On the Shows 16

Summary: The circus breeds frenzy, partisan passion, curses, and hatred, all of which contradict Christ's commands to love enemies and bless those who curse.

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Latin text · CSEL 20:17–18

Cum ergo furor interdicitur nobis, ab omni spectaculo auferimur, etiam a circo, ubi proprie furor praesidet. aspice populum ad id spectaculum iam cum furore uenientem, iam tumultuosum, iam caecum, iam de sponsionibus concitatum. tardus est illi praetor, semper oculi in urna eius cum sortibus uolutantur. dehinc ad signum anxii pendent, unius dementiae una uox est. cognosce dementiam de uanitate: misit, dicunt et nuntiant inuicem quod simul ab omnibus uisum est. teneo testimonium caecitatis: non uident missum quid sit, mappam putant; sed est diaboli ab alto praecipitati figura. ex eo itaque itur in furias et animos et discordias et quicquid non licet sacerdotibus pacis. inde maledicta, conuicia sine iustitia odii, etiam suffragia sine merito amoris. quid enim suum consecuturi sunt, qui illic agunt, qui sui non sunt? nisi forte hoc solum, per quod sui non sunt: de aliena infelicitate contristantur, de aliena felicitate laetantur. quicquid optant, quicquid abominantur, extraneum ab iis est; ita et amor apud illos otiosus et odium iniustum. an forsitan sine causa amare liceat quam sine causa odisse? deus certe etiam cum causa prohibet odisse, qui inimicos diligi iubet; deus etiam cum causa maledicere non sinit, qui maledicentes benedici praecipit. sed circo quid amarius, ubi ne principibus quidem aut ciuibus suis parcunt? si quid horum, quibus circus furit, alicubi conpetit sanctis, etiam in circo licebit, si uero nusquam, ideo nec in circo.

English · Claude translation

Since, then, frenzy is forbidden us, we are removed from every show, and from the circus too, where frenzy properly presides. Look at the people coming to that show already in a frenzy, already in an uproar, already blind, already excited over their bets. The praetor is too slow for them; their eyes are forever rolling in his urn along with the lots. Then they hang anxiously on the signal; one madness has one voice. Recognize the madness from its folly: “He has thrown it!” they say, and they announce to one another what all have seen at once. I hold the evidence of their blindness: they do not see what has been thrown. They think it a napkin; but it is the figure of the devil cast down from on high. From that, then, they go on into rages, passions, and quarrels, and whatever is unlawful for priests of peace. Then come curses and abuse without the justice of hatred, and cheers without the merit of love. For what will those gain of their own who act there, when they are not their own? Unless perhaps this alone, through which they are not their own: they are saddened by another's misfortune and glad at another's good fortune. Whatever they desire, whatever they loathe, is foreign to them; so their love is idle and their hatred unjust. Or is it perhaps more lawful to love without cause than to hate without cause? God certainly forbids us to hate even with cause, for he commands us to love our enemies; God does not allow us to curse even with cause, for he commands us to bless those who curse. But what is more bitter than the circus, where they do not spare even their rulers or their fellow citizens? If any of the things at which the circus rages befits the saints anywhere, it will be allowed in the circus too; but if nowhere, then not in the circus either.

About this passage

Source
CSEL 20:17–18 · August Reifferscheid and Georg Wissowa, eds., Quinti Septimi Florentis Tertulliani Opera, Pars 1, CSEL 20 (Prague: Tempsky; Vienna: Tempsky; Leipzig: Freytag, 1890), 1–29 · Latin text: August Reifferscheid and Georg Wissowa (CSEL 20), digitized by Open Greek and Latin, University of Leipzig (csel-dev), CC BY-SA 4.0
Text
As printed in CSEL 20. Manuscript variants and the editor's apparatus are not reproduced; no textual problem is noted in this passage.
Translation
Claude translation (claude-opus-5-5), 2026-09-27 · Translated by Claude from the Latin text of CSEL 20; made independently of existing English translations.
Compare
Ante-Nicene Fathers, vol. 3 (1885) (an older public-domain English translation, whole volume at CCEL; checked against ours only after ours was made)
Scripture
Topics
Ethics

Notes

Translation notes

  • The commands are Matt 5:44 and Luke 6:28. The napkin (mappa) dropped as the starting signal is likened to the devil cast down from heaven (cf. Luke 10:18; Rev 12:9).

Notes on the original text

  • Digital text corrected (stray bracket in the digital text; stray period in the digital text): pr[aetor → praetor; ideo nec. in circo → ideo nec in circo.

Cite this passage

Tertullian, Spect. 16 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/16/).

Plain text
Tertullian, Spect. 16 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/tertullian-spectaculis/16/).

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