δῆμον, ὥσ οὖν Δημήτριος καὶ οἱ σὺν αὑτῷ τεχνῖται ἔχου ἐγκαλείτωσαν ἀ.1.λήϊοις. Εἰ δά τι περὶ Καὶ γὰρ κιγδυγεύομεν ἐγκαλεῖσθαι στάσει τῆς σήμερον, μηδενὸς αἰτίου ὑπάρχογεος., [οὐ 9] δυνησόμεθα ἀποδοῦναι.1όγον τῆς συνε ταύτης. Καὶ ταῦτα εἰπὼν, ἀπέλυσς τὴν ἐκκ ΓἝννομον ἐκκλησίαν, φησὶ, διότι τρεῖς ἐκκλης γοντο κατὰ νόμον καθ᾽ ἔκαστον μῆνα’ αὕτη δὲ. νομος. Εἶτα καὶ ἐφόδησεν αὐτοὺς εἰπών- Κενγδυ ἐγκαλεῖσθαι στάσεως. ᾿Αλλ᾽ ἴδωμεν ἄνωθεν μένα. Ὡς δὲ ἐπιηρώθη ταῦτα, φηκὶν, ἔθετο ὁ ἐν τῷ Πνεύματι, διελθὼν τὴν Μακεδονίαν καὶ ᾿Αχαΐαν, πορεύεσθαι εἰς ᾿Ιεροσόλυμα. Οὐκ ἔτι ἀνβρωκίνως ἐνταῦθα ποιεῖ, ἀλλὰ Πνεύματι, ᾧ καὶ προείλετο διελθεῖν. Τοῦτο γάρ ἐστι τὸ, “Εθετο, καὶ τοιαύτην ὁ Ἰόγο; ἔννοιαν ἔχει. Τίνος δὲ ἕνεκεν ἀποστέλλει Τιμόθεὸν καὶ ἝἜραστον, οὐ λέγει" ἐμοὶ δὲ δοκεῖ καὶ περὶ τούτου εἰπεῖν τὸ, ᾿Εν Πνεύματι. Διὸ μηκέτι στέγοντες, εὐδοκήσαμεν κατα.διφθῆναι ἐν ᾿Αθήναις μόνοι. Καὶ δρα, δύο τῶν διακονούντων αὐτῷ ἀπέστειλε, τὴν τε παρουσίαν ἀπαγγεῖλαι καὶ προθυμοτέρους ποιῆσαι. Μάλιστα πάντων τῇ ᾿Ασίᾳ ἐνδιατρίδει " εἰκότως " ἐκεῖ γὰρ ἂν ἡ πολλὴ φατρία τῶν φιλοσόφων. Καὶ ἐλθὼν, πάλιν αὐτοῖς διελέγετο" καὶ γὰρ πολλὴ ἣν ἐκεῖ ἡ δεισιδαιμονία. Δημήτριος γάρ τις, φησὶν, ἀργυροκόπος, συγαϑροίσας τοὺς περὶ τὰ τοιαῦτα ἐργάτας, εἶπϑν" “Ανδρες, ἐπίστασθε καὶ θεωρεῖτε καὶ ἀκούετε" οὕτω κατάδηλον ἣν τὸ γινόμενον. Ὅτι οὗτος, φησὶν, ὁ Παῦλος πείσας μετέστησεν ἱκανὸν ὄχιλον. “Ὥστε οὐ βιαίως, εἰ ἔπεισεν" οὕτω δεῖ πείθειν πόλιν. Εἶτα ἐπάγει ὅπεραὐτῶν χαθήπτετο, ὅτι Οὐκ εἰσὶ θεοὶ οἱ διὰ χδιρῶν γρόμενοι. Τί ἔστι τοῦτο; ᾿Ανατρέπει, φησὶ, τὴν τέχνην πὴν ἡμετέραν. Καὶ ἵνα μὴ ἐννοῆσωσι, καὶ εἴπωσιν, ὅτι μόνο; ἄνθρωπος τοιαῦτα ἰσχύει, καὶ εἰ τοσοῦτον ἰσχύει, εὑτῷ δεῖ πείθεσθαι, ἐπήγαγεν Ἣν ὅλη ἡ ᾿Ασία καὶ ἡ οἰκουμένη σέδεται. Τὴν φωνὴν αὐτῶν ᾧοντο ἐπιτειχίζεῖν τῷ Πνεύματι τῷ θείῳ, ὄντες παῖδες “Ἕλληνες. Ἐκ τούτης τῆς ἐργασίας, φησὶν, ἡ εὐπορία ἡμῶν ἐστι. Καὶ εἰ ἀπὸ ταύτης τῆς ἐργασίας εὐπορία ὑμῖν περιγίνεται, πῶς ἔπεισεν ἄνθρωπος εὐτελής; πῶς τοσαύτης ἐχράτησς συνηθείας; τί ποιῶν ἣ τί λέγων; Οὐκ ἔστι Παύλου, οὐκ ἔστιν ἀνδρός. Καὶ τοῦτο ἀρκεῖ τὸ εἰπεῖν, ὅτι Οὐκ εἰσὶ θεοί. Εἰ μὰν οὖν οὕτως εὐφώρατον τὸ τῆς ἐσεδείας ὁ, πάλαι καταγνωσθῆναι ἔδει" εἰ δὲ ἰσχυρὸν, οὐκ οὕτως ἀναιρεθῆναι ταχέως. Οὐ μόνον δὲ, φησὶ, τοῦτο κιγδυγεύει ἡμῖν τὸ μέρος. Ὡς δῆ τί ποτε μεῖζον λέτῶν, τοῦτο ἐπήγαγεν. ᾿Ακούσαντες δὲ καὶ γεγόμεγοι πλήρεις θυμοῦ ἔκραζον" Μεγάλη ἡ Ἄρτεμις 'Ἔφεσίων. Κατὰ πόλιν γὰρ αὐτοῖς ἧσαν θεοί, Καὶ οὕτω διἔχειντο, ὡς διὰ τῆς φωνῆς ἀναχτώμενοι τὸ σέδας αὑτῆς, καὶ τὸ γεγενημένα ἀναλύοντες. Τῇ ρα ἄτακτον πλῆθος. Τοῦ δὲ Παύλου, φησὶ, βουδεομένου εἰσε.1θεῖν εἰς τὸν δῆμον, οὐκ εἴων αὐτὸν οἱ μαθηταί. Ὁ μὲν οὖν Παῦλος ἐδούλετο εἰσελθεῖν δημηγορῆσαι.[84}} τοὺς γὰρ διωγμοὺς ἐλάμθανεν εἰς διδασκαλίαν " ἀλλ᾽ οἱ μαθηταὶ οὐκ εἴων αὐτόν. Σκόπει, πόσῃ περὶ αὑτὸν προνοίᾳ κέχρηνται πανταχοῦ. Καὶ ἐξ ἀρχῆς αὐτὸν ἐξήγαγον, ὥστε μὴ περὶ τὰ καίρια λαθεῖν τὴν πληγήν᾽ καΐτο: γε ἤκουσαν, ὅτι δεῖ καὶ Ῥώμην ἰδεῖν" ὅμως πρλύουσιν. Οἰκονομικῶς δὲ προαγορεύει, ἵνα μὴ τῷ γενομένκυ θορυδηθῶσιν. Οὕτως οὐδὲ πάσχειν τι αὐτὸν ἐδούλοντο ν». Καὶ τῶν ἀσιαρχῶν δέ τινες παρεκάλουν αὑτὸν, φησὶ, μὴ δἰσειλθεῖν εἰς τὸ θέατρον. Εἰδότες αὐτοῦ τὴν προθυμίαν, παρεκάλουν οὕτω πάντες αὐτὸν ἐφίλουν οἱ πιστοί. Καὶ τίνος ἕνεκεν, φησὶν, ὁ ᾿Αλέξανὄρος ἐδούλετο ἀπολογεῖσθαι; μὴ γὰρ αὐτὸς ἐνεχλέθη; “Ὥστε καιρὸν εὑρεῖν, καὶ τὸ πᾶν καταστρέψαι καὶ ἐχπαῦσαι τοῦ δήμου τὸν θυμόν. Εἶδες θυμὸν ἄτακτον; Καλῶς καὶ ἐπιτιμητιχῶς ὁ γραμματεὺς, Τίς ἔστι, φησἷν, ὅς οὗ γιγώσχει τὴν Ἐφεσίων πόλιν; Οὕτοις εἰπὼν περὶ οὗ ἐφοδοῦντο" ὡσεὶ ἔλεγεν" Οὐ θεραπεύει: αὑτέν; Καὶ οὐκ εἶπε, Τίς γάρ ἐστιν, ὃς οὐ γινώσκει τῆν “Ἄρτεμιν; ἀλλὰ, Τὴν πόλιν τὴν ἡμετέραν" θεραπείων αὐτούς. ᾿Αγαντιῤῥήτων οὖν τούτων ὄντων, δέον ἐστὶν ὑμᾶς κατεσταϊλμένους ὑπάρχειν. Ταῦτα δῆθεν ἐγκαλεῖ, μονονουχὶ λέγων " Τί τοίνυν ζητεῖτε ὡς ἀδήλων ὄντων; φανερὸν, ὡς ἡ ὕδρις εἰς τὴν θεὸν διαχρηματισμοῦ. Εἴτα ἡρέμα καθάπτεται αὐτῶν, δεικνὺς, ὅτι ἀλογίστως συνῆλθον. Καὶ μηδὲν, φησὶ, προπετὲς χράττειν, Δεικνὺς, ὅτι προπετῶς ἔπραξαν, τοῦτο εἷπεν. Εἰ μὲν οὖν Δημήτριος καὶ οἱ σὺν αὐτῷ ἔχουσι ἐγκαλῶν, καὶ δεικνὺς ὅτι οὐκ ἔδει ἰδιωτικῶν ἐγκλημάτων ἕνεκεν κοινὴν ἐκκλησίαν ποιεῖσθαι. Καὶ γὰρ κιγδυνεύομεν,, φησὶν, ἐγχα,λεῖσθαι. Τούτῳ σφόδρα αὑτοὺς διἠπόρησεν. Οὑδεγὸς αἰτίου, φησὶν, ὑπάρχοντος, περὶ οὗ δυνησόμεθα «λόγον δοῦναι τῆς συστροφῆς ταύτῆς. Ὅρα πῶς οἱ ἄπιστοι φρονέμως ἀπολογοῦνται «, πῶς συνετῶς. Οὕτως ἔσόεσε τὸν θυμόν. “Ὥσπερ γὰρ ῥᾳδίως ἐξάπτεται, οὕτω καὶ ῥᾳδίως σδέννυται. Καὶ ταῦτα εἰπὼν, ἀπέλυσε τὴν ἐκκλησίαν, φησίν. Ὁρᾷς τὸν Θεὸν συγχωροῦντα τοὺς πειρασμοὺς, καὶ διεγείροντα καὶ ἀφυπνίζοντα τοὺς μαθητὰς τούτοις καὶ σφοδροσμοῖς " αὐτὸς γὰρ ποιήσει καὶ τὴν ἔχδασιν τοῦ δύνασθαι ὑπενεγκεῖν, Οὐδὲν οὕτω φίλους ποιεῖ καὶ συγχροτεῖ, ὡς θλῖψις " οὐδὲν οὕτω συνδεῖ καὶ ἐπισφίγγει τῶν πιστῶν τὰς ψυχάς " οὐδὲν ἡμῖν τοῖς διδασκάλοις οὕτως ἐπιτήδειον πρὸς τὸ τὰ παρ᾽ ἡμῶν λεγόμενα ἀκούεσθαι. Ἔν μὲν γὰρ ἀνέσει τυγχάνων ἀκροατὴς, χαῦνός τέ ἐστι καὶ ῥάθυμος, καὶ ἐνοχλεῖσθαι δοκεῖ παρὰ τοῦ λέγοντος “ ἐν δὲ θλίψει καὶ στενοχωρίᾳ εἰς πολλὴν ἐπιθυμίαν ἀκροάσεως ἐμπίπτει. Στενοχωρούμενος γὰρ τὴν Ψυχὴν, πανταχόθεν ζητεῖ καραμνθίαν τῆς θλίψεως εὑρεῖν " οὐ μικρὰν δὲ φέρει λόγος παραμυθίαν. Τί οὖν, φησὶν, οἱ Ἰουδαῖοι; πῶς ϑλιθόμενοι ἀπὸ τῆς ὀλιγοψυχίας οὐκ ἤἥχουον; Ὅτι Ἰουδαΐοι ἦσαν, οἱ ἀεὶ ἀσθενεῖς καὶ ταλαίπωροι " ἄλλως τε καὶ ὅτι καὶ ἐκεῖ πολλὴ ἡ θλῖψις ἦν, ἡμῖν δὲ περὶ συμ. μέτρου ὁ λόγος. Ὅρα γάρ' προσεδόκησαν ἀπαλλάττεσθαι τῶν κατεχόντων αὐτοὺς κακῶν ἐκεῖνοι, καὶ μυρίοις περ'ἔπεσον μᾶλλον δεινοῖς " τοῦτο δὲ οὐκ ὡς ἔτυχεν ἀπορεῖ ψυχήν. Αἱ θλίψεις ἀποσχίζουσιν ἡμᾶς τῆς συμπαθείας τῆς πρὸς τὸν παρόντα κόσμον " εὐθέως γοῦν τὸν θάνατον αἰτοῦμεν, καὶ οὐκ ἐσμὲν φιλοσώματοι " ὅπερ μέγιστον φιλοσοφίας μέρος ἐστὶ, μὴ κεχηνέναι μηδὲ προσδεδέσθαι τῇ παρούσῃ ζωῇ. Ἢ θλιθομένη ψυχὴ οὐ βούλεται περὶ πολλὰ εἶναι, ἀλλ᾽ ἀναπαύσεώς τινος μόνον καὶ ἡσυχίας ἐρᾷ " ἀγαπητὸν αὑτῇ τῶν παρόντων ἀπαλλαγῆναι, κἂν μηδὲν ἕτερον ἢ. Καθάπερ σῶμα πεπονηκὸς καὶ ταλαιπωρηθὲν οὐκ ἐρᾷν βούλεται, οὐ γαστρίζεσθαι, ἀλλ᾽ ἀναπαύεσθαι καὶ ἡσυχῇ κεῖσθαι " οὕτω καὶ ψυχὴ μυρίοις ταριχευθεῖσα ὁ κακοῖς, πρὸς ἀνάπαυσιν καὶ ἡσυχίαν ἐπείγεται εἶναι. Ἡ ἐν ἀνέσει οὖσα ἑπτόηται, τεθορύδηται, μετέωρός ἐστιν " αὕτη δὲ καὶ μένει ἀμετεώριστος " καὶ ἡ μὲν ἀνδρειοτέρα, ἡ δὲ παιδιχωτέρα ἐστί " καὶ ἡ μὲν βαρυτέρα, ἡ δὲ κουφοτέρα. Καὶ καθάπερ ἐν πολλῷ ὕδατι ἐμπεσόν τι κοῦφον σαλεύεται " οὕτω καὶ εἰς πολλὴν χαρὰν ἐμπεσοῦσα ψυχή. Καὶ τὰ μέγιστα δὲ ἡμῖν ἁμαρτήματα ἀπὸ πολλῆς ἠδογῆς γεγενημένα ἴδοι τις ἄν. Καὶ εἰ βούλεσθε, οἰκίας ὑπογράψωμεν δύο, τὴν μὲν γαμούντων, τὴν δὲ πενθούν τῶν ᾿ εἰσέλθωμεν τῷ λόγῳ πρὸς ἑκατέρους "ἴδωμεν τίς πίνος βελτίων. Εὐρεθήσεται γὰρ ἡ τοῦ πενθοῦντος φιλο. σοφίας γέμουσα, ἡ δὲ τοῦ γαμοῦντος ἀσχημοσύνης, Ὅρα γάρ" αἰσχρὰ ἐκεῖ δ ῥήματα, γέλως ἄτακτος, βήματα ἀταχτότερα, στολὴ καὶ βάδισις ἀσχημοσύνης γέμουσα, σχήματα πολλῆῇς ἀνοίας καὶ μωρίας “ καὶ ὅλως οὐδὲν ἕτερον ἢ πάντα γέλως καὶ χατάγελως τὰ ἐκεῖ. Οὐκ ὁ γάμος, λέγω, μὴ γένοιτο " ἀλλὰ τὰ περὶ τὸν γάμον. Ἐχδαχχεύεται τότε ἡ φύσις, ἄλογα ἀντὶ ἀνθρώπων οἱ παρόντες γίνονται, οἱ μὲν ὡς ἵπποι χρεμετίξουσιν, οἱ δὲ ὡς ὄνοι λαχτίζουσι " πολλὴ ἡ διάχυσις, πολλὴ ἡ διάλυσις, οὐδὲν σπουδαῖον, οὐδὲν γενναῖον " “πολλὴ ἐκεῖ τοῦ διαδόλου ἡ πομπὴ, χύμδαλα, αὐλοὶ, καὶ ἄσματα πορνείας γέμοντα καὶ μοιχείας. ᾿Αλλ᾽ οὐκ ἐκεῖ, ἔνθα τὸ πένθος, ἀλλὰ πάντα εὔταχτα " πολλὴ γὰρ ἣ σιγὴ, πολλὴ ἡ ἡσυχία, πολλὴ ἡ καταστολὴ, οὐδὲν ἄτακτον, οὐδὲν ἄῤῥυθμον - εἴ τίς τι καὶ ἐφθέγξατο, πάντα φιλοσοφίας γέμοντα ῥήματα ἐφθέγξατο " καὶ τὸ δὴ θαυμαστὸν, ὅτι παρ᾽ ἐκεῖνον τὸν καιρὸν οὐκ ἄνδρες μόνον, ἀλλὰ καὶ οἰκεῖοι καὶ γυναῖκες φιλοσοφοῦσι. Τοιαύτη γὰρ ἡ τοῦ πένθους φύσις. Καὶ δοκοῦσι μὲν παρακαλεῖν τὸν πενθοῦντα, μυρία δὲ φθέγγονται δόγματα φιλοσοφίας μεστά " εὐκαὶ εὐθέως ὥστε μέχρι τούτου στῆναι, καὶ ἱκανοὶ οἱ τὸν πεπονηχότα παραμυθούμενοι, καὶ ἀπἀριθμήσεις τῶν τοιαῦτα πενθούντων μυρίαι. Τί γάρ ἐστιν ἄνθρωπος; Τῆς φύσεως ἐξέτασις τῆς ἡμετέρας.
