On the Shows 4

Summary: At baptism Christians renounce the devil, his pomp, and his angels, and since the shows are bound up with idolatry, that vow covers them too.

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Latin text · CSEL 20:6

Ne quis argutari nos putet, ad principalem auctoritatem conuertar ipsius signaculi nostri. cum aquam ingressi Christianam fidem in legis suae uerba profitemur, renuntiasse nos diabolo et pompae et angelis eius ore nostro contestamur. quid erit summum atque praecipuum, in quo diabolus et pompae et angeli eius censeantur, quam idololatria? ex qua, omnis immundus et nequam spiritus ut ita dixerim, quia nec diutius, de hoc. igitur si ex idololatria uniuersam spectaculorum paraturam constare constiterit, indubitate praeiudicatum erit etiam ad spectacula pertinere renuntiationis nostrae testimonium in lauacro, quae diabolo et pompae et angelis eius sint mancipata, scilicet per idololatrian. commemorabimus origines singulorum, quibus in cunabulis in saeculo adoleuerint, exinde titulos quorundam, quibus nominibus nuncupentur, exinde apparatus, quibus superstitionibus instruantur, tum loca, quibus praesidibus dicentur, tum artes, quibus auctoribus deputentur. si quid ex his non ad idolum pertinuerit, id neque ad idololatrian neque ad nostram eierationem pertinebit.

English · Claude translation

Lest anyone think we are quibbling, I will turn to the chief authority of our seal itself. When, entering the water, we profess the Christian faith in the words of its law, we testify with our own mouth that we have renounced the devil and his pomp and his angels. What will be the chief and principal thing in which the devil and his pomp and his angels are reckoned, if not idolatry? From it comes every unclean and wicked spirit, so to speak; I will not dwell on this any longer. So if it is established that the whole apparatus of the shows consists of idolatry, it will be settled beyond doubt that the testimony of our renunciation in the bath applies also to the shows, which are made over to the devil and his pomp and his angels, that is, through idolatry. We will recount the origins of each, in what cradles they grew up in the world; then the titles of some, by what names they are called; then their equipment, with what superstitions they are furnished; then the places, to what patrons they are dedicated; then the arts, to what authors they are ascribed. If any of these proves not to have been connected with an idol, it will concern neither idolatry nor our renunciation.

About this passage

Source
CSEL 20:6 · August Reifferscheid and Georg Wissowa, eds., Quinti Septimi Florentis Tertulliani Opera, Pars 1, CSEL 20 (Prague: Tempsky; Vienna: Tempsky; Leipzig: Freytag, 1890), 1–29 · Latin text: August Reifferscheid and Georg Wissowa (CSEL 20), digitized by Open Greek and Latin, University of Leipzig (csel-dev), CC BY-SA 4.0
Text
As printed in CSEL 20. Manuscript variants and the editor's apparatus are not reproduced; no textual problem is noted in this passage.
Translation
Claude translation (claude-opus-5-5), 2026-09-27 · Translated by Claude from the Latin text of CSEL 20; made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 3 (1885) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Scripture
Topics
Baptism, Ethics

Notes

Translation notes

  • “The devil and his angels” echoes Matt 25:41. The clause ex qua, omnis immundus et nequam spiritus ut ita dixerim appears to be incomplete in the text.

Notes on the original text

  • Digital text corrected (stray punctuation in the digital text): para; turam → paraturam.

Cite this passage

Tertullian, Spect. 4 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/4/).

Plain text
Tertullian, Spect. 4 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/4/).

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