On the Shows 22
Summary: Pagans adore charioteers, actors, and gladiators yet strip them of civil rights, which confesses that their trade is shameful.
Latin text · CSEL 20:22–23
Quid mirum? inaequata ista hominum miscentium et commutantium statum boni et mali per inconstantiam sensus et iudicii uarietatem. etenim ipsi auctores et administratores spectaculorum quadrigarios scaenicos xysticos arenarios illos amantissimos, quibus uiri animas, feminae autem illis etiam corpora sua substernunt, propter quos se in ea committunt quae reprehendunt, ex eadem arte, qua magnifaciunt, deponunt et deminuunt, immo manifeste damnant ignominia et capitis minutione, arcentes curia rostris senatu equite ceterisque honoribus omnibus simul et ornamentis quibusdam. quanta peruersitas! amant quos multant, depretiant quos probant, artem magnificant, artificem notant. quale iudicium est, ut ob ea quis offuscetur, per quae promeretur? immo quanta confessio est malae rei! quarum actores, cum acceptissimi sint, sine nota non sunt.
English · Claude translation
What wonder? These are the inconsistencies of men who confuse and exchange the standing of good and evil through fickleness of feeling and variety of judgment. For the very sponsors and managers of the shows take those most beloved charioteers, actors, athletes, and gladiators, to whom men surrender their souls and women even their bodies, for whose sake they commit what they censure, and for the very art for which they make much of them they degrade and demean them; indeed they openly condemn them with disgrace and loss of civil rights, keeping them from the senate house, the rostra, the senate, the equestrian order, and all other offices, as well as from certain distinctions. What perversity! They love those whom they penalize; they cheapen those whom they approve; they magnify the art and brand the artist. What kind of judgment is it that a man should be disgraced for the very things by which he wins favor? Nay, what a confession of an evil thing! Its performers, though they are the most welcome of all, are not free of the mark of infamy.
About this passage
Notes
Notes on the original text
- Digital text corrected (word split in the digital text): minu tione → minutione.
Cite this passage
Tertullian, Spect. 22 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/22/).
Plain text
Tertullian, Spect. 22 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/22/).
Download citation:BibTeX ·RIS (Zotero, EndNote)
Whole work:BibTeX ·RIS ·Markdown text