᾿Aplōs palin epiassin hōs neepi Iasonos Ioudaioi pantachou autois prokeintai " houtōs ouden eichon cho gemon oude doxēs. Tou de Paulou boulomenou e.1thein eis ton dēmon, ouk eiōn hauton hoi math. Tines de tōn ᾿Asiarchōn ontes autǭ philoi, pem tes pros hauton parekaloun mē dounai heautoï to theatron. Parakchalousin, hoti atachto? ēsan ! alogistǭ rhymę̄ panta tolmōntes. Kai ho Paulos 1 tai ou gar hēn kenodoxos, oude philotimos. houn a.1.10 ti ekrazon " ēn gar hē ekklēsia syg menē. Toiouton gar to plēthos - haplōs hepetai cha! pyr eis hylēn empeson. Kai hoi pileious ouk hēde tigos enechen sygelēlytheisagn. Ek de tou e Ioudaiōn. Proethalonto Ioudaioi oikonomikōs, den echōsin hysteron antilegein. Houtos kai prodal kai phthengetai, kai ti, akoue" Ho de ᾿Alexandros seisas tę̄ cheiri, ēthelen apologeisthai tǭ i ᾿Epingonees de, hoti ᾿Ioudaios esti, phōnē ex. mia ek pantōn, hōs epi hōras dyo krazontōn" ] «Iē hē Artemis Ephesiōn. Paidikē ontōs hē di echōs edoōn. Dyo hetē ekathisen ekei, kai hora poa Hellēnes hēsan. Katasteilas de ho grammateu ochlon, phēsin" "Agdres Ephesioi, eis gar est thrōprs, hos ou gigōskei tēn Ephesiōn koron ousan tēs megalēs theas Artemidos ke Diopetous? Toutǭ prōtǭ ton thymon autōn e Kai tou diopetous. Touta legei, hōs ouk ontos tou pragmatos. Hieron de heteron houtō ekaleito pes " ētoi to eidōlon toinyn tēs ᾿Artemidos D elegon, hōs ek tou Dios to ostrakon ekeino pei kai ouk hypo anthrōpou genomenon " hē heteron, par᾽ autois houtōs elegeto. ᾿Agagtirrhētōn, o tōn toutōn, deon estin hymas katestalmegno archein, kai mēden propetes prassei». " to gar tous andras toutous, oute hieros oute blasphēmountas tēn thean hymōn. “A pan pseudos" tauta de pros ton dēmon, hōs oun Dēmētrios kai hoi syn hautǭ technitai echou enkaleitōsan a.1.lēïois. Ei da ti peri Kai gar kigdygeuomen enkaleisthai stasei tēs sēmeron, mēdenos aitiou hyparchogeos., [ou 9] dynēsometha apodounai.1ogon tēs syne tautēs. Kai tauta eipōn, apelyss tēn ekk GEnnomon ekklēsian, phēsi, dioti treis ekklēs gonto kata nomon kath᾽ ekaston mēna’ hautē de. nomos. Eita kai ephodēsen autous eipōn- Kengdy enkaleisthai staseōs. ᾿All᾽ idōmen anōthen mena. Hōs de epiērōthē tauta, phēkin, etheto ho en tǭ Pneumati, dielthōn tēn Makedonian kai ᾿Achaïan, poreuesthai eis ᾿Ierosolyma. Ouk eti anbrōkinōs entautha poiei, alla Pneumati, hǭ kai proeileto dielthein. Touto gar esti to, “Etheto, kai toiautēn ho Iogo? ennoian echei. Tinos de heneken apostellei Timotheon kai HeEraston, ou legei" emoi de dokei kai peri toutou eipein to, ᾿En Pneumati. Dio mēketi stegontes, eudokēsamen kata.diphthēnai en ᾿Athēnais monoi. Kai dra, dyo tōn diakonountōn autǭ apesteile, tēn te parousian apangeilai kai prothymoterous poiēsai. Malista pantōn tę̄ ᾿Asią endiatridei " eikotōs " ekei gar an hē pollē phatria tōn philosophōn. Kai elthōn, palin autois dielegeto" kai gar pollē hēn ekei hē deisidaimonia. Dēmētrios gar tis, phēsin, argyrokopos, sygaϑroisas tous peri ta toiauta ergatas, eipϑn" “Andres, epistasthe kai theōreite kai akouete" houtō katadēlon hēn to ginomenon. Hoti houtos, phēsin, ho Paulos peisas metestēsen hikanon ochilon. “Hōste ou biaiōs, ei epeisen" houtō dei peithein polin. Eita epagei hoperautōn chathēpteto, hoti Ouk eisi theoi hoi dia chdirōn gromenoi. Ti esti touto? ᾿Anatrepei, phēsi, tēn technēn pēn hēmeteran. Kai hina mē ennoēsōsi, kai eipōsin, hoti mono? anthrōpos toiauta ischyei, kai ei tosouton ischyei, heutǭ dei peithesthai, epēgagen Hēn holē hē ᾿Asia kai hē oikoumenē sedetai. Tēn phōnēn autōn hǭonto epiteichizein tǭ Pneumati tǭ theiǭ, ontes paides “Hellēnes. Ek toutēs tēs ergasias, phēsin, hē euporia hēmōn esti. Kai ei apo tautēs tēs ergasias euporia hymin periginetai, pōs epeisen anthrōpos eutelēs? pōs tosautēs echratēss synētheias? ti poiōn hē ti legōn? Ouk esti Paulou, ouk estin andros. Kai touto arkei to eipein, hoti Ouk eisi theoi. Ei man oun houtōs euphōraton to tēs esedeias ho, palai katagnōsthēnai edei" ei de ischyron, ouk houtōs anairethēnai tacheōs. Ou monon de, phēsi, touto kigdygeuei hēmin to meros. Hōs dē ti pote meizon letōn, touto epēgagen. ᾿Akousantes de kai gegomegoi plēreis thymou ekrazon" Megalē hē Artemis 'Ephesiōn. Kata polin gar autois hēsan theoi, Kai houtō diecheinto, hōs dia tēs phōnēs anachtōmenoi to sedas hautēs, kai to gegenēmena analyontes. Tę̄ ra atakton plēthos. Tou de Paulou, phēsi, boudeomenou eise.1thein eis ton dēmon, ouk eiōn auton hoi mathētai. Ho men oun Paulos edouleto eiselthein dēmēgorēsai.