On the Shows 30
Summary: The greatest show is still to come: Christ's return, the new Jerusalem, and the judgment, when persecutors, philosophers, and performers will burn and those who mocked Christ will see him.
Textual problem in this passage: the printed text is uncertain or disputed here. See the notes.
Latin text · CSEL 20:28–30
Quale autem spectaculum in proximo est aduentus domini iam indubitati, iam superbi, iam triumphantis! quae illa exultatio angelorum, quae gloria resurgentium sanctorum! quale regnum exinde iustorum! qualis ciuitas noua Hierusalem! at enim supersunt alia spectacula, ille ultimus et perpetuus iudicii dies, ille nationibus insperatus, ille derisus, cum tanta saeculi uetustas et tot eius natiuitates uno igni haurientur. quae tunc spectaculi latitudo! quid admirer? quid rideam? ubi gaudeam, ubi exultem, tot spectans reges, qui in caelum recepti nuntiabantur, cum Ioue ipso et ipsis suis testibus in imis tenebris congemescentes? item praesides persecutores dominici nominis saeuioribus quam ipsi flammis saeuierunt insultantes contra Christianos liquescentes? quos praeterea? sapientes illos philosophos coram discipulis suis una conflagrantibus erubescentes, quibus nihil ad deum pertinere suadebant, quibus animas aut nullas aut non in pristina corpora redituras adfirmabant? etiam poetas non ad Rhadamanthi nec ad Minonis, sed ad inopinati Christi tribunal palpitantes? tunc magis tragoedi audiendi, magis scilicet uocales in sua propria calamitate; tunc histriones cognoscendi, solutiores multo per ignem;tunc spectandus auriga in flammea rota totus ruber; tunc xystici contemplandi, non in gymnasiis, sed in igne *** iaculati, nisi quod ne tunc quidem illos uelim uisos, ut qui malim ad eos potius conspectum insatiabilem conferre, qui in dominum desaeuierunt. hic est ille, dicam, fabri aut quaestuariae filius, sabbati destructor, Samarites et daemonium habens; hic est quem a Iuda redemistis, hic est ille harundine et colaphis diuerberatus, sputamentis dedecoratus, felle et aceto potatus; hic est, quem clam discentes subripuerunt, ut surrexisse dicatur, hortulanus detraxit, ne lactucae suae frequentia commeantium adlaederentur. ut talia spectes, ut talibus exultes, quis tibi praetor aut consul aut quaestor aut sacerdos de sua liberalitate praestabit? et tamen haec iam quodammodo habemus per fidem spiritu imaginante repraesentata. ceterum qualia illa sunt, quae nec oculus uidit nec auris audiuit nec in cor hominis ascenderunt? credo, circo et utraque cauea et omni stadio gratiora.
English · Claude translation
But what a show is near at hand: the coming of the Lord, now no longer doubted, now exalted, now triumphant! What exultation of the angels, what glory of the rising saints! What a kingdom of the righteous thereafter! What a city, the new Jerusalem! Yet there remain other shows: that last and everlasting day of judgment, unexpected by the nations and mocked by them, when so great an age of the world and all its generations will be consumed in one fire. What a spectacle that will be, how vast! What shall I admire? What shall I laugh at? Where shall I rejoice, where exult, as I see so many kings, who were proclaimed as received into heaven, groaning together in the lowest darkness with Jupiter himself and with the very witnesses of their ascent? Likewise the governors, persecutors of the Lord's name, melting in flames fiercer than those with which they raged in their insolence against the Christians? Whom besides? Those wise philosophers, blushing before their disciples as they burn together with them, whom they persuaded that nothing concerned God, to whom they affirmed that souls either do not exist or will not return to their former bodies? The poets too, trembling before the tribunal not of Rhadamanthus or Minos, but of the unexpected Christ? Then the tragic actors will be more worth hearing, being more vocal, no doubt, in their own calamity; then the actors will be worth knowing, much looser-limbed through the fire; then the charioteer will be worth watching, red all over on his fiery wheel; then the athletes will be worth contemplating, thrown … not in the gymnasiums but in the fire; except that not even then would I wish to see them, as I would rather turn an insatiable gaze on those who raged against the Lord. “This,” I shall say, “is he, the son of the carpenter or of the harlot, the sabbath-breaker, the Samaritan who has a demon; this is he whom you bought from Judas; this is he who was beaten with the reed and with fists, dishonored with spittle, given gall and vinegar to drink; this is he whom his disciples stole away secretly, so that it might be said he had risen, or whom the gardener removed, so that his lettuces might not be trampled by the crowds of visitors.” That you may see such things, that you may exult in such things, what praetor or consul or quaestor or priest will provide them for you from his own bounty? And yet we already have these things in a way through faith, set before us by the imagining spirit. But what are those things which eye has not seen, nor ear heard, nor have they entered into the heart of man? More pleasing, I believe, than the circus and both theatres and every stadium.
About this passage
Notes
Translation notes
- Tertullian imagines confronting, at the judgment, those who raged against Jesus, and repeats the insults used against him: the carpenter's son (Matt 13:55), the sabbath-breaker, the Samaritan with a demon (John 8:48), the body stolen by the disciples (Matt 28:13) or moved by the gardener (cf. John 20:15). The charge that Jesus was the son of a prostitute (quaestuaria) is a hostile slander also reported by Celsus (Origen, Against Celsus 1.28, 32). Tertullian quotes these charges as his opponents' words in order to reject them, and his picture of persecutors and performers punished is his own rhetoric; both are translated as written. The passion details are Matt 26:15; 27:30, 34. The closing quotation is 1 Cor 2:9 (cf. Isa 64:4). A word is lost before iaculati (marked ***).
Notes on the original text
- Digital text corrected (stray character in the digital text; stray period in the digital text): magis > tragoedi → magis tragoedi; filius,. sabbati → filius, sabbati.
Cite this passage
Tertullian, Spect. 30 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/30/).
Plain text
Tertullian, Spect. 30 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/30/).
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