Exhortation to the Greeks 4.58
Summary: Art has deceived even animals; the poets and craftsmen have filled the world with gods and made heaven a stage for comedy.
Greek text · Stählin 1:45–46
ἕστηκεν ὁ ἵππος ἡσυχῇ, ἡ πελειὰς ἀτρεμής, ἀργὸν τὸ πτερόν, ἡ δὲ βοῦς ἡ Δαιδάλου ἡ ἐκ τοῦ ξύλου πεποιημένη ταῦρον εἷλεν ἄγριον καὶ κατηνάγκασεν τὸ θηρίον ἡ τέχνη πλανήσασα ἐρώσης ἐπιβῆναι γυναικός. τοσοῦτον οἶστρον αἱ τέχναι κακοτεχνοῦσαι τοῖς ἀνοήτοις ἐνεποίησαν. ἀλλὰ τοὺς μὲν πιθήκους οἱ τούτων τροφεῖς καὶ μελεδωνοὶ τεθαυμάκασιν, ὅτι τῶν κηρίνων ἢ πηλίνων ὁμοιωμάτων καὶ κοροκοσμίων ἀπατᾷ τούτους οὐδέν· ὑμεῖς δὲ ἄρα καὶ πιθήκων χείρους γενήσεσθε λιθίνοις καὶ ξυλίνοις καὶ χρυσέοις καὶ ἐλεφαντίνοις ἀγαλματίοις καὶ γραφαῖς προσανέχοντες. τοιούτων ὑμῖν [οἱ] δημιουργοὶ ἀθυρμάτων ὀλεθρίων οἱ λιθοξόοι καὶ οἱ ἀνδριαντοποιοὶ γραφεῖς τε αὖ καὶ τέκτονες καὶ ποιηταί, πολύν τινα καὶ τοιοῦτον ὄχλον παρεισάγοντες. κατʼ ἀγροὺς μὲν Σατύρους καὶ Πᾶνας, ἀνὰ δὲ τὰς ὕλας Νύμφας τὰς ὀρειάδας καὶ τὰς ἁμαδρυάδας, ναὶ μὴν ἀλλὰ καὶ περὶ τὰ ὕδατα καὶ περὶ τοὺς ποταμοὺς καὶ τὰς πηγὰς τὰς Ναΐδας καὶ περὶ τὴν θάλατταν τὰς Νηρεΐδας. μάγοι δὲ ἤδη ἀσεβείας τῆς σφῶν αὐτῶν ὑπηρέτας δαίμονας αὐχοῦσιν, οἰκέτας αὐτοὺς ἑαυτοῖς καταγράψαντες, τοὺς κατηναγκασμένους δούλους ταῖς ἐπαοιδαῖς πεποιηκότες. γάμοι τε οὖν ἔτι καὶ παιδοποιίαι καὶ λοχεῖαι θεῶν μνημονευόμεναι καὶ μοιχεῖαι ᾀδόμεναι καὶ εὐωχίαι κωμῳδούμεναι καὶ γέλωτες παρὰ πότον εἰσαγόμενοι προτρέπουσι δή με ἀνακραγεῖν, κἂν σιωπῆσαι θέλω. οἴμοι τῆς ἀθεότητος· σκηνὴν πεποιήκατε τὸν οὐρανὸν καὶ τὸ θεῖον ὑμῖν δρᾶμα γεγένηται καὶ τὸ ἅγιον προσωπείοις δαιμονίων κεκωμῳδήκατε, τὴν ἀληθῆ θεοσέβειαν δεισιδαιμονίᾳ σατυρίσαντες.
English · Claude translation
The horse stands quiet, the dove is motionless, its wing idle; but the cow of Daedalus, made of wood, caught a wild bull, and art, deceiving the beast, compelled it to mount a woman in love. Such frenzy have the arts, practicing their evil craft, produced in the foolish. The keepers and trainers of monkeys have admired them because none of the wax or clay figures and girls' dolls deceives them; but you will turn out to be worse even than monkeys, devoting yourselves to little statues of stone, wood, gold, and ivory, and to paintings. The makers of such deadly playthings for you are the stonecutters and sculptors, and the painters, carpenters, and poets, who bring in a great crowd of this kind: in the fields Satyrs and Pans, in the woods the mountain Nymphs and the Hamadryads, and indeed around the waters and rivers and springs the Naiads, and around the sea the Nereids. The magi, moreover, boast of daemons as servants of their own impiety, enrolling them as their household slaves, having made them slaves by the compulsion of their incantations. So the marriages, begettings, and childbirths of the gods that are recorded, the adulteries that are sung, the feasts presented in comedy, and the laughter brought in at drinking parties urge me to cry out, even if I wish to keep silent. Alas for such godlessness! You have made heaven a stage, the divine has become a drama for you, and you have made a comedy of what is holy with the masks of daemons, turning true religion into a satyr play through superstition.
About this passage
Notes
Translation notes
- The cow of Daedalus is the one made for Pasiphae, mother of the Minotaur.
Notes on the original text
- Digital text corrected (accent and breathing missing on αὖ): γραφεῖς τε αὐ καὶ → γραφεῖς τε αὖ καὶ.
Cite this passage
Clement of Alexandria, Protr. 4.58 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/4/58/).
Plain text
Clement of Alexandria, Protr. 4.58 (trans. Sophia Scriptura, https://sophiascriptura.com/fathers/clement-protrepticus/4/58/).
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