[84}} tous gar diōgmous elamthanen eis didaskalian " all᾽ hoi mathētai ouk eiōn auton. Skopei, posę̄ peri hauton pronoią kechrēntai pantachou. Kai ex archēs auton exēgagon, hōste mē peri ta kairia lathein tēn plēgēn᾽ kaïto: ge ēkousan, hoti dei kai Rhōmēn idein" homōs prlyousin. Oikonomikōs de proagoreuei, hina mē tǭ genomenky thorydēthōsin. Houtōs oude paschein ti auton edoulonto n». Kai tōn asiarchōn de tines parekaloun hauton, phēsi, mē diseilthein eis to theatron. Eidotes autou tēn prothymian, parekaloun houtō pantes auton ephiloun hoi pistoi. Kai tinos heneken, phēsin, ho ᾿Alexanoros edouleto apologeisthai? mē gar autos enechlethē? “Hōste kairon heurein, kai to pan katastrepsai kai echpausai tou dēmou ton thymon. Eides thymon atakton? Kalōs kai epitimētichōs ho grammateus, Tis esti, phēsin, hos hou gigōschei tēn Ephesiōn polin? Houtois eipōn peri hou ephodounto" hōsei elegen" Ou therapeuei: hauten? Kai ouk eipe, Tis gar estin, hos ou ginōskei tēn “Artemin? alla, Tēn polin tēn hēmeteran" therapeiōn autous. ᾿Agantirrhētōn oun toutōn ontōn, deon estin hymas katestaïlmenous hyparchein. Tauta dēthen enkalei, mononouchi legōn " Ti toinyn zēteite hōs adēlōn ontōn? phaneron, hōs hē hydris eis tēn theon diachrēmatismou. Eita hērema kathaptetai autōn, deiknys, hoti alogistōs synēlthon. Kai mēden, phēsi, propetes chrattein, Deiknys, hoti propetōs epraxan, touto heipen. Ei men oun Dēmētrios kai hoi syn autǭ echousi enkalōn, kai deiknys hoti ouk edei idiōtikōn enklēmatōn heneken koinēn ekklēsian poieisthai. Kai gar kigdyneuomen,, phēsin, encha,leisthai. Toutǭ sphodra hautous diēporēsen. Houdegos aitiou, phēsin, hyparchontos, peri hou dynēsometha «logon dounai tēs systrophēs tautēs. Hora pōs hoi apistoi phronemōs apologountai «, pōs synetōs. Houtōs esoese ton thymon. “Hōsper gar rhądiōs exaptetai, houtō kai rhądiōs sdennytai. Kai tauta eipōn, apelyse tēn ekklēsian, phēsin. Horąs ton Theon synchōrounta tous peirasmous, kai diegeironta kai aphypnizonta tous mathētas toutois kai sphodrosmois " autos gar poiēsei kai tēn echdasin tou dynasthai hypenenkein, Ouden houtō philous poiei kai synchrotei, hōs thlipsis " ouden houtō syndei kai episphingei tōn pistōn tas psychas " ouden hēmin tois didaskalois houtōs epitēdeion pros to ta par᾽ hēmōn legomena akouesthai. En men gar anesei tynchanōn akroatēs, chaunos te esti kai rhathymos, kai enochleisthai dokei para tou legontos “ en de thlipsei kai stenochōrią eis pollēn epithymian akroaseōs empiptei. Stenochōroumenos gar tēn Psychēn, pantachothen zētei karamnthian tēs thlipseōs heurein " ou mikran de pherei logos paramythian. Ti oun, phēsin, hoi Ioudaioi? pōs ϑlithomenoi apo tēs oligopsychias ouk hēēchouon? Hoti Ioudaïoi ēsan, hoi aei astheneis kai talaipōroi " allōs te kai hoti kai ekei pollē hē thlipsis ēn, hēmin de peri sym. metrou ho logos. Hora gar' prosedokēsan apallattesthai tōn katechontōn autous kakōn ekeinoi, kai myriois per'epeson mallon deinois " touto de ouk hōs etychen aporei psychēn. Hai thlipseis aposchizousin hēmas tēs sympatheias tēs pros ton paronta kosmon " eutheōs goun ton thanaton aitoumen, kai ouk esmen philosōmatoi " hoper megiston philosophias meros esti, mē kechēnenai mēde prosdedesthai tę̄ parousę̄ zōę̄. Ē thlithomenē psychē ou bouletai peri polla einai, all᾽ anapauseōs tinos monon kai hēsychias erą " agapēton hautę̄ tōn parontōn apallagēnai, kan mēden heteron ē. Kathaper sōma peponēkos kai talaipōrēthen ouk erąn bouletai, ou gastrizesthai, all᾽ anapauesthai kai hēsychę̄ keisthai " houtō kai psychē myriois taricheutheisa ho kakois, pros anapausin kai hēsychian epeigetai einai. Hē en anesei ousa heptoētai, tethorydētai, meteōros estin " hautē de kai menei ameteōristos " kai hē men andreiotera, hē de paidichōtera esti " kai hē men barytera, hē de kouphotera. Kai kathaper en pollǭ hydati empeson ti kouphon saleuetai " houtō kai eis pollēn charan empesousa psychē. Kai ta megista de hēmin hamartēmata apo pollēs ēdogēs gegenēmena idoi tis an. Kai ei boulesthe, oikias hypograpsōmen dyo, tēn men gamountōn, tēn de penthoun tōn ᾿ eiselthōmen tǭ logǭ pros hekaterous "idōmen tis pinos beltiōn. Eurethēsetai gar hē tou penthountos philo. sophias gemousa, hē de tou gamountos aschēmosynēs, Hora gar" aischra ekei d rhēmata, gelōs ataktos, bēmata atachtotera, stolē kai badisis aschēmosynēs gemousa, schēmata pollēę̄s anoias kai mōrias “ kai holōs ouden heteron ē panta gelōs kai chatagelōs ta ekei. Ouk ho gamos, legō, mē genoito " alla ta peri ton gamon. Echdachcheuetai tote hē physis, aloga anti anthrōpōn hoi parontes ginontai, hoi men hōs hippoi chremetixousin, hoi de hōs onoi lachtizousi " pollē hē diachysis, pollē hē dialysis, ouden spoudaion, ouden gennaion " “pollē ekei tou diadolou hē pompē, chymdala, auloi, kai asmata porneias gemonta kai moicheias. ᾿All᾽ ouk ekei, entha to penthos, alla panta eutachta " pollē gar hē sigē, pollē hē hēsychia, pollē hē katastolē, ouden atakton, ouden arrhythmon - ei tis ti kai ephthenxato, panta philosophias gemonta rhēmata ephthenxato " kai to dē thaumaston, hoti par᾽ ekeinon ton kairon ouk andres monon, alla kai oikeioi kai gynaikes philosophousi. Toiautē gar hē tou penthous physis. Kai dokousi men parakalein ton penthounta, myria de phthengontai dogmata philosophias mesta " eukai eutheōs hōste mechri toutou stēnai, kai hikanoi hoi ton peponēchota paramythoumenoi, kai aparithmēseis tōn toiauta penthountōn myriai. Ti gar estin anthrōpos? Tēs physeōs exetasis tēs hēmeteras.
Again they simply seize, as in Jason’s case. The Jews everywhere are put forward by them; so little … they had, nor of glory. “And when Paul wanted to go in to the people, the disciples would not let him. And some of the Asiarchs, who were friends of his, sent to him and begged him not to venture into the theater.” They beg him because the people were disorderly, daring everything with an unreasoning rush. And Paul … for he was not vainglorious, nor ambitious. “Some cried one thing, some another; for the assembly was in confusion.” Such is the multitude: it simply follows, like fire falling on wood. “And most did not know why they had come together. And out of the crowd [they brought forward Alexander, the] Jews [putting him forward].” The Jews put him forward by design, so that they might have nothing to say against it afterward. This man is both put forward and speaks; and what, hear: “And Alexander motioned with his hand and wanted to make a defense to the people. But when they recognized that he was a Jew, a voice went up, one from all, crying out for about two hours, ‘Great is Artemis of the Ephesians!’” Truly childish was the …; they shouted continually. He had sat there two years, and see how many were still Greeks! “And when the town clerk had quieted the crowd,” it says, “he said, ‘Men of Ephesus, who is there who does not know that the city of the Ephesians is temple keeper of the great goddess Artemis, and of the image that fell from Zeus?’” By this first he [quenched] their rage. “And of the image that fell from Zeus”: he says this as though the thing did not exist. Another sacred object was so called …; or else they called the image of Artemis “fallen from Zeus,” as though that piece of earthenware had fallen from Zeus and had not been made by man; or else something else was so called among them. “‘Since then these things cannot be contradicted, you ought to be quiet and do nothing rash. For you have brought these men here, who are neither temple robbers nor blasphemers of your goddess.’” All a lie; but these things he said to the people, so as … “‘If then Demetrius and the craftsmen with him have a complaint against anyone, … let them bring charges against one another. But if you seek anything about other matters, … For we are in danger of being charged with riot for today, there being no cause by which we shall be able to give an account of this commotion.’ And when he had said these things, he dismissed the assembly.” “The lawful assembly,” he says, because three assemblies were held according to law each month; but this one was unlawful. Then he also frightened them by saying, “We are in danger of being charged with riot.” But let us look at what was said from the beginning. “Now after these things were accomplished,” it says, “Paul resolved in the Spirit to pass through Macedonia and Achaia and go to Jerusalem.” Here he no longer acts in a human way, but by the Spirit, by whom he also chose to pass through. For this is what “resolved” means, and the word has this sense. Why he sends Timothy and Erastus he does not say; but it seems to me that “in the Spirit” is said about this too. “So when we could bear it no longer, we were willing to be left behind at Athens alone.” And see: he sent two of those who ministered to him, both to announce his coming and to make them more eager. He stays in Asia above all; reasonably, for there was the great company of the philosophers. And having come, he reasoned with them again; for there was much superstition there. “For a certain Demetrius,” it says, “a silversmith, having gathered the workmen of like occupation, said, ‘Men, you know, and you see and hear’”: so plain was what was happening. “That this Paul,” he says, “has persuaded and turned away a great many people.” So it was not by force, if he persuaded; this is how one must persuade a city. Then he adds what touched them: “that gods made with hands are not gods.” What is this? He overturns, he says, our craft. And so that they might not consider and say that a man alone has such strength, and if he is so strong, one must obey him, he added, “she whom all Asia and the world worship.” They thought to wall off the divine Spirit with their shouting, being children, Greeks that they were. “From this business,” he says, “we have our wealth.” And if wealth comes to you from this business, how did a mean man persuade? How did he master so great a custom? By doing what, or saying what? It is not Paul’s doing; it is not a man’s. And it was enough for him to say, “They are not gods.” If, then, the worship was so easy to detect, it ought to have been condemned long ago; but if it was strong, it ought not to have been destroyed so quickly. “And not only,” he says, “is this trade of ours in danger.” As though saying something greater, he added this. “When they heard this and were filled with rage, they cried out, ‘Great is Artemis of the Ephesians!’” For they had gods city by city. And they were so disposed as though by their shouting they were recovering her honor and undoing what had been done. … a disorderly multitude. “And when Paul,” it says, “wanted to go in to the people, the disciples would not let him.” Paul, then, wanted to go in and address the people; for he took persecutions as an occasion for teaching; but the disciples would not let him. Consider with what forethought they treat him everywhere. From the beginning too they brought him out, so that he might not receive a blow in a vital part; and yet they had heard that he must also see Rome; still they prevent him. He foretells it by design, so that they might not be troubled by what happened. So they did not want him even to suffer anything. “And some of the Asiarchs too,” it says, “begged him not to venture into the theater.” Knowing his eagerness, they begged him; so much did all the believers love him. “And why,” someone says, “did Alexander want to make a defense? Was he himself accused?” So as to find an occasion, and overturn everything and inflame the people’s rage. Did you see the disorderly rage? Well and reprovingly the town clerk says, “Who is there who does not know the city of the Ephesians?” So he spoke about what they feared; as if he said, Does it not worship her? And he did not say, “Who is there who does not know Artemis?” but, “our city,” soothing them. “Since then these things cannot be contradicted, you ought to be quiet.” He seems to rebuke them for this, all but saying: Why then do you search as though the matter were in doubt? It is plain that the insult to the goddess is a pretext for gain. Then he gently reproaches them, showing that they had gathered without reason. “And do nothing rash,” he says. He said this to show that they had acted rashly. “If then Demetrius and those with him have a complaint”: and showing that it was not right to hold a public assembly for private charges. “For we are in danger,” he says, “of being charged.” By this he greatly perplexed them. “There being no cause,” he says, “by which we shall be able to give an account of this commotion.” See how sensibly, how wisely the unbelievers make their defense. So he quenched the rage. For as it is easily kindled, so too it is easily quenched. “And when he had said these things,” it says, “he dismissed the assembly.” You see God allowing the trials, and by them rousing and waking the disciples with violent shocks; “for he himself will also provide the way of escape, that we may be able to endure it.” Nothing so makes friends and binds them together as affliction; nothing so ties together and fastens the souls of the faithful; nothing is so suited to us teachers for having what we say listened to. For a hearer who is at ease is slack and careless, and thinks the speaker is troubling him; but in affliction and distress he falls into a great desire to listen. For when his soul is distressed, he seeks on every side to find comfort for his affliction; and the word brings no small comfort. “What then,” someone says, “of the Jews? How is it that, being afflicted, they did not listen because of their faintheartedness?” Because they were Jews, who were always weak and wretched; and besides, there the affliction was great, but our talk is of a moderate one. For see: those men expected to be freed from the evils that held them, and fell into countless worse terrors instead; and this perplexes the soul not a little. Afflictions cut us off from attachment to the present world; at any rate we at once ask for death, and are not lovers of the body; which is the greatest part of philosophy: not to gape after the present life nor be tied to it. The afflicted soul does not want to be busy about many things, but longs only for some rest and quiet; it is content to be rid of present things, even if there is nothing else. Just as a body that has toiled and been worn out does not want to make love or to feast, but to rest and lie quiet, so too a soul pickled in countless evils hastens toward rest and quiet. The soul at ease is excited, troubled, unsettled; but this one remains steady; and the one is more manly, the other more childish; the one weightier, the other lighter. And just as something light falling into much water is tossed about, so too a soul falling into much joy. And one may see that our greatest sins have come from much pleasure. And if you like, let us sketch two houses, one of people marrying, the other of people mourning; let us go in to each in our discourse and see which is better. The mourner’s will be found full of philosophy, and the marrying man’s full of indecency. For see: there are shameful words, disorderly laughter, still more disorderly dancing, clothing and gait full of indecency, postures of great folly and foolishness; and in short everything there is nothing but laughter and ridicule. I do not mean marriage, God forbid, but the things that go with marriage. Then nature is driven into Bacchic frenzy; those present become beasts instead of men: some neigh like horses, others kick like asses; there is great dissipation, great looseness, nothing serious, nothing noble; there is great pomp of the devil there, cymbals, pipes, and songs full of sexual immorality and adultery. But not so where there is mourning: everything is orderly; for there is great silence, great quiet, great composure, nothing disorderly, nothing out of measure; if anyone says anything, he speaks words full of philosophy; and the wonderful thing is that at that time not only men but also servants and women practice philosophy. Such is the nature of mourning. And they seem to comfort the mourner, but they utter countless sayings full of philosophy: at once prayers that things may stop there, and those who comfort the sufferer are many, and the enumerations of those who have mourned such losses are countless. “For what is man?” And there is an examination of our nature.
Textual problem in this passage: see the notes.
Acts 19:29–41 (quotation, high confidence) · Acts 19:21–28 (quotation, high confidence) · Acts 17:5–9 (allusion, medium confidence) · 1 Thess 3:1 (quotation, high confidence) · 1 Cor 10:13 (quotation, high confidence)
Notes and citation
Summary: Chrysostom comments on the riot in the theater at Ephesus, the Jews’ putting forward of Alexander, and the town clerk’s speech (Acts 19:29–41), then shows that affliction draws people together and makes them ready to listen, comparing a wedding’s disorder with a house of mourning’s philosophy.
- The ends of many lines in the first part are lost in the scan (marked “…”); words supplied from the lemma are in square brackets. A block of Latin and footnote debris is removed. The section numeral 3, lost in the scan, falls somewhere in this section; its place cannot be fixed. “Inflame” reads the printed ἐκπαῦσαι (“stop”) as ἐκκαῦσαι, as the sense requires. “The image that fell from Zeus” translates διοπετής. “Three assemblies … each month”: Chrysostom’s explanation of “the lawful assembly” (Acts 19:39). The description of wedding celebrations, with songs “full of sexual immorality and adultery”, is the preacher’s own; he expressly says that he is not criticizing marriage itself.
- Quoted: 1 Thess 3:1; 1 Cor 10:13. Allusion: Jason (Acts 17:5–9).
Notes on the original text
- Digital text corrected (Latin and footnote debris removed; the word broken across it restored): Μακεδον Ἰρλρὶς, πὸ οορίίδηι, δἱ ᾿ς όπιο (Δ] 18 μοββὶ!, υἱ οπιεἰ Ανίδιατοίιο Ἡασοάοπίνια, αὶ σοι ἴδει, δρ᾽ για, 00 ἰγαπβῖγα ἀοθγουΐε : ἰὰ ομΐπη εἰδὶ γα] ναι; 5ἷ γοργὸ δο] να δἰ(, ποῖ (πὶ εἶ[0 10}}} ροῖεϑι. οἱ οοη)υηρὶς υἱ ἀγυπιηᾶ; ηἰμ!} ἴα θά δ᾽ απὶ → Μακεδονίαν καὶ .
Cite (SBL): Chrysostom, Hom. Act. 42.2 (PG 60:316; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-acta/42-2). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/chrysostom-hom-acta/42-2
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 60 (archive.org OCR); each batch then compared with NPNF1 11.
42.4PG 60:316
Τί τοίνυν ἐστὶν ἄνθρωπος; Τοῦ βίου καὶτῆς εὐτελείας αὐτοῦ κατηγορία, ἀνάμνησις τῶν ἐν τῷ μέλλοντι πραγμάτων, τῆς χρίσεως. Ἕχαστος οἴκαδε ἀναχωρεῖ, ἀπὸ μὲν γάμου λυπούμενος, ὅτι δὴ αὐτὸς μὴ ἐν εὑπραγίᾳ ἐστίν “ ἀπὸ δὲ πένθους ἀνειμένος, ὅτι δὴ μὴ τοιαῦτα ἔπαθε, καὶ τὴν φλεγμονὴν σδέσας ἅπασαν ἀπῆλθεν, ᾿Αλλὰ τί; θέλεις τὰ δεσμωτήρια, καὶ τὰ θέατρᾳ ἀντεξετάσωμεν; Ὁ μὲν γὰρ θλίψεως, ὁ δὲ ἡδονῆς τήπος. Φέρε οὖν, ἴδωμεν ἑὰ ἐξ ἑκατέρων συμθαίνοντα. Ἐχεϊ φιλοσοφία πολλή " ἔνθα γὰρ ἀθυμία, καὶ φιλοσοφία πάντως. Ὃ πρὸ τούτου πλουτῶν, ὁ μεγάλα φυσῶν, καὶ τοῦ τυχόντος ἀνέξεται διαλεγομένου πρὸς αὐτὸν, τοῦ φόδου καὶ τῆς ἀθυμίας καθάπερ τινὸς πυρὸς! σφοδροτέρου ἐπιπεσόντος αὐτοῦ τῇ ψυχῇ, καὶ μαλάττοντος τὸ σκληρόν " τότε ταπεινὸς γίνεται, τότε σχυθρωπὸς 5, τότε τῆς μεταδολῇς αἰσθάνεται τῆς βιωτικῆς, τότε χαρτερεῖ πρὸς πάντα. Ἐν δὲ θεάτρῳ πάντα τὰ ἀνάλωμα χρόνου, καὶ δαπάνη ἡμερῶν περιττὴ, ἐπιθυμίᾳς ἀτόπου κατασκευὴ, μοιχείας μελέτη, πορνείας γυμνάσων, ἀκολασίας διδασκαλεῖον, προτροπὴ αἰσχρότητος, γέλωτος ὑπόθεσις, ἀσχημοσύνης παραδείγματα. ᾿Αλλ᾽ οὐ τὸ δεσμωτήριον τοιοῦτον " ἀλλ᾽ ἐκεῖ ταπεινοφροσύνη, παράκλησις, φιλοσοφίας προτροπὴ, ὑπεροψία τῶν βιωχαθάπερ παιδίῳ παιδαγωγὸς ὁ φόθος ἐφέστηκε, πρὸς πάντα τὰ δέοντα ῥυθμίζων αὐτόν. ᾿Αλλ᾽ εἰ βούλει, πάλιν ἑτέρως ἐξετάσωμεν τοὺς αὑτοὺς τόπους. Ἑδουλόμην συντυχεῖν ἀνθρώπῳ ἀπὸ θεάτρου χατιόντι, καὶ ἄλλῳ ἀπὸ δεσμωτηρίου ἐξιόντι, καὶ εἶδες ἂν τοῦ μὲν τὴν «οὗ δὲ ἀνειμένην, λελυμένην, ἑπτερωμένην. Ὁ μὲν γὰρ ἀπὸ τοῦ θεάτρου ἀναχωρεῖ, ταῖς ὄψεσι τῶν ἐκεῖ γυγαιχῶν προσδεθεὶς, παντὸς σιδήρου χαλεπώτερα φέρων δεσμὰ, τοὺς τόπους τοὺς ἐκεῖ, τὰ ῥήματα, τὰ σχήματα ὁ δὲ ἀπὸ δεσμωτηρίου, πάντων ἀνεθεὶς, οὐκ ἔτι ἡγήσεται πάσχειν τι δεινὸν, τοῖς τῶν ἑτέρων τὰ αὐτοῦ παραδάλλων. Ὅτι οὐ δέδετα!, χάριν εἴσεται λοιπὸν, καταφρονήσει τῶν ἀνθρωπίνων πραγμάτων, πολλοὺς πλουτοῦντας ὁρῶν ἐν συμφοραῖς, πολλὰ καὶ μεγάλα δυναμένους καὶ δεδεμένους ἐχεζ " κἂν ἀδίκως τι πάθῃ, χα: πρὸς τοῦτο χαρτερήσει " καὶ γὰρ καὶ τούτου πολλὰ ἐκεῖ τὰ ὁποδείγματα " εἰς ἔννοιαν ἐλεύσεται τῆς μελλούσης χρίσεως, καὶ φρίξει τοὺς τόπους ἐνταῦθα ὁρῶν. Καθάπερ γὰρ ἐνταῦθα ἐν δεσμωτηρίῳ δυγχεχλεισμένος, ἐπιεικὴς πρὸς πάντας ἐστίν “ οὕτω κἀκεῖνοι πρὸ τῆς χρίσεως, πρὸ τῆς μελλούσης ἡμέρας, πρὸς γυναῖκα, πρὸς παιδία, πρὸς τοὺς οἰκέτας ἔσονται ἐπιεικέστεροι. ᾿Αλλ᾽ ἀπὸ τοῦ θεάτρου οὐκ οὕτως, ἀλλ᾽ ἀηδέστερον ὄψεται τὴν γυναῖκα, καὶ δυσχερὴς πρὸς τοὺς οἰκείους ἔσται, παροξυνθήσεται πρὸς τὰ παιδία, ἐχθηριωθήσεται πρὸς πάντας. Μεγάλα κακὰ τὰ θέατρα παρασχενάζει ταῖς πόλεσι, μεγάλα, καὶ οὐδὲ τοῦτο ἴσμεν ὅτι μεγάλα. Εἰ δὲ οὐκ ἀπεχάμετε, ἐξετάσωμεν καὶ τοὺς τοῦ γέλωτος τόπους, τὰ συμπόσια λέγω, ἔνθα παράσιτοι καὶ κόλακες καὶ πολλὴ ἡ τρυφὴ, καὶ τόπους ἑτέρους, ἔνθα χωλοὶ καὶ ἀνάπηροι. Πάλιν ἐκεῖ μὲν μέθη καὶ τρυφὴ καὶ διάχυσις, ἐνταῦθα δὲ τοὐναντίον. Ὅρα καὶ ἐπὶ τοῦ σώματος, ὅταν φλεγμαίνῃ, ὅταν εὐπαθῇ, ταχίστην ἔχει πρὸ; νόσον μετάπτωσιν " ὅταν δὲ χατεσταλμένον ἧ, οὐκ οὕτως. Ἵνα δὲ σαφέστερον ὑμῖν ὃ λέγω ποιήσω ἀ, ἔστω σῶμα ἔχον πολὺ αἷμα καὶ σάρκας πολλὰς καὶ σφριγῶν " τοῦτο καὶ ἀπὸ τῆς τυχούσης τροφῆς πυρετὸν δυνήσεται τεκεῖν, ἂν ἁπλῶς ἀργήσῃ. "Ἔστω δὲ ἕτερον λιμῷ μᾶλλον παχαῖον καὶ θλίψει - τοῦτο δυσάλωτον καὶ δυσχαταγώνιστον πρὸς ἀῤῥωστίαν. Αἷμα κἂν ὑγιὲς ἣ ἐν ἡμῖν, τῷ πλήθει πολλάκις νόσον ἕτεκεν " ἂν δὲ ὀλίγον ἧ, κἂν μὴ ὑγιὲς, εὐκόλως χατεργατθῆναι δύναται. Οὕτω δὴ καὶ ἐπὶ ψυχῆς, ἡ μὲν ἐν ἀνέσει καὶ τρυφῇ ὀξυῤῥόπους ἔχει πρὸς ἁμαρ- “ἰαν τὰς ὁρμάς " καὶ γὰρ ἀπονοίας ἐγγὺς ἢ τοιαύτη ἔστηκε καὶ ἡδονῆς καὶ κενοδοξίας καὶ φθόνου καὶ ἐπιδουλῶν καὶ συχοφαντιῶν " ἀλλ᾽ οὐκ ἡ ἐν θλίψει καὶ αὐταρκείᾳ, ἀλλὰ πάντων τούτων ἀπήλλακται. Ἰδοὺ ἡλέχη πόλις ἡμῖν ἐστιν ἡ μεγάλη αὕτη. Πόθεν οὖν τίκτεται τὰ κακά; οὐκ ἀπὸ τῶν πλουτούντων; οὐκ ἀπὸ τῶν χαιρόντων; Τίνες εἰς δικαστήρια ἕλκουσι; τίνες οὐσίας διασπαθῶσιν; οἱ ταλαίπωροι καὶ ἀπεῤῥιμμένοι, ἢ οἱ μεγάλα φυσῶντες καὶ καίροντες; Οὐκ ἔστιν ἀπὸ ψυχῆς τεθλιμμένης γενέσθαι τι κακόν. Οἶδεν αὐτῆς τὸ κέρδος ὁ Παῦλος " διὰ τοῦτό φησιν’ Ἢ θλῖψις ὑπομονὴν κατἐργάζεται, ἡ δὲ ὑπομονὴ δοκιμὴν, ἡ δὲ δοκιμὴ ἐμλπίδα, ἡ δὲ ἐλπὶς οὐ καταισχύίγει. Μὴ δὴ χαταπίπτωμεν ἐν ταῖς θλίψεσιν, ἀλλ᾽ ἐν ἅπασιν εὐχαριστῶμεν, ἵνα τι χερδάνωμεν μέγα, ἵνα εὐδοχιμήσωμεν παρὰ τῷ Θεῷ τῷ τὰς θλίψεις συγχωροῦντι. Μέγα θλίψις ἀγαθόν " καὶ τοῦτο ἀπὸ τῶν παίδων τῶν ἡμετέρων μανθάνομεν " χωρὶς γὰρ θλίψεως οὐδὲν ἂν μάθοι χρήσιμον. Ἡμεῖ: δὲ μᾶλλον αὐτῶν δεόμεθα θλίψεως. Εἰ γὰρ ἐκεῖνα τῶν παθῶν ἠρεμούντων αὐτοῖς θάλλει 6, πολλῷ μᾶλλον ἡμεῖς, καὶ μάλιστα τοσούτοις συνεχόμενοι, ᾿Αλλ᾽ ἡμᾶς μᾶλλον παιδαγωγοὺς ἔχειν ἐχρῆν “ παρὰ μὲν γὰρ τῶν καίδων τὰ ἁμαρτήματα οὐκ ἂν μεγάλα γένοιτο, παρὰ δὲ ἡμῶν σφόδρα μεγάλα. Παιδαγωγὸς δὲ ἡμῶν ἡ θλῖψις" Μήτε οὖν ἐπισπώμεθα αὐτὴν, καὶ παροῦσαν γενναίως φέρωμεν, ἀεὶ μυρίων οὖσαν ἀγαθῶν αἰτίαν, ἵνα καὶ τῆς παρὰ τοῦ θεοῦ ῥοπῆς ἀπολαύσωμεν, καὶ τῶν ἀποκειμένων ἀγαθῶν τοῖς ἀγαπῶσιν αὐτὸν, ἐν Χριστῷ Ἰησοῦ τῷ Κυρίῳ ἡμῶν, μεθ᾽ οὗ τῷ Πατρὶ ἅμα τῷ ἁγίῳ Πνεύματι δόξα, κράτος, τιμὴ, νῦν καὶ ἀεὶ, καὶ εἰς τοὺς αἰῶνας τῶν αἰώνων. ᾿Αμήν.
Ti toinyn estin anthrōpos? Tou biou kaitēs euteleias autou katēgoria, anamnēsis tōn en tǭ mellonti pragmatōn, tēs chriseōs. Hechastos oikade anachōrei, apo men gamou lypoumenos, hoti dē autos mē en heupragią estin “ apo de penthous aneimenos, hoti dē mē toiauta epathe, kai tēn phlegmonēn sdesas hapasan apēlthen, ᾿Alla ti? theleis ta desmōtēria, kai ta theatrą antexetasōmen? Ho men gar thlipseōs, ho de hēdonēs tēpos. Phere oun, idōmen hea ex hekaterōn symthainonta. Echeï philosophia pollē " entha gar athymia, kai philosophia pantōs. Ho pro toutou ploutōn, ho megala physōn, kai tou tychontos anexetai dialegomenou pros auton, tou phodou kai tēs athymias kathaper tinos pyros! sphodroterou epipesontos autou tę̄ psychę̄, kai malattontos to sklēron " tote tapeinos ginetai, tote schythrōpos 5, tote tēs metadolę̄s aisthanetai tēs biōtikēs, tote charterei pros panta. En de theatrǭ panta ta analōma chronou, kai dapanē hēmerōn perittē, epithymiąs atopou kataskeuē, moicheias meletē, porneias gymnasōn, akolasias didaskaleion, protropē aischrotētos, gelōtos hypothesis, aschēmosynēs paradeigmata. ᾿All᾽ ou to desmōtērion toiouton " all᾽ ekei tapeinophrosynē, paraklēsis, philosophias protropē, hyperopsia tōn biōchathaper paidiǭ paidagōgos ho phothos ephestēke, pros panta ta deonta rhythmizōn auton. ᾿All᾽ ei boulei, palin heterōs exetasōmen tous hautous topous. Hedoulomēn syntychein anthrōpǭ apo theatrou chationti, kai allǭ apo desmōtēriou exionti, kai eides an tou men tēn «hou de aneimenēn, lelymenēn, hepterōmenēn. Ho men gar apo tou theatrou anachōrei, tais opsesi tōn ekei gygaichōn prosdetheis, pantos sidērou chalepōtera pherōn desma, tous topous tous ekei, ta rhēmata, ta schēmata ho de apo desmōtēriou, pantōn anetheis, ouk eti hēgēsetai paschein ti deinon, tois tōn heterōn ta autou paradallōn. Hoti ou dedeta!, charin eisetai loipon, kataphronēsei tōn anthrōpinōn pragmatōn, pollous ploutountas horōn en symphorais, polla kai megala dynamenous kai dedemenous echez " kan adikōs ti pathę̄, cha: pros touto charterēsei " kai gar kai toutou polla ekei ta hopodeigmata " eis ennoian eleusetai tēs mellousēs chriseōs, kai phrixei tous topous entautha horōn. Kathaper gar entautha en desmōtēriǭ dynchechleismenos, epieikēs pros pantas estin “ houtō kakeinoi pro tēs chriseōs, pro tēs mellousēs hēmeras, pros gynaika, pros paidia, pros tous oiketas esontai epieikesteroi. ᾿All᾽ apo tou theatrou ouk houtōs, all᾽ aēdesteron opsetai tēn gynaika, kai dyscherēs pros tous oikeious estai, paroxynthēsetai pros ta paidia, echthēriōthēsetai pros pantas. Megala kaka ta theatra paraschenazei tais polesi, megala, kai oude touto ismen hoti megala. Ei de ouk apechamete, exetasōmen kai tous tou gelōtos topous, ta symposia legō, entha parasitoi kai kolakes kai pollē hē tryphē, kai topous heterous, entha chōloi kai anapēroi. Palin ekei men methē kai tryphē kai diachysis, entautha de tounantion. Hora kai epi tou sōmatos, hotan phlegmainę̄, hotan eupathę̄, tachistēn echei pro? noson metaptōsin " hotan de chatestalmenon hē, ouk houtōs. Hina de saphesteron hymin ho legō poiēsō a, estō sōma echon poly haima kai sarkas pollas kai sphrigōn " touto kai apo tēs tychousēs trophēs pyreton dynēsetai tekein, an haplōs argēsę̄. "Estō de heteron limǭ mallon pachaion kai thlipsei - touto dysalōton kai dyschatagōniston pros arrhōstian. Haima kan hygies hē en hēmin, tǭ plēthei pollakis noson heteken " an de oligon hē, kan mē hygies, eukolōs chatergatthēnai dynatai. Houtō dē kai epi psychēs, hē men en anesei kai tryphę̄ oxyrrhopous echei pros hamar- “ian tas hormas " kai gar aponoias engys ē toiautē estēke kai hēdonēs kai kenodoxias kai phthonou kai epidoulōn kai sychophantiōn " all᾽ ouk hē en thlipsei kai autarkeią, alla pantōn toutōn apēllaktai. Idou hēlechē polis hēmin estin hē megalē hautē. Pothen oun tiktetai ta kaka? ouk apo tōn ploutountōn? ouk apo tōn chairontōn? Tines eis dikastēria helkousi? tines ousias diaspathōsin? hoi talaipōroi kai aperrhimmenoi, ē hoi megala physōntes kai kairontes? Ouk estin apo psychēs tethlimmenēs genesthai ti kakon. Oiden autēs to kerdos ho Paulos " dia touto phēsin’ Ē thlipsis hypomonēn katergazetai, hē de hypomonē dokimēn, hē de dokimē emlpida, hē de elpis ou kataischuigei. Mē dē chatapiptōmen en tais thlipsesin, all᾽ en hapasin eucharistōmen, hina ti cherdanōmen mega, hina eudochimēsōmen para tǭ Theǭ tǭ tas thlipseis synchōrounti. Mega thlipsis agathon " kai touto apo tōn paidōn tōn hēmeterōn manthanomen " chōris gar thlipseōs ouden an mathoi chrēsimon. Hēmei: de mallon autōn deometha thlipseōs. Ei gar ekeina tōn pathōn ēremountōn autois thallei 6, pollǭ mallon hēmeis, kai malista tosoutois synechomenoi, ᾿All᾽ hēmas mallon paidagōgous echein echrēn “ para men gar tōn kaidōn ta hamartēmata ouk an megala genoito, para de hēmōn sphodra megala. Paidagōgos de hēmōn hē thlipsis" Mēte oun epispōmetha autēn, kai parousan gennaiōs pherōmen, aei myriōn ousan agathōn aitian, hina kai tēs para tou theou rhopēs apolausōmen, kai tōn apokeimenōn agathōn tois agapōsin auton, en Christǭ Iēsou tǭ Kyriǭ hēmōn, meth᾽ hou tǭ Patri hama tǭ hagiǭ Pneumati doxa, kratos, timē, nyn kai aei, kai eis tous aiōnas tōn aiōnōn. ᾿Amēn.
“What then is man?” And there is an indictment of life and of its meanness, a reminder of the things to come, of the judgment. Each one goes home: from a wedding grieved, because he himself is not prospering; from mourning relieved, because he has not suffered such things, and he goes away with all the inflammation quenched. But what? Do you want us to compare prisons and theaters? For the one is a place of affliction, the other of pleasure. Come, then, let us see what results from each. There is much philosophy there; for where there is despondency, there is surely philosophy too. The man who was rich before, who was much puffed up, will even bear with an ordinary person talking to him, since fear and despondency fall on his soul like a fierce fire and soften its hardness; then he becomes humble, then gloomy, then he perceives the changes of life, then he is patient toward everything. But in the theater everything is waste of time and needless expense of days, the preparation of a strange desire, the practice of adultery, the training ground of sexual immorality, the school of licentiousness, an incitement to shamefulness, a cause of laughter, examples of indecency. But the prison is not like this; there is humility, comfort, an incitement to philosophy, contempt for the things of this life; … fear stands over him like a tutor over a child, shaping him to all that he ought to do. But if you like, let us examine the same places again in another way. I would like to meet a man coming down from the theater and another coming out of the prison, and you would see the soul of the one …, and of the other relieved, loosed, given wings. For the one goes away from the theater bound by the sight of the women there, bearing bonds harder than any iron: the places there, the words, the postures; but the other, coming out of the prison, released from everything, will no longer think that he suffers anything terrible, comparing his own lot with that of others. He will be grateful from then on that he is not bound; he will despise human affairs, seeing many rich men in misfortunes, men of great power bound there; and if he suffers something unjustly, he will endure this too; for there are many examples of this too there. He will come to think of the coming judgment, and will shudder seeing the places here. For just as one shut up here in a prison is reasonable toward everyone, so they too, before the judgment, before the coming day, will be more reasonable toward wife, toward children, toward servants. But it is not so with one coming from the theater; he will look on his wife with more distaste, will be harsh to his household, will be irritated with his children, will turn savage toward everyone. Theaters bring great evils on cities, great ones, and we do not even know that they are great. And if you are not weary, let us examine also the places of laughter, I mean the banquets, where there are parasites and flatterers and much luxury, and other places where there are the lame and the maimed. Again, there is drunkenness and luxury and dissipation, but here the opposite. See in the case of the body too: when it is inflamed, when it is in high condition, it most quickly falls into disease; but not so when it is kept low. To make what I say clearer to you, suppose a body with much blood and much flesh, and bursting with vigor: this one will be able to breed a fever even from ordinary food, if it is simply idle. But let another be thinned rather by hunger and affliction: this one is hard to catch and hard to overcome by sickness. Blood, even if it is healthy in us, has often by its abundance produced disease; but if it is little, even if it is not healthy, it can easily be dealt with. So too with the soul: the one at ease and in luxury has impulses quick to tip toward sin; for such a soul stands near to arrogance and pleasure and vainglory and envy and plots and false accusations; but not the one in affliction and self-sufficiency: it is free of all these. See how great a city ours is, this great one. Where then are evils born? Is it not from the rich? Is it not from those who are merry? Who drag people into the courts? Who squander estates? The wretched and the outcast, or those who are puffed up and merry? No evil can come from an afflicted soul. Paul knows its gain; that is why he says, “Affliction produces endurance, and endurance proven character, and proven character hope, and hope does not put to shame.” So let us not lose heart in afflictions, but give thanks in all things, so that we may gain something great, so that we may win approval with God, who allows afflictions. Affliction is a great good; and we learn this from our own children; for without affliction a child would learn nothing useful. And we need affliction more than they. For if those things flourish in them while their passions are quiet, much more in us, especially as we are held by so many passions. We ought rather to have tutors; for the sins of children could not be great, but ours are very great. And affliction is our tutor. So let us not draw it on ourselves, and when it comes let us bear it nobly, since it is always the cause of countless good things, so that we may enjoy the help of God and the good things laid up for those who love him, in Christ Jesus our Lord, with whom to the Father together with the Holy Spirit be glory, might, honor, now and always and to the ages of ages. Amen.
Textual problem in this passage: see the notes.
Rom 5:3–5 (quotation, high confidence) · 1 Thess 5:18 (allusion, medium confidence) · 1 Cor 2:9 (allusion, low confidence) · Jas 2:6 (allusion, low confidence)
Notes and citation
Summary: Chrysostom compares the prison and the theater, the house of mourning and the banquet, to show that affliction humbles and teaches while pleasure corrupts, and urges his hearers to accept affliction as God’s tutor.
- A few words are lost in the scan (marked “…”). Two blocks of Latin and footnote debris are removed, one at the end. Chrysostom’s attack on the theater, as a school of adultery and sexual immorality, is his usual polemic, translated as written.
- Quoted: Rom 5:3–5. Allusion: give thanks in all things (1 Thess 5:18); the good things laid up for those who love him (1 Cor 2:9).
Notes on the original text
- Digital text corrected (Latin and footnote debris removed; footnote debris removed): ἃ Ἔχεϊ ἀδοβὶ ἰῃ ὑπο. Ρ΄ΊΪῃ δοάοτῃ πολλὴ ἣἧ διάχυσις: → ; ἃ (ηυ5, οὔιως. Σαφέστερον οὖν ὑμῖν ποιύσω τὸν λόγον. δι ολρ ταν οἱ βυρογαίυγ. βδηξυ δ ᾿ἰσ6ὶ 5818 δὶῖ ἴῃ ποῦ δ, 4165 ἀἰϊαρίάδηι } δὴ πηβογὶ οἱ 86 ει, δι ἢ} οὶ ουποί ἀπ ἴῃ ὩΓυπι5, 864 ἐπ πη ι}5 γι }25 ᾿ στ δι} τοι θη ραν ἃ Δυά:εἶσ,, οἱ ν δε ἢν Μδοοομΐα μι, γι άα φυοπιοάο οἱ πα Ρ051 Βα γα ρα ϊοαιοιὶ. οἰ ἐχίιογίαἴιι8 608 δ6."οπ6 πιο, νη! ἵπ αγαείαπι. Ἐπ δὺι → .
Topics: Ethics
Cite (SBL): Chrysostom, Hom. Act. 42.4 (PG 60:316; trans. Sophia Scriptura, https://sophiascriptura.com/p/chrysostom-hom-acta/42-4). (abbreviation not yet checked)
Permanent link: https://sophiascriptura.com/p/chrysostom-hom-acta/42-4
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Translation: Translated by Claude (Opus) from the Greek as printed in Migne PG 60 (archive.org OCR); each batch then compared with NPNF1 11.